HomeMy WebLinkAboutThe Clinton News Record, 1935-12-26, Page 2PAGE 2
THE CLINTON NEWS -RECORD
THURS., D
The Clinton News -Record
With which is Incorporated"
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II. T. RANCE
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suranee' Agent. Representing 14. Fire
'nsurance Companies.
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'Phone 188., Clinton, Ont, 19-4-34,
PROLOGUE TO LOVE
By Martha Ostenso
In Prologue t0 Love, the author of
Wild Geese, for which she won a,
5,000 prize, and The Dark Dawn
has departed boldly frcom her earlier
method, and has written a genuine
romance, more powerful and, appeal-
ing than her previous realistic not,
els.
Autumn Dean's destiny was sealed
in a moment of spoon -lit , magic.
Looking into Brice Landor's level
eyes, she knew that she loved 'him.
Rut love, between these two was, it
seethed, a forbidden thing -a her!.
tage front her mother, Millicent O-
dell . forever loved, forever lost.
The setting of this splendid
story is the Kamloeps Valley of
British Columbia midway between
the vast arches of the Rockies and
the colorful Cascades. To this region
of great sheep ranches, Autumn
Dean returns from .her schooling' :a-
mong the Continental smart set, to
find: herself inescapably faced with
a fateful secret and a conquering
love.
As in the authoris earnest nov-
els, the present story is eteeped. 1n
the stark, wild .beauty of the North-
west. It is intensely vital with hu-
man drama,
Autumn Dean is puzzled by the re-
ception given her by her old freind
Hector Cardigan, and is made un-.
easy later by the reception given
her by her strange father. But ,she
has come home, is determined to
stay and to make the bast of it.
D. H. McINNES
CHIROPRACTOR
Electro Therapist, Massage
-Office: Huron Street. (Few Doors
west of Royal Bank)
Hours -=Wed. and Sat. and by
appointment,
FOOT CORRECTION
•iby manipulation Sun -Ray Treatment
Phone 207
A. E. ' COOK
PIANO AND VOICE
Studio At •
MR. E. C. NICKLLE'S
'King Street, Clinton. Phone 23w.
-Dee. 28-35.
GEORGE 'ELLIOTT
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:for Sales Date at The News -Record,
Clinton, or by calling phone 203.
Charges Moderate and Satisfaction
Guaranteed.
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Directors:
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Brucefield; James Connolly, Gode-
rich; Alexander McEwing, Blyth, R.
'R. No. 1; .Thomas Moylan. Seaforth,
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'forth, R. R. No. 4.
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'Clinton; John Murray, Seaforth;
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cher, Seaforth.
Any money to be paid may be paid
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CANADIAN NATIONAL._ AILWAYS
TIME TABLE
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Going East, depart 3.00 p.m.
Going West, depart 11,50 a,m.
'Going :'rest, depart" 0.5d p,m.
London, Huron & Brace.
'Going North, ar. 11,34. lye. 11.54 a,m.
-Going South 3.08 p,m.
"Ihe advertisements are printed for
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...save your time, energy and money.
iREA'D 'l THE ADVERTISEMENTS'
'IN' THE NEWS -RECORD
--IT WILL PAY YOU—
and began improving them at Ram=
bouillet, near Paris. Thus we have
the name to -clay. N'est-ce-pas, Dad-
dy You see, I do remember some
of your lectures,' after all, though
they were so long ago." She pointed
confidently to a awe grazing on the
hill -side` with her lamb at heel, "That
sweet-faced one is a Cheviot; isn't it?
It's so Clean-cut and stylish. Yeti used
to tell me they had Roman profiles.
And those knobby, black -faced ones
over there- they are Iiampshires.
And those two in, the hollow—let me
see—they must be a cross. That high
head—Shropshire arnt.•'Merino?"
Jarvis smiled appreciatively, drawn
out .in spite of himself. ''1 sent you
to Europe to forget allthat," he
mused aloud. "But it's little you can
do with a woman, it seems." •
With - a lighter heart, Autumn
mounted 'her, horse and rode beside
her father up the steep trail that led
back to the highway. -
NOW GO ON WITH THE STORY
Absolom's face lighted up with
enormous pleasure. "I'll come, right
enough, if I can get away to it' But
ye'll promise to put-on a few o' the
old dances, mind, I'm gettin' too stiff
to the j'ints for the stuff they call
dancin' nowadays."
