The Citizen, 1988-09-07, Page 16PAGE 16. THE CITIZEN, WEDNESDAY, SEPTEMBER 7, 1988.
Blyth Festival actress Donna Farron and her two sons, Dylan, 11 [left] and Jesse, 9, say they are “just like
any other family. ’ ’ They rented a house in Brussels for the Festival season, then fell in love with the village
and decided to stay. With the family are pets Ginny and Fritz.
Gib Cadet
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Actor's family 'just folks'
BY TOBY RAINEY
When Donna Farron and her two
sons moved to a rented house in
Brussels last June, it was only
supposed to be a summer thing, a
place where Ms. Farron could be
handy to her work and yet have the
privacy she needed for her job’s
heavy demands; where the boys
could enjoy the freedom of a
small-town summer; and where
husband and father Nigel could be
homeasoftenas his work would
permit.
But the family liked Brussels and
its people so much that within a
month they had decided to esta
blish a home here, a home as
permanent as Donna’s and Nigel’s
unorthodox careers will allow.
Their new landlords were enthusi
astic about the decision, and the
boys were so happy with it that they
asked if they could stay in the
village “for ever.’’
“Even if you and Dad have to
move again, couldn’t we stay here
with Leanne?” asked nine-year-
old Jesse on behalf of himself and
his 11-year-old brother, Dylan.
Leanne is their “very favouritist
baby-sitter in the world,’’ the
daughter of Grey Township Reeve
Leona Armstrong and her teacher
husband, Jim. Diplomatically, the
boys are also quick to suggest that
they could be happy with one of
their other regular sitters as well -
local teenagers Bobbi-Jo Rut
ledge, Linda Shaw, Michelle Ma-
chan or Sherri Jacklin, all of whom
came in at various times this past
summer to take charge while Ms.
Farron worked.
Donna Farron is one of the most
popular actresses to appear on the
Blyth Festival stage this season,
first as the sensible and efficient
May Reimer in the popular
“Cookie War, ’’ and later as the
brassy and authentic American-
born grandmother, Maxine, in
“Bordertown Cafe." In all, Ms.
Farronwillhavecarrieda major
role in more than 40 performances
by the time “Bordertown” closes
in Blyth September 17 (“Cookie”
closed last Saturday) and will then
travel with “Bordertown” on an
eight-week tour throughout south
ern Ontario, including a month at
the Factory Theatre in Toronto,
and at several stops in northern
Ontario.
During the two months that she
is on tour, Ms. Farron’s husband, a
free-lance television art director
working mostly in Toronto, will be
in Brussels with Jesse and Dylan,
as will their grandfather for part of
the time. But despite her gruelling
schedule, Ms. Farron insists that
above all, her family comes first.
“We’re just a family, like every
body else in Brussels,” she says.
“The only difference is that
instead of going to work at the bank
every day, I work on the stage, and
the boys’father has a job thatkeeps
him away from home much of the
time.”
It’s the family aspect of living in
Brussels that most appeals to Ms.
Farron, as well as to her sons.
“This is such a marvellous town,”
she says. “We’ve all been totally
accepted, without any of the stand-
offishness we’ve sometimes felt in
other places, as theatre people.
“And the boys already know
most of the kids in town, and can go
anywhere on their bikes. They’ve
both been in swimming lessons all
summer, and have both been up in
Jim (Armstrong’s) plane, and
Dylan was part of the Brussels
Squirts ball team that made it as far
as the Tri-county Finals this
summer, and hopes to get into
hockey this winter.
“This summer has been one of
the best things that has ever
happened to us - a very, very
positive experience," she con
cludes, adding that both boys are
very excited about starting school
in Brussels this week. Dylan in
Grade 6 and Jesse in Grade 4.
Although Ms. Farron made her
first appearance at the Blyth
Festival this summer, she is a
much respected stage performer,
having appeared at the Stratford
Festival, the National Arts Centre
in Ottawa, and at the Factory
Theatre in Toronto, as well as in a
number of television productions,
including CBC's “MacKenzie
King,” CBS's “Miles to Go,” and
as a voice in the animated “Dennis
the Menace.” She also won an
ACTRA award as the best actress
of 1985 for her part as Margaret in
CBC’s drama “Free Enterprise,
and earlier was cited as the
season ’ s Best Director for her work
with an Ottawa company in the
stage production of “Change
Partners and Dance.”
The talented actress is also a
nationally-recognized naive (not
formally trained) painter, working
with acrylics on canvas. Out of
some 800 entries, one of her works
was chosen as a cover for the
Canadian Medical Journal several
years ago; she has shown her works
at a private show in Elora and has
paintings for sale in a Toronto
gallery, as well as taking on
commissioned work “whenever
time permits.”
Ms. Farron hopes to find time to
do more painting once the Festival
tour is over in late November, and
would love to win one or more roles
on the Blyth stage next season.
“I don’t think a lot of people
realize just how much professional
respect the Blyth Festival has all
across Canada,” she says, “And I
don’t think they realize just how
prestigious it is that a Festival play
has scooped the theatre world to
appear at (Toronto’s) Factory
Theatre for a month this fall.
“A lot of professionals would
pass up both the Stratford and
ShawFestiv^lsforachance to work
at Blyth - there’s such a lot of
freshness and enthusiasm here
that you don’t get anywhere else.
And Blyth’s mandate of producing
new Canadian plays is such an
incredible challenge, and such an
important part of keeping Cana
dian culture alive.
“I’d certainly welcome the
opportunity to go on working here -
I hope there are roles for me in the
1989 season!”
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