HomeMy WebLinkAboutThe Huron Expositor, 1980-07-03, Page 24., • •
•• 1140::•014Y.T.H:HOUIV.IMER J.S.Stig
.010 tho beginiang here ws )rt414,7
•
'aidStage- Maiiiiger, "'Eon Ferguson, des.
eribing the 1401, StInnuer Festival in its
first season six years ago,. -
Ron. who has been with the feitivah-
every summer since,ita creation, ,said vihen
he arrived at the hall sir years ago, there
were no blinds on the ,theatre• windowa,
they had to borrow stage lights from n high
schoOl and they had to make their own
dinimer board to ContrO1 the
"It really hadn't been used as a theatre
for some time " he' said.
• eo o xplain e one of the biggest reasons
he -pulled through that year was the
satisfaction he got froni his job and a
collectiVe production he was involved with
called Mostly in Clover.
"It was a great feeling when the
audience stood up clapping opening
right."
Over the 'past six years, Rein said the
theatre has obtained better equipment and
expanded the company, but even during
--those -days-of -turmoili,they-alwaysTnimed--
for high quality productions,
"I think we've always tried to remain
consistent over the last six years," he said.
OVER THE PHONE
Originally hired by James Roy, artistic
director for five years, Ron said he was
interviewed and hired by James over the
telephone.
As stage manager, Ron describes him-
self as being in the middle of things.
'The stage manager is sort of the person
In the middle of all the actors, designers,
directors and technical people,'" he said.
Ron organizes rehearsatschedules, puts
• together the production book, calls cues
and generally acts as a communications
person between the actors, directors and
production staff.
• During actual performances, he said,it's
his job to see that everything runs
smoothly.
Originally from Toronto, Ron trained in
theatre from 1972 to 1974 at Ryerson in the
theatre productions course. Now living in
Kitchener, Ron is Omit to cOMPlete..hiS,1
final yea 111 a social services cottrse at
Conestoga 'College. The, veteran stage
manager explained this will he his final
year at Blyth. Although it looks iike he's taking almost
. a totally different career direction from
theatre, Ron said his 'job as Stage manager "
• was almost a breaking ground for SQCial'
work, explaining the concentration of work
just handling people.
• Since his school years at Ryerson, Ron
has worked at Theatre New Brunswick With
proditetIona Of The. Taming of the Shrew,.
Vanities and The Price, as well as either
productions 'in Toronto and London-
• ALL,CONSCIVHNG
Ron describes the simmer job as all
consuming, •
, "Over the summer before it gets better,
• it gets vvorse," he said.
Looking ahead, Ron said he want'i to
continue with school and work on his
master's degree in social work.
Joining-iton .-as-stage_ manager -this--
summer will be Kathy Kaszas.
It's her first year in Blyth, but Kathy has
been working in theatre for the last three
years.
Obtaining ,her B.A. in fine arts in 1976
from York University, Kathy has worked
for Theatre' Passe Muraille, Toronto Fac-
tory Theatre, and last summer at Huron
Country Playhouse in Grand Bend.
She describes her job as being the
"organizer."
"r make sure people are there for
costume fittings, rehearsals, just making
slue that everything gets done."
`"I act as liason person between directors
and production people," she said.
This year as the stage manager for St.
Sam of the Nuke Pile, Kathy said her job
doesn't have tricominate all of her lime.
"If you're organized it doesn't have to
be all -consuming," she said. "It depends
on the other people doing their jobs too."