Autumn laughed. "If some of the
youngsters to -day tried your reels
Absolom, they'd have to be carried
off the floor."
"Aye, that's right enough, too. But
Who'll ye be askin', now?"
"Everybody!" Autumn xi plied.
The old fellow's eyc� became
dreamy with reminiscence. "I've had
many a' good turn in my time with
Katie Macdougall, down at The Bend
—if ye'll think of it to ask her," he
suggested archly. •
"We'll send her a special invitation
Absolom,11 Autumn promised, getting
up. "I'd better leave you to your
coffee, now, while I go and take a
look at•the lambs."
'A`ye, an' they're worth lookin' at
Nigh unto five hundred was dropped
durin' the night."
Autumn went out and ` found her
father beside one of the pens that
opened off the corral. Within it a
large, robust ewe stood in maternal
dignity, while about her pranced 'a
day-old lamb on its ridiculous legs
flicking an absurd cottony tail.
Autumn laughed in sheer delight.
"Oh, you little rascal!" she said. "I'll
have to learn about sheep all over
again, Da."
She glanced up at him and noted
the wistful eagerness that came into
his eyes, and the quick, unaccountable
restraint that immediately 'masked
then:.
He sighed heavily. "It's, no :bust-
nets for a woman, my girl."
"That's a man's opinion, Da," she
countered.
"And it's my opinion that a woman
can talk a lot of damned nonsense,
given the chance," her father retort-
ed. "With the help of God, I'll be
out of the business myself before an-
other year."
"Out of sheep -raising?"
"I'm going tosell," he told her.
Autumn caught her, breath with
dismay, "Now who is talking non-
sense? You'd die without all this—
you know you would."
One of the sheep dogs, a graceful
collie, came bounding up to them and
Jarvis stooped to pat him. "I know,
I know. But I'm getting too old for
it, Autumn."
They moved to. another pen and
Autumn laid her hand affectionately
on her father's atm. "i never heard
anything so absurd in my life," she
said, then decided to turn the conver-
sation into another channel. "Now,
that ewe, Da, is a Rambouillet, isn't
it'?"
"Right enough," he admitted.
"Do you remember old Cho-Cho—
the one I brought up on a bottle?
And her brother , :Fan -Tan? And
don't you remember what beautiful
spiral horns Fan -Tan grew? I al-
most died when he had to go. And
how I spoiled Cho -Cho. She had no
idea she was a sheep. Do ..you re-
member the time she walked into the
kitchen and pushed Hannah's cake
off the table—and Hannah went after
her with the poker ?"'
She laughed aloud and looked up at
her father. He was smiling in an
abstracted way, and Autumn was dis-
concerted with the feeling that he
had not been listening. After a fur-
ther round of the pens, they walked
back to their. horses, Autumn 'chat-
ting resolutely about what she could
recall of sheep' lore, 'determines], to
reinstate herself in what she regard-
ed as the glamor of Jarvis Dean's
life.
".. , and in 1785 Louis XVI im-
ported fine Merina sheep from Spain
CHAPTER IV
It was ten years or more since
the Liard had opened his wide doors
to the purposes of merry -making,
and the people had come from as far
away as Kelowna to welcome his
daughter's- homecoming. The drawing
room and the hall thundered with the
lusty measures of a Highland schot-
tische; Old Country folk stamped
resolutely on the polished floors --
middle-aged
middle-aged and elderly Scots, their
gnarled faces scarlet and streaming,
swung their partners with the earn-
estness of warriors going into battle:
Not the least conspicuous and nim-
ble -footed and certainly the most ter
rifying of all, was old Absolom Peek,
whose' flaming red necktie rested
compationately on the shoulder of
his partner, Katie MacDougall.
body ' of the .dancers, and moved
through the open French windows,
out across the piazza and down the
steps into the garden.'
The moon, almost full, hung like a
quaintly mis-shapen Japanese lantern
in the blossoming peach tree. She
looked up at it through,. the blown
pallor of the tree. Then, feeling the
intensity of Florian's eyes upon her,
she let her own gaze drift deliberate-
ly, provocatively back to his, in the
way she had learned in the light, un-
important nights of English gardens
and of olive groves in Italy. The
oldest game in the world, the game
of coquetry, her heart not in it, but
vanity allaying the moment's bore-
dom.
