HomeMy WebLinkAboutThe Goderich Signal-Star, 1984-07-25, Page 24i 4S?! 10A C9
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ENTERTAINMENT'
eturnstQ stage in CakeWalk
Dorothy Piner
By Wendy Somerville
CLINTON — Area resident Dorothy
Piner, winner of a Dominion Drama
Festival Award has returned to the stage in
the role of Augusta Connors, in the Blyth
Festival play, Cake Walk.
Apart from acting, the seasoned per-
former has assumed many "roles" over the
past 44 years, including secretary, child
care worker and auctioneer.
Born in Sault Ste. Marie, she began her
careen at 13 -years -old, performing in
amateur productions with the Sault Ste.
Marie Theatre Workshop. Dorothy said that
here Ahe was able to develop into a better ac-
tress thanks to the influence of a friend.
"She helped mea great deal," the actress
remembered. Comparing the Sault Ste.
MarieMorkshopp and the Blyth Workshop,
Dorothy said the quality of acting at the
l3lyth Festival Chijdren's Workshop is ex-
ceptional.
F' "It is definitely, a!,professional operation,"
she said. She added that the Blyth people
"seem to be quite positive."
During the '60s, he actress appeared in
countless dramas for Sault Ste. Marie au-
diences. They included, The Importance of
Being Ernest,,,Waltz of the Toreador, The
Moon is Blue, the Glass Menagerie, Epitaph
for George Dillon and Send Me No Flowers.
Send Me No Flowers won Dorothy the Best
Actress in the Dominion Drama Fes4,va1
Award in 1964.
After moving to Toronto in 1965, she per-
formed in two productions, The Emperor's
New Clothes and Magic Planet. She also did
two CBC Drama Festival performances;
Mary, Queen of Scots and Variations. She
also appeared in television commercials.
One was an early Mutual Life commercial
about hockey. In 1977 and 1978 she was in-
volved at the Factory Lab Theatre, also in
Toronto. Here she acted in The In-
vestigators and Games People Play.
This long term of performing fon Theatre
and television ended in 1979 when the ac-
tress decided to purchase a building in
Bayfield and convert it into an antique and
coffee shop called The Bayfield House.
"I really just slid into the business," ex-
plained Dorothy. "I'd like to say it was a
The cast of BEDROOM FARCE now running at Huron Country and Eric House; and centre. Anthony Bekenn. Judy Leigh -Johnston
Playhouse includes. lower left. Marcia Kash and Terrence Slater; and director Elsa Bolam.
lower right. Shelley Peterson and Grant Roll; upper. Ann Casson
g fromPlayhouse
is latest offerin Farce
BY JOANNE BUCHANAN
The Huron Country Playhouse's latest
offering is the Alan Ayckbourn comedy hit,
BEDROOM FARCE. The action unfolds on
an effective three-bedroom set by Terry
Nicholls and deals with the lives of four
couples as their evening plans go awry.
Leading the cast are seasoned pros Eric
House and Ann Casson as Ernest and Delia,
an eldeqy married couple whose most
exciting entertainment on their wedding
anniversary would appear to be eating
sardines on toast in bed.
Marcia Kash is charming as the newlywed
Kate. She and husband Malcolm (Terrence
Slater) have a housewarming party which is
THEATRE REVIEW
spoiled by the feuding of self-centered
Trevor ( Anthony Bekenn) and his neurotic
wife Susannah (Judy Leigh -Johnson). They
are clearly a drain on all their friends as
well as Trevor's exasperated parents,
Ernest and Delia.
The already -complicated situation is
made worse by Jan (Shelley Peterson),
Trevor's f6rmer girlfriend. And Jan's ailing
husband Nick (Grant Roll) is stuck in bed
with back problems in the midst of all the
confusion.
Are you following this? Probably not.
BEDROOM FARCE is a play you would
have to see for yourself to comprehend all
the crazy goings-on.
Director Elsa Bolam does a good job of
keeping the action moving'and of playing up
the contrasts between the stability of the
older couple's marriage and the erratic
marriages of the younger couples.
BEDROOM FARCE will continue at the
Playhouse until July 28.
CakeWalk has ingredients for Blyth hit
BY JOANNE BUCHANAN
A cake baking contest seems like a
commonplace subject for a play. But there
is nothing commonplace about the Blyth
Festival's production of CAKE -WALK, a
delightful comedy by Montreal playwright
Colleen Curran.
CAKE-WAI.K had its premiere at Blyth on
July 17 as the Festival's third production of
the season and it has all the ingredients for a
successful run1ong with humor, there is
romance, some suspense , and excellent
characterization enforced by a talented
cast.
Anne Anglin, a Blyth favorite. leads the
cast with her superb acting skills and dornic
flair. She portrays Ruby Abel, a woman who
is not above dirty tricks to win the cake
baking contest. First prize is a trip. to.
France and Ruby wants to win so she and
her husband Buckey can have a second
honeymoon.
Laurel Paetz is another stand -out in the
play as Sister Vivien Leigh Cleary who
dresses like `•a lay person" and enters the
contest in hopes of winning so she can send
an elderly nun to I visit Lourdes.
