HomeMy WebLinkAboutThe Huron Expositor, 1938-12-09, Page 6S
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Huron Expositor
SEAPORTH
Hearst s
Treasure House
Eight months have passed since it
was announced that William Randolph
Hearst, to forestall: inthemitlance tax-
es, would disperse most of his. accum-
ulation of assorted antiques and art.
object's, 'says A. J. Liebling in The
New Yorker. Curiosity impelled me
the &iter day to call on Mr. Macder•-
mid ParisieWatson, ,the titular chief.
disperser, to ask him ..'how the sale
was 'progressing. ' Mi'. -Pain sh-Wafison
is a well -tailored, pink -faced, authori-
tative little man, Who in ordinary
times deals in Oriental, art at 44 East
Fifty-seventh Street. His clerks still
sell an occasional Ting ,bowl or a set
of Mug'.ral miniatures in the street-
floar shop, but Parish -Watson him-
self is concentrating on the sale of
Hearst things, at a commission) which
colleagues in the trade enviously and,
variously guests at. In Parish -Wat-
son's office on the third floor — the
second story is rented to a dealer in
Americana—the ,dull glazed celradlon
vases which custom,arddy surrounded
hems have given way to a sales -stimu-
lating assortment .of samples from
the, Hearst • hoard. The assortment
includes two lemall portraits by Palma
Vecchio and CGlouet, a good-sized four-
teenth -century primitive on wood, the
silver maee of the town of Boston in
Lincolnsthd.re, and what Parish-Wat-
sons affirms to be "one of ,the most
famous Chippendale commode -Si in the
world, worth. at least $25,000."
The dealer is still trying to famil-
iarize 'hin self with the extent of Mr.
Hearst's possessions. He gets several
surprises a day. ,The sheer bulk of
the accumulation would fill two ,,or
three museums, title the Metropolitan,
and it is stored inn. repositories scat-
tered from St. Donat's Castle in Wales
to Wyth'toon and San Simleem, the
great Hearst monuments to flernisoy-
ence in California. Besides the ma-
terial distrdbuted among half a dozen
Hearst residences, there . are enough
Hearst antiques to 'fill five warehous-
es in California and one in the Bronx
and there is a considerable overflow
'of artifacts, in rented vaults Although
it may not be the best, repertoire of
ebj.ects of art ever gathered by once
American, the Hearst collection. is
conceded to be the biggest. Parish -
Watson himself, for example, had
long been looking for a particular
1-intd of Colonial weathervane for his
house at Fairfield. He found just
what he wanted in the Hearst Bronx
w a rehouse.
A smattering of Mr. Heanat's Geor-
gian and Early Amentean silver as
been sold to John D. Rockefeller, Jr:,
for ddspl•ty in the Governor's Palace
at Williasmtsburg—for $110,000, Parish
Watson saddle -and several famous
Gothic tapestries, have been bought
by Sir William Burrell, a British ship-
ping milll'aonaiee, for "six , figures."
(Hearst bought one sect of six tape-
stries from Sir Joseph Duveen, now
Baron Duveen, in 1921 for $575,000
and another of four for $400,000).
There thieve been many :lesser sales
to purchasers Wham the dealer didn't
feel at liberty to mention. He has
been Scutes 'single objects and small
lots every day. Mast ,purchasers
nowadays are sensitive to publicity,
tearing reactions from, their- el:000Y-
ees or shareholders!. Trying to pin
Parish -Watson down, I asked him i f
he -thought ane per cent of , the col-
lection Chad as yet been marketed. He
pondered a while and then said, "db,
yes, fully one per cent." With the
possible exception of Mr. Hearst him-
self, nobody knows the total amount
of his investment in antique art. The
executives highest in his present or-
ganization were unborn 57 years ago,
when he began collecting. Fifty eel -
lion dollars is a papular guess among
art, dealers, 1Jet it might be fifteen
million out of the way in either di-
rection.
Parish -Watson, when I saw him,
had just got back from a three-month
stay in England, partly* spent in in-
specting Hearst's possessions there,
partly in selling objects that would
bring more in London than in the
New York 'market. The 'happiest in-
cident of the trip, he felt, was the
sale of two nineteenth century Ger-
man paintings of a Tyroliran dance.
