HomeMy WebLinkAboutTimes Advocate, 1995-10-25, Page 15.11 r1:11
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4'41,
Local artists hold first studio tour
Brenda Burke T A staff membership. "We want a variety of styles."
GRANTON - Bright signs decorated with Goodale's studio near Granton contains wa-
• tercolor paintings with titles such as
"A lot of 'Sunset. Behind Cook's Farm, Grass
people are shy Sculpture and October Storm.
of going into "The lighting and the mood that
studios... mother nature supplies - that's
We want them where I find my inspiration," she
to see what said while exhibiting her work from
were doing, the studio she's had for the past
year and a half. "It's very important
to capture...an instant in time...a feel -
balloons appeared near Granton, Lu -
can and St. Marys on Oct. 14 and
15, pointing the way to studios of
five local artists.
Chapter 5, Association of Artists,
which was formed in September,
held Discovery '95, its first studio
tour.
"A lot of people are shy of going
into studios...We want them to see what
we're doing," said Artist Annette Goodale,
adding the group is hoping to expand its
The studio walls of printmaker Alan Dhingra in
St. Marys are adorned with various sizes of prints
that exude an African quality and often follow a
theme of the human form, with a special emphasis
on couples and pregnancy.
His prints consist of dark and contrasting colors
and have titles such as three's a Crowd, Under the
Sea and Dance of Love.
Some of his work displays large faces, colorful ab-
stracts and mixed media techniques including sew-
ing and wax painting, which involves beeswax, par-
affin or crayons.
Beginning his artistic endeavors with screen -
printing in high school, he continued to the Ontario
College of Art to study art and printmaking and is
now teaching small groups in his studio that opened
last August.
Dhingra would like to move from his current nur-
turing themes to explore abstract, dynamic prints.
,Ilan I)11i11gra
for me
ing."
Although
much of her
work includes landscapes and floras, she is
also drawn to the detail of pen and ink
works, which are more time-consuming than
watercolors when she uses pointillism, a tech-
nique that involves applying small dots to
canvas so they appear, at a distance, to blend
together. An average 8x10 ink picture done in
such a style may easily take 50 hours to com-
plete.
"I've always drawn or painted," said Goo-
dale.
11111('11(' nnlale
Renee Knight
A step into Renee Knight's stu-
dio near St. Marys reveals a me-
nagerie
enagerie of various subjects finished in colored pencil and watercolors.
"Shadow and composition are really the most vital components to me,"
said Knight," explaining such a philosophy leads her to unusual subject
matter at times, much of which is found in her own backyard, including the
nature and animals that surround her. Wheelbarrow, Milking Time and Just
Ducky are titles of some works hung on the walls of Knight's gallery.
"I really enjoy nature and that comes through," said the graphic artist
who has been painting since she was a child.
From a piece displaying the swollen utter of a goat, which won a Best of
Show award in 1993 at Gallery Stratford, to her favorite image of a carton
of eggs named Craters, her sense of humor and eye for detail are revealed
through her work.
One of Knight s larger colored pencil pictures takes three to four months
to complete while watercolor pieces of the same size take just a few days to
finish. She prefers to do much of her work during the winter and show dur-
ing the summer.
Knight has been painting and penciling full-time for six years now, and opened
ago. She is now working on a colored pencil drawing of a wild turkey feather.
Barbara Beach
her home gallery three years
At her home on the outskirts of Lucan, Barbara Beach displays her
custom-made art furniture which acts as a canvas for her original acrylic
landscapes and designs, much of it appearing in pastel colors on white dressers and tables.
"It was something I wanted to do as a business right away," said Beach,
who began enhancing older furniture a year ago. "
"Painted furniture's kind of becoming the 'in' thing," she said, explaining
although it's popular in the United States and in larger Canadian cities,
such art is gradually gaining recognition in Southwestern Ontario.
Beach usually begins her work with an older piece of furniture that is of-
ten defected or damaged. After repairing, stripping, sanding and priming
the wood, she begins to paint, often conjuring up ideas before she gets to
this stage.
"Certain pieces suggest certain things," she said, pointing out the differ-
ence between a dresser done in a natural finish with a small barn swallow
on its front and a white dresser front covered with a frosty landscape that
extends over its handles.
"I like doing different things. There's really no end to what you can do
with furniture," she said, adding beach scenes as well as brightly -colored
whimsical figures for children's furniture are antoi her many ideas.
It takes Beach two to three weeks to finish a scene on a large dresser and
just a few hours to do smaller projects, such as a design on a washboard.
She plans to concentrate on her watercolor and oil paintings this winter.
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In the studio of Jacqueline Wojtowich near Pros-
pect Hill, you'll find dramatically detailed portraits
and paintings of all subjects done in both oil and wa-
tercolors.
"It's unusual for an artist to do all subjects," she
admitted, adding her specialty is horses.
People, pets and houses, which may be created by
referring to photographs, make up the bulk of the
commission work or work -by -order pieces designed
by this realist artist.
"Some artists don't like pressure but rseem to
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commission work, they want detail."
A former fine arts student at Fanshawe College and
a recipient of the Mackie Cryderman Award in 1981,
Wojtowich has taught art classes in London, St.
Mary's and Exeter for the past four years.
A painter all her.life, she's been practicing her craft
professionally for the past 17 years.
,Jacqueline Wojtowich
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