HomeMy WebLinkAboutThe Exeter Times, 1924-2-28, Page 6obtain
1.1 0
A
Delicacrus 1
trial
Law
acita
3)14411
today.
Ec
nomical,
About the
Hous
MEMORIES.
Ir the inoreing there shall be not a
doubt,
But a song, and glad laughter all
about.
Let us think it; let us dream it, if
you pleteee; .
Let u$ live it so 'twill be memories.
Memoriee! We make them now- going
Through the aleh and radiant mo-
ments of the dawn.
Let's determine, thee) to know every
.
day :
Happy eionieets that *hell glow by
Our way.
• Then, when gray ,and full of year
'we can smile.
Living over happy days, afterwhile.
And at evening there shell be not a
doubt,
But eternal promises all about.
—Jay B. Iden.
AN APRON SHOWER,.
When casting about for material
for a shower to bless the engaged girl
with, decide -upon aprons and see what
a prolific shower they -will -make. If
the girl is likely to do a lot of her
own work— and that's what most ofl
our friends are happily planning- for
—we may as well begin at the bottom;
and tell about the aprons of our ac -1
quaintamce, from the humblest to the
highest -
First there _are the lowly but neces-1
Eery gieghams. After making sure of
her favorite color, buy the half-inch
plaids instead of the olo' fine plaids; I
then embellish the border, a.bove the
hem with cross-stitching on the white,
squares in the color of the darki
1
squares. Repeat the design an the
pocketa and on the centre of the belt.
Make the ties three inches -wide andl
,'•enotig' to tie in a square bow ine
aproe. There must be a sunbonnet
and a kneeling pad to match to make
the set complete.
For silver -cleaning days there is a
newcomer that is convenient and a
silent helper. I'Vlake a gingham apron
long and wide, and cover it with a
thin flannel apron the same Size. Then
lay in the centre, after the two form-
er reateeials are gathered, a large-
sized, chamois. The latter is fastened
to a tape belt of its own, then taelsed
to the apron belt, from which it is
easily detached when it must be wash-
ed and dried. In holding the silvei
pieces on the lap the flannelissoft
and does not ecratch, and any mois-
ture ie not likely to go through, and
the chamois polisher is right at hand.
A small white woolen glove is excel-
lent to use for applying the paste.
Fudge. and tea aprons are made ef
linen embroidered in any way liked,
but if giving a tea the hostess will
wear little silk or crepe de chine
aprons or little butterfly things of lace
and cambric.
A MOVABLE DRAINBOARD.
In kitchens without running water
it is sometimes a problem to dispose
of dishwater after every meal, with-
out having to carry •several heavy
dishpanfuls out to some outdoer
drain, A woman who Was anxious to
make her kitchen more convenient,
solved the question by getting her hus-
band to make her a movable drain -
board with a hinged support at the
lower end. This drainboard had a
band about two inches high running
around tierce sides to prevent water
from being spilled about the kitchen.
It hung by a large hook on the kit-
chen wall when not in use. When', it
was time ,to do the dishes this house-
kee.per set up the drainboard with
one end on the table the other end
resting on the hinged leg, the whole
sloping toward a tall tin eoffee drum
;Inch reeeiyed the water. When the
dealeyeansolainsewas over, the water was
removed in one trip out of the kitchen,
nstead of the numerous journeys 'for-
merly required. and the drainboard
was hung on the wall again.
the back. asiy gaegeame e
be enough. '-
Then buy enough organdie of her
most becoming color to make. after a
Food pattern, two long-sleeved and
high -necked aprons that button down
the back, with white organdie collars,
euffs and pocket trimming.' These are
Sunday -supper aprons to slip eight on
ever a pretty dress.
Next buy enough sheer India linen,
or Iawn, to make two long, straight
aprons With a four -inch hem at the
bottom and wide long ties. These
aprons are to elip on at serving time
or when getting a light supper, and
are very useful and not quite as bus-
iness like looking as the friendly ging-
ham. Crease the gathers in the old
way and gather twice to make thetu
Ile well in at the belt. The aprons
Viust be sheer but have no trimming.
