HomeMy WebLinkAboutClinton News-Record, 1977-01-20, Page 20PAG1 20—CLINTON NEWS -RECORD, THURSDAY, JANUARY 29, 1977
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For five Clinton dance band
widows, Saturday nights will
never b.e the same. ,u
For almost 14 years, some
of these ,ladies sat at home
while their husbands
travelled throughout the
province. playing one night
stands.
Last New Year's Eve
changed all that..
OrkDecember 31st, 1976, the
Bluetones 'dance band played
their last gig at the White
Carnation in Homesville.
"Two members were ready
to quit the group because of
outside pressures," Bluetone
Fred Lobb explained, "and
rather than going through the
hassle of finding
replacements, the other three
decided to fold."
-When the Bluetones
disbanded, they brought an
end to a musical tradition
dating back, over 35 years to
the first days of the Clinton
Air Base.
The last five Bluetones, all
from Clinton, played together
for 11/2 years, but two of the
musicians have been with the
group for 131/2 years.
Jerry Cox and John Newell
became Bluetones in Sep-
tember 1964..Their 131/2 years
in the band have made them
the historians.
"The Bluetones started
with a Mr. Moore shortly
after the Base opened," Jerry
said, and continued under
Moore's son Bob, of St.
Thomas, when the band's
founder was transferred from.
Clinton.
Playing on the Air Bases in
Clinton and Centralia, the
first Bluetones covered "little
of the territory their suc-
cessors would eventually
inherit.
Bluetones have come and
gone throughout the group's
35 -year history, but four
names stand out: Bruce
MacDonald, a guitar player
from London; Gordon
Harrison, a piano and organ
player, and one time business
manager from Goderich; Sgt.
Eric Schatte, the late
trumpeter, who conducted
the Clinton Air force Band
and gained recognition -for his
entertainment of the troops in
a war-torn Europe; and Mark
Yurek, an organ player and
bass guitarist - from St.
Thomas.
By mid 1975 all of the above
mentioned musicians were no.
longerin the group and the
Bluetones came to be com-
posed of the five men who
recently disbanded.
Besides 35 -year-old
drummer Jerry Cox, John
Newell ,33, who played
trumpet,--saxophone•an-d bass
guitar, and Fred Lobb, 46,
bass guitarist and saxophone
player, - who • became a
Bi.letone six years ago, the
other band members were
Fred's brother, 'Burt, and
Bruce Pulsifer.
Twenty -two-year-old Burt
Lobb played organ, electric
piano, trombone and har-
monica,' while Bruce, 34,
provided the group with
guitar and electric bass
guitar. Both men were the
last to join the Bluetones 11/2
years ago.
With each new member
who joined the band, the
music changed a.little but it
was never for the worst.
Inadvertently, it got better.
"When you went out looking
for new people, you were
never dissatisfied with what,
4
(the sound), you had," Jerry
said. "You went out to get
something to' keep the
sound.If anything, it was the
new people who - had more.
adapting to do in the band."
Even so, the Bluetones'
overall sound changed with
the change in band com-
position.
"For example with Bruce
MacDonald gone, we.canned
the sang, "Good Time
Charlie's Got the Blues"
which he used to sing," John
said.
"You get the occasional
person coming up to you
disappointed on seeing or
hearing that you were dif-
ferent," Bruce Pulsifer said,
"but• on the whole, people
heard the group for what it
was and enjoyed it."
Burt and Bruce were
probably the easiest changes
for Bluetone followers to
accept, according to Burt.
"Bruce is tall and has a
beard like the bass guitarist
before him, and I'm short and
have long hair, like ' the
organist they had before
me," he said. "Because we
sort of looked like the people
we were replacing, it was
easier for us to be accepted."
Shortly after Burt and
Bruce became Bluetones; the
group underwent a
revolutionary 'change in their
appearance: they traded in
their powder blue leisure
suits for crushed velvet
tuxedos..
"We had played together
for so long and for the -same
people so often, that we were
eager to make a change,"
Fred said. "And because we
were so eager for a change,
we felt the people (in the
audience), ,must be getting
tired of it, (lack of change)
too."
With the, change in
costume, the Bluetone-public
seemed to adjust easier to
other changes the group
might make in its sound.
