The Brussels Post, 1956-05-02, Page 6When. ,Death
Loomed at40 Below u e Ellington
Discusses slozz
One of the delightful features
Oat small cakes and cookies is
their versatility. The young
yeople away love to receive
them from the home folks,
They're indispensable for pic-
nics, and, great Stand-bys for
after-school snacks and for
whipped-up-in-a-hurry suppers.
They're equally at home at ela,
berate teas and, in the good old-
fashioned cocky jar.
In some households, lunches
for school Or shop are packed
everyday. Small cakes and
cookies fit neatly and, appetiz-
ingly into lunch bOxes.
a n
.,p thousapd miles
froth: civilization„ in his desolate
Eskinaa "pratt4e",, in the Catla-
dlini Eastern.- Arctic, young
..leSePh P. Mooy got a
radio„message that was to send
himA T „a fantastic adventure.
Two Eskimos, had vpnisbed
from a' camp • near 'Fuller on.
to tfia north-
east, and•theylhaci to be found
becRpse3 they , were carriers of
dangerous. contagious Idisease
Which could menace the health
Orthat: section of the 'ArctiC.
eathet-wasninpredict-
abie,r .‘iith leinPerltures around
40 :below, . snowstorms: and bliz-,
'Nza0s.-The.oRly• safe ay would
„ ,.bc.,ifrig t but
m
4low could
the'''y:cturig•CleRter „clime wander-
' ring EskimOS over several hun-
dreMScitlarEinilbs of rock,' snow
and ice?
LATHER .UP WITH,LONG NOSE2/Turnbcir,"Onl efej4Iaritwiti 'the
Circus Roland in Berlin, is nonchalantly latherirtg:t hiss .keeper
with plenty of soap and a big brush. He isn't allowed to wield
the razor, however. It isn't that the keeper thinks "Jumbo!' is
clumsy or unsteady—it's just an old Bavarian supers'fitiCon: never
Jet on elephant shave you.
full. Bake in moderate oven
(350° F.) 20 to 25 minutes, or
until done. Makes 1 dozen.
When cakes are cool, remove
cone-shaped piece from 'center
of: each cup cake. Fill hollow
with Je11-0 Butterscotch Cream
Filling and replace top.
Other fluffy fillings or soft
frostings may be used to fill
Surprise Cakes; or these choco-
late cup cakes may be served
plain, frosted, or • topped with a
sauce.
Don't Disdain
The Lowly' Catfish
,Then'te Alibught Of a'man he'd
never met, one of, the first to fly
a ,plane in. midwinter into the
East:Arctic, — gunner Ingebrig-
sten, nicknamed "Fogbound,"
who was .building up the first
• Arctic airline,' !'Arctic Wings"
and alsothe legend of a, fabu-
lous, character. ,
Doc Moody wired him at
Churchill, Manitoba: Could hp
possibly land at Chesterfield and
fly hirn•,north over the Fullerton
Point area?
The next day Fogbound came
droriping•out of the sky to make
a bumpy landing on the bay'S
roUgh'ice with his frdgile craft.
mIt'S,a deadly disease these Es,
kimos have," the Doc warned
him.- I can't guarantee that you
won't catch 'it." 7
Off they 'flew' over nilles of
rocky, wilderness, skimming low,
straining eyes for two black
spickg,then with darkness fal-
ling, • headed back home. Sud7
denly Fogbound whistled and
pointed ahead. A storm was bear-
ing ,down "on them.
* * *
CHOCOLATE SQUARES
OR COOKIES
eops sifted flour
1.% teaspoons Baking ToWder
% teaspoon salt
squares Unsweetened
Chocolate
4 tablespoons butter or other
shortening
1 cup sugar ,
1 egg, unheaten
lit cup milk
% teaspoon vanilla. -
Sift flour once, measure, add
baking powder and salt, and
sift together three times. Melt
chocolate and shortening over
hot water; cool to lukewarm.
Add sugar and mix well. Add
egg and beat thoroughly. Add
lour, alternately with milk,
stirring Only to blend. Add va-
nilla.