SOMETHING EATERY OCCASION.
'The fancy -work apron is made of
unbleached canvas, having three deep
rockets a.t, the bottom instead of a
hem, made by turning the material
up and putting a narrow hem at the
top so that it is right side out and
etitehing down between the pockets,
with featherstitchhig. The apron may
be embroidered with flower motifs in
the centre of each pocket. Theough
easing at the top a ribbon three inehes
wide may be it -tin Tor ties in the color
Matching the embroidery -
An apron enacie of asbestos dotal to
use when working around the stove
le cut after the fashion of the butch-
er's apron and is bound with tape."
It has a neck loop of tape and ties of
the same. Rubber -lined material may
he purchased by the yard, and an
apron made on the same lines as an
asbestos apron will keep the wearer
dry vahen doing her laundry* work. It
is also tgood to wear when washing
the dishes, The little ticking apron
with pocketa for clothespins is another
handy phesession,
Every girl who is to have a home
In the co -entry will need it garden
apron made of pretty cretonne after
the patten of the Sunday organdie
1,(1 ER
A T
A COMFORTABLE SUIT FOR
THE SMALL BOY.
Pattern 3711 ii shown in this illus-
tration. It is cut in 4 Sioes: 3, 4, 5
and 6 years. A 6 -year aize requires
yards of 27 -inch material. 11 made
as illustrated trousers arid collae,will
require 1% yards of neateriel an
blouse 1 la yards,
-A pattern of this illustration. niailed
to any address oe reeeipt of 15c in
Over, by the 'Wilson Publishing Co,
73 Weet Adelaide St., Toronto, Allow
two weeks for receipt of pattern. ;
S-POTT,ESS MAHOGANY. '
. A neighbor' of mine, noted 'for, her ,
• •;: ,
spotless 'and -shining' mahogany,. once e
-told Inc her seeret. In a bowl op. hea. 1
desk she keeps half. a cream nut— 1
Brazil net—and when even a slight
, • I
scratch or rnaek 'a a tl •
,4‘ yzwui
1...4...--zies-,ur.rsmentarmrig-x=tost.
By DOROTHY ETHEL. WALSH.,;
Tall retirniture for Low Rooleree,
titles and their correct use in
dilecoration have been discussed in
hese columns, "Ore have advocated
perpendicular wall paper for the low
ceilinged room. We have admen- r
!shed nur rsatiers to so design the
vindow draperies that they will em-
phasize those dimensions, laelting In
quantity. The general,•, public is
cognizant of the fact that lines can
remedy the ,shOirtcoinings of many
roona's lack Of height would have
'rooms, but after the wall paper is
chosen with an eye to such service,
tatter the draperies are huna• in Just
the correct folds .neeessary to the
emergency the furniture is allowed
to undo the good work so carefully
planned.
The same rules which gelrern
the foundation decorations should
trovern the selection of furniture.
Where it is planned to purchase
new articles study the room for
which they are destined, To -days
aketch shows a high secretary which -
was placed in a low cellinged room.
2 -lad the home maker used Instead a
low table of hoeizontal linos the
room's lack of height would have
been emphasized, but with the high
perpendicular lines of the article
Shown enaphasts is given to height
and the defect in the room which
promised to be noticeable is thus'
made negative. •
The Hidden
our
BY J. B. I-IARRIS-BURLAND
CHAPTER XXIII.--e(Cont'd..)
• What do 1. think of at?" queried
Merrington. "Well, I think -this Ard
ington. I doubt if I can ever do' any:
thing so good again."
"Nonsense, old chap. That's your
modesty."
I "Whoever slashed up that canvas,"
' Merrington continued, "yeas not right
in the head.. Is there anything queer
about Bradney?"
"He's not an artist of course; But
he's got his wits about him. Get your
solicitor to brief him in a' case, and
you'll -find out what his 13rains are
worth."
