HomeMy WebLinkAboutThe Goderich Signal-Star, 1977-12-15, Page 44PAGE 20A--GODERICH SIGNAL -STAR, THURSDAY, DECEMBER 15, 1977
My FairLadya hit—.
Show pure delight,
ABY SHIRLEY J. KELLER
GDCI musicals are
definitely here to stay. With
the drama club's latest
triumph My Fair Lady, the
viewing and listening public
is just waiting for next season
and another treat from
Broadway.
My Fair Lady, despite
weather problems, attracted
targe appreciative audiences.
On Saturday afternoon at
showtime, the visibility was
down to zero and the streets
were clogged with snow, but
hearty musical buffs were
there in heavy jackets and
knee-high boots to enjoy a
truly delightful performance
of the Lerner and Loewe
version of Bernard Shaw's
Pygmalion.
The story centres around
Eliza Doolittle, a cockney
flowergirl who becomes a
challenge to two language
experts - ProfessorCcHenrEy,
Higgins and
Pickering. By the first in-
termission, the two men have
changed Eliza from a plirty,
brash "gutter sparrow to a
beautiful, charming and
captivating creature. By the
end of the show, Professor
Higgins realizes he loves her
Anne Robertson, daughter
of Rick and June Robertson of
Eldon Street, was in every
sense the star of the show.
She has a tremendous voice
and a natural flair for acting.
But more than that, Anne
brought to the part that
special something that made
Eliza Doolittle come alive for
the audience. She seemed
genuinely Eliza when she was
selling flowers in the street
and haggling with the
.customers; she seemed
genuinely Eliza when she was
gowned in white and wrapped
in jewels and furs. It wasn't
hard to believe that Anne
Robertson was Eliza Doolittle
and that Eliza was of royal
blood.
The opening number,
Wouldn't It Be Loverly, was
by far the best in the show
and Anne Robertson sang it
as well as any professionals,
singer ever did. Maybe better
than some. It was a true
delight and set the tone and
the pace for the whole per-
formance. From then on, the
cast had the audience in-
trigued and infatuated with
the whole thing.
Phil Main, son of Phil and
Joan Main, Palmerston
Street, and Rob Bundy, son of
Doug and Lou Bundy, Bruce
Street W., proved again to
GDCI club fans that if you
give them parts in a show -
almost any parts - they will
turn those parts into the most
exciting roles anyone ever
played on any amateur stage.
And Main and Bundy as
Professor Higgins and
Colonel Pickering respec-
tively, did it again.
Phil Main, who in last
year's performances of The
Fantasticks gave such a
strong performance as a
singer and actor, was very
good as Professor Higgins,
the confirmed bachelor who
was as surprised as anyone at
his feelings for Eliza
Doolittle. His offering of I've
Grown Accustomed To Her
Face was especially, good as
was the difficult number Why
Can't A Woman.
Bundy, always noticed on
stage, supported Main and
Robertson with such "style.
that at times he almost stole
the show away from them.
Remember the Rain In Spain
number? Who will forget
Bundy's flamboyant
flamenco around the table?
Jason Ainslie, son of Mrs.
Jean Ainslie, St. George's
Crescent, surprised the
'audience with his ability as
an actor and as a singer.
Ainslie has a fine voice -9 a
strong voice - and was well
cast into the role of Alfred P.
°Doolittle, father of Eliza.
Ainslie and the chorus sang
I'm Getting Married in the
Morning with such gusto and
made it such fun that the
whole audience was smiling
and keeping time with the
music. But With A Little Bit
of Luck had to be the best
number by Ainslie and the
bog's,. GDCI drama club
audiences will want to see
more of Ainslie.
Una Costello was another
pleasant surprise for
audiences as Mrs. Higgins,
the mother of the professor.
Playing the role of a society
matron, Una was just
snobbish enough without
leaving the impression she
was totally unbending. Her
little scene with Colonel
Pickering before The Ascot
was just great and Una
turned in a fine performance.
