Loading...
The Citizen, 1987-02-04, Page 21THE CITIZEN, WEDNESDAY, FEBRUARY 4, 1987. PAGE 21. Tips on video-taping your wedding For the family of the bride or groom a wedding is a "once-in-a- lifetime” event. Even if it’s the second time around. the thrill is the same. Only a videotape of the ceremony, the moments leading up to it and the reception can capture the emotion of the event. But the only w ay to do this is to create a visually interesting tape. It requires some special preparation. Bob Burnett, one of the home videotaping experts at 3M recom­ mends the following: Write a shooting script on a piece of paper and stick to it. A shooting script outlines the kinds of shots you wanttoshoot. Forinstance. there are three basic ”shots”: the long shot, the medium shot and the close-up. By mixing them up and not using the same one over and over you ’ll be creating a tape that is visually exciting. A sample shoot­ ing script might include the following: 1. The Long Shot - Consider that the long shot is used to establish theactionabouttotakeplace. It sets the scene for the action that follows. So. you might begin taping the ceremony with along shot of the church or hotel where the ceremony will take place. If the wedding is outdoors, begin with a long shot of the guests waiting for the ceremony to begin. 2. The Medium Shot - The next shot you frame could be a medium shot of the groom waiting with his best man for the bride to arrive and the procession to begin. The medium shot frames the subject from the waist up. and conveys more specific information about the subject and the background. 3. The Close-Up - The close-up is framed so the head and shoulders of the subject will appear in the viewfinder. It acts like ap optical window to the soul. So, as the procession moves up the aisle, get a close-up of your child’s face. You’ll see the anxiety and the pure delighted wonder of someone ready to make perhaps the greatest commitment of his or her life. 4.2nd Medium Shot - The fourth shot might be a medium shot of the mother of the bride or the father of the groom, perhaps wiping away a happy tear. 5. 2nd Close-Up - After the last shot, try cutting to a close-up of your child as he or she walks down the aisle. Be sure, if you’re the mother or father of the groom, to getplenty of similar shots of the bride. Look at her response: grave dignity, euphoria, etc. This kind of cutting, where one action gives away toanother, iscalled cross­ cutting. It sets up a certain amount of visual tension that will make your wedding tape interesting as well as full of emotion. The most common technical problem you may run into if you’re shooting ourdoors is a backlit situation. For instance, if your daughter is accepting the ring at a low rail or in a group silhouetted against a bright noonday sun, when you look through the view­ finder, you will see the wedding party as a very dark, indistinct image. Why? Because the vid­ cam’s automatic metering system will expose for the brightest part of the scene, the bright noonday sun. The Wedding Plate & Musical Figurine by Robert Sauber Gold painted wood figurine and plate display case can all be purchased separately. See Our Wide Selection of... COLLECTOR PLATES Over 100 different plates & frames from which to choose Several at 10%OFF The lens will stop or close down and you will wind up with a perfectly exposed picture of the sky, while your child remains dark in the foreground. To correct for a backlit situation, expose manually. Disengage the vidcam’s automatic iris control. Then open the lens manually while looking through the finder, until you see the brightest image possible of your child taking the ring. The background will get lighter, butyour child, the most important aspect, will be correctly exposed. A pRiceless Gi.pt, Rich in Sentiment If you’re shooting an indoor ceremony, you’ll run into the opposite problem: not enough light to get a good exposure in a dimly lit church. To correct this difficult lighting situation do three things: 1. Use a low light vidcam, that promises a good exposure in the poorest light. 2. Use a good, light sensitive videotape. 3. If the minister, priest or rabbi will allow it, attach a top-mounting light to your vidcam. This will provide more than enough light for most shots. Thoughtful shower gifts Coming up with a unique shower gift is not always easy, but there are a few ideas that the bride is sure to appreciate once her wedding day arrives. Something she is sure to want on hand is a personalized emergency kit containing items she may have overlooked when taking care of the bigger details. Fill a cute basket or tin with a needle and thread, safety pins stuck into a small lacey pillow, an extra pair of stockings, water­ proof mascara and a soft, white handkerchief in case her make-up smudges during the day’s events. Another idea is to give her a gift certificate for her favorite line of cosmetics, as she is sure to want a fewnewthingstomakesure she looks picture perfect on the special day. Giving her a “night before kit” is another idea that will be unique and thoughtful. It might include a conditioning packet for her hair, a one-time application of facial products which can be picked up at most cosmetic counters, a few envelopes of various teas to help her get to sleep and some perfumed bubble bath for a pampered evening alone. Whatever you decide to give her, it will show that you are thinking of her and want to make her day as trouble-free and beautiful as poss­ ible. <BLOOMERS 19 Downie Street, Stratford 271-6587 ^Specializing in wedding and bridesmaids dresses EXQUISITE LINGERIE. . . is always desirable; shimmering satin, delicate prints, blends of batiste and cotton in a melody of colour. •Kayser •Van Raalte Phone 357-1777 Bluevaie, Ont. NOG 1G0 •Linda Lingerie •Diamond Tea Gown •French Maid Lingerie •Warners •Wonderbras •Papillon