HomeMy WebLinkAboutClinton News-Record, 1977-04-07, Page 12•
PAGE 12—CLINT°N W8'RECORD THURSDAY APRIL 1977
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Peter Cot Iife-Iong friend of Clinton's Gerfrude
By ChrisZd*b
Where does -the Easter Bunny to
buy a new Easter outfit? And where does
actor Marlon B,undo go to buy a giraffe
costume?
Why to Gertrude Cornell of course, the
lady whose career was literally
"dreamed up".
Mrs. Cornell was the leading creator
on,d manufacturer ,of promotional
costumers until her se,cni-retirementmo
Ctintn three years ago
Elizabeth Arden, Walt Disney, and
R.H. Macy all knew that 'Cornell' was
the name if you were in the market for a
promotional costume. Depmrtmmentxtnro
owners and manufacurers of children's
toys and infants' accessories were her
inngcst customers. Today she works
primarily for the three largest
photographic con{gonioo in North
\n,,,icu.
A|most 40years ago, Mr. Cornell was
a droas:muker in Toronuu, one of five
sisters who were all taught to sew by
their, mother. She was one of dozens of
dressmakers in the city, until onenight
she dreamt of making faebimu masks
that could be worn bynuode|oIduriug
fashion shows. She got up and wrote out
=
Is it or isn't Gertrude CornelI, the bunny lady,
knows for sure. Mrs. Cornell is pictured with her infamous friend who will
make a stop in Clinton this Saturday at Bartliff's bakery. (News -Record photo)
Ger-hide Cornell
��fiers Mehd•cturer. of Promisflosel oos*spoo.
140 WEST 42nd STREET
NEW rm«mm.m.v. WI 7-1220
FACTORY: BleIrsterre, N..1.
Some people make a better
Mouse Trap ^,We make dbetter
mouse.
*444€10 Wt4,400 Vic auvide/
He's a real, livingtalking Mickey
Mouse.
AHIT
LIVE, PERSONAL
APPEARANCE
COSTUMES
The ONLY way mw*-1owm
end Mickey Meese Club
Network yr !Programs
Au*orlled costumes /or living
Aopeerances for your store's Mickey Mouse
Club House or other promotions lor local
Mouseketeer
MICKEY MOUSCOSTUMES °photo-
graphed fine n"^/'° red velour
"��" black brushed rayon head and
bodyWhite brushed ~,on gloves and
yellow felt padded shoes
These costumes can be on store mannequins
." between personal appearances
»
Gertrude Cornell, creator and manufacturer of promotional costumes worked
for such names as Elizabeth Arden, Walt Disney and Warner Bros. over her 36
years of promotional costume -making in New York. Today, she has semi-
retired to Clinton, far from the maddening crowd.
the formula for making the masks and
next morning had the idea patented.
From that moment on there was no
looking back.
^l| was in the days before p\uodcu.^
explained Mrs. CnrnoU, whose masks
were made of buckrum, the material
used to stiffen garments and hats. Up
until C.c time her idea entered the
nn!,ku/, masks were heavy ,mon'
:tneide, made of papier nno.che.,Bor
idea would in time revolutionize' the
world of fashion shows, and 'later the
/hurketo[promotional ouytumeo. � .
"1 took thb mask patent and set set pff for
New York intending to stay, three
wcekm" said Mrs. Cornell, "and lundud
upstaying for 3oyeuro."
Fashion designer Elizabeth Arden saw
the masks and ordered |m tusenduou]|
her shops throughout the United States.
While her fame and fortune grew south
of the horde,, only the Robert Simpson
Co., of Toronto, the Canadian
representative of Elizabeth Arden
products, purchased Mrs. Cornell's
masks back home. The problem of a
Canadian market was that there was no
Canadian market: no )urgodepo,,tment
stores like Macy's or (}imh\c'y to pur-
chase her masks.
ur',huschc,moyko,
Meanwhile fashion models paradea
the runaways of New York wearing
"Galatea" masks by Gertrude CorneU,
whose work was growing in demand.
Pearl Harbour put an end to fashion
shows. and yrs. Cornell found herself
looking for something new and came up
with an idea for a bunny mask. The
mask give rse to the Easter Bunny, who
would come to rival Santa Claus in
popularity with childr.en.
A department store in Scranton. Penn.
bought the Easter Bunny idea and built
up his or9ivo|. by having him burst
through a large paper egg made
cspecially for the occasion.
