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1 ColorsAnt cif ate' 'ilio
;t one thing you may be cer-
tain. When the season of ad-
vance showings fpr 'fall and
winter fashions arrives, fabrics and
colors are .ready, too. Cif course,
It still remains for the 'buying pub-
lic to evince their preference, but
how are they to make that prefer-
ence known if they have no knowl.
edge of what is offered? So a hint,
at least, of what le being featured
in the late showings.
Colors are divided, by the nature
of • things, into two classes day-
time and evening. In general the
blues,' greens, reds and broil*ns
dominate the color mode for day-
time' lase, with some gray, and rare
si'rades•of deepened pastels are of-
fered for evening..
Summer has seen a very general
use of patterns, bold and demure,
and fati. •fashions are bravely at-
tempting''to return solid colors to
the mode, And the shades are
what might' well be termed blend-
ed, since they often. have quite as
much of one color as anotherr ' '
There are. reds, for instance,' and
there are. blues, ,and a. combination
of the : two will make purple. It
takes little to turn the balance
either way—in favor of a reddish
purple shade or • a bluish purple
tone.
There will be a.verygreat many
shades of purple and the reds that
approximate it --raisin, petunia,
plum;, pansy. violet and•d'eep wine,
and for the lighter range -dahlia;
lilac and p, reddish violet. :Already
there are shades like maroon along
the 'Avenue and .certain soft sear -
lets are offered with the coral reds
for evening. Blue will• have new
shades—a steel tint, and a,,phade.
that reminds one of slate' gray,
even,” thong* it is .classified •as a
blue 1, .e, •., •.i .
Green: will not go out and the
new tones are soft, brown inclines
to the yellow tints, and taupe is
represented. ;4
tee' es, 4.
DD3 YOt O
THAT fashions for a rainy .day,
are gradually growing and now
include a. scarf as an accessory?
And this scarf, which is polka-
dotted, as so many good scarfs are,
is shower proof, making it a fitting
accompaniment to the smart rain-
coat ,
THAT a new tone is being spon-
sored by the couturieres, and is
meeting with the approval of the
smartest women? It is called
melon pink, and appears for both
daytime and evening occasions- in
frocks, hats, hosiery, even sweatere
and sweater suits.
Fashion Prov ides for the LateVacatidn-
istAsWell As for. Early Fall—Modes
for a Journey Back to ature.
NILE the months of July
and August may marshal
their cohorts of vacationists
through the ' length and
readth of the land, the cooler
days of September =and .'the mellow
days bf October's Indian summer
are Well -beloved in the hearts of
many, Torrid. , days are easily
• borne if one sees ahead a refresh-
ing playtime,;when mornings are
cool and occasional days hold a
hint of crispness. . And' active
sports -hunting, fishing, hiking,
`riding -are growing ,increasingly
popular as time goes on.
g,p•proprietel apparel for a vaca-
tion wardrobe that is to be worn
in the woods or in the mountains
is imperative. It calls for .an ele-
ment of practicality without which
it would: be a complete failure:
there must be omfort—to a cer-
tain extent synonymous with prac-
ticality, and smartnees
rac-ticality,andsmartness must.not be
whb1Y ladling. And it is quite
true' that, the American woman has
a mind of her own when itcomes
to her, attire for active sports.
The . early fall ,outing may take
you to • some really rustic came
where there is need for what might
well be termed "field and stream
costumes, or the resort may cone -
bine evening frolics; of an informal'
• sort with'the snore active sports.
of the ,:day,” In the latter event
there will be an inforrnal frock or
two, • into 'which 'you may change
when the dinner hour arrives. But
ne characteristic must be present,
hateverethe garment, there must
that stamp
' dainty
touches
a
'the d Y ekes
b
it as feminine.
Comfort The First. Requisite
•Butif ybu' find: it necessary to
cast aside, some one thing, be sure
it not comfort, Pleasant action
becomes torture when one's clothes
do not, fit perfectly„and accessories
do,. not answer ' the purpose for
which they were intended. 'A too.
tight coat, or shoes that fit im-
properly, may bring you' in misery
CO the end of ten otherwise perfect,
day. 'tet --the necessity for corn
fort should . not make irriperatiye
the violation of any of, the some-
what rigid rules of the mode,
Every once in a while there ap-
pears:a startling note in the fashion
summa s
Fie Tho ,kniclter costume
is no longer correct! To a certain
eXtent this note should always' be
exploited, for there are a very
great many women for •cvhorn the
1:nicker is most certainly anything
but correct. But for lier who fltids
it becoming, it is always a fashion,
possibility, and' new models of title
Practical garment combine it with
a longer coat, which makes it •a
ronelderatipn Or the woman no
longer slender.'
