Loading...
HomeMy WebLinkAboutZurich Herald, 1924-02-28, Page 6lsy, or One Cent TOO Mar obtain a 3 .cup* of .301 3Ei Akio ArrtX for a trial p& cbage today'. Delicious economical 1 !airs About the House f MEMORIES. apron. There must be a sunbonnet In the morning there shall be not a and a kneeling pad to match to make the set complete. doubt, For silver -cleaning days there is a But a song and glad laughter all newcomer that is convenient and a about. silent helper. Make a gingham apron Let us think it; let us dream it, if long and wide, and cover it with a you please; thin flannel apron the same size. Then Let us live it so 'twill be memories. lay in the centre, after the two form- Ivlemories! We make them now going er materials are gathered, a large- sized chamois. The latter is fastened on to a tape belt of its own, then tacked Through the rich and radiant mo to the apron belt, from which it is meats of the dawn. easily detached when it must be wash - Let's determine, then, to know every ed and dried. In holding the silver day pieces on the lap the flannel is soft Happy moments that shall glow by and does not scratch, and any mois- ouaa way. ture is not likely to go through, and the chamois polisher is right at hand. Then, when gray and full of years, A small white woolen glove is excel - we can smile, lent to use for applying the paste. Living over happy days, afterwhile. at evening there shallll be ile. Fudge and tea aprons are made of be not a linen embroidered in any way liked, doubt, but if giving a tea the hostess will But eternal promises all about. • wear little silk or crepe de chine —Jay B. Iden. aprons or little butterfly things of lace and cambric. AN APRON SHOWER. When casting about for material for a shower to bless the engaged girl with, decide upon aprons and see what a prolific shower they will make. If the girl is likely to do a lot of her own work—and that's what most of it our friends are happily planning for —we may as well begin at the bottom and tell about the aprons of our ac- quaintance, from the humblest to the highest. First there are the lowly but neces- sary ginghams. After making sure of her favorite color, buy the half-inch plaids instead of the old fine plaids; then embellish the border above the hem with cross-stitching on the white squares in the color of the dark squares. Repeat the design on the pockets and on the centre of the belt. Make the ties three inches wide and resting on the hinged leg, the whole Ardington You s cont nued,p, g enough h to tie in a square bow ink sloping toward a tall tin coffee drum' A MOVABLE DRAINBOARD. In kitchens without running water it is sometimes a problem to dispose By 'DOROTHY ETHEL WAI,.S1•T. Tall Furniture for Low Rooms. Lined and their oorroct use in decoration have been discussed in them columns. We have advocated • perpendicular wall paper for the low eeilinged room. We have admon- &shed our •readers to no .design the yviedow draperies that they, will em-' phastze those dimension's lacking in quantity. The general public .Is Cognizant of the fact that lines can 'remedy the shortcomings of many room's lack of height would have, rooms, but atter the wall paper is chosen with an eye to such service, atter the draperies are hung in lust the correct folie necessary to the .. emergency the furniture is allowed to undo the good work so carefully planned, The same rules which govern: the foundation decorations should'. govern the selection of'furniture. Where it is planned to purchase pew: articles study the'room for Which they are destined. To -day's, sketch shows a high secretary which was placed in a low ceilinged 'room. Had the home' maker used instead a low table of horizontal lines the room's Iack of height would have been emphasized, but with the high, perpendicular lines of the article shown emphasis is given to height and the defect in the 'room which • promised to be noticeable it thus made negative. ' �glaneed through one ,af the tail win+� Bows, and then be}lan hips swift illation of the "xoom, a scrutinized t• the long wide oak. tgble where Arding ton .worked, glanced at his rows.of gleaming tools, set in such wonderful order in their mahogany racks, opened the drawers in .the table and foand them full of plans and desiggnis and tracings on .oiled