Autumn stood near the doorway
and applauded the efforts of the old
sheep -herder, who beamed his grati-
tude and pursued his course more
desperately than ever. She watched
her father in his dinner clothes that
seemed somehow awkward on his
vast rugged, frame, and her heart
smote her at his evident determine -
'
tion to assure all his guests of his
happiness in their presence. He mov-
ed from one to another, as though in
an effort to be attentive to the polite
(conversation in which. he was engag-
ed. She was convinced that under-
neath it all he was preoccupied and
miserable.
When the dance came to an end
and the exhausted performers scat-
tered to find chairs or to go out into
the evening, two or three of the
younger men hurried toward Au-
tumn. One took her peremptorily by
the arm and drew her aside..
"The next dance is ours, Miss
Dean," he informed her a little com-
placently, "I have asked the orches-
tra' to favor us with a tango."
Florian Parr was reputed to be the
most dashing young man of the coun-
tryside. The Parrs, a wealthy Scotch
fancily with a ranch in the Okana-
gan Valley, had left their son in Eng-
land to complete his education and
had brought him out a year after Au-
tumn had left to join her Aunt Flo
in the Old Country. Her father had
introduced him to Autumn earlier in
the evening and her eyes had sur-
veyed him, with a penetration subtly
careless, fromhead a to foot. He was
just under thirty, blond, tall, firmly
knit, and dressed in white flannels
and impeccably tailored blue seek
coat: In that amusing medley of
rustics and bland sophisticates who
were her father's friends, FIorian
Parr stood out like a man from an-
other world.
His manner was an immediate
challenge to' Autumn. "Our dance,
Mr. Parr? . I cannot recall nicking
any engagements."
He stepped closer to her. "It is
not so much a matter of engagement,
Miss Dean, as . it is -a matter of pre-
ference."
She laughed. "Yours—or mine, Mr.
Parr?"
"I can only speak for myself,"" he
replied.
She wrinkled her nose at ' him,
"You seem to find little difficulty in
that."
"Are you going to make this awk-
ward?"
wk-ward?" he countered.
Autumn chuckled softly. "Not at
all,. Mr, Parr. Besides, I' should think
a man who plays polo and pilots his
own plane—"
"A splendid alliteration," he put
in. -
Before she could reply, he had
swung her out upon the floor: The
orchestra had already begun to play.
The crystal chandeliers of the draw-
ing room were turned off, and imme-
diately the long floor was a dim pool
of violetlight from the colored lan-
terns that had been strung below the
ceiling. Autumn noted the eyes that
followed herself and Florian, shad-
owed eyes of envy or of admiration,
and overheard one or two comments
that were unequivocal. She permit-
ted' herself to drift in the joy of the
dance, glancing up at her partner
now and then with • that rare, long
look of half-closed eyes that is the
piquant complement of that most sub-
tly articulate of. dances.
In the encore that followed the
tango, Florian maneuvered so that
they became separate from the main
Florian leaned above her:, with one
elbow resting on the bough of the
tree. She saw him smile as he lifted'
a lock of her hair and pretended to
peer at the moon through its mesh,
"Mr. Parr," she said,with mock
severity. "I must remind you that I
am hostess this evening—and must
be treated with the dignity due my
position."
"You might also add that we met
for the first time not more than an
hour ago," he said. •
"I do."
"But it has been an unforgettable
hour," he responded.
Another couple strolled by in the
moonlight.
"Look here," Florian said .sudden-
ly. "Why can't you come down for
the week -end in Kelowna soon? The
family will be keen on you. They've
all heard about you from your fath-
er. My sister Linda wanted terribly
to come up to -night, blit she had -a
sprained ankle. She'd be crazy about
you.'
"I should love to come," Autumn
assured him,
"I'll tell you what," he suggested.
"Drop down for the polo game a
week from to -morrow and stay over
Sunday. I promise you a good time.
Your father owes my governor a vis-
it too. He hasn't beendown for
months. Let's make a real party of
it"
"I'll speak to father about it"
"Right!" he said.
"Let's go back, Mr. Parr," Autumn
remarked. "I'm forgetting my du-
ties."
"I'll come if you'll call me Florian,"
he stipulated, in a voice so Iow and
engaging that it brought her throaty,
pleased laughter.
"Very well, Florian," she respond-
ed, and they retraced their way to
the brilliantly lighted house.
The music floated out to them
when they mounted the steps to the
piazza that was completely festoon-
ed. with honeysuckle in sweet and
heady bloom. Florian caught her
arm. • •
"Let's finish this dance before we
go in," he said, and drew her lightly
away on the rhythm of the waltz
that was being played.