4
And many of the smart short
houses indhtde a skirt of the wrap-
arouhd type in.the outfit, for there
When the sort
man
arec
time's w nn swo
willelcomo al
terrier
lve
find i'aw
d t
• to the abbreviated t:ostumo of
which it isya part. The coat can
quite easily reach. to within six or
st\'eri niches• of the knees and will
t sprovide rovide the long line that is
el7ryttered when knickers 'aitd a
the choice of the wearer.
Fabrics Are Smartly Serviceable •
If tradition demands practicality,
and in this instance traditionmeans
comfort, then the material from
which the costume is fashioned
must • be. durable, • and: possess
something of beauty. But if either
one of the • two must be sacrificed,
let it be beauty For fishing, hunt-
ing and hiking, fashion offers you
a choice of tweed, corduroy, linen,
homespun, gabardine, khaki : and
covert cloth—either wool.or cotton:'
Washable fabrics have virtue, and
color is an item for consideration.
Many of the materials offered
come in tan—the shade of khaki
cloth. This is . a most sensible
choice, but it does' not, of course,
have the appeal of green -ad-
mittedly the color of the hunter—
and some prefer red, which is more
picturesque than practical, al-
though some of the new rust reds
are usable. The tweeds and wool
mixtures, used for knickers • that
are worn, usually, with a coat of
contrasting poser, come in a'choice
of colors. ; The usual make-up of this type
of oostume is knickers, skirt and
jacket, although there is novelty in
'the suit that has two pieces, only,
the usual knickers and a wrap-
around skirtthat may be converted.
into a cape in event of'a sudden
rain. And some costumes' make
use of the cape, which is so com-
pletely of the mode; preferring it
to
the jacket—of cardigan type,
or
the longer coat. •
For A Really Practical Purpose
Illustrative of • the practical,
withal comfortable,• suit for rough-
ing it, we have a motorist's suit of
corduroy—one would find it less
sensible for motoring than for
other outdoor purposes! It is a
two-piece affair consisting , of
knickers and jacket, the latter of
the lately approved' cardigen'style.
The cut and fit of the lttni,ckers pre-
serve ,slim lines, yet aro quite large
enough, and the jacket has a
knitted . belt and, wristbands—to
keep the weather out!
It is imperative that special at-
tention be paid to one's shoes, for
upon thein may depend the suc-
cess of your vacation. They should
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be made of either an oil -tanned or
a chrome -tanned ' leather - tliat
no dampness get through 'them—
and
them -and should' be not. less than two
sizes larger than the normal size
of the wearer. ; For you are going
to wear heavy woolen hosiery and
plenty of room is imperative, And
heels r;liopid • be low while the
shoes themselves. should be high—
if you feel You are sacrificing
smartness, you'll have to, that's
all.
For years tradition has ruled the
riding kit, and it still' rules, to a
great 'extent. Both fabrics: ' and
colors have been conventionally
correct. and tailoring has 'been
perfection, meticulously done. A
new note has crept into the riding
habit mode, and the woman who
likes to be informally .correct is
hoping Hauch regarding it. Per-
haps It savors• a bit of our West—
and why not? The traditional West
•
rides straight, and gives little
thought to fine tailoring, The real
West and the East, as we11, may
do the same.
Possibilities For The Rider
The conventional habit will be
made to' order, perhaps, although
the shops carry ' Complete outfits
that are wholly :correct as to fabric,
Of Increasing Importance
HERE isevery indication that trimmings of fur. It. is perhaps,
C
'
moire silk will be a late sum prophetic, that there are moire
'mer and early fall Vogue, ue; Of frecte.
o bohad, and other m
odels
course, one is newer certain of any- show this lovely silk in combine-
thing—in fashion -but this lovely: tion with other fabrics.
fabric is about due for a season of In the smart hat shops one sees
popularity, One sometimes won- Much of moire, both. as a fabric
dors why it isnot always' a fundi-' and as a trimming. There are
niental of fabric fashions. At any models of all silk and others
rate, it Is appearing in every pos-' with'either a ,brirn or acrown- of
slble place, even usurping, to a ter- moire in conibleation.'vit'h crown
teen a! h extent, the popularity Of fires- or brim of felt, velvet or straw,
ors and
e 'all
And thererip
A d. aro moire .
grain. a ,
At a time when slider fabrics aro moire bags—or bage of sa.tin and
,
ruling the fabric 'node, It Is not moire, and for the long hem -length
possible to saY how important tie that `will dress ftp yettt' little
Moire will prove as a dress Fria- frock of wash silk—moire ribbon
hag launched ie smart. (VIM will run the rib.
eerie!, but suntmar
the vogue df the e /noite coat, and bens through n pearl or eriameietl,
semi of the models are piaiely: elide. of nrrur^r'.) So one alt Iettst
line and color. 'Coats are slender
of line and are made of Belton
cloth, Whipcord or gabardine.
