The Wingham Advance-Times, 1983-01-12, Page 179`
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Crossroads -Jan. 12, 1983 -Page 5
By JEFF WARD
X is in a do-or-die situa-
tion. Soon X must roll a 6
so that his back man can
escape, or face dire conse-
quences. If X can't escape,
his home board will crum-
ble, and then 0 will enter
from the bar and attack
X's back man. The game
will probably end abruptly
with a redouble by 0.
On the other hand, if X
does soon roll a 6 his
chances of winning are ex-
cellent. X may even win a
gammon if his back man
hits O's blot on the 13 -point
on the way around the
board.
This turn however, X
rolled 1-1. His problem is
to find the play that weak-
ens hisPoo n theleast siti .
Obviously, X cannot
close his board and keep 0
from entering next turn, so
X must simply assume that
O will not enter. If 0 does
enter, it makes little differ-
ence how X plays the 1-1 -
he is pretty much lost any-
way.
With this in mind, X
should play 6/5(3), 3/2,
switching points. Making
the 5 -point while giving up
the 6 has no effect on O's
ability to enter„and escape
- it remains basically the
same.
But it does give X a bet-
ter chance of escaping be-
fore his board collapses. By
switching points X. "kills"
5's.
Except for the excellent
6-5, X can no longer play
5's at all. Thus, X elimi-
nates his most damaging__
number.
Moving 3-2 with the 1
keeps a spare man on the
5 -point, allowing X to play
a 4 next time without
breaking the point.
The game then becomes
a "6 -rolling contest," with
the first player to roll a 6_
probably winning. -- -
In one respect, however,
0 has a significant advan-
tage.
When 0 fails to roll a 6,
0 does not have to move
and weaken his blockade.
But X does. That's why X
must make the recom-
mended play in order to
slow himself down as much
as possible.
Points are numbered 1
to 24, starting with X's
home board . at the lower
left. A move, for example,
from the 7 -point to the 3 -
point is written 7/3. 7/3•
means that a man was hit
on the 3 -point. 7/3(2) means
that two men were moved
to the 3 -point.
1 2 3 466 7 e Ston
X to Pin 1-1
12
THE MAKING OF A
MARTIAL ARTIST. By Sang
Kyu Shim. (Distributed by
Charles E. Tuttle Co., Rut-
land, Vt. 156 pp. U.S. $9.95
(paper $6.95).
Reviewed by
PERCY MADDUX
Different types of boxing,
wrestling, and physical de-
fence and offence have come
to us from the Orient classi-
fied under the general
heading of "martial arts",
but we are told that there is
more to it all than physical
contact or bodily motion,
that it is a philosophy, a form
of self -development.
This approach is fully ex-
pounded in the book by Sang
Kyu Shim "The Making of a
Martial Artist" which is a
lively stimulating essay
'dealing with mental and
spiritual development rather
than any kind of physical
conflict.