This is a type of genre 'painting long
out 'of favor ,here, but Mr. Hearst
knows what he likes, to use a con-
ventional phrase, and had not bought
the pictures with a view to resale. A
Louden dealer got them from Parish -
Watson for a good price—probably,
Parish-Wattson thought, for the ac-
count of Field Marshal Goring. He
said, "It just goes to show that
there's a market for everything if you
can only find it."
The dealer has never seen most of
the Hearst thongs he is in, the process
of selling, and a good third of the ob-
jects have never been seen' by Mr.
Hearst himself, except in photographs.
A diminutive English leather euitcase
filled with pictures has become as
muoh a part of Parish-Wlatston's street
costume as his cane, bowler hat and
spats., He is a drummer in Gothic
mantelpieces, a commis voyageur. in
Flemish tapestries of the sixteenth
century. The ousttomers buy on ap-
proval from photographs), No large
art coltlectiron' in the world, probably,
is once hundred per cent authentic,
but Parish Watson says that almost
all of the thongs Mr. Hearsti bought
are what Alley were purported to be.
This, of course, does not mean, tlhnt
all the things will bring what Mr.
Hearst paid' for them. "When you're
Oa the hook, yeti have to get off it,"
art deafen; sometimes slay with a cold
disregard of aesthetic Spiritt,
Event when Parish -Watson bas ar-
ranged) a, deal, he occasionally encoun-
ters
ncountars difficultless. He must obttains,•,a-
final release from Mr. Hearst through
Mr. Thomas Justin 'Whine, chairman
of the board of American Nevas•pa-
'rers, Inc.,'wthep igehe Publisher's pro-
oonsul in the • East,. Until ttiteree
months ago, a comrhittee of flee, iu
61'11.11* one Of Hearst's swans, 'Metl.to
Paige on all offers', butt Met wens fund
tiliVfr ly. While Mr. White sbmet
xis f g les nt NNeese 1 tr,. Heltrgt
A r;ofli tte pain et. parting *141%
lin .p tdOte 'h'.., . a:c-
Ira
quttessoed in the liquidation of his
artifacts as well as this real estate
and. radio statons. But this reaction
to any particular proposition is 'like-
ly to be, "Not that mae, for God's
sakes!" Parlsth-Watson and White
sometimes, , feel Jtilce ' a !team of sur-
geons with an nnnaessthetized patient.
Theoretically, all of the objeetsr. Mr.
Hearst owns were completely record-
ed in the files of his art -holding sub-
sidiary, the International Studio Art
Corporation, et 387 Southern Boule-
vard, the Bronx, even before the liqui-
dation began. Each record included
a photograph, measurements, date
and source of 'acquisition, price, and
remarks, as twetll as a nitration of de-
livery to some residence or ware-
house. But the publisher's appetite
for ownership had outstripped the re-
corders by several thousand items.
The files are being brought up to
date now. The complete photogra-
phic inventory will comprtise about
two hundred and fifty volumes. Par-
ishrWhatson had thirty-one volumes at
his office on the day of my call. Of
these, eleven were devoted to furni-
ture and four to .panelled roams: Mr.
Hearst owns fifty of • the latter, in-
cluding a suite of sit from Hamilton
Castle. I asked to Hook at a few vol-
umes and a clerk led me through a
doorway into the adjoining building.
46 East Fifty-seventh Street, which
Maass been rented for an exhibition of
selected Hearsttdanta. The clerk plac-
ed date volumes upon a carved French
Gothic table—a Henry II, he rather
thought—and I sat on a William and
Mary needllepodmt chair, the costliest
seat 1 ever took. Paintings by
Twatchman, Melchers, Frederic Bridg-
man and. John W. Alexander leaned
against the combl fartrhest from me.
One of the Alexanders, I noted, was
described in the finst volume I open-
ed. It shows "the graceful figure of a
girl kneeling to the right with her
right arm extended toward a+bri'ght
green covered' sofa while she gazes
at a yellow butterfly." Mr. Hearst
possesses a fine •assortment of big,
glassy French paintings by men like
Genome and Bougureau, featuring
large nudes with pink, gelatinous
flesh. He also owns at least a hun-
dred Madonnas of varied schools; a
Van Dyck of the first rank, and sev-
eral fine Fragonards•.
