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HomeMy WebLinkAboutThe Huron Expositor, 1945-08-03, Page 7• Vi:41i1,11,191,,,1.1.11,'1111,1 11' arristers, Scorep 'Ste **trick D, Gieen Bays •SPAVORTII,ON •Telenkene 174 '" • Is NW . Barrister, Solicitor, Efo, SEA,FORTIi •. 91N;1' A410 Branch Office - Hensall •Seaferth Phone 113 • Phone 173 MEDICAL. SEAFORTII CLINIC DR. E. A. McMASTER, M.S. Graduate of University of Toronto The Clinic is fully equipped with complete and modern X-ray and other mono -date diagnostic and therapeutics equipment. J. R. Forstere Specialist in diseiliee or the ear, eye, nose and throat, will be at the Clinic, the first Tisesday in every month from 3 to 5 Free Well -Baby Clinic will be held eon the second and last Thursday in every month from 1 to 2 p.m. JOHN A. GORWILL, B.A., M.D. Physician and Surgeon IN DR. H. H. ROSS' OFFICE Phones: Office 5-W Ran 5-J Seaforth MARTIN W. STAPLETON, B,A, M.D. Physician and Surgeon Successor to Dr. W. C. Sproat Phone 90-W Seaforth DR. F. J. R. FORSTER Eye, Ear, Niose and Throat , Graduate in Medicine, University of Toronto. • Late assistant New York Opthal- mei and Aural Institute, Moorefield's Eye and Golden Square Throat Hos- pital, London, Eng. At COMMERCIAL HOTEL, SEAFORTII, THIRD WED- NESDAY in each month, from 2 Inm. to 4.30 .p.m.;also at. Seaforth Clinic !first Tuesday of each month. 53 Waterloo Street South, Stratford. _AUCTIONEERS. • , (Centileileal from fast week), , She closed the 'door After.. this time with a loud hang that could not fail to be heard -Can as. ale turn- ed bank *311.0 saw, far down the h0,11. two red eyes gleaming at be; like the eyes of a: eat, She •wondered if George nett been: watching too, and if his quick ears caught«hee whispered words te Terry, e Gloria called her unease before she entered the room, almost like old times, but Preece Aglipogue did " not seem to be particularly pleased to see her. • "You were singing," she 'said to "Pleasedon't stop because I've come. 1 love to hear you." "Thank you, but itis late for more music; and it is late, too, for little girls who study, to be up even for the sake of music." Even a week ago he would not have dared speak to her like that. He sat staring at her now, out, of his insolent oily black eyes, as if she were enally a troublesome ehild. , For a moment auger choked her voice and she half expected Gloria to speak ter her, but Gloria was .still looking at Aglipogue; the strange trance -like expression in her eyes, and Ruth became calm. If Prince. Aglipogue chose to be rude she could be impervious to rudeness. "I'm not trying to make the morn- ing classes any. more, Prince Aglipogue, so I can stay up as long ee I like, but perhaps you're tired of singing." - It was Aglipogue who looked at Gloria nowas if he expected her to send Ruth away, but she said noth- ing, sitting quite still with her long hands folded in her lap, a most un- characteristic pose, and a faint smile on her lips. She eeemed to have for- gotten both of them. 'It seemed in- late-" credible that less than five minutes She threw •off Ruth's detaining before Ruth had seen her bend her hands and swept past her through the head to meet the lips of the fat sing- hall' and up the stairway, and Ruth er-incredible and horrible. did not try' to follow her. Some - "Yes, I'm afraid -of singing," said where beyond tyre shadows she knew Aglipogue ,after a pause. He rose -that George was still standing, his and lifted one of Gloria's lovely red eyes gleaming like those of a hands and kissed it. Simultaneously cat. She waited a few minutes to George appeared at the door with his give Gloria time to go to her room hat and stick. It seemed to Ruth and to give him time to retire to his that under his air of great deference own quarters. She did not want to and humility George was sneering at pass him in the hall, and when at the .Prince. „Gloria, seemingly only, last 'she also 'went up, she thought half roused from her trance or. rev- 'she caught the sounds of, suppressed erie, rose also in farewell and seem- sobs, coming from Gloria's room. It ed to struggle to concentrate on her would do no good to stop. In two departing guest. days more they would be going to the "Tomorrow," he said, bending again Berkshires and there either George over her hand. . would win in his curious twisted "Yes, tomorrow." plans or she would defeat him. If He went out without again speak- only she knew where to find Profes- ing to Ruth, who waited breathless sor Pendragon. Terry could not help. 