The piazza was in darkness, away
from the moon, and as they waltzed
to the farther end of it they, found
themselves alone, There Florian
paused, drew her close and brushed
her hair with his lips.
"I think I'm going to love you," he
whispered.
Autumn's lips and cheeks glowed
faintly, and she experienced the old,
swift sensation of being deliciously
drugged. Then, for some unaccount-
able reason, she thought of her moth-
er, Millicent, ,whom she could re-
call only as a dream, and of that
other Odell woman, known only as a
myth, the woman who had been her
grandmotehr. She thought then of
men in England and men on - the
Continent, whom she had played
with until they merely bored her.
One especially • she remembered — a
blue-eyed youth who had been maim-
ed in the war. The Odell women had
been no respecters of hearts, old I-lec
tor` had said. The Basque bell! She
winced suddenly ° and drew away
from Florian . Was it, for this, then,
she had left behind her that life she
had lived for the past nine years?
Casually, and without a word, she
led Florian back into the rectangle
of light from the open .French win-
dows, and a moment later they : were
among the dancers in the drawing
room.
When the Waltz had ended, Au-
tumn spoke a quiet word to her
father and slipped away up the rear
stairsto her own room.
Autumn knew not what mad im-
pulse had possessed her to desert her
father's guests and come out hereto
be alone on the silver -lit range. In
her own room it had taken only a
minute or two to change into her.
riding clothes, steal down again and
out to the stables where she had
saddled her horse, and come gallop-
ing away ' under the pallor of the
night. ° Some yearning for escape,
she knew, had prompted her act. She
realized now that she had run away
from Florian Pair. It was from the
Florian Parrs she had run when she
had left that shallow life she had
known in Nurope—the Florian Parrs,
in whom deep passionswere merely
quaint and laughable. •
She was well within the Landor
ranch before she realized the direc-
tion she had taken. She discovered
now that the ruddy glow toward
which she had been riding for the
past few minutes was at the en-
trance to a deep- ravine that was
flowing with moonlight the white
birches . ghostly fountains within it.
Beyond, she could see the lambing
pens, the herders cabin, and on, the
hillside the strange,. nebulous ,,forms
of hundreds of recumbent sheep,, as
To one and all Etheritervisltes to extend very sincere wishes for
a bright and prosperous. New Year.
RADIO COMMISSION RECEIVES . PRAISE FOR TORONTO P R 0 -
GRAMS -WINDSOR GROUP TO WELCOME THE NEW
YEAR—POT-POURRI OF RADIO NEWS.
vismord
Tributes for- the rine work being
done on the Canadian Radio Commis.,
sion's "Forgotten Footsteps" series
of 'dramatic broadcasts include a re-
quest from the NBC to reproduce one
of the scripts; grateful thanks from
a Prairie :nether, who has found that
her children are taking a keen inter-
est in history for the first time; and'
a letter from the officials of the
Royal Ontario Museum stating that
yoimg visitors often request informa-
tion on the subjects that they hear
dramatized on the Sunday night fea-
tures.
A Saskatchewan farmer's wife re-
cently wrote her thanks for the pro-
gram, stating that she is a former
school teacher, and as such, vitally
concerned with the education of her
young family. It- was the eisildren
who first heard the program and it
is now One of the highlights ofthe
week in the prairie home, stimulating
in "the dead, past" an interest that
le most gratifying. "For the first
time my youngsters are realizing
that the people who walked this earth
in the time of the Golden Age of
of Greece wes'e as reel as we in the
Canadian West," writes this young
Canadian mother. :"The result is a
keen interest in history which is
us all a new hobby."
Children visiting- the museum in
Toronto are showing a similar inter-
est and are making demands on the
attendants for in#ormation about the
subjects for broadcast, relative to
which a bulletin is posted at the mus-
eum each week. Increased atten-
dance of school children at the mus-
eum has been noticed since the series
commenced.
though fixed in a silver spell. Faint
currents of dewy air brushed her
cheek, the fragrant wraiths of moun-
tain lilac, mallow, wild rose and fern.
She had been sitting there for min-
utes, breathing deeply of the night's
enchanted perfume, when a sound
behind her caused her to draw sharp-
ly on the reins and wheel her horse
about. Another rider was coming
down the narrow trail, his form loom-
ing black and high against the moon.
"Hello, there!" a man's voice chal-
lenged her, a level voice, unhurried,
its intonation rich and deep.