"I doubt if he has much taste."
"I don't krioeV about taste. I've been
told that he has some very good pic-
tures in his house."
Merrington was silent. He, stared at
the portrait and shoak his head.
"You see, old chap, it's like this,"
Ardington continued "It's a fine pic-
ture, but it's not Lady Bradney."
"Not like her, do you 'mean?"
"I wouldn't go so far as to say it's
net a good likeness, but Lady Brad-
ney?—well, look at the eyes."
"They are the eyes," said Merring-
ton, slowly, "of a woman who is in
love."
"Yes, and • perhaps that's the
trouble, Merrington. It's possible that
Lady Bradney was not in love with
her husband." -
Merrington laughed. "Oh. I see,'" he
replied. You thmk—oh, well, I know
nothing about that. No doubt I paint-
ed what I saw. Do you mean that
you know Lady Bradney is in love
With someone else?"
"I don't know id. Merrington, but
people talk. Of course, Bradney won't
admit why he disliked the picture. ln
fact, he curses hhnself for an .idiot,
and falls back on the statement that
he lost his temper because he could
see no likeness to his wife." -
"Yet he comes to me again—to
paint another picture?"
"Yes. He's changed Itis opiniom
suppose. Men are like that, you know,
especially if they have not been train-
ed to judge pictures. They have no
final ideas about art. I think it's a
magnificent paetrait, but I've never )
seen Lady Bradney look like that." I
"Han, how often have you seen
her?"
"Three Limes—that's all. Once in
her car outside Trehorn's house, and
—oh, well, oece 111 London, and she
called here the other day with he
husband."
Merrington rose from his seat, took
the picture off the easel and set it
with its lace to the wall.
«Ii11 'have to forget this, he said.
`This time. Ardington. I promise, you
titat Lady Bradney will look as though
she were incapable of love—as though
she cared only foe her clothes or hei.
yv, loveliness.B • the by. 1 suppose
she is really a beautiful woman?"
Yes, MerrIngion--a very beautiful
w°`Inatilio
."ught so'. '1' do Sot 'flatter peo-
1 rtil did h
,
painted my feet portrait. rfaiet was a
hap in Lite city—a very succeSaftil
nan. I tried th paiut the secret -of
us success. He didn't like it at ail."
Ardiegtom laughed heartily. "You'd
iettee COMO OW; for a bit, old chap,"
ie said. "it's jolly in the garden."
They left the studio, and Aediegton
()eked the door behind' them,
"Why do you do that?" queeied
1.4(10.111,1getv°eIlli—T thought that perhaps
7.On wouldn't care for the servants to
see that portrait. And I often lock
door, Merrington. I don't like any'on
to see my work until I leave finished
They left the house by thedoor that
opened on The paved garden, crossed
the lawns, and passed through an
archway in the tall hedge pf elippe
yew. Beyond the hedge the ground
rose in wide shallow terraces. On th
lowest one there were great and old
clipped into the shapes of bird
and beasts. On the one above thi
was a formal garden laid out in th
Jacobean fashion of "knots" and littl
hedges and green and white palings
Above that, again, were thet,tennis
courts, and to the left of them the
high red brick wail "of the kitchen
garden.- And then there were the
woods shutting in the garden on three
sides, and forming a background of
tender green leaves, through which
as yet one could, see far in among the
trees.
They did not pauseountil they had
reached the edge of the wood by the
tennis courts. Then they turned and
looked back' at the house, red and
mellow he the sunlight. •
"I wonder that you have never mar-
ried, Ardington," said Mdraington
after he had gazed for a few mo-
ments in silence. "This is a house to
which one would be proud to bring a
wife."
"I dare say she wouldn't care for
it. She might call it dull. And I do
not care for women, Merrington. You
ought to know that by now." •
Again there was silence, 'and then
in ahtrembling voice Merrington cried
out: "Paula would have- loved this,
She loved everything that was beau-
tiful. And, above all, she loved the
syobuethwaasndliktehethsedis-prirniigglihfeerosIelfs,pAriint
ingtHewihnung himself down areeng the
bluebells that covered the ground
under the trees, and lay there with his
face buried in his arms. Ardington
looked across the terraceatt his 'be:ini-
tiate' home. There was a hard look
in his eyes, and his lips vt•elie tightly
pressesd togeth,e.r.
