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HomeMy WebLinkAboutThe Huron Expositor, 1945-07-20, Page 7t}' E .VV VN ELL F d � Barristers, •Solicitors, Etc.. taelcli Ti,112cConnell, - H, Glenn Ha' •$E;APO1 PH, T0101)11040 174; MC Barrister, S.ollcitore•Eter 80440 PNt11ARIO Branch Ofico I elleaU Eeasali • Seaforth ;Phone 113 _„ ..... ,. Phrrne 173 7• MEJMCAL . SEAFORTH CLINIC D. E. A. MCMASTER, M.B. Graduate of University of Toronto • The Clinic is fully equipped with complete and modern X-ray and other op -to -date diagnostic and therapeu les equipment. - ,• _ Dr. F. J. R. Forster, Specialist. = diseases of the ear, ey ,nose•. -•and'.. throat, will be•at the Clini, •''the first Tuesday in every month from '3' Ito Free Well -Baby Clinic will be held on the second and last Thursd(y every month from 1 to 2 p.m. JOHN, A. •GORWILL, B.A., M.D. Physician and Surgeon �1N DR. H. H. ROSS' OFFICE Phones: Office 5-W Res. 5-J Seaforth MARTIN W. STAPLETO•N, B.A., M.D. Physician and Surgeon St<ccessor to Dr.. W. C. Sproat Phone „90-W �. a Seaforth DR. IF, J. R. FORSTER Eye, Ear, Nose and Throat Graduate in Medicine, University of Toronto. Late assistant New York Opthal- mei and, Atiral Institute, Moorefield's Eye and Golden Square Throat Hos-, Pita!, London, Eng. At COMMERCIAL HOTEL, SEAFORTH, THIRD• WED- NESDAY in each -month, from 2 p.m. to 4.30 p.m.; also at Seaforth Clinic Bret Tuesday of each month. 53 Waterloo Street South, Stratford. AUCTIONEERS HAROLD JACKSON Specialist in Farm and Household Sales. Licensed in Huron and Perth Couc- hes. Prices reasonable; satisfaction guaranteed. For information, etc., write or phone HAROLD JACKSON, 14 on 661, Sea - forth; R.R. 4, Seaforth: •W.: S. O'NEIL, DENFIELD If you want to realize greater re- turns from your auction sales of live stock and farm equipment, ask those who know and have heard me. Fif- teen years' experience. Sales con- ducted anywhere. For sale dates, Phone 28-7, Granton, at my expense. 3979-tf QNtiO'N.. an LINTON NORTH (CeenUUn oil fru last week) She had listened attentively,. nisei t hopefuliy, nutil' the.se Tast .'words, Then she knew that,, he ' 'was' doing what Nels'would have called, "Mali - /rig." 'He did riot believe that, t101 was any chance for her. lie reap and went on about his tort, of :inspection, •and Ruth sank' down into the empty chair,'' She did not work • any more, but sat still, looking at her work, but not thinking 'of it; --not thinking of anything.' She was roused by seeing the other students fling out at the luncheon hour. She did not want to see 1Vels and Dorothy; .she would not go to their restaurant, instead she, would eat the "cheap and whole- some" IIInch offered in the building:' -There she would be with strangers. She at something, she did hot 'know )what, and returned tether life class, 'but again she could not work. She was_.:heginning to -think definitely now. She had no talent -no future. I•f she could not be a great artist, a great painter, there was nothing in Iife for her. She didn't want anything else, reit even love. if she could copse to Terry with a great gift, she would not stop .hoping that he would love her, hut to. be just an ordinary, woman - just a wife. If she was not to be a great painter, ,then what, was she to be? Very carefully she -went over ev- ery word of the professor. He had admitted that it was difficult to•, say exactly whether she had talent or not; he had only said that he•• had disq'bvered no signs. of it. Yet he was only, one man. Thousands of genius- es 'ill'' every field of endeavour had been discouraged by- their elders simply • because the neiv genie's work- ed in a different manner from those who had gone before. But that didn't apply to herself. She had no new and original methods. She changed her style of work every day• in response to something she had heard or had seen. She - had no knowledge,, no ideas about, art, in herself. Yet all beginners must be swayed by what they saw and heard, influenced by this or that painter from day to day, until they found themselves. Then' she wondered if she had a self to find. She was vaultingly ambitious she was industrious and something of a dreamer, but with all this Ruth was practical. She thought of perpetual students -did 'she want to become one of them? That was what it meant, following a muse who had not called. Art is not chosen. It chooses its own. Dorothy Winslow' was'; wrong -fame could not be achieved merely by am- bition, energy; and determination - neither is genius the art of taking pains, she thought. Sometimes it is achieved with infinite carelessness. The