'until she heard the closing of the He was too modern and practical. He outer door. Gloria watched him dis- couldn't 'understand, bis mind was appear, and then lifted her arms high fresh and clean and honest and west - Above her head, stretching her superb ern. If she could . see Pendragon body up to its full length like a great again she would 'tell hien everything Persian oat' Just waking from a nap. and he might help. She decided to 'What are you doing up at this telephone his hotel in the morning hour, Ruth?' She spoke as if seeing and 'find .out, if possible, just where Ruth for the.first time. he had gone. *ant. gaze on her back as she steed ;aristocratic faneile: e'Kentuelty, who 44 in -the doorway, but she did, tIpt fel- , f011ght a,nd, foli'2e.„3 keep her from ter, , aejug ee artist, hlit, she must `live sef you .do that, Gloria, it will M.044 lier ,own' life,' even 11' she had to that yea emej, work itt Teery'e IOW brave the b.ardsliiie of a great city --at will mean giviag up eyerytlung-4- With not a thine -ter live on except your career and your incorae. Dees Prince Aglipogue• know that?" Gloria paused in her restless walk and looked at her from beneath her troubled brows. "I don't care about the career; I'M tired of the stage, but what differ- ence -will the income make? It's suph a little one, you know.". "Still_ it may make a difference with Aglipogue, and if you give up your career and your income you will be dependent on him. That should make a difference 'to you." Ruth wondered afterward where she got all this worldly knowledge and how she was able to say it, with George's eyes burning into her back. "What a practical child you are ; but let's not talk about it tonight. I'm awfully tired. We were going to an,- nounce our engagement Christmas Eve, but there's no harm in your knowing." "Gloria, you can't -you can't marry him. He's fat and selfish and hor- rid!" In her excitement ehe forgot George and moved to Gloria's side. "You don't know what you're doing." Gloria's eyes looked across her, ov- er •her head and the tiance-like look came back into them. "When you are as old as I you will know that physical , appearance doesn't mattes- much. I - don't know Why I'm marrying Aggie, but it seems to be happening. Se many things happen -I need a change; I want to travel in a new country, Besides it's all nxed-it's too late now -too HAROLD JACKSON Specialist in Farm and Household Sales. Licensed in Huron and Perth Coun- ties. Prices reasonable; satisfaction. guaranteed. For information, etc., write or phone HAROLD JAOKSON, 14 on 661, Sea - forth; R.R. 4, Seaforth. W. S. O'NEIL, DENFIELD If you want to realize greater re- , tarns from your auction sales of live stock and farm equipment, ask those who know and have heard me. Fif- teen years' experienee. Sales don - ducted anywhere. For sale dates, Phone 28-7, Granton,-etemy expense. • 89794.4 LONDON and CLINTON NORTH • London, Lv: Exeter Hensall Sippers Brucefield • Clinton, Ar. SOUTH Clinton, Ev. Brucefield Kippen Hensel' Exeter London, Ar; A.M. 9.00 10.17 10.34 10.43 10.56 1L20 the income she geteefrom home. And moo, of oonrse, she liMoras everything except real art-etie would never stoop to a fashion "drawing or com- mercial art of •anY kind. Her artistic temperament would not allow it. She is working on a nanral-yes, indeed - of course it neves; has and never will go any further than se rough sketch and a lot of conversation in her corn- toftable studio, but Nels doesn't know that. He and every other man she talks to believes that she is real- ly working on sornethiee big. And thee she Is such a lover of beauty. She must have flowers in her studio at all times. She simply couldn't live without floweri. And Nels-Nels who never bought me even a bunch of violets at Easter time -is pawning his clothes to buy 'her roses. I think that's what hurts most. I'm just a practicer old thing, and I've never wanted to do anything at all but work withhim and for him, aftd go to dinner- with. him 'Dutch' -and so you see I am of no value -and she, who has never done a useful thing in her whole life, hes completely fas- cinated 'him. He -isn't worth all this. 1 ought not to care -I don't care - I'm just plain angry." , Tears were overflowing the blue eyes of the "lust plain angry" girl and Ruth feared a public exhibition. They had reached the restaurant and she feared the curious eyes inside. "Let's not eat he4 today, Dorothy. You