The Citizen, 1995-05-31, Page 22Timothy Findley
vissebtoMy
By John Schedler
Legends of the Fall "1/2 (Columbia/Tristar) is certainly spectacular in
scope with its stunning western scenery hinting at an equally epic human
story. Anthony Hopkins plays a disillusioned U.S. Cavalry officer, who
retires to a ranch in the foothills of the Montana Rockies where he raises
his three sons played by Aidan Quinn, Henry Thomas and Brad Pitt. All is
well until the youngest returns from the east with his fiancé (Julia
Ormand), a sensual young woman who stirs a passion and rivalry among
the brothers that will change their lives forever. Unfortunately, after a fine
start the film turns into a long winded and contrived bore. (Rated R)
What sparked my interest in Ghost Brigade "1/2 (Turner) was director
George Hickenlooper whose superb documentary Hearts of Darkness
about the making of Apocalypse Now wowed movie audiences a couple of
years ago. Needless to say Ghost Brigade falls well short of his previous
work but, this Civil War story about soldiers returning from the dead to do
battle does have its moments. (Rated R)
If you've been wondering how they did all those great special effects in
Jurassic Park then The Making of Jurassic Park *** (MCA/Universal -
$12.95) is for you. This account covers the various production stages of
the highest grossing movie of all time from early pre-production, to
shooting, to state of the art post production: I found this documentary to
be highly entertaining and informative.
On April 14, 1912, shortly before midnight, the "unsinkable" Titanic
struck an iceberg. In less than three hours, it had plunged to the bottom of
the ocean, taking with it 1,500 of its 2,200 passengers. Over the ensuing
years this tragedy continues to fascinate people with numerous books,
television shows and feature films speculating on what actually caused
this mighty symbol of early 20th century technology to go to the bottom
of the sea on her maiden voyage.
Interest heightened even further when the remains of the Titanic were
found in 1985 by an expedition led by Dr. Robert Ballard and later
explorations by French fortune hunters and a joint Russian and Canadian
dive which resulted in valuable information being discovered as well as
the production of a giant screen IMAX movie.
But, before 1985 the most accurate information on the Titanic disaster
came from Walter Lord's book A Night ts) Remember and the subsequent
spectacular British film version starring Kenneth More which made a
lasting impression on me when it was released in 1958. Now the Criterion
laserdisc collection gives A Night to Remember **** (Voyager - $124.95)
deluxe treatment. In addition to a new digital letterbox transfer this disc
features an informative secondary audio commentary by Don Lynch,
author, and Ken Marshall, illustrator, of Titanic: An Illustrated History as
well as a 60 minute documentary, The Making of a Night to Remember
featuring producer William MacQuitty's rare behind the scenes footage.
A videocassette version minus all the extras is available from
Paramount Home Video.
You might also like to check out Titanic an A & E documentary as well
as Titanica produced by IMAX, both of which can be had on laserdisc
from Lumivision.
•
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Enjoying the sunshine
While the students of Grey Central Public School
participated in track and field events last Friday, Melanie
Lefor, left, Vesna Milinkovic and Ashley Halley, hidden, fill
some spare time with a game of tetherball.
PAGE 22. THE CITIZEN, WEDNESDAY, MAY 31, 1995.
Book review
Findley novel reflects upheaval of an era
By Jerry McDonnell
Findley, Timothy The Piano
Man's Daughter. Harpercollins,
Toronto. c1995. ISBN 0-00-
224379-2.
Timothy Findley writes many-
dimensioned, multi-layered novels
and this one is no exception. At the
same time, the stories are easily
accessible and lead the reader on
from one incident to another.
This novel covers the time period
from the 1860s to 1939 and reflects
the upheaval of that era. Societal
relations, morals and manners all
changed a great deal but it was still
different from the late 20th century
in many ways.
The piano man gives a small-
town demonstration of his
company's merchandise and has a
one-night affair in a field with
Edith Kilworth, the daughter of a
local family. Before he 'knows that
Edith is pregnant he is killed in a
traffic accident and we are
introduced to the problem of absent
parents.
Lily is born in the field where she
was conceived and inherits the
family tendency to epilepsy. These
two causes mean that she will
always be an outsider. Society,
which is the family, finds her an
embarrassment and she suffers
from the absence of parents to the
extent that she is unbalanced. Fire
becomes the method she uses to
communicate and her son becomes
her guardian from an early age.
Fire sends forth a siren call to Lily
and it is enticing, but it is one of
the things she must escape.
