HomeMy WebLinkAboutThe Wingham Advance-Times, 1985-11-20, Page 27v..
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RUSTIC APPEAL—A charming country style is created in this dining room with
its floral stripe wallpaper in shades of rose, raspberry and moss seafoam on
white. Rose and white draperies are lined with a stripe repeating the color
scheme and design on dining chair seats. Fabrics and wall covering are from
Raintree Designs by Laura Ashley.
Yields and overall
agricultural productivity in
Canada increased by 25 per
cent in the last 15 years.
REBATE CHEQUE
DIRECT FROM
CHRYSLER
1985 or 1986 Models
LASER
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TURISMO/CHARGER
OMNI/HORIZON
D50/D100 PICKUPS
.'�+•'`;,;;.T
RELIANT/ARIES
Example:
1986 ARIES/RELIANT 2 -Door
2.2 litre fuel injected engine, power
Steering, power brakes, left remote
mirror, bodyside moulding, halogen
headlights, front wheel drive.
LISTOWEL
CHRYSLER
PRICE 8336.00
Less Rebate Cheque - 500.00
YOUR PRICE ' $7836.00*
OR LEASE
1986 ARIES/RELIANT 2 Door
FROM 17 75
Monthly payment based on 48 months Gold
Key Program, 100;000 -km FREE driving,
freight, license and Ont. Sales Tax extra.
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A dining -room
with country charm
By Barbara Hartung
Q. I like country designs a
lot and want to use them in
redecorating my separate
dining room. I have used
pale rose and gray in my
entry and living room, mixed
with pine, walnut and ma-
hogany.
I would like some ideas for
creating a traditional
country look in a plain room
with no personality.—D. R.
A. Give your home person-
ality with tender loving care
including hard work, paint,
paper'and beautiful fabrics.
Here's an idea on how one
lovely dining room was
created to reflect a country
charm. 'Perhaps you could
adapt the ideas.,
The walls were covered
with a country -inspired
floral stripe, with a chair rail
and ceiling and floor Mold-
ings painted the background
color.
A small geometric design
was chosen for the drap-
eries, which were fashioned
with fabric loops.eThe lining,
of a contrasting but coordin-
ated stripe, was repeated in
upholstered chair seats.
Q. I am going to put a new
floor in my kitchen , and
would like to know what
color to use.
1 have an ,off-white round
table with cane back chairs
with royal blue seats. I have
a mural on the wall with
touches•of blue, and the cab-
inets areoff-white (grayish).
There is also a white divider
between the kitchen and liv-
ing room,
1 have thought of no -wax
flooring. I would like your
idea on this.—C. J. P.
A. Perhaps it is only a per-
sonal preference, but I like to
choose rather neutral colors
for large and permanent ele-
ments in a room, particular -
y the—flucring. Biu—won't—
often change this so you are
committed t� particular
color -schemes- whren;you in-
stall a many -colored floor
covering.
With grayish white and
your white cabinets you can
introduce a wide variety of
color schemes and change
the "scheme easily and inex-
pensively.
One of my favorite kitchen
floorings is the grayish -white
simulated brick pattern that
a variety of floor covering
manufacturers offer. They
are exceedingly good-look-
ing and so versatile,
a u mlfst
cfie-aomt.�h-a —'
careful about the indenta-
tions of the simulated brick.
It is easy to get food down in
them and hard to get sticky
things out. The simulated
brick does not, however,
show the dirt.
I would warn you, too,
about no -wax flooring. Be
wary of what I consider ex-
aggerated advertising
claims about no -wax floor-
ing- F1'rompersonal ex-
perience, my no -wax floor-
ing needs frequent cleaning
and re -waxing .— and the
task is difficult. So don't ex-
pect too much.
Q. Our bathroom has white
bathroom fixtures. The walls
are painted pale yellow and
the tile is pea green plastic
with a black border.
The rug is rust with specks
of green in it. I now have
white sheer curtains on the
small window with a drape
and valance in green. The
shower curtain is green.
What can I do to change
the color scheme?—B. S.