hour• was afternoon, class was over and she had not touched crayon to ,paper. Not until she was on the street, hurrying out to avoid speak- ing •te Nels or Dorothy, ctid.lshe re- member her ngagement with Terry. Mori's was on l Forty-second Street. If she walked s1 e: would 'arrive at the right time. She was no longer curious as to what Terry would have to say. Gloria and George did not interest her. She was arrived at branching roads and, she must choose. She re- alized that Not that she could not keep on with her studies, regardless Of whether she had talent or not. She could, for she was responsible to no one. No one counted on her to make good, nor was there any one to warn her against mistakes. She only knew that she did not want to devote her life to something for which she was not intended. She did not want to fail, even less• did she want to be a mediocre success. She must live on Olympus or in the .valley. It occur- red to her that her very thoughts were proof of her unworthiness.. If she were really a great artist she would not be thinking of either fame or failure,. but only of her work. She was walking rapidly so • that she ar- rived at Mori's before five. She glanc- ed• at the watch 'oil ler 'Wier 'before - entering aitdhe was beside bel, com- ing from the opposite direction. "On time," he said with mock sur- prise. "No. I just A.M. London, Lv. 9.00 Exeter 10.17 Hensall 10.34 Kippen 10.43 Brucefield 10.55 Clinton, Ar. 11.20 SOUTH Clinton, Lv. Brucefield Kippen P.M. 3.1.4 3.32 3.44 Mensal' 3.53 Exeter 4.10 London, Ar. 5.25 C.N.R. TIME TABLE EAST A.M. P.M. Godericb , 6.15 2.30 Holmesville -- - . 6.31 2.50 Clinton , - . 6.43 3.13 Seaforth 6.59 3.21 St.• Columban 7.05 3.2.7 Dublin 7.12 3.35 Mitchell ......... ,-. -. _7.25 ... 3.47 WEST Mitebell 11,27 10.33 Dublin ` 11.37 10.44 St. Columban 11.40 Seaforth 11.51 10.56 Clinton ' 12.04 11.10 Goder'eh 12.35 11.35 C.P.R. TIME TABLE EAST Goderit �. Meneset -. McGa r Arlburn Blyth Walton McNaught . - ... Toronto 'Toronto WEST McNaught Walton Myth Allburn • .. rr.. Meneset ... , ..... • 12.54 1.09 P.M. 4.35 4.40 4.49 4.58 5.09 5.21 6.32 9.45 .Qf.M '8.20 P.M 12.04 12.16 12.28 32.139 12,47 +F etid,• ..................... am ahead of time. I came from the League." They went. in. together -a big room crowded with it}numerable tiny tables and many people, yet when she found herself seated opposite him, •pouring tea, they seemed to be quite alone to- gether. Perhaps ?t was because the tables were So tiny, perhaps because of the small, soft, rose -shaded light on each one, that she seemed to be near- er him than ever before, both physi- cally and spiritually. "You . were looking quite downcast when we met; I hope you aren't wor- rying too muck about George," he said. His, tone was friendly, intimate, comforting, irirriting confidence. "No, it's not that.:.Muei- more sel- fish. I Was Unfitting of my oWn trolly blear" ' I 'didn"t knew y.o' had any.'T( "Yes, +tdi' :ext ,Yon know. 1, have tbotight fo, •,years--t9h�ree' yearn to be exact--�tltat 1 would. on,'e .day be a great. !painter' and. today `I ' discovered Chat I Irave uo talent." "You can't know, that; you're dis. oouraged over sone little ' far nre. 1 4ou't know anything about art, but you've only:been steadying a few' years and that's not time enough to tell.", • "Yes, it is -I've • compared my work with that of other students and I've been afraid. for some time. Today I asked Burroughs, one of the instruc- tors, and now I knlaw. " "But that's only one man's 'opinion. Just what did he •'say? 1 know the pedagogue -al formula, three words of praise and one of•'censure to keep you from being too happy, or three words of adverse criticism and one of praise to keep you from being too discourag- ed. Wasn't it like that?" "No; he just said very frankly that he would not say that I had no future at all, but he did say that if I had any my work at school .had never given any indication of it. ,He •said my portraits looked like cartoons, and then he remembered those awful sketches in the Express-" She stop- ped • embarrassed. "You never will live that down, will you?"