The Citizen, 1989-10-25, Page 19PAGE 20. THE CITIZEN, WEDNESDAY, OCTOBER 25, 1989.
Renee Stalenhoef puts her talent back to work
Performing again
The interest of Stratford pianist Paul Coates (left) has brought
performing again. She will
accompanying her.
BY LISA BOONSTOPPEL
When someone is blessed with
true talent, it isn’t long before they
are in demand to exhibit their art.
Such is the case for Renee Stalen
hoef of Auburn who was a famous
opera singer for the Dutch National
Opera and is now to perform again
thanks to Paul Coates who invited
her to perform in the Gordon Scott
Community Concert Series in Strat
ford.
This is a new venture for the
illustrious 43-year-old singer who
has performed with the Kitchener
Philharmonic Choir, the London
Fanshawe Choir, The Blyth Sum
mer Festival and the Saugeen Bach
Choir since she emigrated to
Canada in 1983.
Although Mrs. Stalenhoef is a
singer of classical repertoire, she
has always specialized in opera and
oratorials. So performing a vocal
recital for the Gordon Scott Com
munity Concert Series will be a new
experience as she teams up with
Mr. Coates, the artistic director of
the series.
It all began when Mr. Coates
heard Mrs. Stalenhoef sing at the
ceremony to dedicate a piano to
Gordon Scott. He was very im
pressed with her voice and wanted
to team up with her to perform
recitals. Intrigued by the idea,
Mrs. Stalenhoef accepted and the
pair have been practicing for their
debut performance on November 5
at St. John’s United Church in
Stratford.
They are the first feature of the
concert series which also includes
Catherine Robertson, Fiona Wilk
inson and the Kingsway College
Choir. Mrs. Stalenhoef and Mr.
Coates will be performing works by
Rossini, Schubert, Tchaikovsky,
Wolf-Ferrarri and operatic arias.
Mrs. Stalenhoef explained that
the interpretation of these works
will be far different in the recital
than when doing an opera. “In
opera, you really have to throw
your voice out and you use gestures
and movement to interpret the
music. It is a great challenge to
portray the story of the music by
your expression because you don’t
have the movement.’’
Yet acting through expression
perform in concert at Stratford
and movement was all a part of the
training she received after her flair
for the performing arts led her to
Renee Stalenhoef back to serious
November 5 with Mr. Coates
her first concert debut in Amster
dam and then onto the Academy of
Music in Amsterdam to study with
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the head voice teacher, Coby
Riemersma. Mrs. Stalenhoef cre
dits her father with getting her
started in the field of classical
music. “My father played piano
well and confronted me with opera
scores as soon as I could read and
read music,” she said. “I found
that singing was natural to me.”
Then as she went through school,
she found that she was really
different from the other children
because she was so in love with
classical music. “I have always
been an exception,” she says with
a hearty laugh. “At the time that
everybody was crazy about Elvis
Presley, I was crazy about Maria
Callas, the greatest opera singer,”
she said.
After the conservatory, Mrs.
Stalenhoef who was then known as
Renee VanHaarlen, was accepted
with the Dutch National Opera
which offered her a guaranteed
contract for life. She sang for th
opera for 12 years and reached the
peak of her popularity by the time
she was 30 years old. During this
time she was also involved in other
projects such as the Dutch Bach
and Handel societies and the
Holland and French Summer Festi
vals. She has worked with such
international conductors as Gary
Bertini, Edo de Waart, Hans Vonk
and Richard Bonynge.
“I absolutely loved it,” said
Mrs. Stalenhoef of her career
which took her across Europe to
such countries as Belgium, France,
Germany and Finland. Her career
also kept her very busy as she has
performed in more than 800 distin
guished performances.
Although Mrs. Stalenhoef reach
ed the peak of her popularity when
she was 30, she says that a good
classical singer is vocally on top
when she is about 45. “A singer
can, if they have a good technique,
sing until they are 50 or 60,” she
said and this is the reason that
operatic singing is so different from
many of the other performing arts
because the possessor of the talent
just can’t sustain their talent as in
the case of a ballet dancer who’s
career is usually over by the time
they are 30 to 35 said Mrs.
Stalenhoef.
Operatic singers are better as
they get older because they have
experienced so many more of the
experiences of life. “You can never
perform if you don’t know the
Continued on page 27
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