HomeMy WebLinkAboutThe Wingham Advance-Times, 1984-05-02, Page 29P,1ige 12-- i ossroads-May 2, pm
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Recently, the sales man-
ager ' of a medical supply
firm came to me for help
because, as he said, he was
Worried sick about himself.
Harold was stoop -
shouldered, wringing his
hands and when he finally
blurted out his problem, he
said it was that he had be-
come a thief.
His job is one where he
has to fly to many market-
ing areas, and Harold was
accusing himself of steal-
ing money from his compa-
ny by falsifying his ex-
pense accounts. When I
asked for details, he said
that there had been no
complaints from his firm.
With Harold's permis-
sion I talked with the com-
pany comptroller, and it
seemed that Harold had
been cheating himself in
attempts to avoid dishones-
ty. When I told this to Har-
old, there was no sense of
relief. The idea that he had
been dishonest and was in-
volved in stealing could
only be marked as a horri-
ble, tormenting obsession.
The clue to this puzzle
which did not seem to have
an answer came out after
many long and seemingly
fruitless interviews. It
seems that 12 years previ-
ously he had been unfaith-
ful to his wife. The woman
was his secretary, and he
was a long way from home,
and no one would ever
know. He forgot about it
and went on about his busi-
ness, or so he thought.
His present unreal feel-
ings of guilt had their roots
in that forgotten incident,
even though it had hap-
pened a decade before.
Harold's unconscious mind
couldn't face his unfaithful-
ness, and so he chose to see
himself dishonest about
money rather than being
unfaithful to his wife. He
had transferred his linger-
ing sense of guilt about his
extramarital relations to
the trust that had been
given to him in his expense
account.
Release came for Harold
when he faced his old infi-
delity. As the guilt was
honestly faced, it was al-
most miraculous to see his
anxiety about his, expense
account disappear.
Our minds are, delicate,
deep and intricate. The
mind can, also play many
deceptive, if not baffling
tricks; but none can cause
more anguish than a sense
of guilt which expresses it-
self in a masked or dis-
guised form, such as Har-
old's.
It is our lot as human be-.
ings to pass judgment on
ourselves. A sense of right
and wrong, good and evil,
is basiq, to our natures as
are the forces of love and
hate. We have been made
to have an inner necessity
to abide by some code of
ethics, whatever it may be.
But as mortal beings we
are also prone to mortal.
lapses. It is impossible to
believe that we can
conquer every temptation
that comes our way, or be
exempt from self -condem-
nation when we fail. No
one can violate his ethical
principles and the precepts
of his religious faith for
very long, and not suffer
guilt feelings, consciously
or unconsciously.
To help troubled people
get at the hidden roots of
unresolved guilt feelings is
one of religidn's chief con-
tributions to the cure of
emotional and physical ills.
Whatever your faith may
be, or lifestyle might en-
compass, it is an absolute
rule for happy living that
you must be able to feel
forgiven, even though you
have done wrong. This is
one of religion's major
roles in a person's life.
To live life with the
mth --dear pri11 t, ft ar
there must be forgiveness,
and then time must: be per-
mitted to close over the
past and life must be con-
centrated on the present.
Harold, and a vast number
of other Harolds, have
learned .to live in peace
with themselves.
At wit's end
by Erma Bombeck
HAPPY CLOWNS—It's a rare day that we don't see something that would be nice
to record on film. Having a no -fuss camera with you is the best way to make cer-
tain those special moments don't get lost. These two happyclowns were photo-
graphed in a shopping mall. (Photo by Holt Confer)
You probably thought you
had heard the last of the
Cabbage Patch dolls, but a
nation doesn't go through a
2.5 million baby boom with-
out some fallout.
Since Christmas, there are
2.5 million single parents
under the age of 12 out there
floundering under a sea of
diapers and feeding sched-
ules who are asking them-
selves, "Is that all there is?"
They are too young to
drink and too young to chuck
it all and run away from
home.
To the rescue comes Ed-
ward J. Zumach, a com-
munications consultant from....
Phoenix, Ariz., who realizes
the importance of a good old
Mom's Network. He calls his
support group the Interna-
tional Association of Doll -
baby Parents.
Every month there will be
a Newsletter, "The Dollbaby
News," to."entertain and in-
form the millions of newly -
blessed parents."
There will be a special
feature called "Dollbaby
Firsts," featuring news
about unusual activities like
taking a hot-air balloon ride
or riding in a sailboat or
helicopter.
In addition to contests and
personal mothers' stories,
little mothers will have a
horoscope prepared for their
dollbabies by a leading
astrologer.
imagine the thrill of know-
ing that if your child is a
Libra, she "seeks beauty,
peace and harmony but can
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be extremely ambitious and
can burn the midnight oil,
then collapse into complete
laziness."
The Association is open not
only to Cabbage Patch
mothers, but those who are
raising Strawberry Short-
cake, Blueberry Muffin and
Barbie and Ken children.
