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The Goderich Signal-Star, 1974-08-01, Page 20.4 efr , PAGE 4.A—GODERICH SIGNAL.STAR, TH„i,1RSDAY, AUGUST 1, 1974 „ y Private Lives needed too many cues BY SHIRLEY J. KELLER Last weeks offering at Huron Country Playhouse was Noe'1 ''Cd`var.d's Private I.,ivfs, often. called Coward's master pied.._ Unfortunately,' the Coward masterpiece lost' Much of•i•ts lustre and a good deal of its• ptinchy comedy as actors and actresses flubbed 1ineti and had to frequently (and loudly) . be prompted from the wings. • Part of the problem, no • doubt, is the absence of suf- ficient time to properly rehearse lines in a 'tight scheduling of performance.. That(, seems to .be a problem of all. summer stock thtltre efforts from time to,time, and it is to .be hoped the Huron Country Playhouse cast has' gotten back on track by the time this weekend rolls round with The Last of the Red Hot Lavers. Nevertheless-, Private Lives was an .enjoyable, -evening of light theatre entertainment'. . The audience. chuckled • often and occasionally roared with hearty laughter as the Chases and ,,,the Prynries, two 'married (or were they. unmarried?) couples went through their paces on stage. The story took place in France and told of Elyot Chase and Amanda,Prynne (formerly • Mr. and+Mrs. E:l•vot Chase) who met once again after their .divore'e, at a .honeymoon hotel in••'neighbtiring suites with their newly ' ccauired spouses. The new Mrs. Chase and Victor Prynne, groom' of the former Mrs. Chase, are left, alone to sort 'out' their ,own difficulties 'as Elyot and' Amanda realize they.are still in, love aod• leave the hotel together to take tip residence, in Amanda's flat in Paris. But Elyot (Thom Hayes) and Amanda (Ann deVilliers) find the course of "true love is still not smooth. And one evening during a 'violent quarrel, they are..visiced .by,Sybil (Rosemary Donnelly) and Victor (Alexan- der ,.Pearse ...who are . deter- mined to cl ttr tip •the terrible mess of who , is .married to . whom. By far th.e strongest actor on stage was Thom Hayes who -gave a• credible performance in the role of a” somewhat mixed up, love struck Englishman. Tci'' be fair, Mx.. Hayes .missed less lines •thari his fellow players And remained calm and .un- • flustered through.sev'eral tense moments of forgotten senten- ces. , • Ann de Villiers sparkled on What's the 'sun?...{ (continued from page 1A) youngsters swimming and 'on nature hikes.. - They have enjoyed fishing together. . They have prepared snacks m'ent• can conte when the girls together. The children' have a find themselves a little,short on • snack in themorning which patience because the children they wash down with freshie„, are slow'” learner, and when the The project can't afford milk." children don't talk and whew The girls instruct the. thinks' just don't move quickly, youngsters in arts and crafts. enough. Although the girls aren't But the girls are overcoming teaching the children anything the frustrations and disenchant r nevi academically, they ‘are tmerits and learning to love reviewing lessons of the last' I and respect the children.' past,,; year linarithmetic.and The girl~' begin their day at phonetics, 8:9!) a.m. with preparation for They recently began lessons activities which start, with the "in personal hygiene. The -,children's,.arrival at 9:00 a.rh. children practise . brushing The children ;leave at :3:00 teeth, washing hair 'and other ' p.m- giving the''girhh an. hour t basics that people do when they clean and log their progress in rise, iii ,the morning. ,,y," a report which will bet.seny to" The girls want; the' chiT(ren the federal' government as r the to have pride in their ap- end of August. • pearances. ' % yv v • • They don't measure progress Pride in " appearance, they in -terms of how much the: feel, .would bring tyle children a children learn but in how much, step closer to integrat'ign -with n. the children . gain. other: youngsters in the main- stream of .society: One of the project's goals is- to involve the youngsters ofroin Queen Elizabeth School in regular summer, programs. Q Other children have to be educated, hovvever•,''about'men• tai retardation, the girls say. 'Nit only children, but ,people in Goderich' as a whole. The girls say it is surprising the number of people who ,don't know that. Queeai Elizabeth School exists or that there are mentally retarded. children .in town: • -' ik 'They add that Open Doors should not be an OF?' project_,, in the future but,,•a regular program . :supported by t e, town. Carola, Nina, . Cheryl .and Lisa and•Debbie advarit:ed their own reasons fol -.wanting to be in Open Doors and the reasons are similar. They all hold a keen interest 'in doing what they can ' for these children because: of the. lack of activiti which 'would' otherwise be offered during the 9 summer. • / • Carol speaks earn.es,tlybout beingt interested in°f the special ,tag and was at her best when .reasonable facial 'expressions and, ° rlrllicic rig action were. the .or- der , wh „ Rosemary Donnelly 6�, catty„ played .Jean 'Mjitland in Stage 1)oor.. took on an entirely dif- ferent rolu and summoned .a tally retarded or not and when a withdrawn youngster opens, up and when they: see the sin- • cerity in these 'special children. Frustration and disenchant- • amount of believability. - Alexander Pearse, the slow and plodding butler in Stage Door, was not we'll prepared for the' role and seemed to be uneasy and uncertain as he ap- pearea before thc~" 'audiences,_. Top performance ince, again last week had to be' awarded to Joan Hanna, tat rernr;?rkable lads' of Huron Country Playhouse, who gave the minO role of Louise, the French maid, , everything she had. While not sneaking a word of English, she delighted the audience with her bounce and her flair for - the co;medy� situation. She 'stole- the show •in her brief'monlents ori stage and 4.4 earned even greater admiration °from among theatre goers. The sets for •Private Lives were gait and James Steers .can take a • bow for their authenticity. Rarely are plays attempted ,at the Playhouse' z:swhich 'require two different stage settings and the audience responded to the.change with '• well-deserved ;apr)lause.. SveWithOur, .tr rtgl Sdnal4as k.G'stt+'. • Your Fortune? Chinese Food? Canadian' 1 Dished? 1 1 1 1 cflINESE TE crr is ...rr •---+as.----wr [.•—re.ti--..ab 1 ,,,,..r.....,..„,‘...4..1R.Mr"mliass • Try our Dehaous Prepared Meals .OPEN Mon.- Thurs. 