For squares„ spread in two
greased 9 x 9 x 2-inch pans and
bake in moderation oven (375°
F.) 12 minutes, or until done.
Let cool in pan; when almost
cool, cut in squares. Remove
from' pan. Makes 50 squares.
For cookies, drop from tea-
spoon on ungreased baking
sheet. Bake in moderate oven
(375° F.) 9 minutes, 'or until
done. Cool slightly; remove
from pan. Makes 3 dozen
cookies. - *
BROWNIES
2A cup sifted flour
% teaspoon Baking Powder
1/, teaspoon salt
Wcup butter or other
shortening
2 squares Unsweetened
Chocolate
1 cup sugar
2 eggs, well beaten
34 cup chopped walnut or
pecan meats
1 teaspoon vanilla
Sift flour Once, measure, add
baking powder and salt, and
sift again. Melt, shortening and
chocolate over boiling water.
Add sugar gradually to eggs,
beating thoroughly, then add
nuts and vanilla. Decorate with
whole nuts, if desired. Bake in
greased pan, 8 x 8 x 2 inches,
in moderate oven (350° F.) 35
People used to do a
lot of walking, And they'd Whis-
tle, You'd ask someone, 'What
is that you're whistling?' and
he'd say--nothin'!"
It was more fun, composing in
the, early, days, paid Mr, Elling-
ton, whose career goes back to
the time when jazz;:was estab,
lishiog its traditions,, There
were great playeq, he, said, but
"some.wpre rather limited." Ile
recalled a trombone player, who
had "only six good notei.4 Mr.
Ellington's problem was to use
those six notes to advantage.
It has long been observed by
critics that Mr; Ellington's
works seem , to have been done
with particular musicians in
mind. Though some jazi purists
insist that no orchestrated mu-
sic is. jazz, a .case has often been
made for Mr. Ellington's orches-
trated music on the ground that
when it is performed• by niusi-
clans attuned to it, -it become
jazz.
Mr. Ellington doesn't care
What you 'call it. In fact he
would jt1St as' soon remove the
word "jazz" and its various
categories- from the language.
"It drives people away," he
said, "I don't see a necessity
for it."
As Jor bop,- cool jazz,, and
progressive jazz, Mr. Ellington
said: "There are no- new melo-
dies, no new harmonies. It's"" all
a matter of perspective — and
piabliCitY, I' think. Categories
are unnecessary.. If ,it sounds
'good, it ,sounds good:"
,Assnming there. is suer, a,
thing as jazz, Mr. Ellington
made a seldom'-heard claim for
the East as, 5a ;pioneering 'area.
He said that there was an east-
ern movement independent from
the New Orleans origins, and
it involved particularly string
players and "two-fisted pian-
ists." They had, extremely in-
dividual styles, they were so-
phisticated, and they had ex-
cellent taste, he said.
One of the pianists could
"only play in F7sharp, but. man
—!" The sentence broke off in
silent admiration.. "F-sharp's a
wonderful key." -
In Boston Mr. Ellington took
time to encourage a young
pianist who can play in more-
than one key. She is Toshiko
Akiyoshi, whose story illustra-
tes the way jazz is crossing 'and
recrossing boundaries these
days. She has, cotne from Tokyo
on a scholarship to increase her
technical knowledge of music,
so that she can return ,better
'equipped' to further jazz in
Japan. Already she has called
forth praise„ from American
jazz. enthusiasts.
Some members of Mr, Elling-
ton's current band started with
him in the twenies. The group
is on a tour,' that' will eventual-
ly take it to Colgate UnIVersity,
the University of ,Virginia,-'the
Uniyersityr of ;;;North Carolina,
and the ,17riiversity- of Missis-
sippi.
The band was playing fn Ala-
bama during the ,rAutherine:
Lucy situation, Mr. Ellington
pointed out, and he was asked'
by a school, reportei -if ,he ,Was
"going tp,:do anything about it."
