HomeMy WebLinkAboutThe Goderich Signal-Star, 1984-06-27, Page 27Z2
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Robert /ring get)) as Firank the znechanic and Ikon Gabriel as Bert„ the town councillor,
were both hilariousfir : -`e t on ; . S GARAGE which opened at the Blyth Summer Festival
lastFinkray evening.
-Yes,. ser, that's nay baby'". David . town as Murray Burns serenades Marcia Kash as San-
dra Markowitz in Herb Gardner's comedy hit A THOUSAND CLOWNS, which opened at
Huron Country Playhouse June 20. It runs through to June 30.
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BY JOANNE BUCHANAN
Both the Blyth. Summer Festival and the
Huron Country Playhouse in Grand Bend THEATRE REVIEW
opened their seasonsin grand style last
week with promises of more good things to
come.
The Playhouse„got its 13th season off to a
fine start with the comedy hit, A Thousand
Clowns. Playhouse chairman of the board,
Jill Waters, welcomed the audience to the
opening an Tuesday evening, June 19 and
patrons were treated to a short reception
after the show.
Legendary, actress Helen Hayes toured
the Playhouse on Tuesday afternoon, June
19. She was m Grand Bend to watch her son,
James MacArthur of Hawaii Five -O
television fame, play in the third annual
Dave Scatcherd Invitational Golf Classic.
The 83 -year-old Hayes, known for almost a
half -century as "first lady of the American
theatre", is travelling across Canada by
rail.
Blyth kicked off its 10th anniversary
season with the hilarious Ted Johns'
comedy, Garrison's Garage. Prior to the
opening night performance Friday, June 22,
the Wikwemikong Drum Committee, a
group of native singers and dancers from
Maitoulin Island, performed on the lawn
outside Blyth Memorial Hall (the Blyth Art
Gallery is presently featuring an exhibition
of selected works from the Ojibwe Cultural
Foundation of Manitoulin Island).
Maureen Forrester, internationally -
known contralto and Chairman of the
Canada Council, was the guest of honor at
Blyth's opening_ She led in the singing of the
National Anthem before the play began.
After the play, the Honorable Susan Fish,
Ontario's Minister of Citizenship and
Culture, offered congratulations and,
presented the Festival with a $3,000 cheque
as a birthday present.
A Thousand Clowns and Garrison's
Garage have many similarities. Both are
comedies. Both feature some outstanding
acting talent. And both can boast excellent
sets.
But there, the similarities. end. A
Thousand Clowns is a play which has been
around since April 6, 1962 when it opened in
New York. It was written by Herb Gardner,
best known as a cartoonist at the time.
The play revolves around a intelligent
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young boy, Nick Burns (played by Kelly
Proctor) living with his unemployed
television writer uncle, Murray Burns
(David Brown) who has given up looking for
work. Enter two so ' 1 workers, Sandra
Markowitz (Marcia ) and Albert
Amundson (David Nairn) w o must assess
the situation and decide whether the boy can
remain living with his uncle. Complications
set in when Miss Markowitz falls in love with
the uncle she has set out to investigate.
Rounding out the cast are Ed'in
Stephenson as Arnold Burns, Mier ay's
straight-laced brother and Wally Michaels
as Leo Herman, alias Chuckles the
Chipmunk.
Director Ron Ulrich has done a fine job of
assembling the cast for this play. Marcia
Kash and David Brown, solid actors who
have both appeared in other Playhouse
productions, make an attractive couple.
They portray likeable people whom the
audience can cheer for.
David Nairn, another Playhouse veteran,
does not playa likeable person but he elicits
sympathy from the audience as does Wally
Michaels. Both characters know their
limitations but struggle on anyway. Kelly
Proctor is an iengaging young man as the
nephew. And Edwin Stephenson plays
Murray's talent -agent brother with earnest
appeal. He expresses the exasperation with
Murray that the audience -feels.
Terry Nicholls is to be congratulated for
the set, a cluttered one -bedroom apartment
with numerous clocks and radios, probably
one of the best sets the Playhouse has had in
some time.
Garrison's Garage is a brand-new comedy
from Ted Johns. Johns has had a major
influence at the Festival over the past five
years as a writer and actor. He has tackled
subjects ranging from the nuclear question
(St. Sam of the Nuke Pile) to the plight of
farmers (He Won't Come in from the Barn).
