HomeMy WebLinkAboutClinton News-Record, 1977-04-14, Page 16W
PAGE 16—CLINTON NEWS -RECORD, THURSDAY, APRIL 19, 1977 "
Pianos will stall need the persona
Local factory defies automation
In this age of automation, one
industry has not been swept into the
trend.
"A piano requires precision that
only a human can achieve," ex-
plains Joe Reid of the Sherlock -
Manning Piano Company in Clinton.
The Piano Factory contains a few
planes and several presses, but the
success of the manufacturing
depends on the 36 employees.
Because of Noe individual attention
each instrument receives, no two
pianos are exactly the same.
First, the rough lumber enters the
mill shop on the ground floor of the
factory. Basswood is used
primarily, with an exterior finish of
walnut veneer. Each piece is cut,
planed and veneered in the mill
shop, which resembles an ordindry
woodworking plant. The unique
features of the piano factory are
found upstairs.
From the mill shop, the 'wood is
taken up to the "belly" room, so
named because this is where each
piece for the back and the sounding -
board is slightly curved to enhance
the instrument's tone.
Several thin layers of wood are
glued together, alternately, to make
a strong back, which contains six
posts. The back is then placed in a
large press. Each gluing procedure
takes -one hour to harden, and
ultimately the glue becomes. as
strong as the wood. After being
removed from the press, the back is
trimmed to make all four sides
smooth.
The sounding -boards, made of
B.C. spruce, are constructed by a
specialized manufacturer in British
Columbia. At the Clinton Factory,
each sounding -board is "crowned"
or curved slightly by wooden ribs
glued diagonally on its back. On the
front of the board are glued the long
treble bridge and the short bass
bridge.
Next, the back and the sounding -
board are glued together and d're
fitted onto a cast-iron plate. The
plate is one of many parts that must
be imported from the United States.
A foundry in Hespeler was the
Clinton factory's original supplier,
but the inability to compete with its
southern rivals forced its closure
several years ago.
After being measured, the iron
frame is removed from the back,
and each are marked with a
corresponding number. Then the
back is modified to fit the plate
exactly. The bridge on the sounding -
board is marked -with pinholes, that
Two of the piano factory's stringers, Pat and Ian Hill of Summerhill, put the
different thickness of strings on the piano. (photo by Elaine Townshend)
Beverly Hutton of Brucefield glues an edge on a bench topin the mill shop.
(photo by Elaine Townshend)
are later bored on an angle. Notches
are made, and copper pins are
driven in. Finally the plate is
refitted. Bushings are hammered in,
and holes are bored about two inches
deep for the finely -threaded tuning
pins, that come from Germany.
Next the plate, ,sounding -board
and back move onto the stringers.
Seventeen thicknesses of wire are
used; every third or fourth n'ete
requires one -thousandth of an inch
thicker wire. The bass s. ngs are
made of copper-woun•"' ire pur-
chased in Toronto. The highest
treble note comes from the finest,
shortest wire, while the lowest bass
note is made by the longest, thickest
string.
When the wires are secured, the
instrument is moved into the
"piano" or "assembly" room,
where the strings are tightened
gradually over a three-week period
to a pressure of 18 tons. An elec-
tronic tuner ensures an even tension
on all the strings. This phase is
known as "chipping."
Meanwhile, in the "finishing"
room, each piece of the piano
cabinet is painted with a thick black
paste, that fills the pores of the wood
and darkens its colour. The excess
paste is removed with a rag. In the
first of two "spray booths," the
wood is sprayed with a sealer, which
adds another dark shade. Then the
sealer is sanded; the dust from' the
sanding dissolves into the lacquer
which is sprayed in the second
"spray booth." The result is a
smooth, shiny surface and a rich,
dark colour.
When the "chipping" and the
"finishing" are complete, the sides,
bottoms, pedals and castors are
glued to the back, sounding -board
and cast-iron plate in a giant press,
and for the first time, the product
looks like a piano.
The most technical task involves
setting the action; seven different
adjustments are necessary. Each
hammer is fitted individually to be
certain it strikes only one note. To
avoid hitting the wire too forcefully,
the hammer must be tripped before
it touches the strings. In a small
room at the end of the assembly
area, the piano tuner completes the
instrument's tuning by ear.
Finally, in the "fly finish" room,
all the parts come together. The top
and the cover are glued on, and the
cabinet is cleaned ready for shipping
or storing.
In Clinton, the Piano factory
manufactures ten different models
including one named . after Huron
County. They are sold to retailers
across . Canada ' from • Vancouver,
B.C. to St. John's, Newfoundland.
One of the best outlets is located in
Windsor, Ontario, and the closest is
in Wingham. The retail price of a
Sherlock -Manning piano ranges
from $1,500 to $1,800:-
Each
1,800:Each piano carries a ten-year
guarantee on the manufactured
parts. With reasonable care, the
instrument should hold its quality of
tone for 50 years. Tuning, once or
twice yearly, is recommended.
Since the Sherlock -Manning
Company began operating in Clinton
in 1936, few changes have occurred
in the methods of manufacture for
ithe precision built into each piano
still defies automation.
story, and
photos by
Elaine
Townshend
touch
Pictured above is one of the ten models manufactured in Clinton. Called the
Huron Piano, it is aptly named after its home county. (photo by Elaine
Townshend)
The first tuning a piano receives is called "chipping". In the
piano or assembly room, Sharon Forrest of Clinton uses an
eiectronic tuner tor precision adjusting. (photo by r Laine
'I'o« nshend)
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