• said Terry, smiling. "That isn't fair, I didn't mean that, only it's ail so discouraging, to 'want to paint ;masterpieces and to be told to draw cartoons." "Did he tell you that?" Terry spoke eagerly. "Not in so many words, but that's what he meant." "Then he rather admired your abil- ity to do cartoons?" "I suppose so." "Then why don't you go in for that? One must do • something, you knew -play some game and that is better than most." Ruth did not answer. "If you'd like I dare say you 'Could do theatrical caricatures for the Sun- day Express every week. It wouldn't take much time. Of course you'd soon get as fed up with the theatre as a dramatic critic, but it would be in- teresting for a time and you -could continue to study, to take time to prove whether or not you have tal- ents. If you, say I may, I'll speak to Daly about it the next t time I see him." "I'd like it I think -after' all, as Mr. Courtenay said, it's better to be a good cartoonist than a bad painter, and I can always keep on studying. It will not be exactly. giving up my ambition, only I won't be gambling everything on it." Then, as if half ashamed of her surrender, and wish- ing to change the subject,' "But we didn't intend to talk about me, 'we were going to talk about Gloria, weren't we?" "Is it absolutely necessary that we should have something very definite to talk about?" he asked, smiling. "Suppose I just asked you to meet me for tea,' because." Was he teasing her, She wondered. "But now that we are together, be- cause, let's talk about Gloria. I won't know anything more about Professor Pendragon until Sunday. I'm going there with Dorothy Winslow, who is going, to do a portrait of him, but in the meantime I'd feel very much hap- pier if he was out of the house, or if not George, et least the ' snake. Couldn't you kill it, Terry? That might make 'George so angry that .he'd leave. And anyway,, the snake is the important thing. Without the snake George would be comparative- ly harmless. Yot,'must kill the snake." "But, my dear girl, how do you pro- pose that I am to make• away with George's little pet? It belongs to George; you know. I don't even know where he keeps it, and- if I did it is hi property and it wouldn't be legal, you, know-" ."I wish you wouldn't laugh at "I'm not laughing at you. Even if I can't quite believe all the 'things that y,ou believe, I can still see that the situation is serious, but I can't see how killing the snake would help any. My ides, is a bit different and perhaps quite as 'bizarre in its way. I've been thinking that if we could bring Gloria and Professor Pendragon together again, then he would take. her away from George and the snake• and slave us .the trouble of taking George and the snake away from her." "It sounds good, but there's no way to do it. I've given Gloria' my word that rii not mention her name to him and the other day she even made me promise not to mention his name to her again." "Even so, there must be other 'peo- ple who know both of them." "He's only ,been. in America two years they'd move in different eir- c1ee, ndttfr"ally." 'Fife"d, bi'irt tittles erose -.and 1'Sok here, thOte pictures will' be Chilling , tp otlt aOPfl t'' "I r dont' i41}glpl9::,he gclee. to. the mov'iba,• oertatn,11C Qt near that he'S iIL "Yes, Ind "'he xead$ the newspapers; he'll dee lrer piotQ es." "But that isnrt Oeeting her. If he's at all like Gloria,he'l1 be too proud tSl look her•,;,i}p; •lesides we may be talking nonsense.' How do we know thea they don't really hate each oth- er?„• "That's not the Worst. People don't usually hate over ten years. They may be utterly 'indifferent. I realize that possibility, 'but I don't- believe they are indifferent. It's all just guessing." "The simplest way .would be to get rid of the snake," 'persisted Ruth. "Yes, I 'now; tint who's to do it, and how?" "You're o do •it, and I suppose that I, being n the house, should plan the means -find out where he keeps his pet and how to kidnap it." "Even if it has the significance you suppose, what's to Prevent him get- ting a new one?" "They don't sell them in the de= know," said partment stores, you Ruth, smiling. • "Let's wait until you see Pendra- gon again • before we do anything rash," Terry closed the discussion. Ile came home with -Ruth' who won - tiered if Gloria would observe them coming together, and if it might not wake in Gloria .some latent jealousy. 