Peters, the under -Footman, statding
in the hall, saw his master leave the
house by the door that led into' the
paved garden. The hall ran the whole
depth of the building, 'and had 'Win-
dows on the north and south sides of
/-
glanced through one of -the tall Win'
doses, and then began. his swift exam-
inetion of the room. He scrutinized
the long wide oak table where Arding-
ton woeked, gleamed at his rows oe
gleaming"toole, set in such Wonderful
order in their mahogany racks, opened
the ,drawers la the ,table and found
thera full ,of plans and „designs and
traeings on oiled paper, Then he
turned his attention to the mateeial
of Ardington's craft—the beams and
planIts,and tehiarterings of old oala the
plaeter casts 'of many an old boss and
moulding and fragment of lace-like
tracery. He moved swiftly and meth-
odically like a trained expert, bet he
never let even so much as a quarter,of
a minute pass without glancing out of
the window.
• At one end of the long; lofty room
there was the wide recess that had
onee contained the great cooking range
of the eld kitchen. Above it rose the
huge shaft of the chimney. More than
stahmihsoliconedpoeefleidiwgyvetafiorlee hhaaddul escapedapsedthroughsincethe
the sky: The chimney
had, in fact, been whitewashed from
top to bottom, and the Stack -had been
covered in to keep out the cold and
dreught. The room was heated with
radiators, and there was no ventila-
tion except such as came through the
door and windows.
Peters examined this chimney with
interest, though, he was no antiquary,
and did not know' that it had once
been the chimney of tae great mon-
astic kitchen. He noticed thet the
iron door of an old bread ovA-n, had
been opened since he _had last looked
at it. He had once tried to open it
himself, but had been unable to do
so. "A likely place for a man to hide
anything," he had said to himselfeand
then—drawing a bow at a venture, -
so to speak—he had. fastened a thin
piece of silk -to the catch so that no
one dould open the door without break-
ing_ the thiead. The thread was
broken.
Once again Peters tried to open the
iron door, but lie could not move it a
rigten returning to the house ,alone.
quarter, of an -inch. And then, as he
ooked out Of the window, he saw Ard-
When Ardington '-ent,ered the 'hall
he saw his ,second footman standing
liinygoindelyofdothwenstohu2_thdwrivined.ows and star-
CHAPTER XXIV.
"How do you feel about it thia
morning?" queried Ardington at
e breakfast
"I • am heterested," Merrington re-
plied gently.
"But not excited, eh?"
"Not at all, Ardington."
, Ale, that's good --excellent. I was
afraid you'd feel a ,bit nervous. Well,
I wouldn't keep her toe long this
e morning, old chap. I expect you1.1
find you're not qviite up to a long sit-
s tin g "
•
s' "I shall keep her just as long as
ea she'll stay," said Merrington. • "I ex -
e• peel, she'll get tired before I do.
!El 'al did y ?"
Yes, eleven sharp. -
I After . breakfast Merrington -eyelet
into the studio; lit his pipeaand made
all the aeeangements for his work. He
, decided exactly where he would place
the "throne" anci v ie ,e would place
his easel. He moved it big lacquer
, screen so that it would' cut off the
light from one of the three great win-
dows. 'He examined his brushes,
paints, and palette.
• At half -past ten he went out into
the garden and walked up and down
the path that lay close to the edge of
the wood. And he was not thinking
of Lady Bradney at all. He was think-
ing of Paula, and wondering whether,
after all, it was not cowardly of him
) to remain at Dedleury and refuse to.
'return to the flat where he had known
'so many days of happiness.
