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Village Squire, 1977-02, Page 31THEATRE Janet Amos is one of the most talented members of the Theatre Passe Murallle troupe. In a scene from The West Show she shows how with few sets or props, the actors tell their story. Theatre Passe Muraille almost as much Western Ontario as Toronto Probably no theatre group in Canada has been so much in the limelight over the years as Toronto's Theatre Passe Muraille. The group, whose Latin name means theatre transcending walls, has been at the same time controversial and beloved, conservative and radical, subtle and insensitive. It was a group born in controversy.It couldn't have had a much more controversial birthplace than Toronto's Rochdale College, regarded as a den of iniquity by Toronto's middleclass. The college eventually became a modern slum, filled with drug users and radical politicians. The image of the place was not helped any by the first Theatre Passe Muraille project back in the late sixties: a play called Futz which dealt with the story of a farmer and his lover affair with a pig. The theatre toned down a good deal however when it came under the direction of Paul Thompson. The son of a Listowel area veterinarian, Thompson had studied at University of Western Ontario, taken a master degree at University of Torcnto and studied theatre in France under Roger Plachon who operated a theatre in the working class suburb of Lyons. Thompson's ambition when he returned to Canada was to take theatre to a whole new audience than was traditional in Canada. Instead of the middle-class dress -up -and -go -to -the -theatre crowd, he wanted a theatre about and for the working class. In the years since then, Theatre Passe Muraille has been almost as at home in western Ontario as it has been in Toronto. It was here that the first real breakthrough came for theā€¢ theatre. In the summer of 1972 Paul Thompson arranged through a friend to get the use of an old farmhouse in the Clinton area near Holmesville. His actors came up and lived in the house during the summer and began piecing' together the story of the farmers of the area known simply as The Farm Show. The work followed the pattern which was to become the trademark of the theatre group. The actors went out and talked to the farmers, their wives and children, they VILLAGE SQUIRE/FEBRUARY 1977, 33