paper.' Then' be turned his attention to the material of Arlington's craft—the beams and Planks and quarterings of old oak, the plaster. casts of many an old boss .and. moulding and -fragment of' lace-like tracery. He moved swiftly and meth- odically like a trained expert, but he never let even` so m9ich as a quarters of a minute pass without glancing out of the window. lofty room At one encs of'the long, there was the wide recess that had once contained the, great cooking range of the old kitchen. Above it rise than huge shaft of the chimney.. a hundred years had elapsed since the smoke of any fire had escaped through this opening to 'the sky. The • chimney had, in fact, been whitewashed from top to bottom, and the stack had been covered in to keep out the cold and draught. The room was heated with radiators, and there was no ventila- tion except such' -as came through the door and windows. Peters examined this chimney with s The Hidden dour interest, though he was no antiquary, and did not know that it had once been the chimney of the great mon- astic kitchen. He noticed that the. iron door of an old bread oven had been openedwsince he had last looked at it. He had once tried to'open' himself, but had been unable to do so. "A likely place for a man to hide anything," heghad said to himself, and thsoeto speaks heabow at a had fastened a thin piece of silk to the catch so that no one could open the door without break- ing the thread. The thread was broken. Once again Peters tried to open the iron door, but he could not move it a quarter of an inch. And then, as he looked out of the window, he saw Ard- ington returning to the house alone. When Ardington entered the hall he saw his' second 'footman standing by one of the south windows and star- ing idly down the drive. ,� CHAPTER XXIV. By J. B. HARRIS-BURLAND "How do you feel about ' it this CHAPTER XXIIL—(Confd.) see, that portrait. And I often lock the morning?" queried ,Ardington at I don't like anyone k f t, door, Merrington.. bred as "What do I think of it?" queried .haveI am interested,",Herrington re- Merrington. "Well, I think this, Ard- t0„see my work until I finished « plied gently. of dishwater after every meal, with-� ineton. I doubt if I can ever do any - out having to carry• several heavy'II thing so good again.” dishpanfuls out to some outdoors "Nonsense, old chap. That's your drain. A woman who was anxious to modesty" • "Whoever slashed up that canvas," Merringtori continued, "was not tight in the head. Is there anything qt about Bradney,?" board with a hinged support at the "He's not'an artist, of course. But , lower end. This drainboard had a he's got Ms wits about him. Get youran las a formal garden laid out in the she'll stay," said Herrington. I ex - band about two inches high running solicitor to brief him in a case, and f Jacobean fashion of "knots" and little pest, she'll get tired before I do. around three sides to prevent water you 11 find out what his brains aro hedges and green ' and white palings. Eleven o'clock did you say?'' from being spilled about the kitchen. " that, again, �� I it. They left the house by the door that on the paved garden, crossed t a awns, and "But not excited, eh'?" opened make her kitchen more convenient, Isolved the question by getting her hus- band to make her a movable drain - "Not at all, Ardington." hh passed through an "Ah, that's good --excellent. I was archway in the tall hedge of clipped afraid you'd feel a bit nervous. Well, yew. Beyond the' hedge the ground I wouldn't keep her too long this rose in wide shallow terraces. On the morning, ' old chap. I expect you'll lowest one there were` groat and old find you're not quite up to a long sit- yewsclippedt into the shapes of birds ting," ueasts. On the one above this "I shall keep her just as long as , c 'ter, every mat A- plearleb! sad agreegblc /west • and -a bemellt aO well. Good." 4.e teletb, breatit and digestion. Makes the next CIO 11.111 taste better. Advice. If you stop to find'out. what your wages will' be And how they Will clothe: and feed. you, Willie, my son, don't you go to the Sea,i For the Sea will never need you. If you ask for the reason of every com' •• mand, And argue with people about you, ` Willie, my son, don't you go .on ,ths, Land, For the Land .will do better without you. If you stop to consider the work you, have done, And to boast what your labor is• worth, dear, Angels may come for you, Willie, my son, But you'll never be wanted on earth, dear! Rudyard Kipling.' �� Above ain were the tennis yes eleven sharp., sour an hi h red brick wa13 of the kitchen bee the studio,. lit his pipe, and made of „ ` I doubt if he has much courts, a a' to they left of them the After breakfast Herrington went "I don't know about taste• I've been taste. It hung by a large hook on the kit - Chen wall when not in use. When its told that he has some very good ria- garden. And then there were the all the arrangements for his work. time to do the dishes this house- tures in his house" vl ds shutting in the garden on three decided -exactly where he would place was inboard with Merrington was silent He stared a background of the "throne" and where he would place keeper set up the ,dad gto d and forming n the table the other end the portrait and shook one endo the back. Say three ginghams will be enough. Then buy enough organdie of her most becoming color to make, after a good pattern, two long-sleeved and high -necked aprons that button down the back, with white organdie collars, cuffs and pocket trimming. These are Sunday -supper aprons to slip right on over a pretty dress.,, Next buy enough sheer India linen, or lawn, to make two long, straight aprons with a four -inch help at the bottom and wide long ties. These aprons are to slip on at serving time or when getting a light supper, and are very useful and not quite as bus- iness like looking as the friendly ging- ' ham. Crease the gathers in the old way and gather twice to make them be well in at the belt. The aprons must be sheer but have no trimming. SOMETHING FOR EVERY OCCASION. The fancy -work apron is made of t+nbleached canvas, having three deep pockets at the bottom instead of a OZ - hem, made by turning the material 1 up and putting a narrow hem at the { top so that it is right side out and; stitching dawn between the pockets with featherstitching. The apron mayi be embroidered with flower motifs in • the centre of each pocket. Through al casin at the topa ribbon three niches called here the of 1 wide may be rn for ties in the color' Pattern 3711 is shown in this illus er clay with lieu s then of the establishment, faced .north snatching the embroidery tration. It "is cut in A Sizes: 3, e, 5 husband." out e of asbestos clo:ii to and 6 years, A 6 -year size requires: Merringtoiiop•ose fromhis andcis to it'and loolcesi was alone the tgthat tilde on n. An apron madarticular afternoon: The old but_ use when working around the stove. 3% yards to troch material. If made' with pits face to the wall, that p is cut after the fashion o' the �u c i- have ' o . `.,' . ' . upstairs asleep, , go d the head v tenial and � you footman, o duty, which received the water. When the dishwashing was over, the water was removed in one trip out of the kitchen, instead of the numerous journeys for- merly required, and the drainboard was hung on the wall again. A COMFORTABLE SUIT FOR THE SMALL BOY. -res, an his.' easel. He moved a big lacquer his head. ' reen leaves, through which it's like this,'' tender green �' ic- as yet one could see far in among the. screen so- that it -would cut off the of the three great win - It s aline p trees:` I light from o Bradney. They did not pause until they had dows. He examined his brushes, '�" aints,. and palette. tennistethe edge a they wood ane• p At half -past ten he went out into loocourts. Then they turned, and' thegarden and walked up and down mellow int ats the house, red and the ath that lay close to the edge of xne"Ibw the youhh. not "I wonder that ou have never mar- of Lady Bradney he a l gHe wash thinking after heArdington,"a.. ., saiddfo Herrington rng of Paula, and wondering whether, after he had.gazed for a few mo- ments in silence. "This is a house to after all, it was not' cowardly of him which one would be proud to biiiig a to remain at Dedbury and refuse to return to the flat where he had known wife." so many days of.happiness. S dare say she it dull. wouldn't earn fdo At ten `minutes to eleven he went it. She might call, dull. And I do back to the studio and warmed his not care forkwomen, by now." You hands