This time, with much enthusiasm, he
tackles Revenue Canada.
As always, Johns shows a keen insight into
small-town life and a real flair for comedy.
He also gets his point across.
Johns and his wife, Janet Amos, Blyth's
artistic director, will be sorely missed at the
Festival when they leave at the end of this
season for Fredericton where Amos has
been named artistic director of Theatre New
Brunswick. However, Katherine Kaszas,
who will take over for Amos when she
leaves, is off,to a promising start with her
excellent direction of Garrison's Garage.
Robert King as Frank, a mechanic short
on intellect, and Ron Gabriel as Bert, a
somewhat confused town councillor, are
absolutely outstanding in their roles. The
MacKenzie brothers have nothing on them.
Garrison is a rather toned -down character
compared to some of the others Johns has
played in the past but he has no trouble
grabbing his share of the laughs.
David Fox shows versatility in his role as
ultra -conservative taxman, Blair Daniels -
a far cry from other characters he has
played on the Blyth stage (the strict Amish
father in Quiet in the Land and tough
patriarch of the Donnelly clan in Them
Donnellys).
Deborah Kimmett rounds out the cast as
Lorna Springer. An attractive and talented
newcomer to the Blyth stage, she portrays
the intelligent, strong-willed daughter of
Garrison who outwits the tax man and has
the last Laugh -sort of.
Jules Tonus' set is fantastic. The Blyth
stage is transformed into a small-town
service station complete with grease guns,
chains, motor oil, car parts and even a car.
Both A Thousand Clowns and Garrison's
Garage will give you more than your
money's worth in entertainment. The
former runs until June 30 and the latter runs
in repertory until August 16.
Blyth play
wins another
drama award
i Anne Chislett's Quiet in the Land has been
awarded the Governor -General's Award for
best drama published in 1983.
"The jury's decision was unanimous",
said Katherine Berg of the Canada Council.
The award will be presented in Ottawa in
the fall.
Quiet in the Land, which also won the 1982
Chalmers Award for best play produced in
the Toronto area, was commissioned and
premiered (1981) by the Blyth Festival, and
was brought back by popular demand in
1982. It is the touching drama of the struggle
of the Amish people to keep their way of life
and their values in the early 1900s. Quiet
toured to the University of Waterloo, has
been produced at the Toronto Free Theatre,
and is scheduled for production at the
Manitoba Theatre Centre next season.
Anne is better known to local audiences as
Anne Roy, wife of former Artistic Director
and co-founder of the Blyth Festival, James
Roy. She filled many roles at the Festival
over the years including Administrator and
Associate Director. She adapted the Harry
Boyle novel, "A Summer Burning", for the
festival in 1977 and since that time has
devoted her energies to writing full time.
Her second play for Blyth, The Tomorrow
Boit, broke all lot office records in 1981 and
was remounted in 1983.
Anne has recently moved to Winnipeg
where James has been appointed Artistic
Director of the Manitoba Theatre Centre.
She and James both hope to be in Blyth for
the gala Reunion Weekend to be held on
August 11 and 12.
4
Maureen Forrester, Canada's premier opera star and Chairman of the Canada Council
was a special guest at the opening of the Blyth Festival's 10th season on June 22. Miss
Porrester opened the Art Gallery, was the guest speaker at the 10th anniversary dinner
and led the full house theatre audience in singing 0 Canada. The internationally
recognized conralto last visited Blyth in 1981 when she performed on stage. (Shelley
McPhee photo )
The colorful pageantry and music of the Wikwemikong Drum Committee contributed to
the festive mood at a special birthday party in Blyth OD June 22 when the Blyth Festival
kicked off its 10th season. Native dancers and singers from Manitoulin Island performed
for theatre crowds before the performance. (Shelley McPhee photo)
Seen outside the main entrance to the Huron Country Playhouse are, left to right, Playhouse
General Manager Heather Redick, James MacArthur of Hawaii Five -0 television fame,
Playhouse Artistic Director Ron Ulrich and internationally famous actress Helen Mayes.
Hayes was In Grand Bend to watch her son, McArthur play In a golf tournament. She is on a
tour by rail across Canada.