Mr. ,Elligten said that he .re-
plied, ,"If our performance com-
mands respect, I think ghat's a
major contribution," ►
/3
aJA!..rPove,,, 349
"They're getting desperate:"
Duke Ellington genially at-,
tacked "roMantie wstories" about
jazz even though, he said, "I've
cashed in on a let of them." Ile
was talking in Boston, where,
among other things, he was in-
yited to become an honorary
member of a' national music
-ti4.4ernity,-,Kappa .Gamma. Psi.
He told how someone in the
twenties had started a story
that "Ellington never writes
music' on paper;" a story that
has been perpetuated• vari
ous degrees ever since, With
onomatopoetic humor, he de-
scribed how he was, supposed to
convey to his musicians what he
wanted them to play. Let the
romantics now be advised;
Duke Ellington writes music on
paper,
In fact he challenges the
whole hazy idea that jazz is
the 'impromptu eNpression of an
untutored people. He recalled
the story of "The Boy and the
Black Stick" in roughly this
'fashion: "There's this little il-
literate boy, you See, ragged as
a can of spaghetti, and he's
walking along through the
grass, and he finds a black stick.
Well, you and I know it's a
clarinet, but to him it's a black
stick. So he sits under a tree
and blows on the end of the
stick and ,out comes ;music. (Mr
Ellington paused momentarily,
possibly for an imaginary dra-
matic chord.) ,And that's jazz!"
Mr. Ellington laughs at the
story, but" he feels it illaStrates
a Widespread mistaken notion
about jazz. "I don't believe a
man plays the blues because he .
has the. blues," he said. "It's
like any art-,sculpture, for in-
stance, A sculptor can carve a
figure of a crying woman with-
out being a crying woman." * * c
Thus, Mr. Ellington suggested
that jazz may, ,be more .conscious
and :less, spontaneous than "ro-
mantic stories" would suggest.
'Ton have t- have some .kind
of arrangernent," 'he said, "if
you have more than' two peo-
ple playing." At the moment he
has a /16-piece band.
Jazz isn't just , improvisation,
Mr. Ellington said, In, the .first
place, it takes five or 10 years
for a -Musician to learn' 'his in-
strument, .whether he studies
-formally, or on his own. Where
the conservatory student might
work on exercise sheets, the
would-be jazz player listens to
recordings. Instead of scales he
learns other players' bits of in-
vention, arid' when he becomes
professional he has these "licks"
to draw on for his improvising.
At least this is the' way it
used to be. Mr. Ellington told
of his town early days as a
pianist in Washington, D.C.
"You- had to get yourself a cat
to answer your questions," he
said. ."When .a man ,finds out
what he "wants to learn, that's
the beginning of education."
(Like most' musicians, Mr. El-
lington rarely uses in ordinary
conversation the "jive talk" that
jazz men are supposed to favor.
The word "cat" was an excep-
tion. It is an all-purpose term,
usually with a favorable conno-
tation; here it probably meant
simply "musician.")
In jazz today, Mr. Ellington
continued, "you need every-
thing you can get. You need
the conservatory—With an ear,
to what's happening in the
street."
The latter phrase turned out
to have a specific reference in.
Mr. Ellington's case, as he de-
scribed his approach to compos-
ing. "I •tried to write what I
I heard people whistling in the
street," he said.
Was thiS a kind• of folk mu-
sic? "They might have heard it
from an old person," he said,'
`but,it was just whistling to' be,
Minutes, While 4ti11 warm, cut
in rectangles, Remove f rom pan
and cool on Cake rack, Makes ,
2 dozen brownies.
For Indians, use 3 eggs in
above recipe and add 1/2 cup
cut dates, Spread In two
greased 8 x 8-inch pans, Bake
as directed, C * *
woAsTED, COPQNUT
BROWNIES
Use recipe for Brownies
(above), omitting nut meats.
