HomeMy WebLinkAboutThe Wingham Advance-Times, 1985-11-20, Page 20Page 4A—Crossroads—Nov. 20, 1985
AT HOME WITH TIPPI HEDREN
AT 1-KDDIE WITH- .7-41171--- A4,
Tippi Hedren
By Robert McDonald
One of the most famous
scenes from an Alfred Hitch-
cock film is the one in which
a flock of sea gulls and
ravens ,attacks a' beautiful
young woman. The film is
"The Birds". The beautiful
young woman is actress Tip-,
pi Hedren, who went on to
star in "Marnie," a second
Hitchcock film classic.
Hedren was one of very
few actresses - including
Ingrid Bergman — to make
more than one film with the
director. While Hitchcock
was an acknowledged genius
of cinema art, he had a very
difficult personality. After
"Marnie," Hedren broke her
contract.
Now imagine another
scene. The' classically
beautifully head of Hedren in
the mouth of a lioness. But
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this time it's not staged. It's
real.
The animal had pinned the
actress beneath it and had
grasped the back of her skull
in its jaws. Hedren could
hear the big cat's teeth
scraping bone. Her husband,
Noel Marshall, rescued her.
Physicians treated her, and
she insisted on returning to
work the next day. She has
never forgotten the peculiar
resonance of the sound.
How had she come to be in
such a predicament?
She and Marshall (they've
since divorced) had travel=
• led to Africa on a film as-
signment. In the Serengeti;
they observed a pride of lions
living at ease with one
another in an abandoned
house. They resolved to
make a film 'about animals
- including man — living in,
harmony with one another.
The resulting film,
"Roar!" consumed a decade
- and a fortune. Both two -
legged and four -legged ani-
mals suffered terrible in-
juries, and many big cats
died. It proved, however,
that lions, tigers, leopards,
cheetahs and cougars can
live with one another and can
develop special relationships
with humans. But despite its
unique footage of big cats in-
teracting with one another
and with human, the film
did not prove to be an inter-
national box-office success.
The enduring result of the
film undertaking is Hedren's
home, Shambala. Shambala
is a 180 -acre private. animal
reserve near Palmdale,
Calif. The name in Sanskrit
means: "A meeting place of
peace and harmony for all
beings, animal and human."
At Shambala, Hedren and
her helpers live with rare
animals whose species face
extinction by nature's most
threatening predator, man.
At present, 96 big cats and
two elephants share the re-
serve with numerous
flamingos, swans, peacocks
and other birds. The animals
are scientifically separated
into 13 compounds ranging in
size from 1 to 5 acres.
Shambala began as a
rescue effort for excess ani-
mals from zoos and circuses,
and from owners who did not
want them. Hedren would
never take wild animals
from their indigenous habi-
tats.
From the kitchen window
of her modest house, Hedren
can look out on a lush en-
vironment. Once a desert,
the area now ys ablaze with
seasonal flowers — zinnias,
dahlias, marigolds and a for-
est off cottonwood trees. On a
recent day Hedren saw near-
by a 600 -pound Siberian
tiger, two lionesses (Debbie
and Wendy) and five lions.
Beyond the river were six
more lionesses.
The interior of the house
reflects the owner's pas-
sions: There are works of art
from Zambia, Kenya and
Zimbabwe; accessories in
the form of big cats and ele-
phants, and photographs off
residents present and past.
Also, Hedren uses African
prints to cover her furniture.
(Because she keeps the baby
big cats in the house while
raising them, Hedren has be-
come an expert upholster-
er.)
Hedren spends her days as
the busy and happy admin-
istrator of her private wild-
life preserve funded by the
non-profit Roar Foundation.
Her recently released
memoir "The Cats of Sham-
bala" (Simon and Schuster),
written with Tehodore
Taylor, breathtakingly
relates the Making of
"Roar!" in a straightfor-
ward narrative. On the dra-
matic side there are a forest
fire and a raging flash flood
in addition to the unpredicta-
bilities of big -cat behavior.
On the comic side there is '
Hedren's use of Estee
Lauder Youth Dew to en-
courage the mating of a lion
with a tigress. However, her
book is only the beginning of
much needed, continuing re-
search.
BOOK
REVIEW
MACAU. By Cesar Guillen-
Nunez. Oxford University
Press, Toronto. 86 pp. $14.95.
Reviewed by
PERCY MADDUX _
The' Portuguese city of
Macau not far from Hong
Kong is the subject of the lit-
tle book by Cesar Guillen-
Nunez which is entitled
simply "Macau" in the,
Images of Asia series. It is a
delightful and attractive
volume with maps and color
illustrations.
The author has confined
his account to the city itself,
retailing -its history up to•the
1920s, which tells us of the
Portuguese -Chinese rela-
tions through the centuries.
This is a survey rather than
a detailed account of all that
has happened. The author
provides us with a short bib-
liography, mostly in Portu-
guese. •
In addition to the many
1-104" 4
t a •
much
,note than. jusy�n
Zehrs Plaza
Listowel
291-4401
291-4405
OP N MON - SAT. 9-6, FRI 9-9
color pictures, this charming
little book contains a black
and white section as well.
DOCUMENTARY GIVES
LOOK AT FILMING OF
ANNE OF' GREEN GABLES
The Making of Anne of
Green Gables, a half-hour
documentary on the making
of the upcoming CBC Televi-
sion mini-series Anne of
Green Gables, will be tele-
cast on the CBC Television
network on Sunday, Novem-
ber 24 from 9:30 to 10:00 p.m.
An in-depth look at the
filming of a major television
mini-serie T he— aking-- --_
Anne of Green Gables was
conceived by producers
Martin Harbury and Dawn
Greenhalgh as a way of giv-
ing audiences a behind-the-
,sc-enes--look--at the- intricate
process of bringing Lucy.
Maud Montgomery's classic
novel to tele`vi'sion.
In interviews with the ac-
tors, the director and crew,
what emerges is a moving
account of each individual's
personal experience of the
film.
C
)'
Please accept this
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