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HomeMy WebLinkAboutThe Wingham Advance-Times, 1975-05-15, Page 191975 -- HESS POINTS mateur match .slated in May By ROSS WILLIAMS Arizona State University at TemPe, AZ, will be the site of the 25th Annual U.S. Amateur championship to be held May , 1975. Players will be entered in one of two groups in the six - round, Swiss system tourna- ment. Group I is open to any nonmaster, that is, any play- er with a U.S. Chess Feder- ation (USCF) rating under 2,200, or unrated. Group II pis open to all players rated be- low 1,800, or unrated. Trophies go to the top five finishers in each group, and -special trophies are awarded to the top finishers in several categories. There are no cash prizes, since this is an ama- teur tournament. With much of the entry fee money going into their purchase, the trophies that are awarded are magnificent. The highest -scoring player becomes the official 1975 U.S. Amateur Champion, and the highest -scoring female play- er becomes the U.S. Amateur Women's Campion. Bruce Rind of Philadel- phia, PA, was the 1974 win- ner, and is the reigning U.S. amateur champion. Nana Shaw, also frau Philadel- phia, is the 1974 U.S. women's amateur champion. Both of tine 1974 winners were stu- dents at Temple University at the time of their victories. Bruce Rind won the Second Board Prize' as a member of the Temple team at the 1974 U.S. Team Championship ,in Atlantic Qty, N.J. Later, Bruce played' First Board when Temple finished a creditable sixth in the Pan- American Intercollegiate Tournament at Atlanta, GA, December, 1974. Noma Shaw is the most re- cent addition to a long list of distinguished women players who have won the U.S. wom- en's amateur title. To list a few, Kathryn M. Slater held the title in 1955 and 1956. She ,,..:Mat -.911, % the lila wom- en's been champion, title . twice aid shared it twice be- tween 1958 and 1965. Currently, Kathryn Slater ' is chairperson' of the Wom- en's International Standing Committee of the U.S. Chess Federation. Lisa Lane Was U.S.. women's amateur champion in 1956. She won the U.S. Women's Open Cham- pionship in 1960, and was URS. women's chess champion from 1959 through 1962, and shared that title with Gisela Gresser in 1966. Cecilia Rock held the amateur title in 1963 and the open title in 1964. On the men's side, the most recent success of a former U.S. Amateur Champion is that of the 1973 title holder, 17 -year-old Paul Jacklyn. Paul is presently champion of the state of New York, and he ranks in the top 25 USCF rated juniors under 21 years of age. Game of the Week: Paul Jacklyn finished third in the 1973 U.S. Junior' Champion- ship held in- San Francisco. This week's game was played in round one of that tourna- ment. Ruy Lopez Paul Jacklyn White 1. P -K4 2. N-KB3 3. B -N5 4. B -R4 5.0-0 6. R.K1 7.B -N3 8. P -B3 9. P 10. P 11. QN- 12. B -B2 13. PaP 14. NB1 15. NzN 16. Q -K2 17.N N3 18. N -B5 19. Q -B3 20. B -K3 21.BxB 22. QR -Q1 23. RxRch 24. Q -K3 25. R -Q1 26. R -Q5 27. Pa 28. Q -N3 29. BIR 30.P -N3 31. PaP' 32. Q -Q3 33. QxN 34. K -R2 35. KN1 36. K -R2 37. K -N1 38. QxNP Doug McClintock Black P -K4 N-QB3 P.QR3 N -B3 H -K2 P-QN4 P -Q3 0.4 P -R3 R -K1 B -B1 B -N2 QNxP P -B4 PzN P -B5 R -B2 K3 N -Q2 B -B4 NiB Qat RrQ1 Q -B2 P-QR4 BzR R-KB3 RaN N -R5 PzP NxP NxP -4tch ' 8ch •4 Q - Draw ill Mill s `iia illa 13 I° 11 II ' iy Is it II ra. ■■ I6- :. 1111 11 al is ■ a 1 II■I ■ zs as 11 lzs •ill II - 1 Z° 30amIIii " 3" II■ ® II■ 35 . - Yo 4' 39 ■1111■ Ys - ■ 43 - iii uric in ', yi 47 ■-y8 49 ■ I. ■��■ Si ACROSS' 1 - Male nickname 3 - Luster 7 - Parent 9 - Abdominal ma lady 11 - Blood Wessels 13 - Senors "yes" 14 -Salt • 16 - Preposition 17 - Incentives 19 - Italian river 20 - Theatric sign of a full house 21 -. Like 23 - Concerning 26 - Region 28 - Male name 29 - Distorter of facts 30 - Order of architecture 33 - Look of scorn 35 - Bookkeeping entry (abb . ) 36 - Amer lean Medi' cal Assn (abb,) 38 - Preposition 39 - Standee for election 40 - To proceed 42 - Energy unit 43 - Pronoun 44 - A line of sentinels 46 - R eat n 49 - Preposition. 50 - Revere 51 - Thoroughfare (abb.) DOWN 1 - Exclamation 2 - Demonstration 3 - U. S. soldier 4 - Endures 19111 EMCEE MU BEIIEWEI WW[ *]J ►"!,M EM EEE MB/ C ©EiMluML• W WIJ M ILIUM V LM ] 3LJL9 E ©©BDU tJ IL I IJ ltfl UMW W nal HEMP] III HUMID QE 9 ODE E EV IJ EMMA= WW UDE HE ULlfLWL1 Iii/ulalI1iULiJ 1441 LUUWI WU 5 - Round of applause 6 -Thus 7 - Demon 8 - Like 10 - Eastern U. S. state (ebb.) 12 ,,Preposition 15 - Broadcasts 17 - Refer to 18 - Peculiar 19 - Demoralizing terror 22 - Austere 24 - Age 25 - Facial twitch 26 - That thing Is (contraction) 27 - Have being 31- U. 9. state 32 - Arabian chief 34 - Sea ducks 36 - To Improve 37 - Fury 41 - Either 43 - Roman 1001 44 - Roman 101 45 - Old Anglican (abb.) 47 - Pronoun 48 - Latin "and" Crossroads Published every Wednesday as the big, action cross-country section in The Listowel Banner, The Wingham Advance -Times and The Mount Forest Confederate. Wenger Bros. Limited, publishers, Box 390, Wingham. Barry Wenger, Pres. Robert O. Wenger, Sec.