HomeMy WebLinkAboutThe Huron Expositor, 1983-08-17, Page 8A0:1,44 ' ' URONr:'EXPoSITOR _ AUG14ST 47, 1983
•
WATCH OUT JIMMY CONNORS—J h B
Goderich prepared for a serve during the final game of the
men's doubles. He and his partner, Jim Costello won the A
championship.
Chronic care in Huron
Home care for the chron-
ically ill will be introduced in
Huron County on October 15.
The announcement was made
by Keith Norton, Health
Minister.
"My ministry is placing
greater emphasis on long-
term care to meet changing
health care requirements and
the-, needs of the growing
number of elderly residents
across the province," said
Mr. Norton. "We already
have evidence that with
chronic home care elderly
patients respond more quick-
ly to treatment and are more
content when it is received in
the home setting."
The Ministry has set aside
5896,400 to cover the costs of
the new program during its
ac
HT PATRICIA RIIVIMER
Dreaming is something
thatwe all do whether we,ere
sound asleep or fully, awake.
I am sure that we are all
guilty of occasionally drifting
cif and being accused of day
dreaming at work or during a
lecture or class. We all have
dreams that we hope will
come true for our futures.
Then again we often, have
bad dreams during the night
that hauntus to no end.
Many psychologists have
studied dreaming and have
come up with many solutions
as to why we dream. These
are all very interesting theor-
ies, but when you look at
yourself. you may not feel
that these theories apply.
1, myself, would probably
mess up many of their
theories. For one thing, 1 do
not find it necessary to be in
a comfortable position, in a
peaceful dark room to fall
asleep. Sitting slouched in a
desk with the teacher lectur-
ing in a classroom is good
enough for me. Now of
course, I don't sleep in class,
although it is often tempting,
but people can sleep in many'
positions.
•'1.,
+ ;.. . .. a .. "•
idgou 'IGAGeg. and ' Ota i cAs•f@w3
entg
le
Some people can be sound
asleep, and yet rosiningall
over the house, babling
away to their hearts' content.
It may not be a very restful -
type of sleep but seldom do
sleepwalkers ever know that
they were even out of their
beds (unless of course they
don't wake up in them).
What sleep walkers dream of
is probably the' same as
anyone else, The only differ-
ence is that they live their
dreams.
Mady children have awakr
ened in the middle of the
night terrified of the mon-
sters and witches hiding In
their rooms. Of course, par-
ents always assure them that
it was all a bad dream. Ever
since 1 can remember 1 have
been terrible for having bad
dreams in the middle of the
start
night. When I was small, I
be ieyed that if I didn't like
the dream that I was having,
I could simply turn my head
to a ' different position to
"turn the channel". Don't
ask me how, but it worked.
After a bad dream kids often
have the habit of tromping
into mom and dad's room to
addle in between them for
safety.
Naturally though,"dreams
out as dreg
are not always something in
your imagination when you
are sleeping'. Dreams can be
something very real. A
dream is a wish your heart
makes whether you are
awake or asleep. It is some-
-thing that you would like
very much to happen, but
you don't know exactly how
to mak it happen. By
dreaming about a wish, you
are thinkine about it. By
thipking about it, you are
learning about .it and by
learning about it, you can do
it. Dreams are very, very
constructive.
Ilk you bye a dream, think
abopt it, learn about it and
you, canachieve it. Dreaming
is fun, fine and dandy but by
dreaming you accomplish
nothing. By living out your
dreams, you 'can possibly
make those drams come
r ti
m s 41
true. Be a dreamer, ;be a
believer, be an achiever but
most of all, be happy with
what you do.
If you know of anyone
celebrating their birthday
soon, please send •their
name, age and birthday to
The Huron Expositor, Box
69, Seaforth, Ont. or phone
527-0240.
Playwright workshop provides plays for Blyth
The hardest part of her
job. says Janet Amos, artistic
1 rector of the Blyth Summer
Festival, is finding good new
plays that will appeal to the
festival's largely rural and
small town audience. The
mandate of the festival since
1975 is the production of
Canadian plays, the majority
of them original, and this
mandate is made possible
with the help of the Play-
wright's Workshop Program.
In the Playwright's Work-
shop program both new and
established writers work with
professionals developing
scripts. In the program, made
possible through the gener-
ous assistance of Labatt's
Ontario Brewerjds and the
. Laidlaw Foundation, five
scripts will be workshopped
this season.
Earlier this season My
Wild Iris Rose by Janet
Amos s workshopped un-
der the direction of Paul
Thompson before being
mounted as the second play of
the season. Montreal play-
wright David Fennario, ' au-
thor of
u-thorof Balconville and On the
Job. worked under the direc-
tion of Simon Malbogat work -
shopping his play The Mur-
der of Sharon Parr.
Under the direction of
Terry Tweed. Uwe J. Meyer.
playwright and production
manager of the festival, is
workshopping Murder I Say
with actors Barbara Coleman.
Hugh Webster, Ann Casson.
Harry Nelken and Miles Pot-
ter.
Begitin August 15.
Katherine szas, associate
artistic direr or of the festival
and org aniz r of the Play-
first full year of operation
when it is expected to serve
approximately 350 residents.
Nursing. homemaking, nutri-
tional counselling, occupa-
tional therapy and physio-
therapy will be provided.
aopp}y
boQt`��da�
Wright's Workshop Program
directs Toronto playwright
Kathleen McDonnell's Body
Shop. Kathleen is the winner
of the 1980 National Wo-
men's Playwriting Competi-
tion. Working with Katherine
and Kathleen will be Mary
Ann Coles, Diana Belshaw,
Francine Volker. Jessica
Booker, Harry Nelken and
Karen Woolridge.
Cape Breton writer Audrey
Butler comes to Blyth to
workshop her script Cradle
Pin the, week of August 29.
Katherine Kaszas will direct.
Katherine Kaszas is ex-
cited about the Playwright's
Workshop Program and its
role in developing new scripts
for the Blyth stage. "Al-
though some of the plays we
work on are not suitable for
the Blyth audience, writers
are learning about the Blyth
Summer Festival, its audi-
ence and directors as we are
learning about them and their
work. They may go home and
write a play just for Blyth.
This may not happen this
year." says Katherine, "but
eventually it will."
Although the final readings
of Murder 1 Say, Body, $)fop
and Cradle Pin are not open to
the public, interested parties
may contact Katherine
,Kaszas or Gail Roberts at the
Blyth Summer Festival, 523-
9225 or 523-4345 for informa-
tion of invitations.
As a result of Janet Amos'
appeal for new scripts, scripts
are beginning to flow into the
Blyth Summer Festival
offices front playwrights
across the country.
bolo OPENOs
eri
000
Happy birthday to Pam
teeming, 11 years old on
August 14.
Happy birthday to Thelma
Bode, on August 16.
ELM HAVEN
MOTOR HOTEL
Highway No. $ West, Clinton
Ot
IK
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* Pa TS "GO.DDOV., "
* WEDNESDAY, AUG. 24('1' Night Only)
* Tickets on sale At the door *
* now at the bor. 411 seating permits)
* 3.00 per person $4. S0 per person 4(**************W*****
• BENDER'S ABATTOIR
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