Add 1 cup Shred Coconut, fine-
ly chapped, to batter. Cover
with topping made by mixing
thoroughly 3/4 puP coconut with
1 tablespoon sugar and 2 tea-
spoons melted butter. Bake as
directed tor, Brownies,„
jogEtox COOKIES
c'urpi:'siftedlc flour
3% teaspoons Baking Powder
1% teapoons salt
1 Cup ,or other
l 1i 41,K4411.41, " ettys vsngar
Z eggs, ' 'unbeaten
4. squares ilInsweetened
Chocolate,. melted
1 teaspotin
euis broken Walinit meats
Sift flour price, measure, add
baking powder and salt, and
sift again. Combine shortening;
sugar, eggs, chocolate, and va-
nilla, beating with ,spcion until
blended;, add nuts. Add flour
gradnally, mixing well after
each addition. Divide dough in
two parts; shape in rolls, 2
inches in diameter, rolling each
in waxed paper. Chill over-
night, or until firm enough to
slice. Cut in 1/2 -inch sliCes; bake
on ungreased baking sheet' in
moderate oven (350° F.) 10
minutes,, or until done. Makes
about 13 dozen icebox cookies. * * *
PINWHEELS
2 cups sifted flour
1 teaspoon Baking Powder
% teaspoon salt
% cup butter or other
shortening
.34 cup sugar
1 egg, unbeaten
1 tablespoon milk
1 square Unsweetened
Chocolate, melted
Sift flour once, measure, add
baking powddr and 'salt, and
sift again. Cream Shortening,
add sugar gradually, and cream
together until light and fluffy.
Add egg and milk; beat well.
Add flour, in small amounts,
mixing well after each addition.
Divide dough in two parts. To
one part, add chocolate and,
blend. Chill until firm enough
to roll.
Roll each half on floured
waxed paper into rectangular
sheet, i/8 inch thick. Chill. Place
plain sheet over chocolate sheet;
then roll as for jelly roll. Chill
overnight, or until firm enough
to slice. Cut in 1/2 -inch slices.
Bake on ungreased baking sheet
in moderate oven (375° F.) 10
minutes, or until done. Makes
5 dozen pinwheels.
BUTTERSCOTCH SURPRISE
CAKES
1% cups sifted Cake Flour
1% teaspoons Baking. Powder
% teaspoon salt
cup butter or other
shortening
1 cup sugar
2 eggs, well beaten
2 squares Unsweetened
Chocolate, melted
% cup milk
1 teaspoon vanilla
Sift flour °nee,. Measure, add
baking powder and salt, and
sift together three times. Cream
shortening, add sugar gradu-
ally, and cream together until
light and fluffy. Add eggs and
beat well; then add chocolate
and blend. Add flour, alternate,
ly with milk, a small amount at
a 'time, beating after each addi-
tion until smeoth. Add vanilla.
Turn into' greased large cup-
cake pans filling them about %
WEDDING AHEAD—A ceremony
and wedding bells are at ,the
end Of the bus ride for Peggy
Ann Garner. The former child,
oar is touring 'Whit the play
"BUS Stop." She'll wed Albert
Sialthi when 'the tour toticiudes
He's'i,her onstage hero, as well. ';
►
popular. These are usually
compounded of ,Wheat flour and
corn" meal •NVeil laced" with
time-ripened' flavoring,''-such as
cheese, inglass,es,- vanilla, clam
juice, and ,even ,bourbon.,
Coagulited blood mixed with
limburger cheese is another po-
tent attractor, as are night-
craWlers, reliable as any bait
fo" all breedi'i of catfish. •
'Put on' a Sinker and let the
bait rest on, the bottom with
just enough tension so that you
can feel a bite when it comes.
It won't be long before the , slow
tap, tap, tap 'of an exploring
catfish vibrates through, the
rod. Let hini have the bait for
a few seconds 'and then set the
hook smartly. '
Natural baits, such as worms
or small, shiners are also tradi-
tional in 'fishing "fOr bluegills,
crappies, perch and other pan-
fish, but youlye got to use light
tackle if you want any'lun out
of it, for the scrappy little pan
species can' put up -a rampage
comparable to .that of a trout.
If ,you like, you can troll, es-
pecially for , perch and crap-
pies, and you'll get some of the
faStest action of all. At this
time of year deep trolling is the
secret of success. Get your bait
riding along .' .me bottom and
troll slowly.
