HomeMy WebLinkAboutThe Seaforth News, 1926-03-11, Page 2When Exposedto. Air
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BEGIN HERE TO -DAY..
' Michael Pendean disappears and
Robert Redmayne, uncle to Michael's
Wife, Jenny, is suspected of the mur-
der. Mark Brendan, criminal investi-
gator, has charge of the case.
Jenny goes to live with her uncle,
Bendigo Redmayne, Robert appears
near Bendigo's home and sends word
to Bendigo to meet him in a nearby
cave. Giuseppe Doria, who works for
Bendigo, leaves his master at the
meeting place. When Doria calls to
bring Bendigo home he finds the cave
empty and signs of a terrible struggle.
Jenny marries 'Doria and they go
to live in Italy, where Jenny's uncle,
Albert Redmayne, lives, Robert is seen
in Italy and Albert sends for Brendon
and for Peter Germs, famous Amer-
ican detective and dear friend to .A1 -
beet.
NOW GO UN W ITE THE STORY.
"You're a detective inspector of ,
Scotland Yard," continued Ganns,
"and Scotland Yard is still the high -
'Water mark of police organization in'
the world. The Central Bureau in
New•York is pretty close up, and I've
nothing but admiration for the French
and Italian Secret Services; but the
fact remains; The Yard is first; and
you've am, and fairly won your place
there. That's a big thing and you
didn't get it without some work and
some luck, Brendon.
But now --this Redmayne racket. in
a word, your conduct of the affair
don't square with your reputation.
Your dope never cut any ice from the
start.''..
Brendon did not hide his emotion,
but kept silence while Mr. Ganns
helped himself to a pinch of snuff.
"A great many of your 'cast-iron
facts' were no facts at alI."
"What were they then?"
"Elabora.te and deliberate fictions,
Mark."
He paused again, applied himself to
his gold box, and then proceeded.
"Now see how reason bears on the'
evidence of Robert Redmayne and his
trick acts since first he disappeared.
A thing occurs and there aro only cer-
tain Ways—very limited in number—
' to explain it. Either Robert Redmayne
killed Michael Pendell)), or else ho did
not. And if he did, he was sane or
insane at the•tinte. That much can't
be denied and is granted. If he was
sane, he committed the murder with
a motive; and pretty careful inquiry
proves that no motive existed. Then,
assuming him to be sane, he would not
have committed such a murder. The
alternative is that he was mad at the
time and did homicide on Pendean
while out of his mind.
"But what happens to a madman.
after a crime of this sort? Does he
get off with it and wander over Eur-
ope as a free man for a year? Granted
the .resources of maniacal cunning and
all the rest of it, was it ever heard
that a lunatic went at large as this
man (lid, and laughed at Scotland
Yard's attempt to run him down and
capture him? No, Mark, the man re-
• (Tensible for these impossible things
isn't mad. And that brings me back
to my preliminary alternative,
"I said just now, 'Either Robert
Redmayne killed Michael Pendean, or
else he did not.' And we may a(kl that
either Robert Redmayne killed Ben-
digo Redmayne or else he did not. But
we'll stick to the first proposition for
the moment, And the next -question
you must asic yourself is this: `Did
Robert Redmayne kill Michael Pen -
dean?' That's where your 'facts, as
you call them, begin to sag bit, my
son. There's only one sure and certain'
way of knowing that a man is dead;
and that is by seeing his body and
convincing the law, by the testimony
of those who knew the man in life,
that the corpse belongs to him and no-
body else."
They chatted for half nn hour and
Mr. Ganns attained his object, which
was to ling his companion back to
the beginning of the whole problem
that had brought them together.
"To -night, in the train,' said Peter,
"I shall ask you to give nee your ver-
sion of the case from the moment that
Mrs. Pendean invited you to take it
up."
CHAPTER XII. •
PETER TAItSS THE. HEL3f.
As the detectives traveled through
night -hidden Kent and presently
boarded the packet for Boulogne, Mark
Brendon told his story with every de-
tail for the benefit of Mr. Ganns.
They chatted until the dawn, by
which time their train had reached
Paris, and an hour or two later they
were on their way to Italy.
Mr. Ganns had determined to cross
the Lakes and arrive unexpectedly at
Menaggio. He had. now turned his
mind once more to the problem before
him and spoke but little. He sat, with
hie notebook open and made an occa-
sional entry as he pursued his
thoughts.
Ile looked up presently.
