HomeMy WebLinkAboutThe Huron Expositor, 1990-07-11, Page 1010 THE HURON EXPOSITOR. JULY 11, 1990
HAY CROP GOES UP IN SMOKE - This was all that was lett of Ken Shortreed's bam on Concession
9, Morris, just outside of Walton atter lightning from Monday's storm struck the building. The Blyth fire
department was on the scene shortly betore 9 p.m. on Monday and battled the infero until 1 a.m., but
even their efforts and the driving rain couldn't save the bam. Five head of cattle that were in the building
were removed safely, but the season's hay crop - dust taken off last week - was lost. Blyth Fire Chief
Paul Josling did not have an estimate on the damages, but all that remained of the structure was a
smouldering ruin. No one was living at the property Elliott photo.
New show highlights "vid kids"
Forevergreen Television and Film
Productions Inc. of Toronto is now
underhiking the devekapmeat of a
Television sencs designed to show-
case "ORIGINAL" video prognuns
created and produced by young
ppoda from across Canada. "Rte
Young Producers" will be designed
as an early prune -time series that
will profile "original" video
programs created by youth under
the age of 19. "Ilse series is being
developed to provide young people
with a meaningful venue
(Television) through which they can
demonstrate their creative and tech-
nical skulls.
There are thousands of young
Canadians, teens and children, from
across the Country who are using
video as a oceans to communicate
their dreams, aspirations, fears,
imaginations and perceptions of the
World around them. Whether a's
12 year old kids in the garage with
crudely built sets and props or
formal classes where young teens
delve into pressing social and com-
munity issues, there is great amount
of creative energy going on with
the amateur video camera.
'The Young Pruducars" is an
cntcruuning format that is dedicated
to profiling that energy and the
someumcs remarkable, often
delightful, always entertaining
programs that young pcupk arc
capable of making.
"The Young Producers" u Not,
we repeat, Not, another home video
show. Whik it promises to entertain
its audiences, it is very much com-
mined to showcasing the creative
young talent that exists from coast
to coast. All programming materials
being accepted must have been
originated by youth under 19 years
of age. All programs will be
entered into specific program
categories, including Best Drama;
comedy; family; children; arts;
science; environment; technology;
social documentary; special event;
current affairs, music videos; com-
mercials; etc . .
While the planned series will
provide highlights of the successful
submissions throughout its 13
episodes, there will be a major
Iama
Community Newspaper
While the high and the mighty strut and stamp across the world's stage, six women go out to visit the
elderly.
A small boy scores the winnin& goal in a hockey game. An amateur theatre group produces a smash
hit. A town council passes an =portant new law. ,
The real lives of real people. People who don't start wars,who don't build empires, who don't go into
P P P P
the history books.
But whose stories are exciting, interesting, vital and important. Stories that should be told.
And I tell these stories every week. Because I am a community newspaper.
In the White House, the U.N. — it is the
am a community newspaper. My arena is not Parliament, .
neighbourhood. The community. But what I have to say about it, touches my readers'lives every bit
as much as that larger drama. Maybe even more.
I am a community newspaper. I am welcomed into hundreds of homes every week. Not as an intruder,
shrieking out the harshness, violence and complexity of the world. But as a friend. A mirror of my
readers' lives. Their joys, sorrows,accomplishments.
I am a communitynewspaper. I aroud,Poo h independent.endent. I know when to smile, when to
grum-
ble, how to chide, how to help.
I am a community newspaper — in a great community. And I'm proud of it.
4)-irig Huron
I1xpositor
'°,44irrimp 527-0240
4
awards "special" that will conclude
the seasons genes. As in most
awards program, tyre will also be
prescntauons to best script, sound,
makeup, costumes, editing, direc-
tion, perfc.rmances, etc.
Contestants will be required to
submit a fuUy dovekuped sc:npt or
transx;npt, a credit list, a progrxrn
synopsis and one VHS copy of the
Program for judging, All program
components must be original to the
young producers and their as-
sociates. Music, sound effects,
costumes, makeup, lighting, editing,
special effects, and all other
audio/video elements will be judged
on their originality. The Producers
are not looking at lip -syncing or
"spoof -takeoffs" of existing
television programs or music
videos. The Producers cannot con-
sider any video programs that use
any copywritten visual or audio
elements produced by professional
artists.
"Our objective is to encourage
and suppon young people in using
their imaginations, creative talents
and skills to write scripts and put
stones together, whether they be
entertaining or informational. Kids
are fascinating reflections of the
adult world around them. In their
own creative ways, they can
contribute to the betterment of our
community in many capacities."
The Young Producers will give
television audiences an exciting,
entertaining opportunity to enjoy
young creativity at its fullest.
The deadline for submissions is
October 15, 1990. The producers
will provide interested kids with : n
entry form that will explain
everything in greater detail. As the
project is now in development, a
formal list of prizes and awards is
not yet finalized. The producers are
also undertaking the design of a
special statue award that the win-
ning participants will receive during
the seasons Awards Presentations.
For further information about the
series and submitting materials, all
young people under the Age of 19
can send their materials or address
their enquiries to "The Young
Producers" Forevergreen Television
and Film Productions Inc., 181
Carlaw Avenue, Suite 230, Toronto,
Ontario. M4M 1S2
All materials must be submitted
for VHS format viewing. Producers
urge participants to send a copy, not
the Original cassette if at all pos-
sible. While the Producers will
make every effort to ensure the
safe keeping and return of the
materials submitted, it cannot be
held responsible for Loss or damage.
Send a copy!!
Farmland
values on
the rise
Canadian farmland values
increased by 2.7 per cent between
July 1, 1989 and January 1, 1990,
according to a bi-annual update on
trends in farmland values released
today by the Farm Credit Cor-
poration. This follows a 4.9 per
cent increase between July 1, 1988
and July 1, 1989, which marked the
first time since 1981 that the price
of farmland had risen.
Farmland values went up in all
provinces during the last half of
1989. The value of farmland varies
considerably between provinces and
within provinces because of produc-
tivity differences and market con-
ditions, but the degree of change in
values was fairly uniform
throughout the country.
In Western Canada, land values
were fairly stable, except in the
Fraser Valley and areas surrounding
Vancouver, where offshore in-
vestments and urban growth spurred
a 27 per cent increase. Changes
were recorded only in the central
areas of the Prairies, where values
rose by eight per cent in Alberta,
three per cent in Saskatchewan, and
nine per cent in Manitoba. A 12 per
cent increase in Central Ontario was
mainly urban -driven, although sales
for farming purposes have also
risen. Land values rose only slightly
in Quebec and the Maritime provin-
ces, with the notable exception of
the potato growing areas of Prince
Edward Island, where higher potato
prices and the forecast for con-
tinued good prices drove the price
of land up by 16.5 per cent.
"The rise in farmland values in
1989 indicates that last year the
farm community was beginning to
feel more confident," said FCC
Chairman, lames Hewitt "We hope
that this trend will continue, al-
though we arc not in a position to
predict further increases for 1990 at
this time, pending the market's
assessment of the 1990 crop and the
impact of higher interest rates."