'I've persuaded Ruth totake up cartooning, as a profession," he an- aounced. His putting it into words like that before all of them seemed to make it final. "You mean those political things of fat capitalists and paper -capped lab- ouring men?" -asked Ben Stark. "Certainly not," said Terry. "You're horribly behind the times. That sort of thing isn't done. If she goes in for political cartoons at all she will draw pictures of downtrodden millionaires defending themselves from Bolsheviki rampant on a field of red, or of a mob of infuriated factory owners throwing stones at the home of a labour leader -she may draw a ser- les-pf...pictures showing in great de- tail how a motion picture actress 'makes up to conceal the wart on her nos.e ,before facing -1h, camera." "It isn't at all settled yet," said Ruth. "I .may not be•,able to get a- a job." She hated•• -the word, but pro- nounced it in a perfect fury of dem- ocratic renunciation. - "I don't think there'll be any trou- ble," said Terry. "There's always a demand for that sort of thing." ,• Altogether; however, the announce- ment produced surprisingly little comment from Gloria and her friends. They seemed to take it as a matter of course, like Gloria's going into mo- tion pictures. She had been, despite her fears, rather successful, •and had been offered a new contract, which, however, She was unwilling to sign until she knew more about' the ,ere - duction of Terry's comedy. If Terry's play really got, a_New York produc- tion, .Gloria would be only too glad to desert'the camera. The .revelation of Ruth'". duplicity to Professor Pendragon was threat- ened in a most unexpected manner. Sunday morning. First Dorothy call- ed fora her at the house, and this time, mapifested'more curiosity about her 'surrbundings than she had done previously, because • this time her mind was not on the more important, matter of frocks: "Who do you live with here?" she asked Ruth, as she waited for her to put on her hat and coat. Ruth hesitated; she hated decep- tion of any kind, or making myster- ies. After all it was very silly of Gloria. If one must leave ex-hus- bands scattered around the world, one should contemplate the possibili- ty of running across them now and then with equanimity. And then the stupid idea of concealing their rela- tionship. It was all most annoying, "With- a woman who was a friend of my father," she answered at last, but Dorothy was 'not to be put off sd easily. "I mean what's her name?" asked with frank curiosity "Gloria Mayfield -she's really my aunt," seid Ruth with/ a desperate re- alization that she might as well speak now as have her secret conte but later under less favorable circum- stances.' After all, Dorothy didn't know that Pendragon was one of Gloria's husbands and she might no mention their relationship to him any- way. "The actress?" asked Dorothy, with a rising inflection cousposed of aston ishment, envy and doubt' in he voice. ".tlh huh." She tried not to b 1Sleased at the lo'ok'i'n Dorothy's blue eyes, ''She's is -t11dtutt�C isn't she, now )1,• flaw her picture,,, , at. tenet "th e she cnd K1x1aiR$ Said` what din what she wants est effort at conceaire'ta "I dare. ray you;: will if' you ,sprains •sliokea often e lough. She asleep now, but .cowered est he 44 d asked Do •she's not at All difficult ; to xueet" . ter3 clecel?tiA "Perry s,', �• Hcoul pain her " a ain One thi sire• suggester `Dorothy,; agou was re 0041 tililtif. Gloria eanld.elt,still tysterioun, langlough ". catild not bel oyercomea?E Things were derelopuiig 'tea r9pid bated When 'he died, no: ly for Ruth. She had'linown th t.DQs!c ' eiee�rts1 for -bis ixiurderer thy Would' be intere$ted,'lin,t she•had ?.ould'be}leke-that his death waq„ not thought that her interest would tliang• blit natlit'al, anti the force `l take• this turn, though she• migi}t. have h•a13 kiildll hitn"'would still '.go guessed, 'for Dorothy looked. at every ,through .the world,, •too., �tnysterioua thing and every pers»n as so much and unbelievable for zugdere mind,, *he available material. She worked inces- santly with, both halide and bran},. She didn't just study art; she lived it in the most practical manner pos. sible. Sie was becoming quite well known as a fashion artist and could have been`'busy all the time, had she not continued her studies. As it was she did quite as much work as many fashion artists who devoted• all their time to it. Ana she never for. a mom- ent let herself think that being a fash- ion artist today would debar her from becoming a famous portrait painter tomorrow. She was building high hopes on Professor Pendragan. On the way to his hotel Ruth told her about her decision to go in for cartooning professionally, and she ra- ther hoped that Dorothy would dis- courage her, but she was disappoint- ed. "Splendid! You're doing, the right thing. You know 'I• doi$•t think you'll ever get any place with painting. Nels thinks that, too, but you have a gen- ius for caricature. Those things in the• 'Express' were really clever. Lots of character_ and good action. You'll be famous:" "Famous!" Ruth put as much scorn as possible into the one word. "Of course -beginning with Cruick- shank there have been ever so many caricature artists in the last two cen- turies