need a change, that's all, so why not take the afternoon eff? could go to your studio. I've. never been there, you know. •Couldn't we have lunch there?" "We could buy it at the 'deny' 'round the corner," said Dorothy, her round face clearing a; bit. "And 'let's buy some flowers first; if Nels Shows up we cari pretend a man sent them." • "That's 'woman stuff': I don't think ought -but-" "Just . for this Ruth, leading the est flower shore .., "I don't like to have you spend money on me. I don't like to have anything that I can't pay for myself." "That's selfish. and vain. Perhaps that's why Nels is with Alice," "I suppose so. You know they're so stupid, men. They believe every- thing you tell, them. I've "told Nels what a practical worker I am and how independent r am and he be- lieves me, without ever tryijig to prove it; and she's told him that she is' an impractical, artistic dreamer and he believes that, too, though if he'd only think for just a minute he'd know that she's a mercenary schem- er, not'an artistic dreamer." "Do you like these ,pink ones?'' "Oh, asd those unusual pale yellow P.M, 3.10 3.32 3.44 3.53 4.10 5.25 C.N.R. TIME TABLE EAST flloderich Bolmesville Clinton Seaforth St. Columban Dublin Mitchell Mitchell WEST Dublin St. Columban Seaforth Clinton . ,'• Goderich A.M. 6.15 6.31 6.43 6.59 7.05 7.12 7.25 P.M. 2.30 2.50 3.13 3.21 3.27 3.35 3.47 11,27 10.33 11.37 10.44 r'11.40 11.51 10.56 12.04 11.10 12.35 11.35 C.P.R. TIME TABLE EAST Goderieh Meneset •IlleGaw Auburn Blyth Walton • McNaught Toronto 'Toronto WEST MeNaught Walton Blyth Auburn Minnow Meneset. '''''''4�drlth ''' ' '''''' "I went to the theatre with Terry, you knoW, and then we went to sup- per afterward and I came in. fifteen minutes ago. I'm not a bit tired." "1 am, horribly, of everything." "It's Pnly Prince Aglipogue w'bo's beef boring ,you. No wonder you're tired of him. If he'd only sing be- hind a. curtain so that one didn't have to look at him, he would be quite lovely," said Ruth. She • spoke thus with the intention of talking Gloria tell what she, really thought of the Prince. Gloria sank back on her chair by the piano and rested her chin on her folded hands, her elbowe on her knees. Unlike most large women she seemed able to assume any atti- tude she chose without appearing un- graceful. "You don't like Aggie, do you?" She was looking at Ruth now With something of her normal expreseon in he eyes. "I don't exactly dislike him," said Ruth. "He's all right as a singer or a pianist or a painter, but as a man he is singular4y uninteresting, isn't he?" "He is horribly stupid -1-" Sud- den,L.y her expression changed and she was on her feet again, walking rest- lessly up and down the room: "I'm going to marry him; he'fs going to South America on a 'concert tour and I'll go with him -I'm so tired of ev- erything; 1 want to get away." Involuntarily Ruth had also risen, bewildered at the . sudden change in Gloria's manner. Through the open doorway she could see George stand- ing in the dimly lighted hill beyond, his red 'eyes gleaming, axed on Glor- ia's moving figure. She thought she understood, at least in part, the rea- son for the sudden change and thought she was trembling With the unreasoning fear that assails the braVegit in the fabe oflie inYsteriens unknown, she &reed hersOlf to moVo acrosa the room so that she stood between George, in the hall, and: Mote P.M. 4.35 4.40 4.49 4.58 5.09 5.21 5.32 9.46 8.20 P.M. 12.04 1215 12.28 izso 12.47 12,54 1, • ,, .1.:1110:10:4,, h: •- ahoAteh -.3,:,;,,,,,p4,,,,,..i.!..." ..,..i 7st:. .,,,,lt.:,,o.t. „.....,... e ;0,0t0;13,4,.,•:,..:#2,.,,,,P,O1i1.1t:r,,.,.i.3q,...".,:.,1.7.1: #141i:,..,.i4, :.1,,..,Y,:...., ,...t.4,,4.-,,kilf44:,::,,, •&,, fT*PIT.1p4N4.p.,4,0,.•vii•Oliigi,t• •V‘df4..'••,10, . '''•!..1.....*:', ii.rt.„,,,••. q..p.,1 aqueo-• 1).9=,0t1c1)r.;' were l'400-, •:•y••'• '1 'Ja.Q,P,' 1'.4%._, a' a college .nieln aereed., Deeatkyi :'.jareotiglit- Dore . Iii.t0Iile'aeteekkaehlented• ;0444e henSe ' °Vile ;Were ..0.40"tii, 0111, ",. eeteteleat ott`trinererefietle eido .44 'the •PeOugh .tor any 40)0 tbO 1,10ase WIlielt every piece et de- mn* farniture seemed to have teen: dragged frOne its Anclividnal attic and Yet mingled with the 1830.24tTileitiee 4§isemland heFe \ vat inharmony. were a; feW "goOtr ,•tilittga, left from time to time by artiste and writers whom prosperity had ,ealled to .bet-nnhaise lonege---Imt an ngiy he 41a. 41a, ter quarters. Dorothy lived at the top of the