With Burt in the group,
there was a harmonica in the
-band-Tor ,th rs`t"t3ine `-The
other first was taking Bruce
from just a backup guitarist,
to give hime a solo.
"When we played in
Aylmer • with the switch in
-instruments, we had one lady
comp`Ian 'that although she
still liked us, she thought we
-played too much acid rock,"
Burt said.
The Bluetones played easy
listening, popular numbers
spanning John, Denver to
Glenn Miller, with 20 per cent
of their prrogram coming
from a country and western
origin.
"The real variety of in-
struments.,(not many bands
have birass) and each
member being able to.
vocalize and harmonize wito
the others are the seer its
behind the Bluetones' .,uc-
cess," Fred said.
. John Newell mad:, the
Jerry Cox
tried to keep the sound
Clinton's Bluetones posed for posterity a few days after they played their last
performance. The five -member dance band, "composed of left to right, Bruce
Pulsifer, Jerry Cox, Burt Lobb, John Newell and Fred Lobb, folded after 11/2
decisions on which musical
pieces the band played and
though the members
sometimes disagreed with his
selection, they found that his
judgement was always right.
"When -John decided we'd
play the "Green, Green Grass
of 'Home" we all said, `You've
got to be .kidding, it'll never
work,"' Burt said, but when
the number came up, the
whole dance floor filled.
They would play two slow
pieces and then two fast
Bruce Pulsifer
... only with band 18 months
pieces, and that is what the
crowds got used to.
Burt described it as being
in "the same old rut."
"Before I was married and
when my brother played in
the band I'd sit and listen to
thet music and impress my
girlfriend by telling her the
number that I thought they
would play next."
Of course, Burt was always
right, and of course the * # * # # * * # * *,.>�
rr'lfr'i°end- ---_-w.a-sr w... . ,:a.ys--...., -if-- -.• . _s w
properly impressed.
Burt might have been
bothered by the Bluetones
always putting the same two
songs together, but the
audience obviously wasn't.
When the band folded • in
December, it had a solid
year's booking to cancel.
"All of gur gigs were
booked a year ahead and last
'New Year's Eve was booked
three. to four year ago," he
added, mute testimony to the
Bluetones' popularity.
Another, ' is the town of ,
Aylmer, where the Bluetones
plaYed each -month for -_eight
years.
' Bookings took them all over
Western Ontario: Owen
Sound, Chatham, Preston,
Elmira, Tillsonburg and
London, and while most
performances went off well,
there was the odd
Fred Lobb
... so crowded
they all stood in one spot
engagement that made
Bluetone history.
The largest audience:
"We played for 'the
Lucknow Old Boys," Jerry
said. "and the hall was filled
solid with 2,500 - 3,000
people." .
"You couldn't move, you
couldn't even get to the bar
fpr a break so you kept on
playing," Fred said.
"There was no room to
dance, the people just stood in
one spot and jumped up and
down with their hands in the
air," Jerry said.
The most interesting
performance:
"We played in b.0 annon,
this is going backs few
years," John said, "` nd
because there was no hall e-- "There was a pee wee
played on the back of a softball tournament in Mit-
tractor-trailer in the rain: chell and a dance was to
"We set up to play and follow in the Arena," Jerry
there were about a handful of said. "They didn't advertise
years of playing together. The band's beginnings, however, date back to the
early 1940's, and while none of the last members were the original founders,
Jerry and John played with the group for the last 131/2 years.
people out listening to us.
Bruce (MacDonald) kept
getting, electric shocks from
his guitar everytime the rain
fell on it:
"We started playing our
last set about 12:30 when all
of a sudden people started
coming in from all directions.
They were just starting to
swing ,to the music and we
were in the middle of packing
up. It almost caused a minor
riot," John said.
The longest performance:
"We played for about 51/2
hours in the Clinton Air Force
Base Officers' Mess,"' Jerry
said "They just kept paying
us overtime to keep on
playing."
The smallest audience:
story and photos
by Chris Zdeb—
the dance and only three
couples showed up. We
played the whole night as if
the room was full.`
"It was the only time we
ever got paid for a practice,"
he laughed.
All the Bluetones agreed
that the Mitchell story was a
real rarity,
"We always had turn away
crowds in attendance as long
as I can remember," Fred
said.
The group's most '
memorable exar`nple of.
John Newell
... mode decisions on music
standing -room -only -
attendance were their
bookings,in Rondeau Park.
