HomeMy WebLinkAboutThe Wingham Advance-Times, 1975-09-11, Page 2411, i 975.-. •
.70
HA DW MN TELLS
sure shows
frustrations
By DOROTHY
ST. JOHN JACKSON
Certified Master
Graphoanalyst
Dear Dorothy:
I work hard all day as a
legal secretary. My days are
busy from one end to the oth-
er and every hour is packed
with activity and tension. I go
home tired, but, once in bed, I
can't go to sleep. I watch the
late shows on TV hoping to
get sleepy, but I only get
wider- awake. I don't udder -
stand me. Heaven knows I'm
in good health, but I don't
close my eyes all night.
P.L.
Dear P.L. :
Sleeping is easier for some
people than it is for others. So
is playing the banjo or driv-
ing a stick shift car. But, it
doesn't mean that these
things can't be learned. And,
you can learn -to go to sleep,
too.
The weight of your writing
keeps you serious about
everything. Nothing to break
the -pressure being fed into
your pentup mind. You are
easily frustrated with the
happenings of a day, seen -in
the strong t crossings made to
the right. All the jobs, re-
quests, etc., go stomping
They say.
An apple a day
keeps the Doctor
away -
If it doesn't work try
Foods
Health Fo s
-aria Vitamins
R. I. 1ZuSsel1
MUSIC, KODAK & HOBBY
SUPPLIES
HEALTH SUPPLIES
291.4202 LISTOWEL
home with your thoughts at
night.
You don't like to be taken
for granted or used, seen in
the long inflexible beginning
strokes, and, unfortunately,
there's no automatic timer to
dim this resentment at night.
In fact, it becomes monstrous
as your imagination, seen in
the large lower loop, enlarges
all the happenings.
Then, to better bomb your
mind, you watch the late TV
shows. Nighttime TV is, in no
way, meant to be a mind
masseuse. Millions of TV dol-
lars are spent each year to
turn you on — not put you to
sleep.
If your problems are worth
keeping you awake during the
night, they're worth solving
during the day. If you don't
want to do this, then, it's no
wonder that they crowd in up-
on you when you can't escape
to do something else.
Why not write off some of
your steambefore you go to
bed? Get all your thoughts
down on paper. Maybe a let-
ter to someone. Read it over a
couple of times, and you'll
find you feel much better.
Just be sure, in the morning,,
to tear it up in tiny bits and
throw it away.
And, remember that open
eyes all night are always
awake. But, closed eyes
might just go to sleep. a.
• D.J.
YOU CAN RX.1T
By Gene Von
40)
2.x4
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Cortrast brin
By GILBERT, H
Contrast is one of the vari-
ables in photography which
often makes the difference in
'the quality of a picture and
yet seems to mystify even ex-
perienced photographers, oc-
casionally.
An understanding of what
"contrast" means and what
does, or does not, create con-
trast can, therefore, be a long
step forward in improving al-
most any photographer's
work.
Contrast can be defined, for
all practical purposes, as the
subtle differences In tone val-
ues in a picture which create
the image itself.
A picture with too little sep-
aration of tones is "flat," or
"Muddy," or "gray" —
among other terms used to
say that the tones in the pic-
ture simply seem to "run to-
gether."
A picture which is too con-
trasty might be more un-
pleasant with deep dark
shadows, virtually no detail
— or color — in highlights and
very few gradations of tone
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Monday through Friday
"WE'LL DO OUR BEST TO HELP YOU"
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LEMON TARRAGON SAUCE
1/2 cup lemon juice 2 teaspoons dried
1/2 cup salad oil tarragon leaves
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Dial 1-800-265-8945 Toll Free
UfluonGIls
(or color) in the middle Parte
of the Mage.
Because color itself
create its own diifere u $
in tone, a color photograpy
can stand far leas contrt.
than black and white, and
ten is actually improved-lf it
is a "bit flat."
Contrast in photography
comes from a number of dif'
ferent sources — and the
first, of course, is the light-
ing. The low light of morning
and evening creates sharp
differences in tones from
highlight to deep shadow but
also creates very tiny shad-
ows and highlights in tex-
tured objects which give a
very pleasing feeling of third
dimension on a flat piece of
photographic paper.
Low lights, cross lights,
and backlights while appear-
ing quite contrasty to the eye
may actually be "flat" be-
cause light is reflected into
shadows until such light
works beautifully with almost
any film.
The real contrast comes as
brilliant sunlight climbs
CHILD'S PLAY
Seeds make novel
vase decorations
By GEETS BUMMER &
POLLY HUNTSINGER
A person who eats very lit-
tle is often said to have a
"bird -like appetite." Actual-
_ ly, that expression should be
used to describe someone who
eats a great deal. In relation
to their size, and especially
compared to human beim,'
birds eat a tremendous
amount.
Perhaps people got into the
habit of saying this because it
is easier to carry a package of
birdseed home from the mar-
ket whereas a sack of dog or
cat food is much heavier.
