HomeMy WebLinkAboutThe Times Advocate, 2004-02-04, Page 44
Exeter Times -Advocate
Wednesday, February 4, 2004
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TIMES ADVOCATE
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Jim Beckett
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Deb Lord
Production Manager
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EDITORIALS
Safety first
Amajor topic of discussion the last cou-
ple of weeks has been the tough win-
ter weather we've been experiencing
— frigid temperatures, piles and piles of snow
and high winds causing drifting and road clo-
sures.
These conditions have led to frequent school
closures — schools in the area last week were
closed for three days as poor road conditions
made driving treacherous for school buses.
What we're hearing lately is a lot of com-
plaining — complaining from working parents
faced with the prospect of having their chil-
dren home for the day. They say the school
closures are an inconvenience, forcing parents
to either take the day off work or find a
babysitter for their children.
Those parents won't find any sympathy here.
Ensuring the safety of children is paramount
for the school boards and the bus companies.
It's much more important for all children to be
safe at home than out on the roads in icy,
poor -visibility conditions. So a few days of
school are missed — it's not the end of the
world. At least the children are safe at home
and out of harm's way.
Imagine the outrage if the buses continued
to run during awful weather and students
were killed in an accident. Imagine the law-
suits and controversy. The fact many area
highways were closed for long periods of time
last week is one clue it might be a good idea to
stay off the roads. Indeed, it would be irre-
sponsible for the school boards and bus com-
panies to risk the students' lives and continue
to operate through bad weather.
It's too bad some parents view it as an incon-
venience when they have to look after their
own children. The schools are here to educate
our children, not babysit them.
Instead of complaining about school clo-
sures, let's be thankful the children are home
safe.
About the Times -Advocate
Editorial Opinion
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Film beats us at our own game
A month ago, the United States beat us at our own
game on the ice at the world junior hockey champi-
onship. With the release of Miracle they will again beat
us at our own game, this time on film.
Depicting the American gold medal win at the Lake
Placid Olympics in 1980, it highlights the difference in
attitude between the United States and Canada.
Despite how deeply the September 1972 Summit
Series, arguably the greatest moment in Canadian
sports history, has become part of our culture, no effort
has ever been made to turn the series into a movie. The
game of hockey, so well documented in literature, has
never translated well to film. But another reason may be
the way Canadians view, or want to view, the game.
Any film maker attempting a movie about the
September series, or any of the icons of hockey,
is up against opposite sides of the Canadian per-
sonality. Our historical reluctance to raise the
stature of successful Canadians conflicts with
how we raise hockey players to near mythic sta-
tus.
Americans have had no such reluctance when
it comes to putting their national pastime on
screen. Baseball movies have examined both
the game and every aspect of the United States
ranging from the heroic in The Pride of the
Yankees and Bang the Drum Slowly to baseball
as a metaphor for life in Field of Dreams and
Bull Durham. A League of Their Own looked at the
emergence of women into society and the segregation of
the country has been the subject of several movies about
black baseball leagues.
Movies have shown the darker side of baseball and its
players, such the Black Sox scandal in Eight Men Out,
the ruthless competitiveness of Ty Cobb in Cobb and The
Babe showing America's favourite slugger in his
overindulging glory. The loneliness of baseball and the
ultimate fear of anyone ever exiled to the outfield was
summed up in a WKRP episode with Les Nesman's
silent plea; "Don't hit it to me, don't hit it to me."
Americans accept actors playing icons such as Lou
Gehrig and Herb Brooks, but would Canadians be satis-
fied with any actor attempting to fill the skates of Phil
Esposito, drenched in sweat at the end of game four in
Vancouver and calling the country to account for its
flagging support.
Could any voice duplicate Foster Hewitt's call of Paul
Henderson's winning goal?
Few movies have examined the toll extracted by the
violent culture of the game from players such as John
Kordic, who struggled to escape his role as an enforcer
and died in 1992 of a drug overdose.
One of the few that did is Gross Misconduct, the story
of Brian "Spinner" Spencer. Spencer emerged
from Fort St. James in B.C. to claw his way to
an NHL career, but the tragic death of his
father foretold Brian's own shortlived and vio-
lent life. Spencer's father Roy was shot to
death by police outside a Vancouver television
studio after becoming enraged when his son's
Toronto Maple Leaf game was not shown local-
ly.
Americans have been less reluctant than
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Canadians to put our game in movies, with
mixed results, from the mediocre with Rob
Lowe in Young Blood to the commercial with
The Mighty Ducks one, two and three and the
cartoon violence of Slapshot.
But most Canadian efforts, from The Mystery of the
Million Dollar Hockey Puck to Hockey Night with Megan
Follows, have been less than memorable.
One of the few worthy efforts is a National Film Board
animated movie, The Sweater. Based on the short story
by Roch Carrier, its themes of the Toronto Maple Leafs
as villains, Rocket Richard as the hero, and a boy trying
to get the right hockey sweater endure, accurate or not,
as the way we prefer to see our game and ourselves.
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