"When we first played
there, about ' 18 couples
showed up," Jerry said,
"After we'd been playing
there awhile, they'd let in the
first 700 people, with the .rest
being turned away."
"The dance would be set for
8 o'clock and the crowds
would ..-be so big that they
wouldn't :start letting' the
peopleinuntil 8," Fred
r
.
recalledwed get there in
time to start playing at 9:30
and would have to bring all
the equipfnent in through the
crowds still lined up at the
door." '
There was :bio liquor licence
for the night and people would
smuggle in refreshments"
hidden down their pant legs
or the ladies wound carry
them in their purses.
"You'd be playing and
could, see people bend under
the tables, to freshen their
drinks," John said.
"It'd be pretty dark under
there and more would end up
on the floor than in the glass,"
Fred said.
"Members of the nearby
Ridgetown OPP detachment
were our largest contingent of
supporters and their wives
went into the dance with the
biggest purses of all," Jerry
said.
Another unforgettable
engagement, was the time the
Bluetones played in Seaforth
without Bruce, who was down
with the flu.
"We'd play a set and then
run to a phone to ask how
Bruce was feeling," John
said.
"They called me,every half
hour that night to see if 1 was
well enough to come out and
play," Bruce said.
The night was a nightmare
for the four Bluetones.
"John would play •the
trumpet, then he'd run over
-and pick up the guitar and
sing, and then runback to the
trumpet," Burt said.
"We got the Seaforth
booking for the next year, but
I think it was a sympathy
vote," Fred said.
In the 13 'years that Jerry
and John had been with the
band they remembered the
Bluetones missing only two
engagements. Both in 1971
during the worst snow storm
of the year.
While being able to boast of
their solid bookings week
after week, the Bluetones'
popularity took its' toll on
their family life.
The band was never home
Saturday nights, and while
Clintonians revelled in
Centennial celebrations_ at
home last year, "we missed
it, (Centennial) because we
were playing in other spots,"
Fred said.
Now that the band is
through and they have their
Saturday ,nights • to them-
selves, each Bluetone has
only one problem: Figuring
out what average married
couples do on Saturday
nights. -
They see the problem as a
temporary one however.
"Come and see us in three
months and ask us how we're
doing," Bruce invited.
. While making up for lost
family live, one thing all of
the men will never be able to
recapture is the fellowship
they enjoyed as Bluetones.
"'Tye , rea11 -enjoyed~ the'
fellowship that we've shared
playing together and
travelling around from, 'town
to town," Burt said. "You
always knew that whatever
happened through the week,
when it came to Saturdays, it
meant going out to play, it
was sort of like a night out
with the boys.
"It's like a habit," he
continued. "You get u"sea to
having a knot in your gut only
now you don't have anything
to look forward to, You have'
to learn to slaw, yourself
down".
The fellowship the group
enjoyed within itself also
came to engulf -some of its
audiences.
"The same., fellowship we
shared Was accepted 'by our
followers - some who have
followed us for 13 years,"
Jerry said.
"Some people never missed
us in the eight years we
played in Aylmer," Fred
said, "and I think a few tears
were shared in the audience
whenrwe played in Aylmer for
the last time."
Four of the Bluetones have
retired their musical careers,
but John Newell has
something up his sleeves -
Greensleeves, that is.
"I've been thinking of
starting a " new group and
having it ready to play by
November," John said. "I
thought I might call it, (the
band), Greensleeves, in
which case you can guess
'what number we'd play first,
but whether or not that will be
the name depends on what the
other; guys in, the group
think f"
Whatever the name chosen,
it will definitely not be the
"Bluetones".
"I don't want people, to
compare us to the Bluetones.
I want them to come to know
us for what we are," John
said. `
There were times ,when the
band contemplated changing
its name from the Bluetones,
"because we felt that it was
out of time with the times,"
Fred said.
"But we always came back.
to the fact that people could
identify us with that name
and decided to leave it as it
is," he said.
Looking back, all of the
Bluetones are glad of their
decision.
For a group that has never
advertised, the Bluetones
enjoyed great popularity, and
today feel .only appreciation
for the patronage they en-
joyed.
"Now, if we could just get
some people to write in their
suggestions on what to do on a
•Saturday night, we'd be all
'set," Jerry said.
4
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