Townsman, 1991-07, Page 42Cd1IIMM
Living in the
mine -field
By Keith Roulston
I was watching a movie on televi-
sion the other night and I didn't know
whether I was supposed to cheer or
tut -tut when Whoopi Goldberg and
Sam Elliott played a love scene.
Now usually love scenes are pretty
happy occasions and I think I was
supposed to be in favour of this one
but I'm not always up to date on my
political correctness so I was left
uneasy by what my reaction should
be. See, in case you didn't know,
Whoopy is a black woman and Sam is
a white man.
The movie played it pretty cagey
about whether anything really hap-
pened: sort of the way the 1940s
movies used to do when the camera
shifted off the curtains blowing in the
wind or waves breaking on the shore.
One minute the camera showed him
consoling her and hugging her, the
next it showed her having a shower,
coming out and looking at the rum-
pled bed and calling out to Sam who
had taken off to parts unknown. None
of those full-blown, down and naked
scenes you see in so many movies
these days. Besides the fact neither
Sam or Whoopy are exactly body -
beautiful, the North American audi-
ence still might not be up to graphic
love -making between black and white
on the screen.
But what worried me was what the
politically -correct reaction to the
scene was supposed to be. At one time
such a thing was taboo, of course. In
the days when Harry Belcfonte creat-
ed a stir just by holding hands and
kissing Julie Andrews on the cheek on
television, a love scene between a
black and white would have been seen
as a courageous act of liberation. Then
things switched around and blacks
were supposed to only care about
blacks—a black woman being made
40 TOWNSMAN/JULY-AUGUST 1991
love to by a white man would have
been seen as political subjugation.
Now? Well, I don't know. These
things change so often and so fast, I
don't know what's politically correct
anymore.
I find I'm always behind on my
political correctness these days sort of
like I am with fashion. By the time I
finally get a tie that's the right width, I
find they've changed the proper width
again. It's that way with political cor-
rectness too. By the time I catch up on
what I'm supposed to believe, I'm not
supposed to believe it any more.
This can be dangerous, especially
when you're on display to thousands
of people every week in a newspaper.
One slip of the computer key and you
can be branded a white, chauvinist,
neanderthal, racist man for life.
The ground is especially dangerous
because of course a lot of political
correctness comes in the use of the
right words. I recently read where
some supposedly politically -correct
woman used the term that things were
not "in black and white", then apolo-
gized because that was a racist term.
Really? I always thought it meant just
that things were clearly one thing or
another, not some muddled middle
mixture of grey. Maybe I'm wrong. I
mean just because people of dark skin
colour decided they'd rather be
"black" than negro, does it make an
expression that had nothing to do with
racism suddenly racist? Then again,
maybe the politically correct woman
was behind the times herself. I heard
recently that "black" is out and
African-American is the politically
correct term now.
The mine -field gets more danger-
ous when it comes to dealing with
men and women. I mean even in the
U.S., the black population is only 10
per cent of the total population so the
number of people you can upset by
using the wrong words is limited.
Since women make up 50 per cent of
the population, the potential for
putting your foot in it is infinitely
greater.
The biggest problem in my busi-
ness, of course, is the language. Gen-
erally, anything with the letters "man"
in it is verbotten, even if it had noth-
ing to do with sexism in the first
place. (Where this puts the word
woman, I haven't figured out.)
Now some of the new, non-sexist
language makes good sense. Chang-
ing the Workmen's Compensation
Board to the Workers' Compensation
Board not only makes sense, but it
probably saves us money because
there are fewer letters to be painted on
office signs. Making Canada Man-
power Centres into Canada Employ-
ment Centres probably tells us more
of what the place is all about anyway.
But I'd have to be a pretty strong fem-
inist before I'd rather be called a
"chair" than a chairman. A chair, last
time I looked, was an inanimate
object. Now I've known a fair share of
leaders of organizations who have
been just that, so I think I'd rather get
along with the horrible three letters on
the end until somebody can come up
with a word that's really an improve-
ment.
Which is where I ask for trouble, I
guess. In my writing, the leader of an
organization is still a chairman until
somebody can find something that
makes sense. It seems to me that all
we have to do is ignore the history of
the word and it can be perfectly
acceptable.
In my other life, for instance, I'm a
playwright which means a crafter of
plays just as a millwright means a
crafter of mills or a ploughwright
means a crafter of ploughs. It's pretty
archaic language but nobody seems in
a rush to change the word to playwrite
as they have in the U.S. because
nobody has turned it into a political
issue. Words are what we make them.
If one minute black is beautiful and
the next it isn't, it isn't the word that
changed, just our attitudes.
All of which, I suppose, is what
makes me retarded in my political
correctness. Of course retarded has
been politically -corrected to "mentally
challenged"—but then I am that every
day of my life.