whose names will last as long and longer than most of the paint- ers." Ruth did not respond to this. She was wondering if after' all she might not one day, not only be reconciled to the work destiny 'had given her, but be actually rather.proud of it. ' They were expected by Pro!essor Pendragon and were , conducted im- mediately to his apartment, but when the boy knocked at his door, he did not open it as on the former occa- sion, instead they were met by a white uniformed nurse, •"Professor Pendragon- begs -to' be excused from his .appointment. He is very much worse. The paralysis has extended from his knee to his hip. He asked me to say that he will be glad to make good his promise as 'soon as he is well." The effect of this announcement was bad enough on Dorothy, who na- turally was bitterly• disappointed, but its effect on Ruth was much worse. Professor Pendragon'•s misfortune had fallen upon him on the night that she first watched George, and a, repetition of George's ceremonial• had brought with it the•increased misfortune to him that She had feared: She was eager to hurry- away and find an op- portunity to tell Terry of this new development, but Dorothy lin'gerjd at the door, expressing sympatthy, which Ruth suspected was more for herself than for Professor Pendragon. la, d p , ng :,trig laix t h r e e e to compass. CHAPT:ktli• IX It was the first' time that Ruth, had seen Prince Aglipogue, :.though appal'; ently he was •on the Vest congenial, and intimate terms. of friendship,- with Gioria..He was at the plates .now, ac companying• himself, while he sang in Italian. He had .glossy, black eyes, glossy red lips, glossy black hair,, smooth glossy cheeks and what Terry described as-- a grand opera figure. He was a Roumanian, and while he sang magnificently, was a passable' pianist and a really .good violinist, he was at .present earning his living as a painter. Gloria had finished her motion pic- ture contract and was' relaxing. Ruth, had just come home from the League and found Gloria, Terry, Billie Irwin, Prince Aglipogue and Angela Peyton - Russell at 'the house. Ben Stark had at last started out on tour,' or he would also have.ebeen there. Ruth of ten thought that her aunt's house was more like a club. than a home- 01 course Ruth did. not • immediately learn all. the foregoing, details about Prince Aglipogue, whom Gloria called Aggie, and the others called Prince. ;Her information came in scraps gath- ered from the conversation of the others. She' had slipped quietly into the room while Prince Aglipogue was singing and was introduced to • him when he had finished. He bowed with surprising depth and grace fora man with no waist line to speak of, and regarded her out of his glossy, black eyes. He spoke entirely without ac- cent, but constructed his sentences curiously, Ruth thought: As always when, there were many p bple Ruth did not..talk, but, listen- ed. Mrs. 'Peyton -Russell had come to talk over with Gloria the details of ,+;patronizing'• ,Billie 'had '('g anent that s Arid eon'!" .i .. doper kp-O-*>'ill Cq nplained "All c ens if people I soul,, ed this: to be just our• lftrt circle• -=no "swami, na see* ,:lust. friends."' • No one,Seethed to urn Iola mark. George had come'',itl`ai tea wagon and the Prat lea wz ed In. the, to.Ruth aintiottc .. Jure of drinking whiaslielr and .and eating 'cake Witnessing catholic consumption of r 'f she could easily conceive the vitation to any party uktder, •d. eumstances, . would be we% him. As for Gloria.; she was„'', tomed to Angela, and did not' her airs. Since • her marriage had consistently referred to all: - old old friends as "our little . Bohemian. circle," a: circle; to whici -She constantly reverting for: amusement,,,; . after unsuccessful .attempts •to access to the more conventional crt Cles described as • Society, . "Angela's heart is as good as her complexion," Gloria always • said,. that was indeed high praise. "Just tea, please, Gloria," Angela was saying. "I never' drink anything'" stronger any more -no, no real ,iiin• ciple, but people in our position must• set an example, you know. •-Not sweets -I really :don't d e, well just`. a tiny bit. You know there is a 'tend': ency to stoutness in our family"` "There is, I suppose, in •thataoth• ing personal," said Prince Aglipogtle, hastily swallowing a petit fours.. Angela laughed gaily. She Pretend- ed to believe everything the Prince•. said to be extremely clever. (Continued Next: Week) Professor Pendragon called to the nurse to let them come in. He was propped up on a chaise longue, with newspapers and the remains