The Citizen, 2016-03-31, Page 5THE CITIZEN, THURSDAY, MARCH 31, 2016. PAGE 5.
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To speak to a human, press zero
G 4 our call is important to us." That
is the biggest lie since Richard
Nixon's "I am not a crook".
Bigger than Bill Clinton's "I did not have sex
with that woman". (I'm excluding anything
said by Donald Trump. He is in a liar category
occupied solely by himself.)
"Your call is important to us" is a lullaby that
is cooed by thousands of anonymous
phonebots millions of times a day. It's what
we hear when we call up banks, airlines,
rental agencies or government offices.
It means precisely the opposite of what it
claims. Our calls are not important to them. If
our calls mattered they would have a human
being answering the phone instead of a
recording.
But that's what I heard when I called up my
phone company: "Your call is important to us".
Then the voice (So warm! So...chatty!) said:
"For service in English, press One."
From there I entered a wonderland of choices
offered by the mellifluous voice on the phone.
Was I inquiring about a business account?
Press one. My balance? Press two. Repairs?
Press three.
All I wanted was to talk to a damn
human but there is no button for that. At
least not until I enter my "eight -digit phone
number" followed by my "four or six -
Arthur
Black
digit personal pin".
I have about two dozen `personal pins'
each created on the spot for whatever service
I was trying to access at the time. I have
no idea which one applies to my phone
company.
"The estimated wait time for the next
operator is... five to seven minutes," the
phonebot chirrups. "If you'd like us to call
back, enter your eight -digit phone number and
press one."
No, I've slogged on this far. Besides my
index finger is numb from pressing One. I'll
hang on. Five minutes go by. Seven minutes.
Suddenly my phone chirps: "You're awesome
for waiting!"
Oh please. I am already in a foul mood. I do
not need to hear a robot telling me that I'm
awesome. Bad language commences. Just
when I'm at the point of exhausting my
expletives something clicks in my ear and a
voice comes on the line. A strongly accented
voice says, "Hello, my name is Carla. Can I
help you?"
"Are you a human?" I ask, suspicious.
The voice laughs. Laughs! "How can I help
you?"
Carla is a lifeboat for a man drowning
in heavy seas. She lets me vent. She
apologizes for my inconvenience. She
empathizes for my misery. She assures me we
can solve my phone problem. She will send me
a new phone. It will take five to seven
business days to arrive. She will — get this —
phone me after seven business days to walk me
through the installation process. I want to
marry her.
Carla is so good, so helpful and so genuinely
human that I ask if I can speak to her boss.
Another heavily accented voice comes on the
line — this one male. I tell him Carla is a credit
to the company, a beacon of civility and he
should give her a raise. He is delighted to hear
it. I ask him where the office is — I'd like to put
my compliments in writing. Are you in
Vancouver, I ask. Then it occurs to me —
dummy — it's probably an American
corporation. "I guess you're in the States, eh?"
There is a pause at the other end. "Uh, no." the
voice says. "We're in Indonesia."
Only in the Third World you say. Pity.
I guess the people have spoken
0 ne of the hardest things that I have to
do for my job is reviewing the work of
other people.
Nowadays, it's typically plays that I review
but, when I was younger and looking for my
niche with The Sputnik, my school paper (I
went to a satellite campus, get it?) didn't want
to let me fill four pages with sports, and
wanted to split the space.
So I spent half my time generating content
for the paper taking pictures and writing about
hockey and the rest reviewing restaurants.
Reviewing anything is difficult, but when it
comes to things that can't necessarily be
measured, or things that are purely a matter of
taste, it gets that much harder.
Reviewing a restaurant isn't easy but
reviewing a play is infinitely harder in my
opinion.
For starters, there is no anonymity behind it.
When I was a student working for a
student publication, both the paper and myself
existed in this kind of void where the only
people who read it were students and faculty at
the school. There was never any real fear of
reprisal.
With a play, however, there isn't just a
chance you might have to deal with what
you've written, it's a certainty. You have to
book your tickets ahead of time and the theatre
is going to know when you will be in the
audience.
Because of that lack of anonymity, running
into someone who worked on the play and
having to explain why you loved or hated it is
a certainty. You will also run into someone
who disagrees with what you've written and
have to deal with that inevitability as well.
Honestly, it's not an enjoyable part of my job
and that's only made more difficult by the fact
that, over the past six years, I've gotten to
know many of the people involved in the plays
I'm reviewing.
That said, it's not something I shy away
from. If something is great, mediocre, bad or
somewhere in between, I'll say it and hope that
the relationships I've built over the years will
withstand that.
As I've said, reviewers have to deal with
meeting people who disagree with them and
Denny
Scott
Denny's Den
no bigger proof of that can be found than the
box office smash that is Batman v Superman:
Dawn of Justice.
The movie was pretty much universally
panned by critics who said it was horrible,
though they usually said that in a few more
words.
It was disappointing for me to see the
reviews because I do plan on seeing it, though
likely in the comfort of my living room when
it's released digitally.
It had everything going for it: big names, a
great story line to draw from, the same kind of
"superhero team" mentality that The
Avengers was able to benefit from and Zack
Snyder at the helm as director.
Snyder alone would be enough for me to
want to see the film. He's produced some great
comic book adaptations over the year
including 300 and Watchmen, both films I feel
set a bar for visual distinction.