The vast, amorphous Hearst agglo-
meration is more than a collection.
It lmcludes five hundred and four
categories, any one of which usually
suffices for the operations of an ord-
inary collector. Among these five
hundred and four departments, at
least twenty are outstandingly good,
and five of them --armor, English fur-
niture and silver`, Gothic tapestry and
Hispano - Moresque pottery — rank
among the finest private collections in.
the world. But even in relatively un-
dietinguistred departments there are
individual fine pieces, as if the pub -
Maher had started out to lead the
world in everything and then changed
his minas. He was still buying things
late in 1936, and Parish -Watson's fel-
low -dealers along Fifty-seventh Street
say that his .withdrawal tram the
market has d'epres'sed, it already. He
constituted about 25 per cent of the
international market for odds and
ends.
"Where elee would you sell a mum-
mified Egyptian dog or a Gallic cel-
lar of pure gold?" one dealer asked
me r4hetorically when I talked tho him
In his shop. "Who else in the world,
tell me, would buy two complete
Spanish• monasteries?" The picture
dealers remember with appreciative
regret Mr. Heart's penchant for buy-
in4 large paintings out of show win-
dows. Auctioneers' sigh gustily at
the recollection of his bide, although
the story that nobody ever outbid him
is apocryphal. Hearst, when he at-
tended+ sales personally, would some-
times stop and allow a competitory to
take a lot at an inordinately step
price. 'Phis was to discourage pee p e
from bidding him up out of a spirit
of fun. Hearst's agents were stiffer
bidders than Hearst. Having this In-
structions to buy certain catalogue
items• at any price, they would bang
on no matter what happened. Some-
times the great accumulator would
telephone to auctioneers during a sale
and order them to buy in certain lots
for him. He liked to read catalogues
in bed, apd it is the auctioneers' the-
ory that on the nights when he used
the telephone he was catching up on
his back reading and had had no
time to send a deputy bidder. It oc-
oasional.ly, although infrequently, hap-
pened that Mr. Hearst got a bargain.
Such was a portrait of Abraham Lin-
coln by George Wright, which'. pe bid
in for $160 in 1921. Henry Kle-,,,r, nn,
the dealer, pair Parish -Watson $900
for this a few weeks ago and prompt-
ly resold it to the Chicago Art Insti-
tute for $1,250. Kleemann considered
the profit a slight compensation for
his failure to interest Hearst in con-
temporary American . painters. The
publisher, has never patronized. living
painters except for portraits of him-
self. As a book collector, he special-
ized in , historical-,aasocia lion copies
containing the autographs and book-
plates of great men.
Leafing over the volumes of photo-
graphs, a sort of Seams, Roebuck cata-
logue of the antique, I noted that Mr.
Hearst thad spent at least two .millions
on tapestries during the early twen-
ties and about half a million, on stain-
ed glass, a notably risky form of In-
vestment because of the skill of fak-
ers. Among the items I' remember
are "probably the !incest Gothic bed-
stead in existence," "a magnificent in-
laid acajou and tulip -wood commodemounted in cuirre d'or, acquired.>.for'
$16,400," and forty-seven Colsola1
warming pants. Parish—Watson's sales-
men, dignified fellows selieoled chief-
ly in ceramics, are continually aston-
i•shed by the variety Of. their new
stock In trade. A'ereett i 'Walked tri
ane morning and inquired about Ear-
ly Ateer•lcan lace handkerchiefs. It
turned out that Recut ;;had: a bale of.
theme A Mato came itnr, ten Minutes
as
later ,king a1 ent a Stot`tisli Largs,
It detrelopied that therre• were it viortil
1e the titans warredh tt ;, , ,
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Mr. Hearst began acquiring thinrge
when he was still a student at Hari
yard. Until last March he had sold
nothing and given nothing away. Hist
longevity has as much to do with:
the fantastic range of his possesslone
as hare his acquisstivp and retentive
instincts. A' characteristic of - the
Hearst lholdingu is their 'bulk. A man
could collect fifty million dollars.'
worth of gems, manuscripts, or even
paintings in a couple of rooms., But
when he eolleegt. mantelpieces, bal-
conies, entire rooms', entire buildiugg
acid statuary -of heaiolc size, he soon
needs a huge expanse of floor space-
The publisher has put a great deal of
his antique material into use in hie
half-dozen thomes, some of which he
has not visited for years, but judging
by the amount that remains in stor-
age, he must once have contemplat-
ed a. whole circuit of additional pal-
aces. A minor Hearst executive told
me that the upkeep of the warehous-
es, including payrolls, amounted to a
quarter of a million dollars a year.
