HomeMy WebLinkAboutClinton News-Record, 1978-08-03, Page 191.4
•
Deborah Cooper
` b
Michelle Buurs
Local girls work at Blyth Festival
Deborah Cooper, the
daughter of Donald and
Ilene Cooper of Clinton, is
working this summer as
an administrative
assistant with the Blyth
Summer Festival. •
The position exposes
her to almost every
aspect of the Theatre's
administrative operation,
from financial and
clerical work to in-
volvement in publicity
and group sales. The job
is part of the Ontario
Career Action Program,
and provides practical
work experience in the
chosen occupation of the
participant.
Debbie completed a
business course at
Central Huron Secondary
School, and during her
time at CHSS, Debbie
became actively involved
in another aspect of, the
theatre; she has ap-
peared onstage in several
of the high school's
musical productions.
At the completion of the
summer season, Debbie
hopes to find permanent
employment in a
secretarial position in
London, Ontario.
Michelle Buurs, the
daughter of Mr. and Mrs.
John Buurs of ` RR 1,
Londesboro is working as
a wardrobe assistant at
the Blyth Summer
Festival under the
auspices of the Ontario
Career Action Program,
Michelle graduated
from Central Huron
Secondary School in June
of 77. She is helping with
the construction of period
and modern costumes for
the festival's season,
work that she says is very
interesting, But she does
complain that "the
thread is the pits".
Michelle hopes to
become a hairdresser in
the future. She enjoys
cooking and sewing, and
looking after small
children.
Oklahoma, selling out fast
The tremendous ad-
vance booking at Huron
Country Playhouse for its
upcoming production of
Rodgers and Ham-
merstein's Oklahoma!
(outpacing even last
week's record' -breaking
advance booking for
Bedroom, Parlour and
Bath) indicates that this
classic of the musical
theatre is not the least
worn by time or ex-
posure. In fact, exposure
seemsonly to feed this
musical -comedy's appeal
to generation on
generation since its
sensational ,opening on
Broadway on March 31,
1943.
The Playhouse will run
this 35 -year-old stalwart
for two, obviously big,
weeks from Tuesday
August 1 to Saturday,
.August 12 including the
Civic Holiday Monday
evening, August 7.
Evening performances
start at 8:30 promptly.
The two Wednesday and
August 12 matinees are
completely sold out
already with evening
performances almost
reaching that position.
Artistic Director
James Murphy directs
this warm, melodic
theatrical treat, while
Peter Purvis and
Gregory Peterson tackle
the musical direction and
choreography .respec-
tively.
Londoners Don
Fleckser appears as
Andrew Carnes, Allison
Grant (who appeared in
many of Mr. Fleckser's
own shows in London) is
in the chorus as is Diane
Swallowell who has
worked on and backstage
at Theatre London, and
David Boothroyd,
studying at the UWO
Music Faculty, is
Oklahoma's pianist.
Ross Douglas and
Lynda Langford are
Curly and Laurey, im-
mortalized on film by
Gordon MacRae and
Shirley Jones. Paul
Cooper is the villain Jud,
Marilyn Boyle plays Aunt'
Eller and Brenda
Bradley appears as Ado
Annie.
Oklahoma! has been
done on Broadway at
least four times, in
hundreds of theatres
around the world and as a
movie in 1955 which in-
troduced the Todd -AO
screening process. It,
inspired the creation of
the original cast recor-
ding, the songs of which
have embedded them-
selves into the eternal
hall of fame: "Oh, What
bBeautiful Morning",
"The Surrey With the
Fringe On Top", "People
Will Say We're In Love",
the rousing title song, and
many more, each
stamping a special
meaning for many people
over the years.
The smash hit almost
was not, however. Under
the title of "Away We
Go", the show opened a
pre -Broadway tryout in
New Haven in early
March 1943. The critical
reception was mild, due
to the ten rather
revolutionary aspects of
the show, the unheard of
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inclusion of Jud, a real
villanous character, and
the equally unheard of
exclusion of glamorous
chorines and society
characters.
The financially
strained Theatre Guild,
the producers, frantically
sought extra capital. The
few hardy backers
eventually found reaped
profits which have
become legendary. In
Boston, vital changes
were made to the script,
the title was changed -
including the use of the
exclamation mark. - and
the show rolled onto
Broadway, staying for its
history -making five-year
rune starring Alfred
Drake and Joan Roberts.