Although he only had a few
lines as the butler, Kevin
Bundy was memorable for his
stuffy and wry proper in-
troductions._
Stewart Smith as Freddy
Eynsford-l-lill who hung
around the lovely Eliza's
doorstep singing On The
Street Where You Live, was
also surprisingly good.
Smith's voice was pleasant
enough for the song to be
enjoyed as often as he sang it
and the audience demon-
strated its approval with
applause.
The cast in the show w' as
large. Others who took part in
the show and who deserve
honorable mention are Karen
Melady, Lisa Roske, Nancy
Jacobson David Smith,
Pauline Hall, Leslie
MacEwan Jim Wilkin,
Anne Robertson star
Rob Bundy great
Patrick Wirphy, 'Christy
Buddy, Kevin Huyck, David
Smith, Jerry Horton, Kevin
Dykstra, Jacques Richard,
Fred Martin, Kelly Suchard,
Sandy Gauley, Brenda
Stewart, Donna Jackson,
Andrea Jackson, Dale
Simons, 'ferry Louch, Mike
Murphy, Don Coughlan, Rob
Royal, Andrew Ross, Virginia
Such, Chris Carter Connie De
Haas, David St Jean, Laurie
Tigert, Mark Hogan, Kim
Mabon Kim Black, Marie
Bolton, Cathy Carlisle, Julia
Carruthers, Laurie Dustow,
Melanie Dustow, Anne
McDonald Eleanor
McMillan Beth Morris, Anne
Marie Murphy and Debbie
Shaddick
Much of the pure pleasure
in the show would have been
Phil Main excellent
start to finis
lessened had not the or-
chestra been there. Under the
competent direction of Allan
R. Mullin of the GDCI staff,
the pit hand added that extra
touch of class to My Fair
Lady - and made it' all the
more enjoyable.
"Che GDCI musicians were
bolstered by Shirley and Don
McMillan, Nancy and Mary
Hearn and Dr. Jim Peters
cou.i-S.t:,, much credit
people whom ust
a reat deal of
kids.
a0
d
gt?C s
ha
ti
VC
me
of
to
these
given
assist
to
13ut
a re
to
the
be
program
kind
kid
S:
of
th
g
e
GDCI
tom
notes
musiCians'
mended. The
attest to the
effort made by the
high, schools with
bandstration is
Fair Lady)
note -for -note tran-
•'For
hands,
fable
avai
which
is
a
(for
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scription of the original.
Professionally written music
such as this is a challenge to
which the students have risen
magnificently."
It was true. The band was
great from the opening
overture to' the grand finale.
There just isn't any way to
adequately describe the kind
of lift the pit band gave to the
product ion.
Members of the band in-
clude: flutes, Gary Peters,
Karen Dunn; clarinets, Paula
Butler, Sandra McClinchey,
Karen Doherty, Anita Shrier,
Al Cook, Robin Ormandy;
saxophones, Sandra Dale;
bassoon, Richard Sizer;
trumpets, Ron . Butler,
Elizabeth McMillan, Patti
Lynn Tolchard; tuba, Abby
Chump; bass, . Nelson
Petersen; violin, Paula
Butler; percussion, Chris
Black, Pam Tolchard, Mike
Vandersteen.
Louise MacGregor was the
pianist. Harpist was Mary
Hearn.
The highlight of the show
for the entire audience was
The Ascot. !Aside from the
humor of the whole thing -
stiff snobs standing
emotionless like zombies
while singing lines like "I've
never been so keyed up" - the
group's singing ability was
excellent. It was evident the
cast had been carefully
trained for this particular
number which was extremely
well done.
The costuming, par-
ticularly for The Ascot and
for the hall at the Tran-
sylvanian Embassy, was
exceptionally good, The
ladies were elegant and the
gentlemen were impeccable.
The program noted: "This
productions' costumes were
all designed and made under
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