At ten minutes to eleven he went
, back to the studio and warmed his
I hands 021 one of the radiators. He was
•I standing like that, with his back to
'the door, when the door opened and
Ruth Bradney was shown into the
room. Her husband followed her.
(To be continued.)
—S-7111-3171-11ocei esPdtsIdPoi.n,
We confess; -,
.TuSt a lump of
• Foolishness.
„ --
Roll and tumble
All the day;
of friendly
I-Itirmiess play.
• Just a clumsy
.ra,ppy mutt;
Always getting
• Under foot. '
• it. The studio, originallY the old kit-
chen. of the establiehmeet, faced no.rth
and looka I out Of. the 'garclep.
Peters was alone at that time on.
that partiettlat afternoon, old but.
lea was upstairs asleep, and the head
footman, .off duty, had gone to Meet.
a girl in a village three tellies away.
The maid -servants hed nothing to
bring; them into this part of the house
titthif thc y•
I
Peter e walked' slowly to. ono of the)
titelvevds IA1 tr glonine I gatioe 1(11
until they had reached the second Ler-.
e
- ' '
is
pocket, unlocked the door eg, the,
Studio,. and,' enteriiig, idelted the door I
behind him again. From •ra•lniost ane;
part of the room' he; could keep his.
eye on the garden, . svent up to
the portrait, Which had arrived in a
ase barely tvet) hourseago, turned it,
amid, and looked at it ---out of sheet
ppe on le wood
she rube it away entirely with'ihe cut
• end of the nut, polishing later 'with, a 1
• soft cleth. The oil in the 71nii corn-
pletely reetoees the finish. a
iFor 'BOYS' rut GIRL.0 of.
'seihool age, :Specially se.• -
. , . ,-
lected for iniinigration to 0
Ca:nada. Fitz th er intermit tion
apply tci
Sailration Army
gel:saga est- oron
1'47. 5-24.
OLD VE.LVET • MADE NEW
'For those who still use. wood or coal
ranges or the 'hot plate over gas
easees, eve eatt eecommeed all ideal
way of renovating velvet, A flee heush-
Ina off the top Of the stove, lay a
ifirg•ti CiOnt Wnung out or water on it
eed over thir the vevet, right; side
up. )it the genie rises ateuel) the
goods with it eoft, 11)-ush until all
ereaties disappear. If necessary
lanipen the Cloth more than Once.
Mirrardis Liniment for Dandruff,
Hate to see him
Growing -tip:
Funny, a,w1twarrt
Little • pup!
-WI1EN BAKING FISH.
Place a :sheet of waxed paper on
the liottorri of your pan before baking
fish. This keeps the fish -from:tate pan,
and the paper can bit removed after
baking without trouble The idea fs
to make the washing of the pan easy,
and thue 1;enieve the objeetio-nahle
part of baking lieh, ,Noi' Lies -
o hoot, e ofttinics
endears; a pressure 01 the liand—ifind
• ,
we are triends.—.J. T. W.,
WOMEN CAN DYE ANY
curiosity. There, was nothing to be
learnt from looking at it. Mr. Crust 2 PARIViENT, DRAPERY
had seen it several times. Paters ; •
s',3',my)siliteitobn.ftee!I replaead it in its original 1' or-Tint
"r7a11- le
"Wonder why ha always keeps this Nfov;u1x5!cenrts.
doee: locked," thought Peters. That
had pu'ssled hfm none flu) very first
-re had learnt :from the other servants
ha t it was ' not, taitil recently 'that
A.rdengtee had lockedtile door of inc
tudio. "Gettingeet bib facidy‘a" the aid
Alai,' had Bald, 'like his i'ather be -
(ire litn, J41t father was' a bit o:f,
11 artist, and Couldn't; bear anyone. to
ee what he'd -painted."
