HomeMy WebLinkAboutThe Goderich Signal-Star, 1977-02-24, Page 251
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Fluent, brilliant performances
Sympi
BY J. B. HERDMAN
GoderIch Arts Council
The London Symphony
Orchestra played fluently and
sometimes brilliantly in their
last program of the season at
the Goderich and District
Collegiate Auditorium on
Saturday evening, and they
had chosen a program that
posed many problems of tonal
balance and control.
The opening item - the
Sinfonia Concertante in B flat
major, op. 84 - was a work of
Haydn's maturity, composed
during his first visit to
London, England in 1791, and
first performed at Salomon's
Concerts in Hanover Square
Rooms in London on March 9,
1972. It is a work of great
_:x charm and vitality, and
demands clear and precise
playing from both soloist and
orchestra.
Occasional_ patches of
ragged ensemble marred the
opening and closing
movements, and from where
I sat in the hall the, balance
between the solo instruments
seemed often to be less than
perfect, an impression, that
could have been at least
partially due to the
treacherous accoustics of the
Collegiate Auditorium.
The middle movement was
taken at a rather slower pace
than usual, which permitted
some very effective phrase -
pits('de�
shaping at the cost of rhuth-
mic vitality. A capable
performance, then, but not
the L.S.O. at its best.
But if the Sinfonia Con-
certante left some questions
in our minds, the rest of the
program more than com-
pensated for them. 'Medea's
Dance of Vengeance, Op.
23A', by the American
composer Samuel Barber,
was given as exciting _ a
performance as we are likely
to hear for a long time. This
music was composed in 1946
asa ballet, founded upon a
story of a woman's love for
her children, her anguish at
discovering her husband's
betrayal, and finally her
anger, and her decision to
,GODERICH SIGNAL -STAR, T 4,4
destroy those responsible for
her pain. The music was later
made into an orchestral suite
by `the composer, and later
condensed intro the Tone
Poem we heard tonight. A
memorable performance.
The same high standard
prevailed in the performance
of a very different but equally
demanding work - the
Adagietto from Mahler's 5th
Symphony. Lyrical in style,
with long -flowing melodies
and rich diatonic harmonies,
it needs just the sort of sen-
sitive treatment it received at
the hands of Mr. Evans and
the orchestra to bring it fully
to life.
The second half of the
program was given over to a
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FRESHNRSS
3:.
performance of Vaughan
Williams' Symphony (`A
London Symphony').
Vaughan Williams embarked
upon the composition of 4his
Symphony at the suggestion
of a friend and fellaw-
composer, George But-
terworth. One evening
Butterworth parted from
V.W., with the remark"You
know, you really ought to
write a symphony - you would
do it so well".
From that moment",
Vaughan Williams later
declared, "the idea of a
symphony - a thing I had
always declared I would
never attempt - dominated
my mind". The result was
this 'Symphony by a Lon-
doner".
It is a glorious work, and
was given a splendid per-
formance. One thing only is
puzzling Wby.did Mr, Evans d
choose to start the sympbalny
so loudly, instead. of : the very
quiet opening: with Us air of
hushed expectaicy, and the
gradual dynamic build-up to
the sudden electrifying chord
that brings Condone to its
early. -morning life again? i
was sorry to miss that at-
mospheric opening, but once
the symphony •really got
underway, it was a joy to the
very end.
It was tragic to see so many
empty seats in the
Auditoritfm. Regular per-
formances by an orchestra of
this calibre would surely have
been wildly impossible only a
few short years ago. A fine
symphony - rorchestra is
growing and developing in
our midst. We . share a
responsibility to see that it
reaches full maturity=
CLIFFORD EVANS
Fund raising effort
On Monday, February 21,
the London Symphony
Orchestra's 1977 Sustaining
Fund Campaign commences
under the direction of
Symphony Association
President, Robert G. Logan,
and Advisory. Board Chair-
man, John G. Church. The
Orchestra's Administrative
Officer, Martin Humphrey
will co-ordinate campaign
activities.
More than 50 volunteer
fund-raisers have a goal of
$160,000 to meet over the
twelve -week campaign.
While the majority of the
campaign workers are
members of the London
Symphony Orchestra
Association's Board of
Directors and Women's
Committees, many com-
munity -minded business
people are donating their
time and effort to help
meet this goal.
A "kick-off" reception is
planned for the fund-raisers
following the Orchestra's
Centennial Hall concert on
February 24, 1977.
The goal of $160,000 must be
reached if the London
Symphony is to break even '
this year. When viewed as a'
portion of overall costs, this
amount covers less than half
the fees paid to the or-
chestra's musicians.
The remainder needed to
meet the current budget of
$725,000, is earned through
ticket sales, fees from out -of- ,
town concerts, tour revenue
and grants• from• municipal,
provincial and federal
governments.
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