As he drew closer Autumn could
see that he was bareheaded, dressed
in riding breeches and the dollar of
his dark shirt carelessly open.
"I am Autumn Dean," she an-
nounced quickly, as he came along-
side her and halted his horse.
Although the moonlight made an
obscure mask of his features, she
thought she saw a look of puzzled
surprise cross them.
"Autumn Dean!" he exclaimed,
and extended his hand.
"Why—Bruce Lander! It' is yon,
isn't it?"
Above their clasped hands, Autumn
saw his smile—the boyish, quizzical
smile she remembered.
"I was sure it was you -at once,"
he told her.
A thrill of uneasinses coursed
through her -a queer, unsteady feel-
ing that left her ridiculously irritat-
ed at herself,
'`Why didn't you say so, then?" she
demanded:
He held her hand warmly and
smiled at her. "I have learned to'
take nothing for granted," he ob-
served. "But -I understood you
were celebrating over at your place
to -night. How do you happen to be
here?"
"I don't believe I could evenex-
plain that myself," she said a little
blankly. "I just rode away, and—I'm
here."
He smiled again and took a cigar-
ette from his breast pocket, struck
a match and lighted it between :his.
cupped hands. In that one brief
moment she saw the dark, crisply
curling haid that was cropped short,
straight dark brows rather heavy a-
bove eyes that she remembered now
were a deep blue, a nose well -formed
and sensitive about the nostrils, and
a mouth that was somewhat full but
straight -drawn and obstinate. In the
sudden' realization that she was giv-
ing him -a shameless scrutiny, she
wrenched her gaze away in the in-
stant that he looked up at her.
"I had expected to see you over at
our dance tonght," Autumn said. "Or
were you not the least 'bit curious?".
'"Curious?" - He regarded her in-
tently. "Searcely-curious. I should
have come if. I had been able. This
happens to be a very busy time for
me—and besides, mother has °taken
another bad spell."
"Oh, I'm very sorry. Father told
told me she had been quite ill. I
should have been over to see her if I
had had time. Do you think she
would remember me, Bruce?"
His eyes rested gravely upon her
face. Her hand moved nervously to.
her cheek as his look held hers, the
moonlight seeming to go thin and ex-
traordinarily • translucent between
them.
"I doubt it," he said at last. "You
are grown-up now."
"Won't you take me down to see
her?"
"Now ?"
"Why not? It's still early, and I
can ride back that way. Unless, of
course, she's . asleep."
She never goes to sleep until I
come in," Bruce told her.
"I should love to go down, then,"
she said.
Bruce glanced once in the, direction
of the ravine. "I can come back here
later," he said. ,"Let us go this way,
then." .
(Continued Next Week),
Nearly Suffered Relapse
Edmonton's contribution to th e
"Dance Band Parade" nearly suffer-
ed `a relapse last Saturday night.
With everything in order at the Mac-
Donald hotel ... the orchestra waiting
for the cue the announcer in his
place ... and ten seconds to go,
some sweet young thing suddenly
appeared from nowhere and decided'
she would say a few words to her
mother. Seizingthe mike firmly in
both hands, she had twisted it around
and was just about to get her mes-
sage across,- when the horrified an-
nouncer leaped to action. The mike
was back in place with one second to
go.
ed by that typical olcl air,
Ripe"; then from the land of
heather will come 'a group of two
Scottish dances, "The Lily of the Vale
is Sweet" and "Drapm•-Oapie 0," ar-
ranged byPochon. The Emerald Isle
will be represented by typical Irish
reels clear to the hearts of all sons
and daughters of old Erin,
From Canada, Mr. Trowell has
chosen two ars arranged by Sir Ern-
est MacMillan; t h e distinguished
Canadian composer a n d donductor,
The brilliant Scherzo by Arnold
Trowell, the brother of the quartet
director and a native -of New Zea-
land, will be included, as will the
familiar"Molly on the ,Shore,"' by
the Australian pianist and composer,'
Percy Grainger,
Greeting 'the New Year
Heralding the New Yearn the Gar-
net Trowell String: Quartet, heard
thrice weekly in Diluter Music from
Windsor, is planning an unusual and
interesting program for the first day
of 1930.