What is the magic of
Oklahoma!? Firstly, its
fabulous score with
ageless tuneful music by
Richard Rodgers and
meaningful lyrics by
Oscar Hammerstin II,
The musical comedy -
cum -folk operetta is also
a fairytale of sorts. It is
based on the 1932 play,
"Green Grow The
Lilacs" written by `Okie'
- born Lynn Riggs of his
childhood memories. It
relates in a cheerful, yet
believable fashion, a view
of the Southwest during
times of great change
when the old `Indian
Territory' was to join the
union of American States
and be renamed
Oklahoma. It also was a
time when farming was
displacing ranching.
Oklahoma! brought its
two brilliant writers
together for the first
time, after each already
had gained fame and
fortune in collaboration
with other well-known
partners. They had been
Columbia University
students since 1919,
writing songs separately
for the university's an-
nual Variety show.
Rodgers had been
partnered with Lorenz
Hart, his Columbia
classmate, for the past 22
years, before Hart's
death in 1940. (Last
year's Playhouse
production of '"Babes In
Arms" was the last
Rodgers and Hart show.)
In 1942, The Theatre
Guild brought R & H
together to`musicalize its
1932 play, "Green 'Grow
The Lilacs" and get it out
of financial straits. The
enormous success of
Oklahoma! took Richard
Rodgers into a second
glorious phase of his
professional life.
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CLINTON NEWS -RECORD, THURSDAY, AUGU,ST3,'
Jack's Jottings from Queen's Park
As you know, our
system of parliament is
based upon centuries of
tradition, both here in
Canada, and at the
Mother of Parliaments,
Westminster in England.
Our parliamentary rules
are based upon many
ancient privileges and
precedents.
Over the years, some
major changes have been
made, which have
significantly altered the
historical development of
our legislative
procedures, although
these changes have
frequently occurred so
quietly an,d smoothly that`
only students of
parliamentary procedure
have been aware of what
was taking place.
'At the end pf the Fall
Session in 1976, the
Ontario Legislature
adopted some 48 new
procedures. These new
rules were produced by a
Committee of the
Legislature, based upon
research and study
material and the many
recommendations of the
Ontario Commission on
the Legislature. You will
probably remember that
this Commission was
appointed in 1972, in
recognition of the fact
that it was necessary to
enhance the role o'f
parliament and the power•
of parliamentarians.
When these new
procedures were adop-
ted, it was considered
advisable to have, a trial
period, probably one full
session, at the end of
which the Procedural
Affairs Committee of the
Legislature would review
the situation, and either
recommend changes or
the adoption, as part of
Ontario parliamentary
tradition, of the new
procedures.
Last year's Provincial
Election interrupted the
trial period, and we
began all over again
when the new Legislature
reconvened. At this time,
we • are now ap-
proximately half way
through the'experimental
stage, and this is,
perhaps, a good op-
portunity to review
progress.
The Provisional
Standing Orders at
Queen's Park have had a
major effect upon the
activities of the minority
Legislature, and have
resulted in some in-
teresting recent
developments.
One of the most in-
teresting and exciting
changes was in con-
nection with Private
Members' Bills.
Previously by tradition,
only the Government was
permitted to proceed with
legislation and create
laws for the Statute
Books. When the new
procedures were adop-
ted, for 'the first time
inOntario's history,
Private Members from
all three parties were
given the opportunity to
present legislation to be
voted upon by the
Members of the
Legislature.
Several significant
Private Member's Bills
have been introduced.
Liberal John Eakins
tabled a Bill to encourage
the development of Small
Business in Ontario.
Lorne Maeck (Con-
servative) introduced a
Bill regarding life sup-
port systems and Evelyn
Gigantes (NDP) tabled a
Bill on Special Education,
which also received
Second Reading.
Liberal Rerho Mancini
tabled a Bill proposing
that the legal drinking
age be raised to 19.
Unfortunately, it has
become increasingly
apparent that the
Government has vir-
tually no intention of
allowing Private
Members' Bills to
proceed beyond the first
step in the legislative
process.
However, even with the
certain knowledge that
the Government will not
permit Private Members'
Bills to become law, it is
important that the
Members vote upon this
type of proposed
legislation, Bills such as
Bob McKessock's on the
Niagara Escarpment,
and Stuart Smith's a
proposed "Sunset Law."