on one of the radiators. He was ought to that by no«'• standing like that, with his back to Again there was .silence, and then the door, when the door opened and in a trembling voice Herrington cried Ruth Bradney was shown into the out: "Paula would have loved this. room. , Her husband followed her. She loved everything that was beau- (To be continued,) tiful. And, above. all, she loved the or outh and the stirring life of spring. elf, Ard= ture, but it's not Lady "Not like her, do you mean?" "I wouldn't go so'far as to say it's not a good likeness, but Lady Brad- ney? well, look at the eyes." "They are the eyes," said Herring ton, slowly, "of a woman who is in love." "Yes, and perhaps that's the trouble, Merrington. It's possible that Lady ltradney was not in love with her husband." Merrington laughed. "Oh, I see," he replied. "You think—oh well, I know nothing about that. No doubt I paint- ed what I saw. Do you mean. that you know Lady Bradney is in love with someone else?" "I don't know it, Herrington, but people talk. Of course, Bradney won't admit why he disliked the picture. In fact,he curses" himself for an idiot; yy and falls back on the statement that 1 She was like the spring hers , he lost his temper because he could ington. himself down among the see no likeness to his wife." - He flung "Yet hef rcomes lcto me again—to ,bluebells under the trees, and lay tl ere with his round paint another chanred "Yes. He's changed his opinion, I face - buried in his arms. Ardington suppose. Men are like that, you knew, looked across the terrace at his beau especially if they have not been train- , tiful home. andere was a a dglo y k ed tojudge pictures: They have no : in his eyes,P sod together. na rI e $ 1 eas about art. I think its a pies * magnificent portrait, but I've neve seen Lady Bradney look like that.'' I. Peters, the under -footman, standing '°H'in, how often have you seen houseebylthesaw doohis that ledleave into the ,be" ? ' paved garden. The hall ran the whole 1 "Three times—that's all. Once in p jher car outside Trehorn's house, and depth of the building, and had win- 1—oh, well, once in London, and she Wes of The studio,e north riginally he sold kit - 1'1 t - w f 1 1 t 1 las illustrated tiottltseisfand collar will 'I'11 tof rget this' he said ler waspf' ihad . ne to meet en's apron and is bound with tape, require! 'Chis time, g I h h girl an a village 1 %s yards o material i, e Ai daii ton, promise It has a neck loop of tape and ties of blouse 14 yards. y e three miles away. ' that Lady Bradney will look as though a to A pattern of this illustration mailed o were incapable of love—as though The maid-servants this papdt of the house asbestos the same. Rubber -lined material may Pthem i yard, and an to any address on recei]at of 15c in sho a cared. only for her clothes or her' bring them time of the day. he' , purchased by the • is` on PublishingCo., own loveliness. By the by, I suppose a . �• apron made n the same lines as an; 7ih�er, by tills P R ^ Adelaide St.,Toronto. Allow she is really a beautiful woman?" I Peters ,tt the backloTf •the o se of the hall and; and the paper can be removed dealt r drywh apron will keep the wearer r� West f.t of pattern, "Yes Herrington—a very beautiful win to is when doing.her laundry ,woes Arlington and Merrington I baking vrithout trouble. The y`woman. til they had reached 1 is also good to wear wren was ing; � u <n •ace. Then a took �a The Pup. Shy on wisdom, We confess; Just a lump of Foolishness. Roll and tumble All the day; Full of friendly • Harmless play. Just a clumsy appy mutt; Always getting Under foot. Hate to see him Growing up; runny, awkward Little pttp! Bootlegger, of Course., Visitor --"Did you say that stylishly dressed woman was your most pro- minent bootinaker's wife?" Native -"Of course not! Our most prominent bootlegger's wife." 0--• Minard's Liniment Heals Cuts. Everybody's Doing It. "May I ask what's the big idea, try- lag to swallow that thirty-foot snake?" clucked Mrs,. Biddy Hen to her hug-, band. "Publicity, m'dear," he replied, with an eye to the papers. WHEN BAKING FISH. Place- a sheet of waxed Taper on the liottom of your pan before baking fish. This keeps the fish from the pan, ;, Ili two weeks for receipt pa ern. +„ the second ter- to snake the