The broadcast will consist entirely
of music from different parts of the
Empire. England will be represent -
"Melodic . Strings"
The Concerto Grosso in G Major by
Y
Vivaldi, will be played by Alexander..,
Chuhaldin's string orchestra on the
"Meioclic Strings" program for Can-
adian Radio Commission listeners on
Monday, December 30, at 9.30 p.m,
On this occasion, Samuel Hersenhor-
en will be the violin soloist. Mr.-
Chuhaldin's own arrangement of
Nocturne No. 3 in E Major, by Cho-
pin, also will be featured on this pre-
sentation, "Melodic Strings" will be
heard over a coast-to-coast network,
New Use For Shaving Bowl
Mercer McLeod, who is in charge of
the Canadian Radio. Commission's
western network program. " T h e
Ghost Walker," broadcast from Trail
was in a quandary the other day as
how to produce the sound of horse's
hoofs over the air. He tried the
traditional cocoanuts, but found them
too hard for radio. He tried every-
thing from office equipment to kit-
chenware and it wasn't until he was
shaving' one morning that he dis-
covered the desired effect.
His shaving soap was in a wooden
bowl. The radio in his room was
emitting a rhythmic tune which sud-
denly swelled out from the radio
causing Mr. McLeod to tap his foot
to the beat of the lively air, Not con-
tent with that he tapped to the
rhythm with the lid of the shaving
bowl and the bowl itself. Mercer
McLeod's words were, "Great heav-
ens, the horse!" Since that time, the
shaving bowl has been in constant
use.
Popular CRCM Feature
"Show Time on the Air!" Radio
listeners from the Atlantic to the Pa-
cific have tome to recognize these
five words as their lcey to a half-
hour of variety entertainment with a
stellar cast generously sprinkled with
headliners of stage, screen, and radio,
Every Tuesday at eight o'clock Ii,,
S.T., "Show Tinie on the Air" brings
(Continued on page 7)
cl=SNAPSHOT CUIL
HAVE A SNAPSHOT PARTY
1 PHOTOFLOOD
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2 PHOTOFLOODS
The "magic
chair" will
prove to be a
popular at-
traction.
SOME people just naturally frown
I on the idea of doing anything un-
usual or different, but be that as it
may, here's a suggestion for a new
kind of party. A "Snapshots at Night
Party" and the chances are it will be
voted by those who are fortunate
enough to be invited as an outstand-
ing success.
To further add to the merriment
of the party you might have your
guests come in costume. Tell them
to come dressed as their favorite
movie star, some famous person of
history, a character from one of the
nursery rhymes, or, you might sim-
plify the matter of costumes and
make it a regular "Kid Party," all
guests dressing as children.
Setting the stage for your Snap-
shots at Night Party is very simple
and can be done before your, guests
arrive. Isere is what you do. Place.a
chair in an out-of-the-way part of
the room so that it will not be dis-'
tnrbed by the,gnests as they arrive.
Close to the back and to the right of
the chair place a floor lamp so that
the light bulb is about two feet from
the back of the chair,. Now tilt the.
shade slightly upward so that it will
throw the light directly over and
down on the shoulders and head of
the person sitting in the chair.
About three feet directly in front of
the chair place another floor lamp
With its shade tilted to throw the
light directly ou the front of. your
subject and chair, You now have
one floor lamp back of and to the
right or the chair and another one
three feet in front of the chair or
subject.
With the lamps in this position
you will have to take the picture
from the side; so place Your camera
on a table or some firm support at
a point where you can see all of your
subject in the finder, If you have a
folding camera with an 1.6.3 lens
open it to this aperture and set the
shutter speed at 1/25 of asecond.
With supersensitive panchromatic
film in your camera and two Photo-
flood bulbs in the lamp' facing the
subject and one in the lamp back of
the chair you are ready for the ar-
rival of your guests and fascinating
indoor snapshots at night.
In placing your camera be sure
that neither of the lights shines di-
rectly into the lens of the camera.
or shows in your finder.
After your guests have arrived
lead them ono by ono to the "magic
chair," switch on the Photoflood
lamps, and—snap-you have the pic-
ture. And you can count on much
merriment as each faces the camera.
Suppose you do not have a camera
with a lens as fast as 1.6.8. You can
have your party and take pictures
with any camera just the same. You
can take a short time exposure with-
out any change in your set-up.
In taking either a snapshot at
night at 1/25 of a second or a time
exposure picture,, caution your guest
not to move when the picture is
actually. being taken.
You and your guests will have fun
at a Snapshots at Night party and
in turn you Will have some highly
interesting pictures to enjoy look-
ing at for many years to come.
69 JOHN VAN GUILDJIR,