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The Brussels Post, 1974-01-30, Page 5Sandone Calf at Mottle Dniattmer croo 409ECIA SKIRTS 79c --- Pleats Extra — OFFER GOOD UNTIL FEBRUARY 9th — Free Pick-up and Delivery tistowel Dry Cleaners 135' Wellington St.NS: Brussels Agent: JACOBS' SADDLERY SHOP Take The Easy Way Out !!!! TAKE A SPECIAL CERTIFICATE PROGRAM AT CONESTOGA COLLEGE! IN A FEW SHORT WEEKS YOU'LL ACQUIRE A NEW SKILL (NOT TO MENTION NEW INTERESTS!) WHICH WILL MAKE YOUR LIFE EASIER FOR YEARS TO COME! N NOW'S THE MOMENT; OUR CLINTON CENTRE'S THE .PLACE; AND HERE ARE THE COURSES: COMMERCIAL STENOGRAPHY: This intensive program prepares students for immediate entry into skilled secretarial positions. Typing, shorthand, dictaphone and business practice are .stressed. BONUS: Graduates of this program are admitted directly into Year II of the Legal, Medical or Executive Secretarial Programs at Conestoga College. 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FOR PRECISE DETAILS WITH' RESPECT TO FEES AND ADMISSION PROCEDURE; PHONE "STUDENT SERVICES" AT 482-8458,.CLINTON, CONESTOGA COLLEGE APPlittit) ACTS - ANti Tgolmotiodoe goo i760t VALItIr DittVE, ititdiattiqtat, -614tAitto LOVE'S LAST GIFT REMEMBRANCE Whetiwr its a • MONUMENT • MAHAER • IN8C1tI1itiON • Yon are ranenibering ti 'loved one, -= I. ET T. PRYDE 11 SON LTD. Itei, 'Yoh beeide on Your Manorial katitirerriaits P'HON'E : tXtr.rgit 235-0620 Mitchell man makes 3-D picture frame s (From the Listowel. Banner) John Rauser is 75-years-old, e's supposed to be retired, but tiring is one of the few things he incapable of doing, Rauser was born and `ought up in Switzerland. Up itil the age of 52, he was an tive and important. business- !an, His busines position tabled him to see a great deal of je world and experience fluent ways of living. When he Fached 52, an age when most ople think towards retirement, decided to get into a new be of work. He came to Canada and bought ;farm outside of Mitchell. Even lough he had no farming kperience he operated his farm t[ccessfully for 20 years and then e "retired'', turning the farm er to his On, arnyard•manure as a fertilizer rce is too often overlooked-or properly used. • Says .Dr. .Baldwin, head of the soils don at Ridgetown College of rieultural„Technblogy; allure should be considered of our most important- Troducts in agricilltural 'duction." he time-honored equation of ton of, manure being n•oximately equal to 100 - Inds of a 10-5-10 commercial tilizer appears to be too IOW, he and farmers with access to a tree of barnyatd manure can c money by using this as tilizer, with. a .commercial tilizer supplement. heroical analysis of barnyard nure is the key fo calculating amount and grade of imercial fertilizer -to use as a plement. Manure samples y be submitted for analysis to Department of Land Resource ence. Ontario Agricultural lege, University of Guelph. m the resulting analysis report the nitrogen,. phosphorous and ash content of their manure, mars will be able to calculate amount • and quality of imercial fertilizer to add., xtensive experiments at getown involving manure lications on corn offer some deuce as to its nutritive. value. n a 10-year trial, corn yields re increased by 23 bushels per e from a yearly application of tolls per acre of steer manure. complete findings for this eriment were as follows: 89 'hels per acre ,were produced a plot given no manure or Bizet; 112 bushels on a plot en manure only; and 117 hels on a plot given manure plemented by a 10-10-10 ilizer at a rate of 1,000 pounds acre. ests to determine the sphorous and potash content John Rauser didn't sit still long. He was interested in saving some reproductions of paintings he received each week in a Swiss newsmagazine, He decided to frame them. But framing the pictures in the usual manner didn't appeal to him. Mr. Rauser looked for a more original method of framing them himself, Searching his memory, he recalled a painter he had met 40 years earlier who had framed all his own paintings in. frames that had a three-dimen- sional effect. The painter had us ed a process that preserved the' hard grain of wood while burning out the soft grain. It Wasn't lorig before John perfected the method. Now he scours lumber yards looking for soft woods with unique grain format ions with as much of the manurqd soil over the 10-year period produced similar results. Phosphorous levels in the untreated ,plot dropped slightly. white potash levels remained the same. Phosphorousdevels in the mitnured, plot rose Slightly within the high-minus level, while the potash level in the same plot .rose dramatically from a medium reading to a high-plus reading. In the plot , treated with a combination of manure and commercial 'fertilizer„ phosphorous rose from a high- minus to a 