of break- fast scattered about on the floor and on a low table beside him. His face was very pale and Ruth thought that he looked as if he had not slept. She tried not to look at some photographs of Gloria prominently displayed on the scattered sheets. Evidently he had seen them, so now he knew that she was an New York, or at least in America. "I'm awfully sorry to disappoint you and myself. But you see a man can't have his portrait painted in a pose like ibis," he said. "I can't im- agine what's wrong with me, but of course it won't last long. A friend of mine has asked me out to his place in the Berkshires and I think I'll go. Perhaps this may be the result of nerves, and anyway,lots of cold air and altitude and quiet can't do any harm. When I return I'll he very glad to make good, but. Perhaps• by that time you will have so many comrdis- sions that you won't have lime for me." "No chance," said Dorothy. "I shall be waiting for you. And then: "How long do you think it will be?" "You'll know definitely after Christ- mns eve, next dark of the moon, you know." He was smiling, the smile that Ruth had grown to suspect hid a serious thought. "Either the par alysis will have crept up to my heart or it will have gone entirely. I am waiting." Dorothy laughed nervously. "What nonsense; of course you'll get well and the moon hasn't any thing to do with it anyway. We're awfully sorry that 'you're III, and don't forget to let me kno'as when yea get bink to 'tb* h i CUftD: MAKE 'ElN''d TELL STORIES 104. N a3 hs% An unbeatable combination for appealing pictures is a child and hei pet. 1 N 4. REGENT survey -made on be - half of advertising agencies and magazine editors it was found that pictures of children and animals rate highest in popularity and ap- peal. All the world loves a happy child and not the least of the great gifts bestowed µpan the world by the discovery of photography was that which made it possible for every parent to make a picture rec- ord of his own children. Nothing is so satisfying as mak- ing pictures of children, whose spontaneity and zest make snap - shooting one of life's special pleas- ures. Add a pet to the human Sub- ject and you have the combination that 'brings a smile of delight to the most jaded adult. 'Look at the little girt and her dog in today's picture. 1t shows a quiet interlude in the everlasting, breathless play of a healthy child and her dog. The child is asleep, but the picture goes back to evoke in the mind of the spectator ani- mated scenes of the two tearing back and forth about the house, the dog leaping and barking and the child laughing gleefully. An animal and a child are, indeed, an unbeatable combination for an in- finite variety of pictures The best pictures that show two persons, or a person and an ani- mal, are those which tell us some. thing of the relationship that exists between thein. Simply to pose a dog and a child together anis Snap the shutter might Make a lyictitre of some appeal, ,but if their reiat1kin- Ship Is tdepleted ill some ri;.atirai. Setlult the Didn't takes on added ioaeaulb�. ,", t to get ihoh, %astute>n ' e ►;, a eyes open while the child and the pet are at play in the course of the day. Watch for behavior that will., lend itself to pictures; Then plan to recapture what you saw. You`" can't always take what you, see while it is happening. If you` can"" pose your subjects in a natural way without resorting .to force, making a game of it, you will be surprised at the success that is possible. If you have a child, but no pet, it is still possible to borrow one from a friend or neighbor. When you do that it is important that you' give the child and the animal plenty • of time to get acquainted. For not until the two have gruclt up a friendship will it be possible- •- to get really good pictures that will reveal the relationship between them. Today's picture also suggeststhe. idea of a snapshot biography as -an altogether worthwhile photographic. project. Begin it now and periodi- cally add to it new incidents that develop with the child's growth. Watch the things the child does during the course of a week and make notes of the incidents that are most chararteristic4,• Some ` 04 the incidents that occur outdoote can be Snapped as they ' helmet. Others may have to be posed under flood -type photo lambs indoors if you are fortunate enough to Mtn a flash synchronizer' and can get the. flash bulbs the Indotstlob is easier :and' MECa bf the ',pi'ewt.% CaYi • be diads While the child le it Allay. , The suaush5ts mads stir graphical ;'11r°oject CUL,* b, ifr a Y ply w�y{� It �iy