HomeMy WebLinkAboutThe Wingham Advance-Times, 1983-02-23, Page 21Puttcr i
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B E H I N D TH E SCENES—Here's another kind of behind -the -scenes viewpoint — a
crane taken through a circular opening in a construction fence.
(Photo by Holt Confer)
[Or
Throughthe
Lens
By HOLT CONFER
As you page through a
magazine, looking at the
editorial copy sprinkled
among the advertisements,
have you ever given any
thought to how and why
magazines are put together
the way they are? Why, for
instance, do certain ads ap-
pear in one magazine and
not another?
I'll admit that so far this
doesn't sound much like a
photography column, but
stay with me for a while.
Most magazines are set
up on at least a 60-40 basis
IN
MIDWESTERN
ONTARIO
CROSSROADS
Listowel 291-1660
Wingham 357-2320
Mount Forest 323-1550
Milverton 595-8921
The best
bargain
catches
are in
the
WANT ADS
I'm calling
about your
Crossroads
Classified ad
fora '72 van.
Sold!
It's just what
I need.
We also have
extra parts to
fit that model
van. Would
you be inter-
ested?
nter=ested?
— 60 percent advertising,
40 percent editorial. While
the percentages may vary
slightly, if there's a change
it would be to inorease the
ads and decrease the edito-
rial content.
Now just suppose yuo
were in charge of advertis-
ing for a camera manufac-
turer and you wanted to in-
crease your share of the
$14 billion photography
market. What are some of
the things you'd like to
know about the people who
are likely to buy your prod-
uct?
Magazines, in an at-
tempt to show advertisers
how well their publication
is aimed at a certain mar-
ket, will often do extensive
research to convince ad
managers to dribble some
their ad budget in their di-
rection. Time magazine re-
cently completed a de-
tailed study of the photog-
raphy market by hiring a
research firm to question
subscribers to the Life Li-
brary of Photography (a
group. they called photog-
raphy buffs), and current
customers of the Fotomat
stores (a group they called
snap shooters).
Here are some of the
things Time discovered
about the photography buff
group:
The group is 73 percent
male and 27 percent
female, mostly in the 25-34
age bracket. Fifty-two per-
cent are married and 47
percent are either profes-
sional or managerial.
Educationally, 73 per-
cent are college educated,
and the median income is
$29,760. The most popular
camera in the group is a
35mm SLR, semi-automat-
ic.
Among brands chosen by
this group, 28 percent own
Canons, 21 percent Minol-
tas, 14 percent Nikons, 12
percent Pentax, 11 percent
Olympus, 5 percent Yashi-
ca, 5 percent Konicas, and
the remaining 23 percent is
spread out among the other
manufacturers. The, medi-
an price for these camera
purchases was $288.
Among the reasons given
for buying 35mm cameras,
26 percent said it was be-
cause their new camera
took better pictures than
their old one; 24 percent
wanted to be more cre-
ative; 20 percent liked the
ability to use different
lenses; 17 percent wanted
to have automatic fea-
tures. Business use was
last with only 5 percent
giving that as their reason
for the pure'hase.
Forty-two percent of the
cameras in this group were
bought in a camera speci-
alty store; 9 percent in dis-
count stores; 9 percent in
department stores; 9 per-
cent through mail-order
houses; 8 percent in depart-
, ment stores; 6 percent
from friends, and the last 6
percent from catalog
stores.
Forty-one percent
bought additional lenses or
accessories at the time
they purchased their cam-
era, while 67 percent said
they bought additional
lenses or accessories at a
later date. (The total ex-
ceeds 100 percent probably
because some of the group
bought extra lenses when
they brought the camera
and again after owning the
camera for a while.)
When selecting accesso-
ries, 75 percent of the
group purchased electronic
flashes; 70 percent filters;
64 percent carrying cases;
58 percent camera straps;
54 percent tripods; 49 per-
cent telephoto lenses; 44
percent zoom lenses, and
43 percent purchased wide
angle lenses.
In selecting extra lenses,
32 percent of the group
chose Vivitar, 25 percent
Canon, 17 percent Rokkor
(Minolta), 14 percent Nik-
kor (Nikon), 10 percent Ta-
kumar (Pentax), 10 percent
Soligor, and 9 percent
chose Zuiko (Olympus). The
median value of the cam-
era buff's equipment was
$865.
Not surprisingly, 51 per-
cent of the photo buffs
rated themselves as se-
rious amateurs, 10 percent
beginners, 34 percent ama-
teurs and 5 percent profes-
sionals.
When it came to taking
pictures, 84 percent of the
group said they liked to
photograph nature and
scenery, 60 percent liked
travel, 51 percent shot
close-ups, 44 percent liked
family occasions, 40 per-
cent liked children, 38 per-
cent shot portraits, 31 per-
cent shot sports, 30 percent
used pets as subjects and
10 percent concentrated on
news.
