The Citizen, 1994-07-27, Page 20r ?0 THE CITIZEN, WEDNESDAY, JULY 27,1994.
It took a tough decision to repair Hall
There would be no
Blyth Festival today if
a courageous decision
hadn't been made in
1974 to undertake
extensive renovations
to Memorial Hall. It
wasn't an easy
decision.
BY KEITH ROULSTON
Looking back on it now, it may have
been the best $8,648 the council of the
Village of Blyth ever spent, though there
was doubt about it at the lime.
That's how much, an article in the
Aug. 13, 1975 issue of The Blyth Standard
reveals, that it cost the taxpayers of Blyth to
put Memorial Hall back in use in the fall of
1974. By comparison, the Blyth Festival
(which wouldn't have been started if village
councillors hadn't stuck their neck out and
invested the money) today pays $6,000 (?) a
year in property taxes on its properties in the
village.
But as 1974 dollars were bigger than
today's, as the gamble seemed large for
councillors who didn’t even know there
would be a Blyth Festival, let alone that it
would grow to what it has become today, a
$1 million a year operation and a major
employer in the village.
Back then councillors were looking at
spending money they didn't have to repair a
building that was seldom used. The theatre
auditorium in Memorial Hall had come to
the point of being used only once or twice a
year by the early 1970s. The paint was
faded, the dust was deep, and there were
half-century old, painted backdrops on the
stage. But in the summer of 1972 the
potential had been recognized by the Blyth
Board of Trade under the leadership of
Helen Gowing. When asked by the Blyth
Agricultural Society to host the Queen of the
Fair contest for the Fall Fair, Mrs. Gowing
felt the old theatre would be a fitting place.
The Blyth Recreation Committee, under
Chairman George Hubbard, agreed the hall
should be spruced up. With the work of a
large group of volunteers and materials
supplied through donations, crews worked in
the old hall during the summer of 1972 to
clean and repaint the building.
But there was more wrong than a spit and
polish could erase. The 52-year-old building
did not meet modern fire codes and fire
officials let it be known that the Queen of
the Fair Concert would be the last event held
in the theatre until proper fire escapes were
built. It was one thing to get a few donations
for paint, but getting money to build a fire
escape and. install a new fire door was a
bigger project than volunteers could manage.
Supporters of putting Memorial Hall back in
action had to turn to village council, owners
of the building, for support.
Council held considerable discussion
before agreeing to install the fire escape in
the spring of 1973, but that was just the
beginning of the fun and games. Before the
fire escape could be installed, someone
worried about the safety of the electrical
wiring in the hall. An Ontario Hydro
Inspector was called in and said that the
wiring wasn’t pretty, and needed minor
changes, but it wasn't unsafe.
But one of the councillors with
experience in building had been worried for
some time about a sag in the roof of the
building. Councillors agreed they shouldn't
spend any more money on the building until
an engineer made sure the roof was safe. The
engineer indeed found that there was a
design fault in the roof that made it
structurally unsound.
And now the debate really began. If the
theatre was to be kept in use, the only
alternative was to take the old roof off and
put a new one on, which would meet the
modern building code requirements. The
alternative would be to put supports from
floor to ceiling in the theatre to hold up the
roof and allow the basement of Memorial
Hall, which was busy nearly every evening
with meetings, banquets and dances, to
continue to be used.
The debate continued for months between
those in the village who thought it was a
colossal waste of money to repair the
building and those who felt the theatre
should be kept in working order. In the end,
those who felt the hall, built as a memorial
to those who served in World War I, should
be preserved, won out.
But even then the story wasn't over.
When village council called tenders for the
project in June 1974, the July 3, issue of The
Blyth Standard reported that the lowest
tender was S47,750, well over the engineer’s
estimate of $30,000. It would have meant a
huge increase in the village lax bill to
continue the project under the circumstance.
Village Council again called a halt, sending
a letter to supporting groups to see if they
could come up with any additional money.
But a new company, making use of the
labour of Amish workers, later put in a bid
of $30,000 to do the work and with some
trepidation, councillors agreed to award
them the contract the Sept. 11, 1974 issue of
The Blyth Standard reported. The Oct. 2
issue of The Standard shows workers
beginning the demolition of the old roof.
In the long run, the cost to the Blyth
taxpayers was only a fraction of the total.
The village got a community centres grant
for $8,648 and a winter works grant of
$6,642. The Blyth Swinging Seniors
received a $5,000 grant through the New
Horizons program. Taxpayers ended up
paying $2,092.74 a year over five years to
put the Hall back in use. By the spring of
1975 plans for the Blyth Festival were
underway. None of it would have been
possible, however, without the councillors'
courage to go ahead with the project despite
their misgivings.
Memorial Hall remains a living
memorial to community’s soldiers
If Blyth-arca residents who decided to
build a theatre instead of a cenotaph wanted
a living memorial to those who served in
World War I, they have certainly had that in
the past 20 years
Since the new roof was put on Memorial
Hall in 1974, there have been three
significant renovation projects.
The first began in the winter of 1975-76,
after the Blyth Summer Festival's first
season. With the help of a winter works grant
which paid for the labour, the Festival
undertook to restore the interior beauty of
Memorial Hall's theatre. The scats were all
removed and the old varnish, which had
threatened to glue theatre patrons to their
scats on hot nights during the first season,
was painted over. The floors were sanded
and varnished. All the woodwork in the
auditorium and on the stairways leading to it,
were Stripped and varnished. The walls were
repainted.
A little money and a lot of elbow grease
went a long way in making the hall more
beautiful, but it did nothing to solve the lack
of space for dressing rooms, offices and
storage space for sets. So in the fall of 1979,
the Festival undertook its biggest project yet,
an addition to the north side of Memorial
Hall al a cost of more than S300.000. Most
of the money went into Memorial Hall itself,
however, to bring it up to building code
requirements, including fire doors
throughout the building and a sprinkler
system.
Still, the Festival lacked space for proper
shops for building sets and costumes. For
many years the work had been carried on
under intolerable conditions in a donated
vacant space above the town offices where
the Masonic Lodge is today.
In the late 1980s the Festival set out on a
huge project which would see the old garage
building it had purchased on Dinsley St. East
expanded to provide shops for sets, props
and costumes and a new rehearsal space.
Memorial Hall itself would be expanded to
the south to link up with the Festival's
administrative building (the building that
formerly housed the Bank of Commerce and
Stewart's Groceries). This addition created
badly needed washrooms, a fine art gallery, a
box office with space enough to
accommodate more people and a lobby and
covered courtyard to allow theatre-goers to
get out of the rain on unpleasant nights.
/F The
Township
of Grey
would like to
congratulate the
Blyth Festival on
its 20th Season.V—-
4
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J-fats off to tfie. ‘BCytft JcstivaC
for its long run in support of Canadian Theatre
Best Wishes for the future
Chauncey’s Hairstyling
Chances are you’ll love It!
Blyth 523-9722
4
4*
CONGRATULATIONS TO THE
BLYTH
FESTIVAL
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‘The Village of (Blyth Council,
(Public Utilities Commission
and the residents, salute the
(Blyth festival on 20
successful seasons and effend
a sincere welcome to visitors
and former members of
‘festival companies.