(Tell me there will be an
article on what age Ken can
drive a cardboard car.)
We've come a long way
since we slung a Christmas
doll under the bed in Febru-
ary where it remained
naked, unkempt, uncombed
and rejected until our
mothers stuffed it into a
trunk to save for our children
to throw under the bed.
Frankly, I think it's a
great idea. I foresee doll
pediatricians, psychiatrists,
day nurseries when the
miniature 'mothers go' to
work, baby sitters and
beauty pageants. .Not only
will they open up a new
range for the ecbnomy, they
will instill responsibility in a
child at an early age.
But more important, it will
be the greatest boon to birth
control since garlic!
SNACKING IS BAD
This is the most common
snacking misconciption of
all. Between tneal snacks
have been viewed as appetite
destroyers for generations.
With a little extra planning,
however, you will find that
snacks provide needed food
energy to sustain activity,
thereby enhancing the appe-
tite. Also, several small
meals are more easily used
by the body than a few large
ones — which helps keep
weight down.
PILGRIMS LAND
The Pilgrim Fathers land-
ed Dec. 26, 1620, at Plym-
outh, Mass., to found Plym-
outh Colony.
Fujica Auto -7
It's time to shatter a
myth — a photographer
buying an automatic cam-
era won't automatically
get perfect pictures.
Time and again I have
amateur photographers ex-
plain to me that they're
going to cast aside their
old, manually adjustable
cameras in order to get
themselves one of the new
automatics. "Then," they
tell me emphatically,
"You'll really see a differ-
ence in my pictures."
If it were really that
easy, there wouldn't be any
automatic cameras avail-
able for the amateur mar-
ket — the pros would buy
all of them.
Actually, there is a defi-
nite market for automatic
cameras, and that's what
got me interested in, trying
the Fujica Auto -7. The
Auto -7 is just about auto -
everything.
7LICA
THE ORIGINAL
WORD MAZE PUZZLE
TORO CY
pTERMEUE
ALL WORDS TO BE CONSTRUCTED
PERTAIN TO 'THE ABOVE TOPIC. TO
YOUR ADVANTAGE ONE WORD HAS
ALREADY BEEN TRACED: YOU MUST
TRACE THE THREE REMAINING
WORDS, USING ONLY THE LETTERS
DESIGNATED BY THE DARKENED
CIRCLES. WORDS MAY" BEGIN AND
END FROM EITHER COLUMN BUT
EACH LETTER CAN ONLY BE USED
ONCE.
** I
1. There's automatic
focusing with a beam sen-
sor that will give you
sharply focused pictures
even in the dark. (Provid-
ed, I need to add, that you
aim the beam at the part of
the subject you, want to
have in focus.)
2. Automatic first frame
positioning is another fea-
ture — the camera auto-
matically (there's that
word again) advances the
first frame into position for
picture taking.
3. Automatic film
rewind. When the last shot
on the roll has been made,
the film is automatically
wound back into the car-
tridge.
5. Automatic film speed
setting. If the photographer
is using Fuji film rated at
ASA 100 or ASA 400. The
35mm. Fuji cartridges (ei-
ther print film or transpar-
ency film) have'little metal
strips that "tell" the cam-
era what ASA rating is
being used.
Automatic exposure
control. The camera has an
automatic exposure con-
trol that provides the cor-
rect exposure#all, the. way
from dim ,light to bright
sunlight. There's a built-in
electronic flash that is con-
nected to the camera's
other electronic controls so
you get well -exposed" flash
pictures.
7. And finally, there's au-
tomatic flash exposure.
There's a built-in electron-
ic flash that is connected to
the camera's other elec-
tronic controls so you get
well -exposed flash pic-
tures.
Sounds like all you have
to do is to get one of these
units and the picture tak-
ing gods will smile on your
creative efforts forever
and ever. If you read the
instructions carefully, I've
no doubt that the percent-
age of good pictures com-
ing back to you from the
processor will increase.
However, it's still possible
to make some boo-boos —
for example:
A. If your subject is off -
center (as it often is,) you
will need to point the cam-
era at your subject,
depress the shutter button
halfway (to lock in the
focus), then reframe your
picture. If you just aim and •
shoot, the focusing mecha-
nism will "look past" your
subject and focus on some-
thing off in the distance.
The result will be a sharp-
ness at infinity and an
unsharp subject.
B. When backlighted sub-
jects are photograhed out
of doors, you need to use
the built-in flash for fill
light. If you don't, the light
sensors on the camera will
"read" the ambient light
coming toward the cam-
era, set the exposure ac-
cordingly, and your subject
will be underexposed.
C. Pay attention to the
flash limitations — you can
easily get too close to your
subject (less than one
meter — about 3 feet); and
too far away (more than 4
meters with ASA 100 film,
or more than 6 meters with
ASA 400 film.
If you'd like to know
some of the technical infor-
mation about this camera
— it has a Juninon 38mm,
f2.8, 4 element lens. The
electronic shutter provides
speeds from 1/8 to 1/500
second.