washing of the pan easy, 1 h "I thought so.Ido not flatter pea- un h t k a key from his and thus remove rho objectionable 'the dishes, The little ticking apron SPOTLESS MAHOGANY. pie as a rule of I did not, when I• i part of baking fish: . o 1 rhes pins le another:neighbor of mine noted for her., painted env last portrait:' That was .t pocket unlocked the (leoi of the with pockets ei forc o l A handy possessor: Every girl who is to have .a home man I tied to 1' q the robin he sou P endears a pressu Dve. S b in the country will need a garden apron made of pretty cretonne after the pattern of the Sunday organdie spotless and shining mahogany, once •,. ,. sant the secret of behna •xm g could ices his re of the hand and told me her secret. In a bowl on het.maltsuccess. He didn't like it at all."' `]?art o;. arden. He event up to.. > r• «�sou,d .eyo on the g , ,. we aro frieiids.•�--J: T. W. desk she keeps half a cream nut—Ibis l Ardington laughed heartily. „„ portrait, which had arrived in a I mit--incl when even a sliglxt� me out for a bit, old chap>. .rho p o turned iit1 Braze .better cobarely two Hours ago, � and entering, locked the door e hap in the city -a eery successful scudo h, ' a sin. Jrrom almost any dor apes of blood. •A. senile ofttinies FOSTER HOMES WANTED For ElOYS and 01 Flet of school age. • apeclaily ze- iected for Immigration to Cs.nada. 'Ivo rther information apply. to The Salvation Ar*ny` 297 George St. Toronto issue No., 8• -- scratch or mark appears: on the wood he said. "It's jolly in the garden.' case and looked at it --out of sheer she ruhs•-it away entirely with the cuts They left the studio, and Arlington curiosity There was nothing to be • end of the nut, polishing later with a soft cloth. The oil in the nut come pl.etely restores the finish. locked the door behind diem. learnt from looliillg..at it. Mr. Crus "Why do you do that?" queried had seen it several times: Peters " 14lt'OhOh, tol well—I thought that perhaps `:ensiled, and replaced it in its origins l o�cvoiildn't care for the servants to'iPo"`Wiironder why he always keeps this door locked,' thought Peters. That OUR FREE BOLT had purled him from the very first. Our little book describes our work and He hadlearnt from the other servants our excellent toilet preparations and that it .was not until recently that Ardi»gten had locked the door of the contains maul brunt, on the care of the ..studio '"Getting a bit faddy," the old Skin, Scalp, Flair, 1Elaii s a d butler had said dike his fat OLD VELVET' MADE NEW. b'or those who still use wood or coal ranges or the hot plate over gas staves, we can recommend an Ideal way of renovating velvet. After brush- ing off the top of the stove, lay'a largo eloth wrung out of water ma it and over this the velvet, right side up. Ae the steam arises brush the goods with a soft Weigh until all ureases disappear. If necessary dampen the eloth h mere than onto. Mlnard'e Lrelinent fee Dendreiff. d n Com, r ,her be leicioir. Ii'or over 30 years we have is. father was a bit of been successfully treating Kezeina, tori him. Il r , kh d and other skin 'an artist, and couldn't bear anyone to Pimples, scalpBtronbles brai, We see what sacro painted move Superfiliotzs p1atr, Moles, Warts, W that the explanw etc., forever, by p!lectrolYais,Writetosoo t Ifi19"i'I i•Ui1E cis College at ;torentti • as iti:on? Peters Wondered, Under' ordinary` •circum", Stances it might have been: the exp pfartation. But just how- •l'5tets WOMEN CAN DYE ANY After Di$hwashing! CAM PAN A'S -. ITALIAN LIAN BALM, 'GARMENT, DRAPERY Dye or Tint Worn, Faded Things New for 15 cents. Is • simply wonderful for keeping the hands beautifully white and. soft. and smooth.. Positively pre,. vents redness and chapping. Use it at once after *washing dishes, and note the improvement of your hands. Keep a bottle handy by the kitchen sink Don't wonder w . ether you can dye or tint soccer sfully, because perfect Moine 4ye1ng is •guaranteed with "Dia• ni,orid D 'es:" even if you have never dyed before. Druggists have all col ors. Directions in. -each package. JIG -SAW PUZZLE FOR SHE U 11.1)IREN. Just— Send our wrapper:s from CU- ES j o Oxo limited 232 Lori -wine St.. Mantecal. To Supply the; steadily increastr demand for EDOYS MATHES Eddy's make.:.: 120 MILLION matches a day