They are brown, tan, navy or
green, and are worn with matching
or contrasting breeches. The lat-
ter may be linen—and for that
matter, the entire habit may be of
linen, or cotton gabardine, . or cot-
ton bedford cloth.
The . formal habit pictured in-
corporates into its perfection the
'soft felt hat—sombrero type. --that
hints of,. the cowboy outfit. Note
the two-tone checlted'waistcoat-alt
might have been a solid color, the
soft silk shirt, the mannish tie and
the gloves of black leather. The
boots areregulation—tan or black,•
ateord>,ng to the habit, .the crop is
braidedleather, and she might have
worn spurs with propriety. The
links in the sleeves of hertailored
shirt—of silk or English broadcloth
would be, let us say, of crystal,
with sterling silver backs.
For contrast—the informal rid-
ing kit made up of riding breeches
—just as carefully tailored as
though it were a formal habit—of
brown tweed and worn with a
cardigan jacket of brown corduroy.
Informal, as well, the shirt opens
at the collar, and the little hat of
French felt pulled down. over her
hair. The sombrero felt hat eould
hallo boon :a part of the costume,
but Hover .the more formal derby
type. One is inclined to feel that
the informal costume will grow in-
creasingly popular with the woman
Who rides for pleasure..
blouse of the tuck-in'variety 'ere designed for fall wear and
have thinks of moire!
WYr
There Must lee A utility Coat
No sports wardrobe is 'complete
without a'ooat of the utility type,
as .pictured. It possesses warmth,
durability and smartness, • and it is
suitable for every purpose of the
active sportswoman. there will be
times .when the "feel" of the Sur
it wvelcom
e
rotted the neckw 1 bo
a
and it adds a Loath 'of charm to
the Moat itself. S'uoh a garment is
i•inlleratiVe and will find uses every'
day, it should be loose and easily
donned, it ehould have a comfort-,
ing warmth, and it should 'be
smart,
+:I�Ih�illi.0
For the late vacationist who will
golf or tennis—the`, little sports
outfit made up of a two-piece dress
and a tailoredfelt hat. The sweat-
er dress is proving very popular,
and in. this instance the knitted
jumper is trimmed with a woven
fabric which makes the tie -tufts,
turn -over collar tie. The skirt
widens its hem with side pleats,
making for the necessary freedom.
The hat, with its folded crown and
its slightly drooping brim is of
felt, the brim bound and the hat
trimmed with grosgrain ribbon,
T is an accepted fact that one's
enjoyment of an evening—for-
mal or otherwise—begins with
the right frock and ends at the
same place. It will be weeks be-
fore the real season begins, so far
'as social affairs are concerned, but
evening attire is imperative at all
seasons of the year, even thoughit
may vary in its degree of formal-
ity. And the late vacationist, as-
sembling her wardrobe at a time.
when anticipation Is the better- part
of pleasure,' so far as fashion is
concerned, will give thanks for the
newest models.
They are carried out in`the spirit
of the season to come, and they are
the last word in original treat-
ments of old themes and . unique
treatments of the new. They re-
semble the usual preface to a book,
filling many pages in a story of
what is to come, and they are, for
the most part, prophetic of a mode
that bids fair to be more than
usually elegant. There are broad
hints of details even more intricate
then what we have enjoyed this
passing season, and worthy of spe-
cial mention, they incline to a
lower hemline.
The tendency. of the entire mode
to what might be termed two sep-
arate schools of design is specially
noticeable in evening apparel. They
are radically different, appealing to
opposite types and temperaments,
and the one serves as a foil to the
other. Not infrequently both may,
be enjoyed by the same woman,
which seems paradoxical in view
of the fact that their appeal is
so varied, and they serve to inject
variety into a mode that some-
times becomes monotonous.
And if one yearns for even more
minute classification, a third type
appears, taking the form of the
now familiar robe de style or
period gown, a distinct departure
from the other two, which neay be
roughly classed as the plain chiffon
type and the brilliant and glitter-
ing frock. The two latter are
characterized by straight, stipple
lines, exquisite, in their feeling, but
the period frock is a bouffant af-
fair that falls to the ankles.
No one of the three. modes is
new, and it has been the task of
designers to find some new inter-
pretation of each idea, and any
trouble they may have had in do-
ing this is smothered in the inter-
esting array of models presented.
"Whatever your preference, You will
varies from which to
have a y
choose, and this variety includes
color as well es line and details of
trimming.
