The Brussels Post, 1978-07-05, Page 25STEVEN THORNE
Ireirom.
to BLYTH and the
BLYTH SUMMER FESTIVAL
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THE BLYTH SUMMER FESTIVAL ISSUE., JULY 5, 1.978 —13 Steve Thorne is
Blyth veteran
Steven Thorne will not be a new
face to Myth residents who.
attended the Summer Festival the
first year it was in operation,
He was here when the theatre
began in 1975. The first summer
he was. here he directed WISP-,
trap and, helped to adapt the
-novel of Harry Boyle's, The
Blood is Strong and he also
helped artistic director James, Roy
co-direct the Blood is Strong,
That summer he also did sotne
acting in How I Met My-Husband.
Last summer, Steven took time
off from the Festival to get
involved in writing a play called
Huron True Blues which is. about
a militia regiment that has to face
some very severe winter condi-
tions.
"Hopefully get that done
sonic time and produced here,"
Steven said.
Steven first got involved in
drama in, Barrie where he grew up
and then went to. York University
where he was enrolled in • the
drama program.
That's where Steven met
James Roy and Bjarne
.Christensen and a. number of the
other people who have been with
the Blyth Summer Festival in the
past. Throughout his fOur years of
university, he found work in -
summer theatres. He has worked
at the Griffin Theatre in Barrie,
Quebec City, Orillia Playhouse,.
and the Studio Lab. Theatre in
Toronto.
'At the .Summer Festival this
year, Steven plays the part of
John Galt, Jr, -Son of John .Galt in
The play, The 'Huron Tiger. He
describes the part as that of 4
young angry rebel trying to fight
the injustices of his time...
This is the first summer in
which he has been acting. now for
• a couple of years and he says it's
hard. readjusting to a new rhythm-
andanew lifestyle- from what he's
been liVing in the past with his
writing.
Asked about his , acting
technique. Steven says, "1 think l
tend to. do a little, bit by bit. 1
think I need to work more from
the inside out than I do, but I do
find that my internal • life is
triggered by external
movement,"
• He went on to explain. that the
resonance of a voice, a particular
gesture, a, particular way of
walking, even sometimes a
particular property like a pipe
brings to life interesting things
about the character,
He says he wasn't trained in
any school of thought. , He was
trained on a much more eclectic
scale, At 24 years of age, he's just
a young actor and as lie says,
"I'm just beginning to discover
how I ‘vork„ just learning the best
technique for me as a person,
He said he's not very interested
in films at the moment but likes
the stage, 'He said that he
supposed as with most actors he
had a love-hate thing with the
theatre.
"I very much enjoy it at this
'time. I don't think. I could do it
steadily all the time. I enjoy being
here for tWo months," he said.
He says he not only needed to
come back, to the theatre this
summer, but that he wanted to.
"If you stay away from it too long,
your gears get rusty."
He says when you get bored
with the role yon're playing you
have to inject new life, new ideas
into your work so you jump those,
hurdles of boredom.
"You have to listen, to live and
to share the life and energy on the
stage with those around you.
Every night there's something
you can improve; he said.
lit°44c '
"54 4e4
iF HURON '78 ci
September 26 - 30, 1978 ,
HURON COUNTY
JOHN HUGHES
John C, -Hughes is the lighting
designer and master electrician
for the .Blyth Summer Festival
this year and as such is respon-
sible for doing all the lighting .for
the shows, any temporary
electrical work, all the stage
lights and all -the wiring.
For half of the shows, he's
going to be running the lighting
board and for the other halt' he'll
help out as a production assistant.
He works in conjunction with
the director' and they decide
beforehand .what the lights are
going to be doing at a given point
in the play.
At the point of being inter-
viewed there were approximately.
35 lighting cues in the -Huron
Tiger and in His Own Boss there
probably- will be something like
five or six lighting cues.
John has been working in
theatre, amateur and professional
for 20 years now. He did his first
amateur show when he was I5
and worked with local amateur
groups in Calgary. He did his first
professional season at the
Neptune Theatre in Halifax in.
1969. Since then he has been in
stage managing,, lighting or
sometimes technical director 'in
places all over the country.
He also did two years with
Theatre Calgary; spent a. couple
of years at Montreal, worked at
the SaidyeBrontmann Centre and
also the Centaur Theatre. •
'While -he did a fair amount of
acting when he was an amateur
he has never acted professionally.
He said his amateur acting
experience'.: is very., helpful in
helping him. Understand the
actors -point of view.
"We really see the actor as
being the core of our work",. he
said of his own poSition as a
lighting;: designer.,
'rm really—doing whatever I
can to improve whatever the actor
is doing ; first of all so they can be
seen," he said,
This his first summer in
Blyth and he says he really came
because of Bjarne Christensen
with whom he worked at the
Tarragon Theatre in Toronto. "I
came because I love the country. I"
love to be out of the city," he
said.. He and sonic of the other
Festival company have just
bought 10 starter pallets that they
are keeping out at the Nesbitt
place and they're also going to
grow some of their own food.
He said Blame had asked him if
he was interested in working at
the festival. John had heard of the
festival and as he says, "I was
very much interested in working
in a summer theatre that was
geared to the people in the area,
rather than most smuttier
theatres which arc geared to
tourists. which I think is a very
artificial kind of theatre."
'('here arc several things he
might do after the theatre season
is over, one of which could be a
position as technical director _for
the Jamaica School of Drama
which means that he would he
teaching technical direction.
He just recently finished stage
managing a play called Ashes at
the Phoenix Theatre in Toronto.
He said basically he got
training through amateur theatre,
through reading and through
working with people who know
more than he does, and learning
from them.
He never studied theatre
academically. He came to the
theatre in Toronto because it's
the hub of English speaking
theatre and even people who work
in regional theatres tend to
congregate in Toronto because
Equity has its offices there, he
said.
"Of course there's a lot more
Work in Toronto," he added.
John is also interested in
painting and believes that this
helps him with his work as a
lighting technician. He works
with oils, acrylics and water:
colours. He hasn't had a showing
yet but has sold a few of his
paintings. He is hoping to get out
and do some drawing while in
Huron County because, "Huron
County has a very • beautiful
countryside and most of my work
is landscape oriented."
"I don't think that painting and
lighting arc necessarily that far
apart. It's a different media. I
think especially painting water
colours is a natural for a person
who works with transparent
light," he said.
Lighting is painter
John Hughes' job