house in one of the two rooms facing the, square. "Yoe see it isn't really a studio," fele explained apologetically. "But it has got north, light and the sloping room and that bit 'of skylight makes it quite satisfactory, and then, too; I face the Square and can always see the fountain and the Washington arch and the first green that comes on the trees in May, and I like it. And Just because we're celebrating Ill put a charcoal fire in the grate and we'll make tea in the samovar, but first we must take care of the flowers." For :a few minutes she seemed to have forgotten all her troubles. "I do wish I had a pretty vase.. It's almost criminal to put roses in this furnitureinto beauty, threw a glam- our over the place now and made it seem quite different from the cheer- less room they had entered over an hour before. The rain' was bringing a premature twilight which made the firelight .douhly welcome. Nels felt the change and looked about him as if in unfamiliar surroundings. "This is. certain* cheery," he said, taking the cup Dorothy offered him. "And roses!" He looked inquiringly at Ruth. "No, I'm not the lucky girl; some admirer of Dorothy's." once," way into persisted the near - Dorothy *1W0111d ,Y01.11 111110,", steppe thet Mee, too, tat 1 'eeti eoxae in and it and shire, 'your. gofCsip; and eiC aid. Nels, • seating hins, forthwith On the Colichrhe4 a•Th. -guised as a col1,01--ivigioUf VV10.01 cheap studio or hall bed -eon is emu- plete. Mucb is ,.written about the "femin- ine touch" which makes home of the most ordinary surroundings. Ruth thought of it as she looked at Doro- thy's room. Perhaps, she decided, artistic women are an exception to this rule. Dorothy had knowledge of beautiful things, more knowledge than the average woman, but no one would have guessed it from the un- tidy shabbiness of her studio._ Only the bright samovar and the roses, thrown into relief by the firelight, which with the same magic threw dusty corners into shadows and seem- ed to gild the ugly, broken-down old 'jug. Don't you think the sam- evar's pretty? Nels did get me that. Wait a minute; I'll show you his stu- dio. It's the net room to this and just like it. He never locks his door." She stepped out, Ruth following, and pushed open the only half closed door of a room, the exist counter- part in size of her own, but rather more comfortable as to, furnishings. "That's her picture; she must have given it to hint last week. I haven't 'been in his studio for days and we used to have such corking times to- gether -I Worked here more often than in my own room and he always seemed to like having me-" Fearing a return of tears Ruth hastily retreated to Dorothy's room. Besnies she didn't, feel quite comfort- able about entering a man's room during his absence and examining his pictures: "Let's not think about her; just a phase and he'll recover come back to you," she comforted. "Yroil. make the tea and I'll spread this little table," she continued, re- moving a pile of sketches to the. floor. In a short space of time there was a real fire burping in the tiny grate, throwing a ruddy glow on the burn- ished brass of the samovar; in the small room the roses shed a heayy sweet perfume and the tw.o girls chatted cozily over their tea cups. 'Dorothy smoked a cigarette. "Cigarettes are a party to me," she exclaimed. "If I could afford to smoke 1 might not care for it at all, but I can't, so -when I want to be extravagant t smoke; it's just a sym- bol." Now that Dorothy „seemed to have put her grief into the background Ruth was beginning to feel restless. On the following day the party was to leave for the Christmas party. They would arrive at their destine - eon on the.twenty-third of December and the imminence of the solution of all Ruth's worries, for either good or evil, made her feel that she shou4d be at the house as much as possible. Could she have done so she would have followed Gloria wherever she went. Most of all she wanted to find out where Professor Pendragon was stopping; and she ought to telephone Terry again to remind him not to for- get the revolver. In her own mind she was not exactly sure what she would do with the guh when she got it.. "I think I'll have to run Menge; she said. 