There is a vogue for the .all -
black frock, another for the dress
made ftp of a colored slip veiled
wth black chiffon or black lace—
the brocades being attractive un-
der the latter, steel both are classed
With the oirpple chiffon type of
freak.
There is ample oye.
Or
ttni:y
for the combination of colors its
the model that trees olilffon, and
ttitusual blendings—orchid with
blue, blue With green, one l5aetel
a xC,
.An jEvenirr�,g l ,r teemlile -.:.. Frog , , with a.beth.er-�--lire favored. 'Vol -
And Capt‘ -0 ;0'1, And Taffeta, , mow is favored, and now and then
Color -eV oral Sand' e ecarlet /'rock anpoars,•
Ailui,la
�xroud.:
In some one or other of the piing the fabric aliening coat, ane'
many modes of the evening frock themselves provide the material for
various fabrics appear. Satin, the gorgeous fur wraps that are
for
Georgette, crepe, taffeta, velvet,
the metal cloths and the new rayon
velvet are seen, and there is a
somewhat sparing use of silk net,
especially noticeable in the period
models that take transparent hems
to give the length necessary to the
Peculiar style. Hand -painted crepe
satin and metal embroidered nets
are seen.
There is sophistication in every
evening model presented, but there
is more of youth and less of the
former characteristic in the chiffon
dress. It possesses much grace of
movement and scores of little in-
tricacies, are used to acquire this
grace, these same intricacies un-
derstood only by the designer.
Floating panels, flounces, long
wisps of chiffon that hang down
the back—called by the enlighten-
ing name of "mare's tails"—are
prominently featured and the re-
sult is symphony of movement.
For movement is the basis of
the newest silhouette, no matter
what sort of apparel is under con-
sideration. Scarfs and scarf drap-
eries, wing treatments, capes and
fluttering ends are all a part of
the mode of the chiffon frock, and
wide sashes, panel effects and yokes
play a part in the general evening
mode. The newest name for the
kinetic silhouette, which represents
movement, is syncopation—but one
name does ns well as another, when
the result is pleasing.
The uneven hemline is a feature
of the new models, dipping, some-
times, to the 'ankles and rising to
the brevity to which several sea-
sons of short frocks have accus-
tomed us. • Evening frocks fly 1n
the face of the daytime mode and
refuse to wear sleeves, which keeps
up the general characteristic of
direct contrast in the same mode,
Necklines are U-shaped, shallow as
to depth in front, but deep in back.
There are various placements of
the waist line—a sort of what -you -
will ruling, existing concerning
them.
Fall will continue the fashion of
the evening wrap of metal brocade,
an exquisite affair in the shape of a
square finished with a deep border
of heavy hand -knotted fringe. It
takes on the lines of a dolman, the
latter appearing in the advance
modes for winter, and is corroot
for any evening occasion, no watt -
ter how formal. The brocades are
imported, many of them, from
Prance, and show either smart,
=small patterns or strilti'ng, large
patterns. There are effective come
bina.tions of color—black with
silver or' gold, silver with claret
red or Chinese green, white with
gold orssilvor,
;Bening wraps are also shown
wrapr
c a • n fashion,
n cape t ]e, or 1
i y
n
The most costly
fabrics—embroid-
ered
aric eribroid-
ered velvets and; brocades aitd
beaded Mate ials••--era used, and
they boast linings of rich elegance,
wearing furs of luxury and mag-
nificence. Sable, tnin.k, ermine and
ohinohilla are 1toferred for trine,
the utmost in .outer apparel
evening wear.
The ensemble
pictured • 'would
The Beaded Evening Frock Re..
mains In The. Foreground Of The
Fall Fashion Picture
prove an ideal choice for imme-
diate wear—at a root -garden din-
ner, the country club or pleasure
resort. It shows a clever combina-
tion of net and soft taffeta ruffles
and is developed Ina modification
of the .period frock.,, There is a
fitted bodice of the taffeta with a
sheer yoke effect of the tulle, the
approved uneven hemline, and +,
clever use of fabric flowers, .foe
Which fashion has a most dec73ctr
.'
liking, The rape Wrap et -triers out
the same idea and Is topped with a
Pierrot ruff.
Its direet ,contrast we have the
sheath gown of Georgette crepe.
sleeveless and showing a sleep V-
neck.. The skirt Is elft into narrow
panels or tabs that reach to the
knee, and the whole garment is
solid with glittering enibrealeries.
treat-
ments
c t-
spiral
l .a
he fa opal and
"!` d
g
i� in
'eboon to 1 i
++ that have a n
m.nis .t afi
favor all through the. satin growing
suttulter aeaeon are much In eve-
denee in the fail mode, They reee,
noted on frocks and coati", even !'ere
wraps, which Hake uses of S ail eat
:pelts that yte13 tot lile t@ca"t see
ti