Village Squire, 1977-12, Page 45Canadian movie breakthrough probably
began with the success of The Apprentice-
ship of Duddy Kravitz. the first Canadian
movie to be popular at home and abroad.
It was based on Mordecai Richter's best
seller a solid base to build on.
The next big hit was Lies My Father Told
Me. from the story of another Montreal
writer, Ted Allen. This year's biggest hit
so far has been Why Shoot the Teacher?
Again from a successful novel this time by
Max Braithwaite.
Why Shoot the Teacher has been the
biggest hit yet. playing for long runs in
major cities and making it to many
smali-town theatres that have shunned
Canadian movies as being too risky in• the
past. It's a warm. humourous tale of the
cold life of the Prairies in the depression.
Presently playing to big crawds across
the country are two more movies adapted'
from successful books. Who Has Seen the
Wind is based on W.O. Mitchell's novel of
the same namelone of the most popular
books of all time. The Prairie is again the
locale. and more than that, is a central
character in the movie. Its powerful effect
can be seen shaping the lives of the
residents of the small town, like the hermit
driven crazy by years of being hailed out
and rusted out trying to operate his farm.
It's a slow, meandering movie, reflecting,
the pace of life in the town. The star is
young Brian Painchaud who plays the little
boy growing up through his experiences
throughout the learning to deal with death.
particularly when his father dies.
He is supported by a large number of
Canadian stars and one American. Jose
Ferrer. •
The movie is good, but far from perfect.
It projects mood well. but depending as it
does on a young boy, inexperienced as an a
actor, it can't delve as deeply into
character as does the original book. But it's
undoubtedly one of the most beautiful
movies made in a long time. Richard
Leiterman is a master of photography and
he made the supposedly dreary depression
look richly beautiful. There are scenes that
are breathtaking.
The second big hit presently is
Outrageous. about as opposite to Who Has
Seen the Wind as you can get. Set in gritty
Toronto, and grittier New York it deals
with the unbeautiful topics of mental
illness and homosexuality but in such a
way as to leave audiences laughing and
applauding, not depressed. it's the story of
a pretty outpatient from a mental home
who moves in with an old friend, a
frustrated homosexual hairdresser with a
strictly platonic friendship ensuing. Each
helps the other as Robin the hairdresser
builds a career as a female impersonator
first in Toronto and then in New York and
Liza discovers she can live with her illness.
Mental illness and homosexuality recede
into the background as the story becomes
the story of two warm, interesting
individuals struggling to find happiness.
The situation is one that could be
downbeat, but the treatment is joyous.
Craig Russell dominates the show both as
the female impersonator (which he is in
real life) and as the tender man behind the
funny faces. Hollis McLaren is beautiful
and fragile as Liza.
There are few similarities between
Outrageous and Who Has Seen the Wind.
Wind had a budget of more than a million
dollars. Outrageous under $200.000. Wind
is beautifully photographed. Outrageous is
not. Wind is slow paced. Outrageous
moves at a fast clip. Wind deals with
another time, Outrageous with the hard
realities of today. The one similarity is that
both began from already successful
material. Outrageous was adapted by
Richard Brenner from a short story by
Margaret Gibson in her book Butterfly
Ward. The story is actually about her
friendship with Craig Russell after she had
spent time in a mental home.
The trend to turn good literature into
movies seems to have taken hold. Another
Richter story. Jacob Two -Two Meets the
Hooded Fang has recently been filmed.
And perhaps the most timely of all new
films is the one in production now based on
Hugh MacLennan's novel Two Solitudes.
The classic story written during the Second
World War deals with the gap of
understanding between French and Eng-
lish Canadians in a way that still rings true
today. While it seems well timed, Two
Solitudes also shows that not everything
has changed in Canadian movies. The
French Canadian main character is played
by a film star from France and the English
Canadian by an American. Oh well. Rome
N:asn't built in a day.
The
Clothes Line
of
Listowel
���27 Main St. W.
*, 291-4390
401
For her
Christmas gift
Joanne Dahl
Joan Hemsworth
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VILLAGE SQUIRE/DECEMBER 1977, -1+.