'e "Oh, and we Were having such a good time. I Was beginning to be quite cheered up. Wait a minute ; that's him." Regardless of grammar, Ruth knew that the masculine pronoun could re- fer to pnly one person. Down three flights of stairs she could hear a tuneless but valiant whistle. CHAPTER xr When Ruth telephoned Professor Pendragon's hotel she found that he had not left any address and would not be expected back before the .nrst on the year. Her next thought was of Nels Zord. He might know, but much to her surprise she did not see Nels at the League, and sought out Dorothy instead. She found her eas- ily enough, but it was not until she had asked about •Nels that she ob- served that Dorothy's eyes were red and her cheeks swealen-,as if from recent weeping. It was luncheon time and they were walking toward their restaurant together. "I don't know where Nels is," said Dorothy. Her voice was elmotiT a sob. "Haven't you seen him today?" "I never see him any more -haven't you seen? • He's too busy with that Alice Winn girl. Oh, you know her, Ruth, the insipid ,creature with the carefully nurtured southern accent, who always has ome. highbrow Rus- sian or Swedish book under her arm, and begins reading it, every time she thinks a man is looking." "I think I know the one you mean, but what about her and why is Nels busy with her and why have you been crying? You have been crying." "I suppose, I have; it's most Un- manly of me, hut I muet. do some- thing. AU men you know are irre- tistibly attracted to the weakest, cheapest sort of women. They all prefer sham to reality, and they are all anoint at heart." "I'm afraid 1 don't know muds about men," admitted Ruth. "Well, I'm telling you about theta no*. You might as well know. And the better a man is the more be likes imitation women, and Nels is just as bad as any of them, and that's why hell fallen an hard tor Alice Winn. Pint lie fell for the highbrow books. ke reay believes that she reads a. She denit; itIttiliatfeel hia Mat, NAL 'then'aille told him all about her there aren't any leay40-43ii the trees, it's and roses -the combination is wonderful and the scent." She buried her nose in the flowers in an ecstasy of delight that neade her forget that Ruth was paying for them. "Now we'll ride down cin the 'bus," said tpth. "But you haven't told ms just where Nels is -is Alice Winn pretty?" Questions of this sort are perfect- ly intelligible to women and Dorothy answered in her own way -as they climbed into the Fifth Av'enue 'bus. "Hes gone with her to the Met - to look over some ' costumes she `Watts to use in this mural she's sup- posed to be doing; and oC course she is pretty -an anaemic, horrid, little dark-skinned vamp -and she lisps - all the time except when .She forgets its or When there aren't Any men around. It's not nice for me to talk like this. Probably she's all right, only she isn't good for Nets. i know that. What I'm afraid of is that she'll use him. Lots of girls do you know, use • men like that. She'll ,ask his advice about things and before he knows it he'll he painting her old mural for her and she'll sign it, and he'll st back and let her get the credit for doing it. It's' been done before, you know." "Nels is too sensible for that, He'll wake up before it's gone that far." "I don't think so; she is attractive to men." They fell silent for ashort space, looking out 'at the grey December streets on which no snow bad yet :fallen. Now a thin, cold rain began falling, making the pavements glis- ten; and giving even. well-dressed pedestrians a shabby appearance as they hurried up and "town -a thick stream of holiday shoppers. "My room isn't mildh, but at least I live On Washington Snilare and that is something," said Derothy. "I love it ail the year round, 4.0en tow when There was an embarrassed pause. Ruth blushed because she had told what in childhood she had called a "white lie"; Dorothy because she ac- cepted the deception that she would not herself have instigated, and Nels for many reasons. "Whoever he is he's not a poor artist," he said. "I know the price of roses in December," whereupon lie blushed more redly M remembrance. "I thought you were going to spend the entire day at the Metropolitan," el said .porothy,''be sitnation. , 4'S° 03: V' atd o1 With endden don't mind 'telling rv.e been an awfni fnee 44:tte decided to play with Penneleleee don't blame mt. We.'"vv,M10.1;:t Met this morning; AliceeiivCW uptown a4I tboupt it - Pleasant hike, hat when wegotthe she was quite worn Out, land:Ak', some fellow ehe knows came: with a car and offered• to teiP home and she went; said the werlIge:' had Made her too tired to work. COI Fe course he offered to .'plek me up, toO but 1. preferred to walk and