At least, we now have the
benefit of the recorded
debates and recorded
votes by Members on
matters' of public in-
terest.
Another provisional
change was the extension
of the Question Period to
one hour from forty-five
minutes, This , extension
has,, allowed many more
Members to ask
questions,of Ministers. It
is a positive step towards
increasing the ac-
countability of Ministers
and allowing Members to
express local and
regional concerns in the
Legislature.
A rule enabling Mem-
bers to examine the
Annual Reports of
Agencies and Ministries
by referring these to a
Standing Committee has
resulted in increased
focus on several im-
portant issues.
The Government's
proposed OHIP premium
increase was sent to the
Social Development
Committee, where
Ministry officials were
called upon to account for
the need to increase
premiums by an enor-
mous 37.5 percent. When
it became apparent that
there was considerable
doubt as to the need for
such a large increase,
this percentage was cut
in half, Only the new
rules made this effective
detailed examination of
Weins tackles role
Not too many actresses
starting out to play the
role of a "crazy" woman
say they enjoy it because
"I feel it's close to me,"
but Karen Weins does.
Karen tackles one of
the most challenging
dramatic roles ever at
the Blyth Suri mer
Festival when she plays
the title role in Gwen-
doline, a drama about .an
eccentric town woman
around the turn of the
century. Gwendoline,
Karen says, isn't really
crazy, though she is a
little unbalanced through
a traumatic, childhood
experience.
What makes her
"crazy" is that she
doesn't conform to how
other people think she
should behave.
"You are what you are
in other people's eyes,"
Karen says. "It we could
act without worrying
about social pressures,
we'd all be Gwen-
dolines."
Gwendoline, by James
Nichol, is set in the
mythical Ontario town of
Kingforks in 1907 and
deals with themes of
intollerance, love and
jealousy. It provides a
challenging role for
Karen to play the com-
bination of innocence and
mystery that surrounds
Gwendoline.
As a small town girl
herself from a strict
Mennonite upbringing in
Dundern, Saskatchewan,
Karen feels she has a
special understanding of
the character. The play,
she says, is about people
hiding their true selves
from each other, but
because Gwendoline
doesn't hide, she's judged
by the other people of her
town.
The other characters
are so caught up in what
other people think, that
they can't be themselves.
"It's also a play about
what love can do to
people," Karen says,
"and the fact that
Gwendoline, being so free
and open, could reach out
and touch other people
and help them."
While some people
might see the play as an
indictment of small town
life, Karen, a small-,
towner herself, says it's a
play about people and
could have taken place
anywhere, not just in a
small town. Small towns
are good places to set
plays because they are a
microcosm of the wider
world, bringi.ng all
elements of society into
sharper focus.
For Karen, being back
in a small town this
summer at Blyth has
been a happy experience.
When she moved in from
Toronto, where she has
been living the past few
years, the 23 -year-old
actress said she could
feel like a giant burden
had been taken off her
shoulders. Just having
the clean air, the space,
the sky, was an uplifting
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experience. Growing up
on a farm, she says,
nature is a huge part of
her life.
Acting seems a strapge
occupation for a girl from
a Mennonite background
in a Saskatchewan far-
ming community, but it
was at a Mennonite
boarding school in
Rosthern, Sask., that she
caught the theatre bug
from a teacher
the matter possible. ' '
This same technique
was also used to conduct
an examination of pricing
practices by the food
chains. The committee
recommended to the
Government that a public
inquiry be conducted into
discounting practices.
Still to get underway is an
examination of safety
features at Ontario
Hydro's nuclgar plants, a
probe which was also
established under the
new rule.
For the most part, the
new rules were intended
to provide Members of
the Legislature of all
Parties with easier ac-
cess to information on the
operation of the
Government. It was felt
that better government
would result from
enabling the Members to
become better informed.
Many of the rule '
changes may be con-
sidered of a mere
"housekeeping" nature,
but these allow Members
and staff to be better
' organized and more
efficient. Plans for
legislation are announced
a week in advance.
The timetable for the
examination of spending
estimates is determined
through all -party con-
sultation and is rigidly
adhered to throughout the
Session. Also through
consultation, committee
timetables are.
established far in ad-
vance, enabling Mem-
bers to divide their time
between House, Com-
mittee and Con-
stituency responsibilities.
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