Was that the eNplallation? I.Jeters
wondered. 'Under °Hillary circtun-
,tances it might, have been' the ,
Iniation• lipt just pow ----Peters
OUR FREE BOOKLET 1 ,
Ourlittle book describesc ouwork and '
our excellent toilet, preparations and t
eontaine many hints ' cm the care of the
Skim Ft:tile, 'Hair, .elatecis and. Com- t
Phi'd011 YOr Otrgr 80 Years we have
b (.? trea' ting eMiTaa,
P 1ie,.—acillests and the- kin n
and eetele teoubles: by mail. We, re)
move au -eel -litmus Hale Melee Wertz
etc,, torc7,;r. ity rillectrolysis. "Write
• iteaahrT INSTITUTE •
611) Colic e T
.:Diornoi4P;os.•.
Dait aanulergw ie her you eat tlYO,
Or tint'auccesSfilily, because ,perfer,t,
lionte dyeing Is „guaranteed 'itvith.
nio!fd, 1)yes" 'even 'it yon have never
LI) -ed betoece , prugghas Mee an
rol-
Dh'eat.iont In 'ettelt pach,age,
matemeetemieleeileeameeteaeeme
0 • every 7rtea
• A patenteolatt
oe:taagittrieablie
weene..1 arid al
IteGeZ?sse ablreitaIji
and. et.ligc5tietris
Malec a ahe
uteize ,citgiait•
ita2311* lbeteore
Advice.
re you stop t� find out what your
wages will be
And ' how they will clothe and feed
'Willie, nay S011, (1011't YOU go to the Sea,
•, For the Sed will never need you. •
If you ask for Lite 'reason of every coin-
' ,
And. argue with people about ,you,'
Willie) inY son, don't you go on the
Land,
POI' the Land will do better without
you.
1 you ptop to ,consider the work you
• have done,
• And to boast what your labor is
, worth, dear,
Angels may edine for you, Willie, my
son,' o
nut you'll never be wanted on earth,
• dear!
—Rudyard Kipling.
Bootlegger, of,Course.
Visiter—"Difl you say that stylishly
dressed woman was your moat pro-
minent bootinaker'.s wife?"
Native—"Of course, notl Our most
prominent ,bootlegger's „wife."
Minard's Liniment FleMs Cuts.
Everybody's Doing It.
• "May I ask,what's the big idea, try-
ing to swallow that thirty-foot snake?"
clucked Mae. Biddy Hen to her hus-
band. -
"Publicity, inalear," he replied, with
'an eye to the papers. ,
After - Dishwashing!
CAM PAN A'
ITALIAN BAL.
"is simPlY. Wonderful for keeping
the hands beantifully white. and
, Soft and sincioth.. Positively pre-
. vents redness and chapping. Use
• it at once after washing dishea.
and „note the, improvement of
• your hands.
Keep a bottle handy by the kitchen.elnk
JG -SAW
• PUZZLE
• FOR 'ERE
CIIIL1)REN.
Send our
'wrappeinliron,
faxer.iFoile4,g,12,Loniointi- Si.; Montreal.
To supply:the,
Steadily increasin
cleniand fbr
M A'TCH ES
• Eddy's make
120 MILLION
matches a oay
.IFr.v.„.17,717.,,,t1t.2.1111 WPM fet MOW IN • "I
IA
EATING FOR
HEALTH
energyit lilteeL1liatoisnci't°o1' make ttlegtlirti°1etwei sul.gX
atit
telial, the body requires certain, l'efitt
ueeds
taejii
nir
In additon to fuel and building niti
heajh.altm itlei a eb 1°) cliYt 1'0111:lel
lating substances to maintain good
One of the /mire impertant regulate
ing substances which \ve ileed in our
daily food is called bulk or ioughage,
rough -age consists of the coarse'
fibre, cellulose of seeds, the frame -
creels oi leaves, stems, loots and
tubers and in both the franiet,itorl and.
skins of fruits.