all the way from the Metropoltessu Washington Square -now you lino* the entire story ' and can laugh to your heart's content" But neither of 'the girls laughed Nels had evidently learned Isis lesson- erne and they were in no mood to increase' his discomdture. "I wanted to see you to ask if yoti . know where Professor Pendragon went when he left town. He said some place in the country, but I've forgotten where," said Ruth. "Yes; I got a note -Preen him 'only' ---it••;,, this morning. Hb's visiting a friend of his in the Berkshires. North Ad- ams is the post -office and I've forgot- ten the name of the house. One of those big country places with a fancy name -wait and get the note from my room." "He believed that about the roses and now that he's sane again, nay conscience hurts," whispered Dorothy when he had left them. "Let it hurt a bit; I wouldn't tell him," whispered Ruth. (Continued Neit Week) •re• "I wonder why he's coming home so soon?" continued Dorothy. "I'll shut the door tight so he won't see us. I'm not going to make it easy for him to come back," She closed the door as she spoke and the two girls waited, trying to kRouetpup a hum of conversation. Doro- thy's agitation communicated itself to h. "Will he come here?'" she asked. "I don't know; he always did be- fore, but now, he may just be coming in to get something and then clatih out again to meet her." She walked to the window and looked out: 'There's do one down there wait- ing for him." She came back to her place at the tiny table. The Whistle had Is:Counted all three flights now, and paissed a moment be- fore their door. Dorothy began talk- ing unconcernedly, They heard him enter his ovrn studio. The Whistle was resumed and they could hear Witt moving restleasly about. A. match ..SNAPS140T..GUILD STUDY YOUR LIGHTING 118 1-4,41 • ,. Backlighting adds appeal to many informal portraits. Sidelighting is often useful, too. And both are safe as long as direct sun rays do not fall on the camera lens. "IN taking pictures outdoors, have the sun at your 'hack, and a little to one side." • • That is a fine rule for the person who is mew at picture taking and knows nothing of photography. Its purpose, in part, is to insure'that direct sunlight does not strike the camera lens when a picture is taken. When direct sun rays :do.strike the lens, or lens mount, they are likely to cause reflections within the lens, and these produce "flare", spots. on the film, and, ruin the picture. Thus, the "sun at your back" rule, is a safe one, but it does not neces- sarily lead to better pictures. Often, lighting from one side, or even from in front of the camera, is prefer- able with certain subjects. And such lighting is safe -from the stand- point of. avoiding 'flare" -provided you make sure that direct, brilliant light rays do not fall on the lens. Some cameras have deeply re- cessed. lensos. With these, the lens Is adequately protected when light comes from one side. With other cameras, a lens shade is needed for side -lighted pictures: -A fairly deep lens shade makes it possible tts take pictures With the sun to one side and well ahead of the camera, so that the subject is lighted from :the rear. As long as a shadow falls on the lens, the ligliting_teigle• Is safek Often, when no lens shade is avail- able, a hat nmy be held so as to shade the lens -but care must be taken not to hold it so close that it cuts off part of the scene: In taking sunny -day pictures of persons outdoors, almost any type of lighting.can he obtained, simply by turning the subject in relation to the sun. The attractive child picture above is backlighted, the sun comink from a high angle behind the subject. By turning the subject about ninety de- grees to the right, high -angle side - lighting could be obtained. A fur- ther turn, or etilt.of, the head, *mild produce further lighting Sidelighting produces excellent roundness and modeling. Bacislight- ing is often helpful in taking info - mal portraits, especially of persons with blonde hair. With these light - lugs, increased exposure is needed to improve shadotv detail. For side. -lighting, try exposttietif abOlitiwice normal; for baeltligyting, about four times norrnal. tWlien conditions do not permit increasing exposure; tIy' using a white tuileeting such as a cloth or traWfspatfei,:tft east more light 'IMO the ShadoWS. Keep the lighting Suited to the ' jeel, and you'll obtain Platt* adAati inteteSt and Wat1t.1ne•i,"4 :'. )114••,6, '1'••*4 411 1:11