The reputed size of his aeeumula-
tiop, has naturally discouraged profes-
sional buyers. It is hard for them to
get a good price from a dealer for an
ivory -inlaid arquebus at any time, giv-
en the ordinary limitations of the ar-
quebus market," but when the dealer
has reason to expect the imminent
appearance in other dealers' shops of
a hundred similar arquebuses thetask
becomes nearly impossible. Mr. White
realizing this, has tried to minimize
the amount of stock on. hand. He im-
plies
mplies that. Mr. Hearst, in response to
public demand, has reluctantly con-
sentedt to sell a few of his posses-
sions. But since rumors of the quan-
tity of Hearst art have already ex-
ceeded the impressive troth, the
Hearst proconsul's efforts are not
very successful. In any case, the
mystery about the Hearst Bronx
waneh.ouse ,bras been. pretty well dis-
sipated. The interior does not look
like Ali Baba's cave or a wing of the
Louvre. Most of the material is
packed away in crates', each marked
with a legend in black paint, like
"Mexican stone yoke," "Two Gothic
Larges, chipped," "Early English cut -
glass lustres," "Marble top for con-
sole table," or "Upper part of bal-
cony." Somebody, somewhere, has a
floor plan of the place and knows
where each object is .stored. The only
pieces to be seen are those unpacked
for appraisal, after which they will
be returned to their containers. A
miscellaneous lot of Hearst memor-
abilia is also in evidence: the orig-
inal drawings for Free Milk Fund
posters, big pastels of batching girls
by Howard Chandler Christy, a large
scale relief map of California in white
plaster and dated 1896, a scroll pres-
ented to Mr. Hearst by a Better Gov-
ernment Club when he was running
for Governor of New York, and are
oil portrait of Champ Clark.
Tile warehouse covers a, whole
bl ck and used to be a factory .for
air lane wings during the World Var.
Mr. Hearst bought the building in
1926 and has visited it four times
since, usually staying about an hour
and a half. He has seen photographs
of most of the things, however, ant/
keeps a pretty complete file of ehem
always meas trim when in California
in case he feels a sudden need of a
Louis XV encoignure to make a guest
bedroom seem more cozy, or a set of
Irish wine foun.tains,and cisterns for
an informal supper. In such an em-
ergency he wires East for the piece
the wants. As each article bought by
Mr. Hearst arrived at the warelbouse,
in the days when. the was buying, it
was unpacked to see that It was in-
tact and as advertised. Then it was
repacked in a new crate built on the
premises and stacked away for fu-
ture reference. The European crates
were too rickety for efficient stack-
ing. A good many carloads of lum-
ber have gone into the warehouse to
be made into crates. The Interna-
tional Studio Art Corporation has a-
bout thirty employees, including a
full-time armorer and a squad of cit
Marines equipped with quite modern
revolvers. The Marines roam through
the building turning keys in electric
signal devices which ring at the
Hobbes Protective Company 'office. If
once of the devices fails to ring at
the scheduled time, the Holmes peo-
ple dash to the warehouse. Nobody
has ever tried to steal anything from
the Hearst warehouse. There are no
machine guns there, but it contains
What military men used to call a
"park" of archaic artillery, including
culverias, demi-culvrerins, basilisks,
minions, falconets ,sand cannon royal
This battery of anachropisms in-
cludes even a petrad, which is a fun-
nel -shaped iron vase designed to be
filled with gunpowder and hitched to
the gate of a beleaguered town. Af-
ter lighting a fuse to the petard, the
engineer would run.
Old-timers around the warehouse
have bad a few chuckles since the
appraising began. Due furniture ex-
pert,
spert, they say, valued a French table
at a thousand dollars. Later the
table was moved to another floor and
he appraised it again at nix hundred
(Continued on Pagel 7)
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