'high-plus, potash from a medium-minus to a high-plus. Work has also been done at Ridgetown on the nutritive value of different types of manure. Beef, swine and poultry manure were each applied at a rate of 5, 10 and 20 tons per acre. Corn yields for the soils treated with the different types and at the varying rates were then compared. At 5, 10 and 20 tons per acre, beef manure produced corn yields of 100, 107 and 117 bushels respectively per acre; swine manure, 105, 115 and 127 bushels; ,and poultry manure, 122, 136 and 131 bushels. These yields compare with 84 bushels per acre produced on a plot not treated with manure or fertilizer. "An actual dollar value for the three diffetent types of manures can easirY be calculated ftom the yield results obtained." says Dr. Baldwin. '"The .value per ton of manure depends on, the price. per bushel that is placed on corn.'" When barnyard manure is fused; farmers should teconsider • their commercial fthilizer requirements. "Far too many farm operators apply the manures but never really take this into account when planning their commercial fertilizer program...'` Classified Ads pay dividends. difference between soft and hard grains as possible, After he, finds_ wood that meets his. ..high standards, he goes home to his workshop: At home he carefully shapes the wood into the desired design and then cuts grooves into it. After this first step he impregnates the wood with special chemicals that protect the hard grain. Mr. Rauser then burns out the soft grain with a blowtorch. He has to do this work outside. because of the strong .fumes that arc created .when he heats up the chemnically treated. wood. He has to stay outside for the next step as well, the brushing out of all the charred remains of the soft grain. He does this with special steel brushes imported from Europe, \ Mr. Rauser brings ..the wood inside after this. Here he gives it a final brushing to make sure all the grain is properly exposed by the deep groove, running alongside it. He, finishes his work by deep, polishing it with floor paste. The unique thing about Mr. Rauser's hobby is the likely fact he is the only one in the world that does this work. There arc many similar types of woodwork done. with , perhaps the most similar being done by Canada's West Coast' -Indians, John - Rauser points out the difference that makes his work individual from the others is the finely detailed result. He said he 'has • been to many -world woodwork exhibitions but as yet has not seen any piece made entirely the same way as his. John has little trouble selling the pieces he makes. Last year he sold close to 1500 pieces of his evo rk. He emphasizes he does not limit himself to frames, although it is the bulk of his work. He also makes genracks,. trays, hat hangers and other items like that.. Two. years ago; Eaton's ordered •more than 150 pieces from him., John says he has been too busy to contact them to see if they want more. The reason John Rauser is so bu'sy is the length of time it takes him to make a piece. In order to achieve the high quality he prides himself in, even the smallest piece usually takes more than an hour to make. Mr. Rauser particularly enjoys. working on frames for action paintings. He says he must be careful to choose a wood that has lines that will become a continuation of the painting. These li nes make the painting come- to life in a way never achieved by a standard frame. Yet no matter what piece he does, John assures equally high quality. Each frame is built around a painting or picture. The picture or painting itself is coated with a plastic varnish that is.vused commercially to protect counter tops. On the larger frames he backs them with straps of 'wood to prevent warping. Each- piece also has soft wood placed on each corner to keep space between the frame and wall. Also attached is a label identifying the picture framed and the type or types of wood .used, to make the frame,. John .Rauser's home is filled with examples of his work. The effect is startling because each piece appears to be so individual, a result of the unique grain structure he spends so much time looking for. However, - Mr. Rauser is apologetic. He has not worked on his natural-bas relief woodwork in over two weeks. He confesses, he has been busy with something else lately. It's probable you won't find John Rauser in his workshop. today either. Better to look upstairs where you will find , him pounding a typewriter, glancing at his notes every once in a while, You'll notice the notes. They represent more than two years of research on the subject of inflation, John's latest project, He plans to publish an essay on it perhaps give a few lectures and then . . . John Rauser can't retire. Wise manure, use ayes money THE RO.UttELS POSti JANUARY 30, 1-94.4