It is not digested in the body ex-
cept whee it es young and tender and,
its usefulness lies in tb,e tact that it
aids in stimulating the muscular walls
of Alm intestines, taereby causing food
to move along the intestinal • tract
more rapidly and preventing abnor-
mal fermentation and absoeption of
deleteriOus eubstancos resulting there.
from.
haa been. previously stated, cel-
lulose is found in the bran or coats ot
seeds. It is therefore importent that
the diet confaie some cereals contain-
ing the outer layers of the grain—zuch
as odtmead, \Vito le wheata Graham flour
„
'Or water -ground ccirn-inettl--..-either' as
a breakfast cereal' or in muffins or
other lirea.ds. Not only does this bran
furnish roughage, but it contains% other
substances which act aa aaxaqves anti
whicb tendto keep the intestines. free
from waste products' which, are poison-
ous if retained too long in the body.
In addition to the outer layers of the
cereal grain,s, the diet shOuld contain
some of the 'leafy vegetables, such .as
cabbage, lettuce, spinach, or other
greens, as well as ,turnips,. omegas,
beets anal onious. All of these give
bulk and laxative salts to the diet and
aid in keeping the digeative, tract
clear and the blood in good condition.
A third important source of rough-
age is fruit, especially fruits such as
figs, dates and prunes and, those fruite,
thedikiaa of which may be eaten. l'h,e
EtOi4f3 in fruita'are also especially valu-
able as laxa.ticee.
Plants, each as 'lettuce, cabbage and
celery, that contain little cellulose or
that are quickly grown, may be eaten
raw. All foods that Carl be eaten raw
should be aervecl raw, for- It not only,
saves time nod teen but none' of the
food -value is lost in, the cooking pro-
cess, .
In the coatings • of cereals and til
plants of slow growth, the fibre Is
thick and tough and, ina,smuch it
encloses sta.reh and sugars, it neces-
sary to cook it thoroughly in order to' )
softe.n it anti thus free the food Witiefi"
It e-ncloses. Hitless) thisois done, the
food material thus. surrounded pasees
through the body unused and is alenoet
a total loss. Therefore, such foods
should be well cooked to soften the
cellulose. This is especially trite of
the whole cereals. In the case' of in-
valids and very young chilaren, fooda
containing inueli,fibre ar bran should
not be used, since in these...instances
the membrane lining tile digestive
tract is very delivate and may .be un-
duly irritated by foods containing
roughage.
Lukaniion.
(This is thsagreat deep-sea song that
all the St. Paul s;eals sing when they
are heading back to their beaches in
the sumnler. It is a sort of very sad
Beal national anthem).
I, met _ney mates in the morniag ()and.
but I am old!)
larhere rearing on the ledges the
aner ground -swell relied,
I heard them lift the chores .that drop-
ped the breakees song—
The beaches of Lultannort—two mil-
' lion voices strong!
The song of pleaSant stations bes.ide
-- tilt? salt lagoons
The, song of blowing squadrons that
shuffled down the dunes, •
The song of midnight dances that
• churned the sea to
The' beaches of. Lukanno - fere the
sealers came!
1 -met illy Mates 111 the inrn'aing (111
. never meet -thein) more!)
TIiey eaetan;lice9n4.eildd iail the snholie..eg:ionS\ that,
• ,Itriti through the foam -decked oiling es
far as voice.ocuicl
We bailed 'the landieg Parties, and we
sang tacni lily the beach.
.The .beachee, of •Lekanee'ri--th e- pinter
'Wheat ao• , • , •
-The driPP.Ing, erinkled
duettcihlng: al/
hree-J)latfaatir 'of,our. alt
9.° )) o
I' meet ins unites .ip , Lite. morning, it
broiten, soattored band,
21ca a )(1)cl..ii-() tti e v.'s ear and ciub as
1\I en drive as In tho ealt house,
; silly sheep and teens,
And etill we eiiignIaikairaen- tt
inc
c, empty as tit 8, 8411US:k g 1
And tell tile lacep-e)eii a'aeereys
a;e0:01,ipneer.0'0.,zicz„
Iviteci down, wheel; tiOSVil
bet jai cellitee;,,,oeltics aneltiolirooiit it,lt I k 0
Id
tenipeet asheire,
story, at. olir woe;
-•-•atiatlyes