So with all these things going for it, it was
disappointing to hear that Snyder had missed
the mark as he is currently listed as producer or
executive producer for several comic book
film -adaptations set to follow it including
Suicide Squad which will come out later this
year, Wonder Woman in 2017 and Aquaman
and The Flash in 2018 . He's also been named
director of the spiritual successors to Batman v
Superman, the Justice League films which
focus on most of the heroes featured in the
movies listed above.
One of the biggest reliefs when reviewing
anything is finding a review that agrees with
your own evaluation, so all the reviewers who
panned Batman v Superman must have felt
somewhat relieved when their peers also came
out and said the film was a miss.
That said, it seems that much of that relief
may have gone right out the window over the
weekend.
Not only did the reviews not seem to deter
people from going to the movie, the movie has
become one of the biggest openings of all time
and the second-biggest for Warner Bros.
While the film didn't exactly hit the $170.1
million the studio thought it would in its first
weekend, it did bring in $166.1 million, which
puts it seventh in terms of debut weekends
behind Harry Potter and the Deathly Hallows
Part 2. It set records for both a March debut
and Easter weekend and for any DC Comics
film including the Christopher Nolan Batman
trilogy which are lauded as the best DC
Comics movies ever.
While the critics panned the film, audiences
didn't think it was that bad with most review
aggregate sites (websites that take the critical
and film -goer reviews of the film and average
them out) seeing the film scoring as low as
three out of 10 (or lower) with critics and
seven or eight out of 10 for audiences.
From the standpoint of a reviewer, I would
think this is a nightmare.
Not only does it mean you might have been
wrong or got swept up in a tidal wave of
negative reviews, but it could mean you have
become something you shouldn't be as a
reviewer: a snob.
A reviewer, in my mind, has to let people
know what something is going to be like and
not let their preconceived notions taint the
review.
People like the movie and critics don't,
showing the divide between those who are
supposed to know what the general populace is
going to enjoy and what they actually enjoy.
It's happened before. Films have been
panned and then loved by audiences.
Films like The Boondock Saints brought in
ratings of 20 per cent scores with critics and 91
per cent scores with audiences.
The difference, however, for Batman v
Superman is that so much is riding on this film
being a success. With recurring roles to
consider, the reviews must have been a harsh
blow for the actors.
Here's hoping that I find myself on the
audience side and not the critic side when I do
finally find time to catch the movie.
411. Shawn
torniali" Loughlin
Shawn's Sense
One and done
As I sat here late on deadline day,
seconds and minutes ticking away with
no idea what to write, two Letters to
the Editor came along and got the wood stove
in my brain cooking.
There are two Letters to the Editor in this
week's issue of The Citizen, both of which
from residents I know well, concerned about
the state of recreation in Huron East.
I have to admit this issue has concerned me
for a long time. This situation hasn't happened
overnight and recreation centres in Huron East
have carried deficits for a long time. It's hard
running a recreation centre and they are most
certainly not cheap.
Admittedly, I don't necessarily have a
solution to the problem of declining usage and
increased costs (in a debate they always tell
you not to complain unless you can offer a
solution) but, like the writers of these two
letters, I most definitely have concerns.
If I had to boil my concerns down to one
issue, it would be the talk of having one
recreation centre to serve Huron East.
Huron East is a huge, sprawling
municipality that runs from the northern tip of
the county nearly to the south, and simply put,
residents deserve better. I understand that costs
are on the rise and solutions seem few and far
between, but in such a scenario, there are
destined to be winners and losers.
I know The Citizen has readers in both
Seaforth and Brussels (and in areas in
between), so how you'll feel about my theory —
which is exactly that, so let's not get too
excited — will differ depending on location.
Under such a proposal — while nothing has
been decided, or even discussed with any
seriousness — it's my belief Seaforth residents
will see no change, while those in Brussels
better be ready to do a whole lot more driving.
Every circle, as they say, has a centre, and
for Huron East, that centre is commonly
regarded as Seaforth. That may not be official,
but it's certainly how many people around here
feel. So under the one -recreation -centre
approach, the smart money says Seaforth will
be the location of that one recreation centre.
This is not only a Huron East problem: in
North Huron, residents of Blyth think
Wingham gets all the provisions, while no
doubt Wingham residents feel the same way
about Blyth. In turn, East Wawanosh residents
feel the same way about both. Central Huron
has Clinton, South Huron has Exeter and all of
Huron County has Goderich. There will be
haves, have-nots and finger -pointing.
I believe in the community centre as the
heart of a community. It's not just a place
where kids play hockey or where events are
held. And if one recreation centre is built to
serve all of Huron East, more residents than
not are going to be alienated. It's also not a
smart business model — revenue is down, so
perhaps making it less convenient for the
majority of residents is likely to turn even
more people away — but I also understand that
the bottom line is the bottom line and it is most
definitely a factor.
So, similar to my point last week about
voting with your wallet, you need to be the
brush with which you paint your masterpiece.
So, use the Brussels, Morris and Grey
Community Centre and communicate to your
councillors how important it is to you, because
if we don't use it, as they say, we'll lose it.
One recreation centre for Huron East isn't a
model that serves the community. It may serve
the bottom line and look good on paper
(although even then I'm not so sure), but it
doesn't serve the families of Huron East.