, She said during rehearsals, she is
responsible for taking notes and making
diagrams. Not only for the benefit of the
HOME OF THE COUNTRY CRAFTSMAN'
The perfect spot to stop on that
afternoon drive. Look at the
hand made quilts and
early Canadian furnit'ure and enquire
about custom refinishing in the
Antique Loft, wander through
the Calicp.Shop and pick up
your quiltihg materials see the
Country Craftsmate9 work including
folk -art toys, pine and hardwood -
accessories, jewellery chests etc.,
then sit down and enjoy lunch
or tea in the Miller's
Country Kitchen
'Fon; t -g Carol Miller
K ITCHEN OPEN
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LUNCHEON SERVED
It • 200
NOTE SUNDAY HOURS
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aeteta?-4*4iagrarMS iieiphi it:fringing:
• stage 'lighting With' Vie 114b111P3 teC1110,
dans. ••
' Bakis To AN END
She added.She has no direct involvement
in the "artistic creation" as stage manager
but, "it is a means t� wend." She said it
-is a step towaids her otiterinterest—direc-
tins and writing.
ao!fand Kathy a an istant..
stage.manager is Leslie Hogan.
• . •
-Leslie, .who's just coiripliting,. her first '.
year at Niagara College In theatre arts
'deseribes her job as "common sense.”
• .."Cofer it ter* for *Iutt Ob;"she
Said with a at ,aile, • -
Johla funded by xixperlence
Progrtini, :and Lesfle. is , originA' from
• Peamillerl
She said' it was while she worked In
Toronto as a bank teller, .that she decided,
to ,get Involved mare apriottsly in :theatre.
'It was in Toronto that. I volunteered my'
Services to several theatre's to do tecbnical
,things " he Said explaining it helped her
gain some praCtical theatre ,experience. •
• In September, Leslie said she is .not
thinking of returning to Niagara College,
but would rather continue hr :aPprentite
,woric„in another theatre.
Left, Ron Ferguson, Kathy Kama and Leslie Hogan.
Production mistakes are cOstly
When Bruce Specht was
phoning employers last,,,wia-
ter trying to find his students
summer jobs, he heard of a
position that sounded so
attractive, he took it himself.
rte was teaching at Nia-
gara College in the Theatre
Arts program and Bruce said
the. job as production mana-
ger at the Blyth Summer
Festival sounded too good to
pass by.
As manager, Bruce is
responsible for all of the
technical scheduling) making
sure the sets are built on
time, staying within a budget
in constructing costs and
meeting all deadlines.
A graduate from York
University with a B.A. in fine
arts in production and design
Bruce worked as,a set and
costume designer for awhile,
but decided it wasn't for him.
He -slid as production
manager. he works with the
plans and designs resulting
from thc director and
designer's work together.
"A lot of it is simply
finding material and sup-
pliers at the best possible
price."
He said one of the biggest
parts of his job is to make
sure all of the materials used
ffir set construction meet the
safety regulations involved,
hicluding fir p codes.
• Bruce will be employed as
production manager until the
end of September. Prior to
his teaching position, the
25 -year-old worked road
houses and •fdr a Toronto
base51 theatre company
called Angel.
GREAT DEMAND
"Most -technicians can just
walk into a job. because the
demand is so great," he
said.
But, he warns, you don't
want to make any mistakes,
because the industry is small
and word gets around fast.
"Budgets arc usually
small and to make a mistake
would cost a company too
much money.•"
After he has finished with
his job at the festival, Bruce
said he plans to look to the
western provinces for a job.
He added that the only
reason he took the teaching
job last year, was to pay off
his car.'
"Out there it is a.business.
In Ontario, it is considered a
ailtural experience."
At the moment, he said
salaries are much higher in
the west and the demand is
constantly increasing.
• To go far in the field of '
production management,
Bruce said it is important to
have a good background in
business.
"It's also important to
have a good administrator
like Keith Roulston, who
knows 'what is going on in
theatre and understands,"
he said.
This season. he said, has
been "very well thought
out" and should be well
appreciated.
The Van Egmond House,,Egmondville
THE VAN EGMOND HOUSE AS IT APPEARED IN Me.
Visit the Van Egmond Reserve, 1 kmrsouth of Seaforth. Immerse yourself
in an important chapter of Canadian history. (Restoration in progress.)
Donations for the building fund are tax deductible. Van Egmond Foundltion,
f3ox 1033, Staforth, NOK IWO
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