1O to to • W• Mie excellent Oln.np F•cll,l,es • We can also prepay Your meals for con•ement Takeout KIQ refreshffldots-da r` a One of the big'successes during 'Summerfest,was the Kin-• smen beer tent. Bob McDougall with the service 'club, holds. a pint that was one of the many cogsumed during the event. (staff photo) -'-,.,problems retarded, ' children face. Nina was in a •play called "Therm" which.'was written by Warren Robinson; `an English ,ane' dram teacher at Goderich District- Collegiate Institute. The'play depicted the role of retarded people in society'and how society reacts to them. Cheryl Was also in the play. The two girls; along with others the GDCI drama club went • -k'to• an institute in Palmerston for " the tnentally retarded _ to learn about them.. Lisa intends to' take a course in college . about counselling retarded children. She says the experience in Open Doors is in- valuable. Debbie 4ias the same aim. ail Lisa. •, Ali-. five have "worked as volunteers at Queen Elizabeth' during' reguiat 'schod'1 months. • • They', find .their work Both' satisfying and frustrating. They a • find themselves satisfied when the children hug them' and kiss them. and when the children respotJd'to having. chats n because few p^ople seem • to talk to them and when they find' that kids are kids, men-.. p. Fourth :Annual" CrcftF-�itival ` sponsored by �e Lucknow Agricultural Society in the Lurcknow Arena • 4A Fri. Aug. '2 rid 1 2 noon -10 -p.m. 'Sat. Aug\• 3rd 9ma.m:-6 p.m. - For further particulars contact secretary -treasurer Mr. -and. Mrs. Ross Errington 528-6693 %•%N.N.%%•%N.N.N.\a♦e♦•••Oo••a‘•%w•••••a%%‘•`%%%••••♦ arow r 44:irk aod.rrch Fri, - Sat. 10 to 1 • Sunday 11 to 10 fl Treat. • Yourself to dinner • out at the.... 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OF AN ENTIRE SCHOOL! / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / L_• , A PASIAMIKINT RELEASte2 DINO bE LMIMNT1*S pretence e .-AL INU BRRPICO" Produced by MARTIN EREOMAAi Otrected by *ONO/ WA ET Screenplay by WALDO IALTant FARMAN WEXLER Based or* therpoek by PETER. MAA* Mu4tc'by MIKI$ THEOODORAKIS Si gdo,svart. mar," r o neemsps nerorac ern-jaors bole, by'TECkM OLOR' b 'THE TEACHER' siARRING ANGEL: -TOM PKiNS' twir„ JAY NORTH ANTHONY•JAMES• MARLENE SCHMIDT. . nboout[Rw"MAVEDIS ;1 'l LENKE ROMANSZKY' nsioou Ci MARIENE SCHMIDT -'' mod jotrc 'THE TEACHER' Music sy SAMMY FAiN hots,' PAUL'f RANCIS WEBSTER HICKMAR PRODUCTIONS, INC. • A CROWN INTERNATIONAL RELEASE 4 n r • HER BEST LESSONS WERE TAUGHT AFTER CLASS! DMITTANCE ,JdYCE71MESON COLOR® *, A ;I8CWN `rrt,8„r/A,'C441 P,:rIIP1S 01' rex Oti0 N1000�.4.0ti11"4,0.0.1 ♦000♦ ♦0000000♦♦10,001\,,,,00,00►Noss,s,„‘s.v4s4410. ♦0000•14, �‘‘‘YNN.'.%'\1NNA♦ Nt.Y‘‘s.46 ♦`���Y ,������.��♦ ILII PETER BLATTY'S 0000000000000 0000N0NS.N +► ♦00000 %• 0Y0001N•0000040000000000N, ♦VSNA\00000N; 0000000000000000 000000000000 BR.QWNIE.' CLINTQN ONTARIO 831,r :E DOEN P M s- stagy.*S - t P y WEDNESDAY - THURSDAY - FRIDAY " a, July•.31r - August 1 - 2 "TAKES*OFF LIKE A BLAZING FOREST FIRE, WITH A THRILL A MINUTE!" GEORGE C. SCOTT \1I hE-N iCHOLS' • THE DAY 1c1'111 DOLPHIN • Trinity's bads in the saddle again still, - horsing around.' "Trinity .Zs-Sti1.1y.,Mame" - SATURDAY, - .MONDAY. TUESDAY August 3 - 5 „- 6' 03 ...Where nothing can w posably go, worn 9 Adult ,_. Entcrtoinment i • K , . WE 7 1 W O r pl L. LJ Y YUL",BRYNIvI'R ' RICHARD BENJAMIN .JAMES-.BROLIN Robbing 36 banks was easy. • Wi tch what happens when 'they hit•the 37th. LIKE US" "TNI SUNDAY, .ALW1IJST 4• r a: UNIT 'DUSK T•C DAWN HORRORFEATURE -'REMEMBERIPSYCDur here are scenes 4,4t" 'tat 1,nd o' .Teat'' Worth seeing '" �' •« Adult' En'tertainmen, p,, ,n.,r I,,TN.,Nnenc Tridiwon. "NIGtI?' OF THE. °.E 1 "IF YOUR FLESH , DOESN'T CRAWL, > S ON TOO TIGHT' .- sreneiluiepresints LIVIP4CAdult IErcrto,flmefl1et '�'rni ht DEAD Ado, "BLOOD AND 'BLACK LACE'" Adult ,s1:43:301 oN A MAN c SWING rx