"The hard tiring before us is this,"
he said, "to got into touch with Robert
Redmayne, or his ghost. There are two
sorts of ghost, Mark; the real thing—
in which you don't believe and con
corning which I hold a watching brief;
and the manufactured article."
He broke off and changed the sub-
ject.
"What I'in doing is to compare your
verbal statement with Mr. Re.dmayne's
written communication, he said, pat-
ting his book.
"You'll find the story of Robert Red-
mayne front childhood and the story
of the girl, his niece, and of her dead
father. Mrs. Doria's father was a
rough customer—scorpions to Robert's
whips apparently --a man a bit out of
the common."
"1 shall like to read the report"
' "It's valuable to us, because written
without prejudice. That's where it
beats your very lucid account, Mark.
There was something running through
your story, like a thread of silk in
cotton, that you won't find here. It
challenged mo from the jump, my boy,
and I'm inclined to think that in that
thread of silk I shall just find the rea-
son of your failure, before I've wound
it up."
"I don't understand you, Genua."
"You wouldn't—not yet. But we'll
change the metaphor. We'll say there
was a red herring drawn across the
trail, and that you took the bait and,
having started right enough, presently
forsook the right scent for the wrong."
Brendon made no reply, Neither
hie conscience nor his wit threw any
ight on the point. Then Peter, turn -
ng to his notes, touched on a minor
ncldent and showed the other that it
admitted of a doubt.
"D'you remember the night you left
Crow's Nest' after your first visit?
OIi'the way back to Dartmouth you
udclen ly- saw Robert Redmayne stand
ng by a gate; and when the moon-
ight revealed you to him, he leaped
way and disappeared into the -trees.
Why?"
"He knew tie."
"How?"
"We had met at Princetown and we
had spoken together for sono minutes
by the pool in Foggintor Quarry-,
where I was fishing."
"That's right. But he didn't know
who you were then. , Even if he'd re-
membered meeting you six months be-
fore in the dusk at Foggintor, why
should he think you were a man who
was hunting him?"
Mark reflected.
1
After Every Meal
It doesn't take much
to keep you in trim.
Nature only asks a
little help.
i Wrigley's, after every
meat, benefits teeth,
breath, appetite and
digestion.
A Flavor for Every Taste.
"That's true," he said.
Peter did not pursue the subject.
call Ile shut hie book; yawned, took snuff,
•- -_ - and declared himself ready for a meal.
ISSUE No: 11—'26. The, long day passed and bath men
turned in early and slept till day-
break
Before noon they had left Baveno.
on a 'steamer and were crossing the
blue depths of Maggiore.
At Luino they left the steamer and
proceeded to Tresa.
They Wound ever Lugano and camp
In evening light to its norlhern shere,
Theta once more they took train, climb-
ed aloft, and fell at last to Menagglo
en Como's brink.
"Now," said Peter, "I guess we'll
leave our traps here and beat It to
Villa Pianezzo right away."
Within twenty minutes their one-
horse vehicle had reached Mr. Red -
maple's modest home and they found
three persons just about to take an
evening meal. Simultaneously' there
appeared Mr. Redmayne, his niece,
and Giuseppe Doria; and while Albert,
Italian fashion, embraced Mr. Ganns
andP lanted a kiss upon his cheek)
Jenny greeted Mark Brendon and he
looked once roots into her eyes.
Doria held back a little while his
wife welcomed her uncle's friend; then
he came forward, declared his plea -1 at meeting Mark again :and his
belief that time wouldsoon reveal the:
truth andeset a period to the sinister
story of the wanderer.
Mr. Redmayne was overjoyed at
seeing Ganns and quite forgot the
.Mr. Redmayne was overjoyed at
seeing Gains.
object of his visit in the pleasure of
receiving him.
"It has been my last and abiding
ambition to introduce you to Virgilio
Poggi, dear Peter, so that you, he and
I may sit together, hear each other's
voices and look into each other's eyes."
Jenny and Assunta had hastily pre-
pared for the visitors and now all sat
at slrpper and Brendon learned that
rooms were already taken for him and
Mr. Ganns at the Hotel Victoria.
"That's as may be," he declared to
Doria's wife. "You will find, I think,
that Mr. Gains is going to stop here,
He takes the lead-in this affair." s
After a cheerful ureal Peter abso-
lutely declined to cross Como and visit
Signor Poggi on the instant. t
I've had enough of your lakes for a
one day, Albert," he announced, "and
I want to talk business and get a
rough, general idea of what more is
known than Mark and I ah•eadyknow.
blow what has happened since you
wrote Mrs: Doria?" •
"Tell -them, Giuseppe,"' directed Mr.