Absence, in fact, is one of the
main themes of the story. James
Kilworth, Edith's father, is absent
although always present. Edith'
leaves when she marries and Lily is
cast aside by the new husband. Lily
drifts in and out of another kind of
absence from her son and Charlie is
forced to be the parent.
All of these family relationships
are askew and can never be righted.
Some are more acceptable to
society than others but all are
problematic.
Complications come in the form
of aging parents, incarceration and
failure to communicate in ways that
other people can understand. Lily's
brother, Liam cannot connect with
the rest of the world, her stepfather,
Frederick, is a tyrant whose only
concern is climbing in society and
Edith's father-in-law is a misan-
thrope,
Relationships with nature are
also under examination. Lily has
an obvious connection with the
field. This is explored in her
obsession with ants and in jumping
in the hay with Lizzie Wyatt. To
Lily, the ants have a perfectly
organized society and when their
king is killed by her brother, Lily
encases the body and keeps it until
her own death. She tells Charlie
how ants touch, communicate, taste
each other and all work with the
same purpose.
She let one large black ant climb
onto the palm of her hand and
showed it to me. "You must
never kill an ant," she said. "You
must never step on one or pick
one up and pinch it. If you pick
one up, you must look at him and
let him go. These are the
wonders of the world, Charlie -
all these creatures here..." She
laid her hand on the earth - and
the ant walked away.
For Lily all of nature sings
whereas people do not. The
communications between people
break down and they are left to live
in isolation.
No one knows how to deal with
Lily's mental and physical
problems. Her stepfather locks her
away when there is company. Her
son tries to protect her and is loathe
to admit that there is an
increasingly serious problem. Even
when there are fires he cannot
admit the danger.
Many people in the story see
little difference between epilepsy
and mental illness - not surprising
considering the time frame. The
only people who seem able to cope
on a continuing basis are servants
and the only people who seem to
understand are the walking
wounded from World War I. The
only real companions Lily has
besides her son and her lifelong
friend Eleanor are Ada and. Neddy,
who are themselves outcasts and
misfits.
We know that Lily is fascinated
with fire. She hears voices
emanating from flames and uses
fire to send messages. After her
half-brother kills the beloved ants,
she sets fire to everything in his
closet. Her death is by fire in a
mental institution and Charlie
spends a good deal of his young
life hiding matches from his
mother.
Throughout most of his life
Charlie tries to get Lily to tell him
the name of his father.
She comes close at times but
always drifts off and leaves the
impression that she does not know
for sure. Eventually, however, the
mystery is solved for Charlie and
the reader from an unexpected
corner.
What does all of this agony add
up to? This is a very good and very
moving drama of families which
work only on a surface level but
which are irrevocably connected by
physical, mental and spiritual
bonds. One can leave but one can
never get away. Absence does not
make the heart grow fonder but
neither does it ever mean that one
can let go.
Unlike the ants, families and the
society of humans fail to touch, to
communicate and to sing. They do
not respect personal boundaries and
drain the life out of each other.
They intrude and harm other people
even when they are trying to help
and protect. There is precious little
warmth. Most family members do
not nurture each other but they do
appear in emergencies.
This novel is excellent. The
reader feels sorry for Charlie and
Lily but also appreciates their inner
strength. These are people who
endure - who survive and usually
surmount incredible odds. They
find support where they can and
make the best of everything
including the absence of those
whom they need.
The writing sings. Even when I
hated much of what was happening
and found it Gothic, I could not
stop reading.
The plot threads which seem
unconnected at first, come
inexorably together. the conclusion
is satisfying and inevitable.
The book is recommended to
fans of Timothy Findley and to
those who have not yet had the
pleasure of reading his work.
E The news from
thel
Icomoted
14 tables
at euchre
Fourteen tables of euchre were in
play at the Ethel Hall Monday
evening, hosted by Brenda Boyer,
Helen Dobson and Dorothy Dil-
worth.
Winners were: high lady, Helen
Dobson; high man, Adrian Ver-
stoep; most lone hands, Roberta
Simpson, Harold Metcalfe; hidden
number, Margaret Crowe and Bob
Bateman; lucky table, Freda
D'Arcey, Jim Smith, Isabel Gray,
John Subject; tally card, Bill Craig,
Jean McNaughton, Keith Tumbull,
Iola Subject, Bill Dobson, June
Jacklin, Aileen Mann.
The next euchre is June 5.
Sympathy is extended to Carol
and Barry Jacklin and family on the
recent loss of Carol's morn Leona
Wick of Listowel.
• Better results can be achieved by
retiring the scale and measuring
success by regular activity and
healthy eating habits.