The Citizen, 1991-09-04, Page 23THE CITIZEN, WEDNESDAY, SEPTEMBER 4,1991. PAGE 23.
Theatre review
Happy 20thA new
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giving
A national program to encourage giving
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Treasure Island fun for all
A schemer and a dreamer
Leon Pownall as the pirate Long John Silver, left, casts his
spell on the young Jim Hawkins, played by Geoffrey
Brumlik in Elliott Hayes' adaptation of Robert Louis
Stevenson's classic Treasure Island appearing at Stratford
Festival.
by Bonnie Gropp
I'm certain when Robert Louis
Stevenson wrote Treasure Island
he never imagined the phrase "that
was cool" would ever be used in
praise of a stage adaptation of his
classic tale. This was, however, the
reaction of my eight-year-old son,
when we took him and his sister to
the production at Stratford Festival.
When it comes to theatre, my
youngest critic is a hard sell and
this is without a doubt the highest
accolade he can bestow.
Robert Louis Stevenson penned
many colourful adventure stories,
perfect for tantalizing and inspiring
the imaginations of the young and
young-at-heart. Adapted for stage
by Elliott Hayes and directed by
Artistic Director David William,
this Treasure Island brings that
imagination to life with realistic
choreographed fight scenes, lively
acrobatics, flamboyant characters,
colourful costumes, and even an
upstaging parrot.
As a boy Stevenson was belea
guered with bouts of illness and his
love of adventure stories was nur
tured by his childhood nurse and
companion through her recounting
of fiction stories and tales of Scot
land's bloody history.
It was while recovering from
tuberculosis in a sanitarium that
Stevenson completed Treasure
Island ending a bad case of writer's
block that had also been plaguing
him.
The story begins with young Jim
Hawkins and an aged pirate Billy
Bones, who arrives at the Admiral
Benbow Inn, run by Jim's mother.
Bones confides in Jim about a hid
den treasure and warns him to be
alert for a man with one leg.
When another pirate, Black Dog,
arrives to claim the map to the trea
sure, Bones fights and chases him
from the Inn. Then Blind Pew
arrives and tells Bones his time has
come. Bones dies, then Jim discov
ers the map that the other pirates
will kill for.
When Jim takes the map to
Squire Trelawney and Doctor
Livesey, the real adventure begins,
as they plan to travel to Skeleton
Island and uncover the buried trea
sure. Trelawney goes to get the
ship "The Hispaniola" and hires a
crew that includes a man with one
leg, Long John Silver.
Smollett, the ship's captain is sus
picious, however, and thus not sur
prised when Hawkins comes to tell
them he has heard the men dis
cussing mutiny. In an attempt to
sabotage their scheme he tricks the
pirate crew into going ashore, but
when he is reminded there are still
others left behind in the hold and
learns Jim also went ashore, he and
the rest follow.
On the island, Hawkins meets
Ben Gunn, a spirited elf of a man,
who was once a pirate, and has
been ship-wrecked on the island for
the past three years. Gunn offers to
help in return for passage off the
island and leads Jim to the stockade
where the Squire and his company
are battling with the pirates. Jim
decides to do what he perceives as
his duty and returns to recover the
Hispaniola from the pirates still on
board.
When he returns to the island to
boast of his accomplishments he is
nabbed by Long John Silver and
his men.
Doctor Livesey promises to do
what he can to save Silver from the
gallows in return for Silver's word
that he will spare Jim's life. Then
with the help of Ben Gunn, the
pirates are defeated, the treasure
discovered and the adventurers
return home.
I chose to take my young chil
dren to see the Stratford production
because, while they have attended
live theatre, their exposure to the
classics has been limited. I felt
Treasure Island would be an ideal
introduction and I wasn't wrong.
This production is perfect for
novice theatre-goers to cut their
teeth on. Debra Hanson's set design
is simple, yet effective, while the
breath-taking stunts co-ordinated
by John Stead leave the audience
wide-eyed. Though the dialogue
can be challenging at times, with its
accents and nautical phrases, the
plot is simple enough for the
youngest child.
A story like this will not only
enthrall older audiences, but inspire
their children. ItJ sparks in us all,
that which is the flame of our child
hood imaginings and the action
awakens our basic spirit of adven
ture.
Music sets
the mood
of play
continued from page 8
grew up in.” Perhaps one of the most
effective aspects of this play is the
atmosphere created by the bluegrass
music of Michael Taylor, which
sidles into the Cornflower story like a
trout among smooth rocks,” says
another reviewer. ” Cornflower Blue
features the acting talents of Donald
Adams, John Jarvis, Maggie Nagle,
Jan Wood and musicians Michael
Taylor and Gary ‘Humphrey” Walsh.
The tour of Cornflower Blue which
was commissioned by Prairie Theatre
Exchange, is made possible through
the generous support of the Touring
Theatre Programme of the Ontario
Arts Council, Ontario Ministry of
Northern Affairs, Ontario Ministry of
Culture & Communications, Canada
Council Touring Office, Ideal Supply
Company and Journey's End Motels.
Cornflower Blue is directed by Kim
McCaw with set design by Dennis
Horn, lighting design by Leslie
Wilkinson, costumes designed by
Mary Fulford, and assistant direction
by Laurel Paetz.
Since 1980, the Blyth Festival has
toured Ontario on an annual basis,
sharing with audiences: The Perils of
Persephone by Dan Needles, The
Mail Order Bride by Robert Clinton,
Bordertown Cafe by Kelly Rebar,
Another Season’s Promise by Anne
Chislett and Keith Roulston, Quiet in
the Land and The Tomorrow Box by
Anne Chislett, Cake-Walk by Colleen
Curran, Country Hearts by Ted Johns
and John Roby, The School Show, St.
Sam of the Nukes and Garrison's
Garage by Ted Johns.
Happy Birthday
Trevie
Love Dawn
the I
Blyth Iw
THURSDAY NIGHT IS
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WINGS 35c EACH
MINIMUM ORDER 10
a variety of sauces available
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Lindsay and Bonnie
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CHICKEN WINGS &
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1
Bruce
Hooper are pleased to
announce their forth
coming marriage to take
place on Friday, September
20, 1991 at St. Matthew’s
Lutheran Chapel, Kitch
THURS., FRI. & SAT. NITES
PIZZA
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ENTERTAINMENT
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