Redmayne. -
"Your gift ---the gold box—take a
pinch,"' said Peter holding out his
snuff to the old bookworm; but the
master of Villa Pianezzo refused and
lighted 'a 'cigar•,,
"I will have smoke' rather than dust,
my precious ;Peter," he said.
"The nlan has been seen twice since
you heard from my wife,"..began
Doris. ''once I met him face to face
on the hill, where I walked alone to
reflect on my own affairs; and once—
the night before last—he came here.
Happily Mr. Redinayne's room over-
looks the lake and; the garden walls
are high, so he could not reach it; but
the bedroom of Mr. Redmayne's man,
Ernesto,side diet stands
is upon the s a
up to the road
"Robert Redmayne came at • two
o'clock, flung pebbles ` at the window,
wakened Ernesto, anddemandedto be
let in :to see ,his brother. • But the
Italian.had been warned exactly what
"to say and do if such a thing hap-
pened."
(To be' continued.)
The Singers.
Men say the strings are broken -
Of the magic lutes; of old.
That heaven sendie no token
Of its silver tongues and gold';
They° say that song is weaving
No more the heart's repose,
They say that song le grieving
In the shadows and the snows. •
They do. us wrong, for lowly
Although our music he,
It1 still le something holy
And passionate and free;
We press about the portal.
That open on truth divine,
Our theme is still immen tel,
Though gone the mighty line. .
Then wrong hist not, for lowly
Although our music be,
Is still is something holy,
And passionate and free.
—John Drinkw'ater.
Misleading.
"Self-preservation le the first law of
life," runs the oldsayiug. .. ever wire
there a more misleading statement•,
This Is the waren when
ca
arelensness�
and thin ice fill the papers' with news
of drowning accidents. Hardly one
account lacks word of some hitherto -
inconspicuous hero- who risks and of-
ten loses his life in an attempt at res-
cue. And what shall we say' of the
little nine-year-old girl who, though
safe herself, rushes into a burning
house and dies in trying to drag her
baby brother to, safety? Christ's say-
ing, ''Ole that Meath itis life," shows a
far more penetrating knowledge than
the Old cynical saying about self -pee -1
ervation,
I feel the humility of one who knows
0o touch to be sure that he knows.
nything.—Sir Hall Caine.
plinerd's Lin:mcrt for dandruff.
A GABLE -ROOFED FARM HOME
This Bolla is planned particularly as i and closet, pantry and wash room
a farm home. For the accounnodation
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from the virtue of economy, this par-
ticular example gives an impression of
prosperity, comfort and good taste. It
ie -well-proportioned and decidedly well
planned. The dimensions of this home
are only 26 feet by 26 feet, and yet it
contains four good-sized bedrooms
with ample closet space for each room,
a linen closet oft the hall, sleeping bal-
ewy, and a bathroom on the second
door; an attic space on the thlyd,floor
that may be finished for two more bed-
rooms the ground floor has living-
room, large kitchen, help's bedroom
This ;arrangement illustrates the new-
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large living room and combining the
dining room and kitchen in one large
room. •
The vestibule has a large coat closet
opening off it, the stairway leads UP
from a wide hall; the pantry is large
and well lighted. A convenient coat
closet off the kitchen; grade entrance,
on the side Blown to the cellar or up to
the kitchen, aro acme of the features
of this• home.
This plain is equally effective In
briefly, etucro, frame of cement block.
Copyright 1.926, Madsen Building
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1
HOUSE
ANCESTRY
1
k1
Our homes of to -day appeal` at first
sight_ to have `little in common with .
the ruined fiasd.ie4 whish stead roman-
lilic:1ly,petkchecl apou rooky ominegCes
or forlornly stranded amid fields and
moors or mirrored In some waste of.
waters with hardlyit whtdow through
which could have shone a hospitable
light --niche masses of frowning me,
80.q°311170raleellehnotitev, all ot ub.arirdd asthooufgha
it.Inay'-.be to believe, the descent of -
the modern house from the ancient .
castle can be traced step -by step; and
„ when we put on our"`irata
thane forathee of
tats to cutch o r
nidi
lice wo leave hromhs
tewh1slt rthe
Mumble but lineal detoenlbaaate oR thosle
r1ti h milled to
our ancestors s
front } C 6
the Crusades.