With a little thought on
the user's part, Fuji's Auto -
7 will certainly take a lot
of the worry out of picture
taking.
EACH PUZZLE .HAS A DIFFICULTY
RATING (ABOVE). FOUR STARS
SIGNIFY THE HIGHEST DEGREE OF
DIFFICULTY.
GIVEN BELOW ARE THE POINT
VALUES FOR EACH WORD. YOUR
WORDS MUST CORRECTLY MATCH
THESE POINT VALUES.
PLEDGE
ANSWER ON PAGE
rd, 1983 Ryan Game Company
Candlewicking
ip color.
IF
youSlibr get tired of
white -on -white
candlewicking, why not
work with lustrous, colon -
ful ribbons? Nowadays,
with ribbons as skinny as
one -sixteenth of an inch,
it's easy to stitch them into
candlewicking knots.
Candlewicking, if you
haven't heard the term yet,
is an old Colonial craft that
has become popular again
today. In classic
candlewicking, the crafter
stitches knots onto plain,
unbleached muslin and
then washes the muslin in
very hot water. When the
knots and muslin shrink,
the design takes on a soft,
delicate look.
In ribbon candlewicking,
however, you sew knots
onto pre-shrunk muslin. As
a result, when the last knot
is in place, you can turn
your muslin immediately
into pillows, place mats,
bedspreads, table runners,
or other projects.
Here are directions for
ribbon candlewicking:
MATERIALS: Pre-
shrunk cotton muslin, em-
broidery hoop, large -eye
embroidery needle, chalk
pencil, pencil and paper,
scissors, sewing supplies.
Ribbons: Purchase 1/16 -
inch width ribbons from a
fabric or craft shop. Sug-
gested are Offray brand,
double-faced satin ribbons.
One yard of ribbons makes
about 40 knots.
PREPARATION: 1. If it
is not already pre-shrunk,
wash muslin, let dry and
press. 2. Draw or trace a
simple design on paper. 3.
Lay muslin over paper.
Using your chalk pencil, -
trace design on muslin,
drawing dots instead of
lines. Space dots about, 1/4
inch apart.
STITCHING: 1. Position
muslin in embroidery hoop.
2. Cover each dot with a.
french knot as follows: (a)
17(
• p: r
r._ _ c•�i.. _ . r
HOSPITAL. The Hidden
Lives of a Medical Center
Staff. By Michael Medved.
Pocket Books, New York. (In
Canada: PaperJacks Ltd.,
Markham, Ont. $4.95.) 352
pp. Paper.
Reviewed by
PERCY MADDUX
What are the doctors, nur-
ses, and other persons who
work in a big medical centre
personally like? Michael
Medved tells us in his book
"Hospital". He claims it is
all true, but the names given
in the stories are fictitious.
He selects a person on the
staff, then gives the impress-
ions individually of other
staffers, followed by the per-
son's own account of himself.
In these reports is revealed
the character of each staffer,
the strong points and the
weak points.
The book is fascinatingly
interesting, but it becomes
risque and there are some
horrible scenes.
f•
^.i
•
close, to same hole, pulling
ribbon gently to keep it
wrapped snugly around
tl1e...edle:..1 To OM knot,
hold ribbon until it is al-
most through fabric.
FINISHING: 1. For vari-
ety, stitch straight lines
with outline etjkch, couch-
ing stitch or other embroi.
dery stitches. 2a Use' fin
ished mus.40 for pillow top,
quilt block, or other items
as desired.
3 W Koski
Introducing..
BUSTERROWN
1°0k'Fits-PN COTTON SACKS
Bring needle through fab-
ric. Wind ribbon around 1.54 Broadway Orangeville 519441-8733
and Layaways
needle. (b) Return needle
You'll look so
special!
Helen Anne Shop has a
beautiful selection of
mother -of -the -bride and
after five dresses! Striking
colours and soft fabrics in
styles that are definitely
eye-catchers! For any
occasion when you want
to look glamorous and
special, visit Helen Anne
Shop for a full array of
sophisticated styles!
FieIei Fre1op
"We Care About You"
19 King St. North, Uptown! Waterloo
(opposite Waterloo Theatre) - 886-1560
Open Monday -Friday 9:30-5:30 - Saturday 9:30-5 p.m.
For the month of
May, Westrnount
Interiors will be
offering 15% off Caya
drapery fabric,
International Kendix
and Baumann drapery
and upholstery fabric.
From Austrian and Russian balloon shades to
stylish verticals, from lacy sheers to fine
draperies, Westmourt Interiors offers
selection and quality. "eat your windows!
Drop in or give us a call.
IWESTMOUN T
INTERIORS
LIMITED Waterloo
Fine Interior Design
253 King St. N.
(corner of King & University)
Open:
Mon.-Thurs.
9 a.m.-5:30 p.m.
Fri. 9 a.m.-5 p.m.
886-2922 Sat. 10 a.m.-5 p.m.
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