-Treas. Display and Classified ad deadline - Tuesday, week prior to publication date. REPRESENTATIVES Canadian Community Ontario Weekly Newspapers Association, Newspaper Assoc., Suite 51, 127 George St., 2 door St., West, Oakville 884-0184 Toronto 962-4000 c;. r PHOTO FUN Rule breaking may be creative. By GILBERT HILL Go ahead. Break some rules. And produce some of those different, and creative, pictures you've always wanted to make with your camera. Some will be outstanding. Others may be only accept- able. Others will be ,,thrown away promptly. But, with a few tries, the so-called rules will become helpful, aids in- stead of handicaps. All rules are but guides anyway. They are based upon one or more successful pic- tures, pleasing to a photogra- pher, or to a judge - or a buyer, The "how it was done" data includes virtually mean- ingless lens openings, shutter speeds, and always, of course, the brand names of cameras and materials. If the exact conditions could be reproduced the data would work perfectly. But c91141. s are always differ - ent. Cameras and lenses. - even the best - will vary slightly in shutter speeds and lens opening' markings. Ma- terials vary, and no two.labo- ratory technicians develop fihn exactly the same way with the same equipment, or even in the same brand of •, chemicals. - • Even in a portrait studio camera angles must be changed for the tall and short, the long and . short neck, qr the big nose. And what about rules for taking a picture of the subject with the deep sunken eyes who also wears glasses? Even then pictures will vary by an ex- pression, a tilt of the head, or a tiny change in lights. So, let's examine a few of the most widely accepted rules and some creative rule breaking. Many concern light YOU CAN FIX -IT By Gene Von P1( KET FENCE: When building a •p,, ket fence, the most efficient method of achieving ev en spa -mg of the picketby .icing a picket as a space; „is 'ho" n in the illustration This will assure the tmiformity so twees ary to the at- !ractiveness of a fence of this t • pt. ARTIFICIAL INSEMINATION The first artificial insemination unit for cattle was established at Waterloo, Ont., in 1941. By 1968, about a million first services were accomplished through arti- ficial insemination units in Canada. This represented about 20 per cent of the total dairy and beef cow population in Canada. About 67 per cent of the total registrations in the pure dairy breeds in that year were A.1 progeny. Through A.I., one superior sire may be mated to over 10,000 females in one year. -- for instance, you should never point your camera straight at the light, and good pictures can ,be made only when there is sunshine. This produced a generation of snapshots with people squinting into the sun so the photographer could have his back to the light. Then, with faster film and better lenses, came the rule that people pic- tures should be made in "open shade," out of the sun, but not under a rpof. Eyes opened but the pictures were often "flat," without con- trast. Finally, photographers ,be- gan to violate the rule about not pointing a camera at the light, and took their pictures in sunlight - using the sun as a back, or side light and "fill- ing" the shadow' side of the face with flash, or with a re- flector -- anything from a white cardboard to a handy tfewspape Or blankets to put ,scale alt into, the, ffige, The bright sunshine and shooting with the photogra- pher's back to it finally was confined to architectural pic- tures and•some scenes al- though many experts prefer "cloudy bright".days, or even clouds, for building pictures and back and side lighting can give drama to a scene. Rule -breaking photogra- phers found that some of the . finest pictures could be made on cloudy" days) even in the rain, where • a brilliant sun would destroy the mood of mystery. Other times the sun is needed, not for the light, but to cast the heavy shadows which define the subject mat- ter - much as the artist sketches in details with a pencil. The value of a "rule" on us- ing outdoor lighting is that it makes the photographer "see the light as it exists," instead of accepting a technique which may, or may not work in an entirely different situ- ation. - Rules may make a photog- rapher think but they should in no way handicap his use of a camera" to create a more ef- fective picture. Mrs. Fred BtlektOlt of Wend Ontario stayed up- for the late show on her favorite, f