Let 'us; quite briefly go back from
the familiar to the unfamdlktr, from
the known to the unknown. The ac-
commodation of a house of the present
day comprise% a5 many an advertise-
nient-atates, an entrance hall, recap -
tion or living -rooms the kitchen r de-
partment, bedrooms, and a bathroom.
. , .If we go back a hundred
yeasty we land there Is no ,bathroom;
if two hundred, we notice no further
essential ditference; if three hundred, '
that is, to the times of Elizahtth and
Janes I., Ilia fourelepartments of hall)
living -roosts, kitchen and bedrooms are
si.ill
there;but the' hall Is much large}'
and more important inrelation to the
others. •Diu•ing this penetration of the
pant the houses are so far all cheer -EA,
with plenty of windelve. If we go baok
front Illlizebetle to the early years o1:
her 'father, we find much the seine;
kind of acco'nmada,tiou, but it Is less
cheerful inasemeh.h:s•the windows are
smaller; from which it May be infer-
red that there is a need Tor 'precau-
tions against attack. This 'need in-
creases tlsa farther we go, and the ac-
commodation becomes ever more re-
stricted, until at length, in the twelfth
century ,there are hardly any wiadowe
visible In the outside walls, and those
are of the smaller size; the bedrooms
and Irving -rooms have Omelet entirely
dlssp'pated, and practically nothing re-
mains but the hall and the kitchen.
The Hall to Live In.
The hall and kitchen; the hall to
live In, the kitchen In whish to cook
the food . . - those appear to
have constituted the frreduclble mini-
mum necessary to man 'when he had
emerged from caves, earthworks; and
wigwams. And of the two
the hall was the more important; it
was, in fact, the kernel of the house,
strong enough to prated the bshavtt-
antse, large enough to hold then.. It$
overwhostntn5 importance is shown by
the feet that the house itself became
known as "The Hall," the home of the
chief palm), In the patieh, who domin-
ated the surrounding district, and to
whom much 0f it beioIlged.
These castles, then, of which we see
the ruins, conalsteti principally of the
hall,supplemented by subsidiarry apart-
ments; so did the manor'houses. As
to the difference between one form of
house and the other, allthat need be
saki for the present purpose is that al-
though both were devised to resist at-
tack, the castle was the more elabor-
ately protected. The heart of the -Caw -
tie was its keep, and It is the ruins of
the keep which usually attract the at-
tention of the traveller and 41.1T vague
ftelInge rf romance in his bs^enst. The
keep stood within a strong wall form-
ing a oourtyard•, and it was the place
where the family lived, POT the sake
of compact esa and eeeurlty its rooms
were placed one over the other,' the
principal room being the hall. 'If there'
were any apeoes which could be re-
garded"its bedrooms they were merely.
Iiitl•e chambers oonbrlved in the very
thick walls; but the household at large
used the hall for sleeping as web as
fee eating.—J, Alfred Gotch, in "Old
English Houses."
The Travelers.
It is the function of th•e,poor
To wish the Itch goodby,
OArenore to stanch and wave a hand,
A tear drop ih the eye,
As =tweed bound goes Uncle John
Or good, Aunt Mary Ann;
With one brave yell, to shout "Fare.
web"
And, "Write ue when you can:"
'.1l;o rich may take their pleasure trips,
The peer at home must stay.
'rosy sigh In vain, the ship or train
'fakes none of them away.
tut net the gate is good Aunt Irate,
Who Journeys South to -night.
Ve kiss and cry end say "Good -by"
Aud "Don't forget to write,"
Now Uncle Al Sete Out to -day
Around the world to roans.
ind here :I stand and wave my hand,
Compelled to stay at home"
Ile lir feel the Balt breeze on kris face,
He'll sail ,bite seven ewe."
`Crotid-byl" I'll shout and turn about
A brother to the theee,
Cabin Liners
to
EUROPE
ft1fOUS "(7" steamers on
favorites among thousands of
dlses sniniurg. travelers -haute
cal eceommodeiloas, ex.ellert,
culebee, •pltentivo service.
',regent *nee tittle* inmate
Cherbourg and Seethempton
"Tl s 05tnPeri Roan"
ROYAI
Tk.itor.taf,tls.S•rsnK)'nctttrUa
tl;Itihammdcon, Ines,tt on
.aN;oadnarrtt orL,s1Agno
And yet --who knot/e?--the day Mai
conte
When .travel ehail be mine;
I, too, may ride upon ,the tide
When I am fifty-nine.
And then when 1 am outward hound
May those who shout "Good -by"
Turu back tin shore and work one*
mire
1'i'ithotrt to great a sigh.