One day on a Cape Cod pond
a friend and I 'rolled small
mummychubs• for big yellow
perch. The methods which paid
off in ,summer were no good in
spring, but we kept op experi-
menting: with different rigs. It
was only when we got the bait
down 'tb the bottom ' with a
sinker that we began to get re-
sults.
Natural
bait is
good, but ar-
tificial litres are effective for
panfish: and offer more fun and
wider opportunities 'to' the ang-
ler. Besides, they give the fish-
erman:Ills ,first-chance ,to try
out sOine, of his Christmas
tackle and to sharpen up his
techniques.
Small spoons, spinners 'and
spinning „lures the same OneS
you will use for trout are all
good medicine for bluegills,
crappies and perch. They Can
be cast from shore or' boat, or
they can be trolled with equal
ease and effectiveness.
Each year about the time, the
first hylas began to peep, I ,O'ed
to go to a nearby millpond and
cast a spinner and fly combina-
tion for yellow perch. I'd cast
as far out from shore as I could
and let the lure • sink to the
bottom. Then I'd retrieve' it
slowly with short twitches Of
the rod, keeping the lure deep.
I seldern came home withoul an
eatin' string of perch.
Incidentally, the spinner and
fly combination, good for most
panfish, is one of 'the best of
all artificial lures for perch and
crappies'. Pearl, gold or nickel
are good colors for the spinner;
and the flies should be gaudy
red, orange, blue, yellow or
green,
The Many new spinning lutes
along With a spinning red are
almost unbeatable'for spring
panfishing. The rod is ideal, for
it will 'put a lute Where you
want it, and its lithe sprifigin-
ess enables even a artiall panfish
to put up a creditable battle,
Yon can get more practice out
of .your spinning, outfit on the,
patifish ponds iti spring. than
you can an entire season on
the trout streams,
Fogbound nosed the; plane
clowri, straightened out for a
landing on ice close to the edge'
of open' Water:. This impact of
their forced landing was so great;
that they bounced• off again
nearly 390 feet into-the air,- and'
after series 'of acrobatic ;jnmps
came to a stop.,, "Quick—get
outl"rFogbound yelled,' and they
tumbled out on to -the ice,
First, Doc struggled to breathe
and keep his footing.,A 80 m.p.h.
wind 'was slicing at them across
the ice, flinging dense snow tin
their ,faces, at' times blinding
them., Grabbing rope and an ice
chisel, Fogbound tied the plane
to the ice.
Beck they went into the air-
craft. 'The 'cabin grew unbear-
ably- cold. 'They ' warmed their
noses ponstantly with their hands
for, fear they would freeze. Fin-
ally they covered, themselves
with a few hides and managed
to sleep.
But not for long, for the plane
hadfstarted to dance on the ice.
A slight increase in the gale
velocity would lift it free and
pound it to bits. Fogbound now
insisted that they rope them-
selves to the fuselage. This posed
the Problem: Would it be better
to get blOwn up into the sky
dangling frem, a runaway plane
or, unattached, take a chance of
staying on the ice by them
selves?
Fogbound solved it by drag-
ging out a steel cable and two
ice chisels. Still tethered to the
fuselage, keeping their feet with
difficulty, they cut two deep
parallel slots in the ice, dug a
connecting tunnel two feet be-
low the surface; and through it
pulled the sable, fastening it
securely to .the plane runners.
They had just gotten back into
thz (Thin when a thunderous
roar; followed by ear-splitting
explosions, tient them outside
"pin. The ice on which they'd
landed had broken loose, leaving
a foot7Wide gap.
"Our ,rtinners are five feet
bri g," Fogbound screamed.
"Maybe I can taxi her across.
You don't have to get in, Doc.
But if the impact of 'my take-
off pushes the ice farther out to
sea I can't pick you Up again."