A. Unless .you plan to
change the tile, an expensive
proposition, you are commit-
ted to a color scheme with a
touch of green and black in
it,
But, you can neutralize the
green and black somewhat
by choosing a very pretty
fresh wallpaper.
Let's say you found a crisp
floral print with a white
background andlots of pink
and fuchsia blossoms, green
leaves and a tiny bit of black.
With that on the walls, you
might paint the ceiling pale
pink, use pink towels and
curtains for shower and win -
Freshen up the floor with a
white peel -and -stick vinyl
tile topped with pink throw
rugs.
You really can't get away
from the green and black but
you can tone it down consid-
erably.
The "stamp" is derived
from the Anglo-Saxon word
"stempel" — a sharp blow.
Crossroads— Nov. 20, 1985—Page 11A
Mainstream Canada
Wisdom and opinion
often polls apart
By Tony Carlson
If it doesn't move, paint it.
}Many military veterans
have heard that watchword
before.
And one suspects that a
slightly altered version is
being heard in the depths of
government buildings across
the land these days. The
order is simple: if it moves,
poll it
Governments are not alone
in their increasingly intense
campaign to get the latest on
how to statistically signifi-
cant portion of the
populations feels about
every issue under the sun.
But this perceived reliance
on polls as a means of
governing raises consider-
able concern.
This is not a dig at pollini
firms which are mushroom-
ing in this favorable climate.
The data they produce is for
the most part solid, reflect-
ing the prevailing wind of
public opinion.
Rather, it is' an appeal to
those who receive and read
about the survey results:
that these opinion barom-
eters —. without argument
important tools off the trade
— be treated with kid gloves.
There are many reasons
these tools of decision should
not be seen 'as the magic
wand of government policy-
making:
For one thing, we expect
from those who .lead us a.
plan of action, even a,vision
of the country or province as
they perceive it should be
and a blueprint for turning
such a dream into reality.
Our vote, then, gives them
a mandate to act, even if a
snap -shot sampling of the
populace indicates some
opposition. In short, leader-
ship means having the
gumption to make the un-
popular decision.
Of more concern is the
possibility that the public,
despite all the best efforts of
the pollsters might be off
base.
That's the blasphemous
charge to make in a
democratic society where
the rule of the majority is a
sacred trust.
But consider. this: These
polls are not asking how
many people are watching
The Cosby Show. Rather,
they are seeking opinions on
such things as equal pay for
work of equal value, issues
which have complicated
arguments and lots of
emotional punch on. b.oth
sides.
W live in a complex world
where the issues do not
divide into black and white,
but too often dissolve in a
muddle of gray. To what
extent can ordinary citizens
inform themselves of every
nuance of social and
economic debates that would
test the wisdom of Solomon?
It's especially tough when .
confronted with a pollster
armed with a battery of
question.s.
An example: Ask a Red
Deer retailer or a Moncton
manufacturer about value--
added tax and chances are
you'll get a blank stare. But
ask one of their peers in
Britain and you'll hear in-
formed opinion. Canadians
don't know enough yet about
a VAT to know what to think.
Britons live with a VAT and
can offer up a useful com-
ment based on experience.
The public is not stupid,
but in many .cases, through
no fault of its own, it is in-
nocent of the background it
needs to make a dis-
passionate judgment...
Given that, it is unsettling
to think that those in power
may lean too much on the
advice of a public which
often reacts' with its gut
rather than its brain.
RECEIVES GIFTS
Forty-one works by Inuit
artists were among the most
prominent gifts received by
the National Gallery of Ca-
nada. They are part of a i
group of 1,000 Inuit sculp-
tures, drawings, prints and
stoneblocks collected by M,
F. Fehely and gradually do-
nated to the Gallery's ex-
panding native art collec-
tion. Sixteen prints by
Maurits Cornelis Escher
were given by the artist's son
George A. Escher. A collec-
tion of Canadian art was do-
nated by Mrs. Jules Leger
that includes works by Jean-
Paul Lemieux, Jean Dal-
laire, Jacques Godefroy the
Tonnancour and Alfred Pel-
lan.
1
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