eleyision channel one night last March and, found herself Watching a :Trow called "SUirramer of '42". Al- though Mrs. Buckton. didn't turn the show off, she fou d.it shame- fully shocking. It was about three young boys who become so terribly intrigued with the. mys- teries of sex that they finally decide to explore it for them- selves. Their language gets pretty explicit. There is a drug- store scene in which one of the boys tries desperately to get up enough courage lo ask for a' Con- dom. Apd most disturbing of all to Mrs. -Buckton was the climax of the play where one of the boys is invited into the bed of a woman who has just learned that her husband has been killedin the war. • Most of us found it a very tend- er, very moving 'film and ofie which provoked a lot of -thought. Mrs. Buckton, who has six chil- dren, found int disgraceful. The fact that the show didn't start until midnight doesn't excuse a show like that, she says'. There could still be kids babysitting who would be up that late. Besides, even adults shouldn't be allowed to look at stuff like that. Mrs. Buckton felt so strongly about the matter that. she wrote the Guelph Mercury about it, suggesting that it wouldn't be a bad idea if she a d others who feel the same way would get to- gether and sign a petition asking their television stations to keep • explicit sex off the air. ., She soon found a champion in Len .Gaudette who is City Parks and Recreation Director for the City of Guelph, and last week's mail brought me a letter from Mr. Gaudette. A letter, ' and a petition which he wishes "me .to circulate. The petition bears this heading : "We the undersigned prefer no intimate unclothed sex scenes or violence shown on tele- vision and prefer more family - type entertainment that does not include "cursing, bedroom type sex scenes and viole'1ce that we feel does not do any good or is of any value to the children and to the average adirlt." rNow tlere'are,at least twogood easons why I Cannot ignore this petition. First of all, ,den tells rife that he is a faithful radio listener of mine -that he tunes in to me daily on the Guelph station, and m radio as' in ,any other highly competitive endeavour, one can- notafford to cold -shoulder any custainer. Secondly, I am con- vinced that Len, like Mrs. Buck- ton, is unselfishly committed to what he considers to be a cause of the greatest moral significance. I note with some surprise howeverthat both" Len and Mrs. Buckton have declare(j them- selves in favour of 'family enter- tainment' which includes cowboy and Indian pictures. "The kids of today grow up too fast," says Leh. "I want them to play cowboy and Indians when they are in the lower grades of school . "And -� Mrs. Buckton says plaintively, "There are no good cowboy shows anymore. It's the people in them cowboy pictures I like, you know, like Roy Rogers and them." Which seems to indicate that they think it perfectly all right for a child of a very tender age to be- come addicted to entertainment in which the redskins bite the dust or a half dozen or so humans end up with bullets in their bel- lies, but that it is somehow very immoral and dangeroW for.them to know anything at all about- the. wondf rtully beautiful" p> oceos which ushered them into the worRE I I realize, of course, that Len Gaudette and 11iItS. a Buckton are by no means the only ones who see no objection to gunplay in television but who become prayerfully disturbed whenever sex sneaks into the picture, Down in Dallas, one of the cowboy capi- tals of America, magazine dealers suddenly fouund them- selves oblig ited'to put stickers on • the covers of a recent issue of,.. Newsweek magazine.'That cover showed a Vietnamese mother holding a dead four-year-old child in her arms. The child had a - bullet hold in her stomach. She was just one more of the millions of innocents caught is the cross- fire of a hideous and totally use- less war. But the child hadn't had the decency to cover her lower extremities before she died, and her genitals were clearly visible. And the godly city fathers of, Dallas acted accordingly. Cover it up! e I would like to ask Len Gau- dette, before T' sign his petition, which was the greater obscenity in that photo -the exposed geni- tals of that Vietnamese child who died in our. war against Commu- • nism? Or the bullet hole in her stomach? Coo le 'Use 14 d IfN1, 00,41 cnii 004 mo l p*yis : Dl>p 1tI'fi a '' o14. •: , • 4 'A • p A *10'; ►' A , , , iy', A 1IA`.+ray burr." . ► . R R a Yout gy:borro P „.�.♦R,R•a. m.•M.sir� .•b tlA4• $ 7,1Syoui1'It y'borA'o4>N 4R •,....,.► a ' Th. ubov Lggn hes urn 149 * per' cwt i OM • 5 Y • T*rm. OYr, AIlsgr$*0,100`: Borrow for any wortbWhile pO • TO COOSOlidatey! 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