Forty-nine percent of the
group have ta,llen a course
in photography, but 51 per-
cent have no formal train-
ing. (But I hope you 51 per-
cent continue to read my
column!) But as I suspect-
ed, photo buffs do like to
read about the subject.
Twelve percent own from
one to four photography
books, 37 percent own from
five to nine books, and 24
percent own 10 to 14 books
on the subject.
That's how, photography
buffs appear as a group to
an ad manager deciding
what products to advertise
in each publication. Now
you know what goes on be-
hind the scene's.
Ab, such sacrifices!
A London dentist left
$400,000 to his office assist-
ant — provided she give up
all male friends, lipstick,
nail polish and jewelry for
five years.
Fi . (;CROON
GREEN
Benson and I used to meet
her every morning as she
would be walking down the
road toward her one -roomed
school and we would be on
our way to the bus stop. She
was a trim little miss of 20 or
so who. would fill out very
nicely after she was married
and she wore a blue beret
with the saucy sweep which
only a rural Quebecois can
manage.
This was back in 1950 when
Benson was with a Montreal
importing firm and I was an
editor of the old Family Her-
ald, and we would smile at
her in the too -polite way
which fathers so often have
for those who teach their
progeny. "Bonjour, Madem-
oiselle Gauthier!" we would
say. "Comment ca va ce
matin?"
And she would always re-
ply "Good morning" to us.
It was a sort of etiquette
you see for us "anglais" to
practise our high school
French on them, and for
them to practise their Eng-
lish on us. Just as it was the
custom for us "anglais" to
give our youngsters a year or
two in the local French
school before we bundled
them off to the city and a
school of our own.
There was another fellow
who sometimes caught the
bus to the city with us. Since
this story is as true as I can
remember it, I mustn't give
you his real name. Let's call
him Blodgett instead. On the
days when he worked Blod-
gett seemed to belong to a
road gang of some sort. He
looked husky enough, but it
seemed that he never man-
aged to bring home quite
enough to keep his nine kids
in clothes and groceries. He
generally had money for
beer though.
Once some of the women
on our road got a big basket
of old clothes together and
took it down to the Blodgett
house, but a few days later
Blodgett took most of it to a
second hand store in the city.
Blodgett wasn't sending
hischildren to French school
through any love of a broad-
er patriotism. It was just
that in those days one had to
pay tuition and bus fare to
get a youngster down to the
English school. And if Blod-
gett offered any greeting at
all to Miss Gauthier, he sure
didn't do it in French.
"That's the trouble with this
country," he would say.
"Too much kow-towing in
these here pea-soupers!"
And it was Blodgett who
first broke the news to us
that Miss Gauthier wasn't
quite the teacher we had al-
ways thought she was. "So
this here pea -soup school -
ma'am has got all our kids
mumbling them French
prayers now, eh?"
A most unpleasant sur-
prise, if true. Because what-
ever else you've got to say
about them, our French
schools in Quebec have al-
ways been pretty decent
about not forcing their devo-
tions on, those pupils who
happen to come from
Protestant homes.
"When you get home to-
night, just ask your kids
about it if you don't' believe
me!" He shook his head at
me. "Ask that little girl of
yours what she has to do
when the school starts off
with religion every morning!
Ask her if they're allowed to
wait it out at the back now
like last year's teacher let
them do. She'll tell you! I'm
telling you, they get that
stuff rammed right down
their throats now!"
"I'll see about this," Ben-
son said. "I'll ask my lad
too."
And when we met Miss
Gauthier that morning we
were a bit cool to her. We
said "Bonjour" and let it go
at that.
When I got home that night
the first thing I did was to
ask my little daughter what
the story was. She was seven
that year, still young enough
to tell the truth.
Yes, they all took religion
now. "Teacher doesn't ask
any questions in catechism,
but when we say our
prayers, we all have to close
our eyes. Us too. And she'll
give us the stick if we don't
keep them closed!"
"You're sure of that now,
honey?"
"She walks down the aisle
just to make sure that no-
body's peeking! I think she
waJlts down past us English
kids mnrr than
else. Only someday I'm
going to peek anyways, so I
a m'"
Well, there it was. I felt
slightly sick about it and
next morning I could see that
Benson was the same way.
Not that I was so onward
Christian soldierish in those
days, and not that I really
saw any great soul damage
in having an offspring of
mine keep her eyes and
mouth shut while a Catholic
prayer was in progress- I
doubt if I would have object-
ed at all if that girl of mine
had been doing such a thing
out of her own free will and a
healthy desire to conform.
Ah, but being forced was
quite another thing!
"What did I tell you?"
Blodgett said the next morn-
ing. "That's the way with
them every time though,
isn't it? Every time they can
get away with it, that is!"
Benson said, "I donit like
this kind of trouble. Maybe
we should have sent them to
an English school right from
the start."
And when we met Miss
Gauthier coming toward us
that morning I doubt if we
did more than nod to her.