Complications arise when she falls in love
with the only rrlan entered in the contest, an
inept archaeologist named Taylor Abbott
who calls his cake entry 'King Tut Coconut'.
Andrew Martin Thomson endlears himself to
the audience with his portrayal of the shy
Taylor and has us rooting him on in his
romance with the sweet and beautiful Leigh.
Patricia Vanstone, ,Janet Land and W.
Dorothy Piner round out the cast as Martha
Britch, Tiffany Secord and Augusta Connors
Secord. Martha is the owner of a health food
restaurant in the town where the cake
baking contest takes place. She wants to win
the contest with her 'Heaven on Earth'
carrot cake so she and her draft dodger
husband can gain some respect from the
local townsfolk. Augusta is a wealthy
matron who enters her spoiled daughter
Tiffany's wedding cake in the contest the
day before the wedding. She wants the sense
of achievement that comes from winning the
contest. More complications arise as
Tiffany attempts to change her mother's
mind about entering her cake.
The voice of (,KNX reporter Glen
('reamer keeps the audience informed 'via
loudspeaker as to the goings-on outside the
contestants' waiting room.
Katherine Kaszas directs the whole
production with just the right touch of
humor and sensitivity as the relationships
among the characters are formed.
The set, a basement kitchen, by Pat
Flood, is up to par with the general
excellence of the Fest of the production.
To find out who wins the cake baking
conteslt, you'll have to go .and see this
touching comedy for yourself. It runs in
repertory until August 18.
Kids doing Shakespeare
Shakespeare in Blyth? Performed by
children? Yes, that's what's happening. The
Blyth Festival's Young People's Workshop
has begun rehearsals on an adaptation oi.
Geoffrey Trease's popular novel CUE FOR
TREASON. Fifteen youngsters, aged 12
years and over, are involved. They come
from the Blyth, Wingham, Brussels,
Belgrave, and Clinton areas.
CUE FOR 'TREASON has been specially
adapted for the Festival by David Stewart
Craig, the founder of Theatre Direct Canada
and author of BOOSTER McCRANE, P.M.
which 'p red1last fall at the Toronto
Free Theatre.
_.ele . tees place in Elizabethan
England and revolves around a plot to kill
Queen Ettlabeth I. The plot is foiled by two
young boys, members of Shakespeare's ac-
ting company.
Jim Schaefer, a familiar name to Blyth
audiences, is directing the production,
assisted by .Judi Skinner and Michael Han-
nigan. Jim was amember of the acting com-
pany in the Festival's first season (1975) and
has returned on many occasions as actor,
director, and playwright. The production is
designed and co-ordinated by Kerry Hackett
and the children themselves.
Members of the public are invited to at-
tend performances of CUE FOP TREASON
in the Blyth Lions' Park ( weather permit-
ting) starting at 4:30 p.m. on the following
nates : August 1-0-,11, 12,15 -and 1S In case of
rain, perforrr►anees Wil? -be reseheiS ii etl
mus ion isrr! .
f e
major decision but it really wasn't."
Two years into the business, she decided
to go to Iowa and receive her auctioneer's
licence at Rjiseh• College of Auctioneering.
Dorothy's aecision was, based on the fact
that she was constantly attending auctions,
looking for antiques for her store.
"I thought I might as well give it a try,"
she added.
In November 1982, Dorothy sold her anti-
que business, but she continued to chant at
auctions from "the Soo" to Huron County.
Of auctioneering, Dorothy says, "It was an
experience."
Today, Dorothy'has left the auction world
to return to the life of an actress. She says
she considers herself a "working actress."
"Working actors are not recognized by the
public as stars," she explained. "They are
really hard working talented people who
don't get the money a star does."
She said that there are literally hundreds
of "working actors" who are simply scrap-•
ing up a living, acting,
The retired auctioneer would now like to
receive a full-time position acting. Though
she desciibes herself as "being in lirirbo,"
she said she will always have the urge to
act.
Her performance in Cake Walk premiered
in Blyth on July 17. The play runs until
August 18. After that Dorothy's future is
uncertain, hut she will continue directing
her talents and ambitions towards actin:(
Billy Bishop is'
Anne Anglin is hilarious as the scheming
Ruby Abel in the newest Blyth play. CAKE -
.WALK. Tho comedy. written by Colleen
`_-L it:— revaiver m° +cnnI- .ra -- 3e --baking--
contest,
next offering
The great Canadian musical drama Billy
Bishop Goes To War will be the second offer-
ing of the Playhouse II Season at Huron
Country Playhouse.
Billy Bishop, the home town boy from
Owen Sound, was a misfit cadet at Royal
Military College, who, on the dawning of
World War I, would have been expelled had
not war started. Billy Bishop Goes To War is
his story from his days as a cadet through
st
his firencounters with trench warfare to
his discovery of airplanes. Then his
moments of glory came as he went on to
become a top ace and international hero.
But the play is more than just a history class
as it looks at the man as well as his deeds
and presents us with a complex individual
who sings and dances, exaggerates, fan-
tasizes and finally copes with the truth
about the war and his experiences in it.
Billy Bishop Goes To War has everything
needed to entertain — including a standout
performance by Hank Stinson in his title
role.
Billy Bishop Goes To War will be in per-
formance July 25 through August 4 in
Playhouse II.
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