"I'm with you. Get in!" Moody
shouted back. '
They released the anchor ca-
bles and taxied slowly towards
the gap, which had now widened
to two feet. Fogbound opened
the throttle . a,, bump
and they were across. •
In the morning they discovered
that their taiti-ing through the
snow during the night
had.run them almost into a lit.=
tic snow covered; tent only 100
yards Or so away. In it .huddlecl
the two Sick: Eskinicis they were
seeking: After trying' to' 'evade
them; the Eskimos now piled,
gratefully into the plane and
Were flown,. to a .hospital.-
Dec Moody says that Fogs
bound' wrote in the IdOe's guest
book: 'We never 'Stagger; we
never fall, we fly' at any extirSe
atallt ''' . Hu Fogbound always return.,
id, master of the elements
defied, and in time' became the
Doe's trusted companiot'' on'
Marty expeditions and patrols,
GRATITUDE'
Mrs. abinith: "Are :you the young
man who jumped, Off the bridge
into the river and sa.Ved fry soh
from drowning?"
Modest hero: 'Test madam;."
IVIrs, Smith: "Where's', his mit-
tens?"
Is your pulse rapid, your,
throat dry? Do you find your-
self staring vacantly ' out the
window? Do you spend your
lunch hour mooning, in front of
fishing tackle displays? If so,
brother, you have a severe case
of piscalitis, or fishing fever, a
mysterious malady that attacks
males from 5 to 90 annually at
this' season.
It is rarely fatal, but its thou-
sands "of victims suffer intense-
ly froin 'the onset of the disease
in March until trout season
opens sometime between the
middle of April and the first of
May. Fortunately, there is a
remedy! The treatment consists
of liberal doses of pond fish-
ing for bluegills, crappies,
perch, catfish and other varie-
ties of game and panfish fre-
quently neglected at this sea-
son in favor of the aristocratic
trout.
Early spring is a good fish-
ing season, Added to the Wol-
fish hunger of the fish is the
post-winter shortage of natur-
al feed to compete with the
angler's Offerings, The new
crop .,of small forage fish has
not yet hatched, and frogs and
insects are still absent, so that
any object which looks even
remotely edible is sure to be in-
vestigated by a hungry fish.
How do you tell when the'
fish have throWn off their win-
ter drowsiness and are ready
to come out fighting. Some say:
"Watch first forsythias bloom I"
They claim that you can fish
from ice:out on, but won't real-
ly start doing business until
the first forsythia bloOm.
An old angler of my ac-
quaintance had a more occult
method. On a oft March day
aftet the ice had gone, and the
first robin had come, the old
gent would sniff the spring air.
"I smell bullheads,". he Would
proclaim With solemn certain-
ty, and, sure- enbugh, that very
night the horned pout would,
begin biting the millpond.
-And. for minloney 'those first
potifiof' the season,' taken from
f'1611 Waters 01 springtime,
are-tho best pout of all They're
red scrappers,' too, at this time
of year, and if you' fish for them
with .a, four-ounce flyrod,
ktioW.-you'Ve been in a rhubard
before o'id ameirus' comes
thil4sling over the gunwale.
And ) he Sara goes for his' rani-
' 14c5Otts relative, the scrappy
c114111,ei cat. It had better be an
old'' ifyr6c1) though, fear' these
critters' tactics are apt to put
iC-eorksereW in the finst barn-
bed after a feW nig5ts' use,
Writes Ted Sands in: The ?elide
dazette,
OCcaSional/y you can . take
channel cats on artificial fureS,
but both the horned pout , and
his larger' dbuSin are 'best
caught with bait, as are the
blue, yellow and other catfish.
It doesn't matter what the bait
is SO lone ag thd right Site
fci? a catfish's ample ' Maw,
Shiners, 'clams',
burger, kernelt of corn arid
pieces of Other fish are all okay,
Dough baits have long been
— GO.OU IVrEDICINE--SUre help. 'foe thd doCtor, and. patients
Suppltod by' the cheeery 'faces of Bella Lyall, 18, arid" Gwen
ta-riar, #611-i- ttkiftio, 4.oitt„ They .are flatfeet 'aides
medical slotted in 'CC+ thbridge ?ay, , add,
SPRING IN HIS HEART — George Maynard, chairman of the
British MarbleS Board of Contra!, IS 84 years old in body. But
he's. no ,older at heart than the lads Of hit left, who are taking
a lesson in knuckling under cluernd the World Marbles Charn,
pionshipt of trisley Green, tildlarid,
H.