So there was sourness in
the air for a week or more
that fall, and then one night I
got home to find my daugh-
ter fairly bursting with news.
"I peeked this morning ! "
she told me. "I peeked when
we were supposed to be
praying and I saw some-
thing!"
"Saw something?"
My daughter drew a map
with her fingers. "Here's
Nelly Blodgett. She sits kitty -
corners from me like that,
iee? And every morning
she's been coming to school
with just her overshoes and
nothing but her stockings in-
side. Only I didn't used to
know that. But this morning
when I peeked, I saw Made-
moiselle Gauthier take a
pair of shoes out of her desk
and come down the aisle and
put them in Nelly's lap. And
Nelly gets them on before
our prayers are through,
see? That's why we all had to
keep our eyes shut tight,
Daddy! She's been doing it
every morning and she
didn't want any of !us to
know!"
I bent over and took a
handful of my daughter's
long yellow hair and I didn't
know whether to hug or
scold. "Thanks for telling
me," I said finally. "But if
you let Miss Gauthier's
secret out to anyone else, I'll
scalp you! Now mind what I
say, and I don't want you to
be peeking again, either!"
Blodgett wasn't working
next morning, but I got the
story out to Benson in time,
and when we met Miss
Gauthier coming down the
road again with her saucy
beret and her confident
smile, we had our best high
school French all ready for
her.
"Bonjour, Mademoiselle
Gauthier!, Fait beau, au-
jourd'hui, n'est-ce pas?. . .
Comment ca va, ce ma-
tin? ..."
STAVING WARM
We Canadians know how to
stay warm. When you are
flying at 9,000 m and its
about -44 degrees C outside,
you stay snug and warm in-
side thanks to Canada's Gar-
rett Manufacturing Ltd.
Garrett's temperature con-
trol systems are used in most
commercial aircraft oPerat-
ing today. Garrett tempera-
ture controls are used to de-
ice wings and control win-
dow heat, as well as to air-
condition cabins, cockpits
and compartments.
Crossroads—Feb. 23, 1983—Page 7
Hollywood
strip
By ALAN L. GANSBERG
`Valene' takes
a new direction
HOLLYWOOD — Like
any good prime -time serial
performer, JOAN VAN
ARK will not disclose what
will happen to her charac-
ter, Valene, on "Knots
Landing" this season. But,
she will allow, "I like the
turn my character is tak-
ing."
"Valene has gone from
being a goody two -shoes to
being Candice Bergen in
'Rich and Famous,' " Joan
said. "She's written a best-
selling book and I hope
she's more sure of herself.
She's finding out who she
really is."
Truth be told, if the
character hadn't started to
move in the new direction,
Joan might have done so
herself. She reported "get-
ting antsy" after four years
on the series, ready to take
a new course.
"Luckily," she remarked,
"I'm with a company of ac-
tors who really care. It's
the fourth year, but we're
still doing our work. No
shortcuts. This is a wonder-
ful ensemble company."
Nevertheless, Joan is the
first to admit, "Boy, do I
look for other roles. I want
to do something 180 de-
grees from this. We finish
production on the season
Feb. 18, so I have a long
hiatus — four months.
Hopefully, another project
I'm discussing will fall into
place."
Joan is not an actress
who is familiar with being
out of work. There has al-
most always been some-
thing. When not in front of
the cameras, she's in front
of a microphone as one of
the more active women
who are hired to do voice-
overs, the voices you hear
when commercials air.
Plus, she's the mother to
a 13 -year-old, VANESSA,
and jokes, "It kills me to
say that she's 13. It means
she's getting old, and that
means I'm getting old."
But not slowing down.
Joan reports that she can
FREE
Catalogue
Upon
Request
JOAN VAN ARK
... Boy, do I look
for other roles'
" run up to 10 miles every
morning, and although
while she's working she
shuns parties and the so-
cial life, when there's a
long time off "I can be a
crazy person."
"I enjoy my cham-
pagne," she laughed. "In
fact,give me champagne
and sushi and I'm in pig
heaven."
DANIELLE BRISE-
BOIS, the same age as
Joan Van Ark's daughter,
has become nationally
known,,as the niece on "Ar-
chie Bunker's Place" and
just celebrated her 10th
year in show business. And
they say the audience is
fickle.
There'll be a big casting
search for an actress to
portray RITA HAY -
WORTH in a telefeature
CBS is planning on the film
star. RON SAMUELS orig-
inally developed the prop-
erty as a vehicle for his
then -wife, LYNDA
CARTER, but they've split
and the project now be-
longs to DAVID
SUSSKIND. He may have
someone waiting in the
wings.
■
■
1
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v
R
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Announcement
TSC STORES LTD.
Listowel Branch is closed this week to enablgi us to
move into our new store. We will be open for bsiness
from our new location at:
135 Inkerman St. E., Listowel
(Beside the A & N Store)
on:
Monday, February 28, 1983
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and look forward to having the oppor-
tunity to serve you in the near future.
THANK YOU,
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