Seriously, though, while it is
true a bird eats a small quan-
tity at a timer -if you watch a
pet canary; parakeet or wild
bird for any length of time,
you will notice how frequently
it finds food.
" ,The :still t ;bila that ha3
Veen observe is me bee hg-
mingbird of Cuba. It is only
two inches long and weighs
one tenth of an ounce, which is
hard to imagine. The largest
bird is the African ostrich
which has been known to
weigh 300 pounds and be eight
feet tall. The whooping crane
has the distinction of being the
United States' tallest bird as it
reaches five feet.
If you do have a pet bird, it
probably won't mind too
,much if you dip into its food
supply, or perhaps you can
get an extra package at the
market to make a novelty
project that is both useful and
pretty.. •
The other material needed,
aside from white glue, is a
pretty bottle. In fact, the bot-
tle doesn't even need to be
"pretty" to begin with. Emp-
ty orange juice or milk bottles
will do for a large decorated
vase. Plastic medicine bottles
are also suitable. If you want
an exceptionally pretty bud
vase, watch when the last.
drop is spooned from a flavor
container such as vanilla or
peppermint extract.
All you need do is use a pipe
cleaner or brush to glue paint
a design onto the container.
Then sprinkle birdseed over
the. entire surface. Work over
newspaper so you can shake
off the excess that doesn't
stick .and use it again. All
sorts of variations are possi-
ble. Dip the rim, after apply-
ing (glue so it has a boder,
•arontid it. Both- the top;,'
bottom can be decorated.' Fo
personalize the container,
outline your initials or those of
the person who may receive
such a gift.
Other seeds and grains can
also be used, provided they
are tiny and blend with the
bottle's shape and size. Mus-
tard, sesame, caraway and
poppy seeds make excellent
contrasts when mixed With
bird seeds.
Once dried and filled with
fresh or artificial blooms,
these containers add a deco-
rator's touch wherever they
are placed.
higher, case deep, *hart*
defined blas ;ahadoW Mid'
die tones. ttent to WOW
out with too B light;
Night photography pro,,
duces great contrast* be-
tween centers of brilliant
light — under a amt Wit.
or stage lifer, or li ht, d
windows -I" surrounded b
`extreme darkness.
Much of the dispute among
photographers about their fa-
vorite
a-vorite films is based upon.
contrast — and the kind of
pictures a photographer likes
to make. Because the ,selec-
tion of Olin can make a differ-
ence in the `amount of con-
trast two photographers, us-
ing two different types of film
will get.
The slower flims are, gen-
erally, more contrasty.' They
are designed to be used where
light is ample and generally
fairly well balanced,, and' this.
applies, actually to both color
. and monochrome. They will
record enough detail in shad-
ows without "washing out"
the highlights when light is
plentiful and fairly flat.
Medium -speed films are
the- favorites of Rhotograe
OM who know they OW be
getting into both fl4t and con,
treat swoons and who un-.
derstapdj how differencesht
exposure can give them ex-
aettly the kind of pictures they
want, in a given situation.
fid are made
for highly contrasty situ-
ations and therefore tend to
be "fiat" in ordinary light un-
less properly processed.
They'll produce that detail in
the shadows without burning
out the brightly lighted store
window or city street. And,
strangely, the high-speed
tilmis often produce surpris-
ingly good results In the ex-
treme contrast situations that
.might be found on a beach —
or almost anywhere else at
high noon.
PRIMITIVE DRILL
The high-speed drills used
by modern dentists are a far
cry from the original -- prob-
ably a small piece of hard
stone, fractured to a fine
point so that It could be
twisted into the aching tooth.
STICK SEED --A pet canary or parakeet won't mind if a bit
of birdseed disappears to make a pretty bud vase that is
decorative and different.
I ETT .o TONES. Contrast which shows a wide
,Fation•, ewith �def�'ii lh bath a black hdt,1hie'bare
rms, and the white of the horse is the basis of all good pho-
tography of any subject.
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W
4166 KING ST. E. R.R. 3, KiTCHENER
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0
Starvation
stalks millions:
A massive,unprecedented human tragedy is in the making.
Who cares?
During this world food crisis
I pledge to skip or cut down
a meal a week for the
rest of thisear and send
y my
"empty plate money"to
CARE for theitarving
people overseas.
ff
..t
Cyt A r "�
♦
#4L,: `#
rwi—_--MIall +w - NI .._ wig --rrowrroronamowswoo oworowrwesow------weassor ---- we
4
Name
w
WIN
.r .
Here is my
pledge of
0,4
(please print)
Address
City
Area code
Province
(Make your tax-deductible cheque out to "CARE WORLD HUNGER
FUND". We will send you regular reminder envelopes for your
convenience. Thank you)
CARE Canada Department 4, 63 Sparks St. Ottawa K 1 P 6A6
4