Thousands of people crowded into the
store and spilled out onto the street to
,cc the arrival of the Easter Bunny.
Decked out in his finest purpletrousera.
and satin pink jacket, the Easter .Bunny
was more than worth waiting for, and
'
worth more than his $135 price tag.
There were other Easter Bunny
constumes out on the market. but there
was always one thing that made Mrs.
Cornell's design stand ears above the'
others.
"Instead of dressing a man 411^ a
bunny's suit, l dressed a bunny in a
''
man's suit.she said, making the furry
Yel\ow appear more life -like and
realistic.
The corning of the Easter Bunny
became ubig event for many American
department stores who in some in-
stances, had the mayor of the city greet
n'moncoa.hadtharnayornYUzocitygreet
the distinguishel visitor as he arrived by
/ train or plane or sometimes by open car.
Mrs. Cornell's design was also better
than those of her cornpetitiors because it
was lighter to wear than the traditional
papier ^nbohe masked -kind that were
clumsy and hot.
When she wasn't designing Easter
Bunny costumes, Mrs. Cornell busied
herself with theatre ''Costumes. She
designed contunnoo for summer stock
theatre featuring the players or Oscar
Wilde, Noel Coward, Agatha Christie
and William 8hukeSpoaro. Mrs. Cornell
also �ufitted plays on Broadway, which
included Marlon Brando's first ap-
pearance before the stage floodlights.
He played a giraffe.
Mrs. Cornell's n?nxks, costumes and
even stage settings appeared at Radio
City Music Hall, Carnegie Hall. and
night clubs from New York to
Hollywood.
Unlike h dcpignery who sketched
out idea before putting them into
practice, Mrs. Cornell would sculpture
her ideas in clay, She worked with about
three people in her small factory in
B\uirstown. N..}., returning to her New
York shop to sell her merchandise.
There was no mass production of the
coyturncs, all were painstakingly made
by hand. .
With the advent of Walt Disney's
Mickey Mouse Club, Mrs. Cornell found
herself facing a new .field of design
television. She made the first Mickey
Mouse who appeared on television in
}o»o, and subsequently came to
specialize in Mickey Mouse costumes as
well as Minnie Mouse, Donald [)uck,
Pluto, Goofy and the Seven Dwarfs.
As her advertisement read: 'Some
people make a better Mouse Trap . . We
make ubetter mouac.'
After Mickey Mouse, came Freckles
the Hill Billy Bunny, Elsie Borden the
cow, King Korn of the trading stamp
company and Oogie the Elf from Outer
Space all handmade by Gertrude
Cornell and company.
She' even managed to find time to pick
up a Parents' Institute Award for her use
of plastics to design 'baby pretties', like
the forerunner of the plastisized diaper
hag.
In nearly 40 years oworking n New
York, Mrs. Cornell said she never had to
go after work, it lways came to her. Her
.secret, "was, to be aware of 'what
everybody else is doing and make it
better."
Her retirement in |Vr4 utthe age of 68,
"was not to stop working but to make
time to design more churucusro.^ she
said. She retired to Clinton because it
was near Oudcrich, where she used to
spend many many a acation during her New
York hey day.
Mrs. Cornell may not be making as
many Faser Bunny outfits as she used
to. hut the little fellow has yet to look
shabby. This Easter the Easter bunny
will be dressed in all his usual splendor
when he puts in an appearance at
BurUi[y'o Restaurant and Bakery,
Saturday.
Gertrude Cornell has certainly
distinguished herself from other
designers over- the last 40 years. Atter
all, how many others can boast of Peter
Cottontail and Mickey Mouse among its
clientele?
Uncle Wiggly snd Nurse Janecharacters in books by famous children's author
Thornton Burgess, left, came to life under the sewing skills of Gertrude Cor-
nell. Burgess, creator of such characters as Peter Cotton- Tail and. -Brer
Rabbit, appeared with two of his charaters while on a promotional tour.
The phenomenon of the lEaster
outside a department store in Yonkers, N.Y. The store's
doors were closed five minutes after 'the arrival of thecoast to coast recognition through such
Easter Bunny to cope with the large crowds
for the event. Gertrude Cornell's Easter Bunnies
in attendance
gained
romotional events.
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A school of Schmoos, created by famous American car-
toonist Al Capp, graced a department store window,
' - of costume creator Gertrude Cornell, -''living-_
Clinton. Mrs. Cornell was one of the leading 'and
manufacturers of promotional costumes in the United
, States for ahnogt 40 years.
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