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The Huron Expositor • February 8, 2006 Page 19
Seaforth native's play about Stompin' Tom
Connors to premiere this summer in Blyth
b
Dave Scott takes four years and three versions perfecting play
Susan Hundertmark
It all began at his brother's Bruce
Peninsula cottage where Seaforth's
Dave Scott spent an afternoon read-
. ing a Stompin' Tom Connors biogra-
phy and listening to a tape of the
Canadian songwriter's music.
"I'd never seen him in concert but
I had a few albums. I was blown
away by the story of his life. Most
people think of him as a funny char-
acter but there are many dimen-
sions to him - he's had an extremely
hard life and he's a true survivor,"
says Scott.
More than four years later, Scott's
new play on Stompin' Tom's life is
undergoing final revisions for a
world premiere at the Blyth
Festival this summer from July 27
to Aug. 12.
And, Scott, who spent last
Thanksgiving at Stompin'n,.Tom's
house at a location he's not allowed
to disclose, is even more impressed
by the man who travelled Canada
coast-to-coast with a guitar and
wrote songs about small town life.
"He's a Canadian icon. He has the
Order of Canada and two honourary
doctorates. He came 13th in the
Seaforth native Dave Scott plays Canadian music
Connors in a game of chess this past Thanksgiving.
Greatest Canadian contest last
year, beating out every other
Canadian artist. And, he deserves a
lot more recognition," says Scott.
After writing three other plays for
the Blyth Festival - one of which,
There's Nothing in the Paper, was
staged in 1997 -
Scott was so
inspired by
Stompin' Tom's
biography, he
decided to try
and write a play
about his life.
"I thought, `I
can't believe no
one's written a
play about him.'
You could easily
write a dozen
plays about him
there are so
many stories,"
says Scott.
The first step
was to gain
Connors' permis-
sion and Scott
took advantage
of a Seaforth con-
nection to get
started. Ron
Scott, a distant
relative who is
also from
Seaforth, is now
working for EMI
Capitol Records,
Community Calendar
WED. FEB. 8
10:00 - 11:30 a.m. Rhyme Time
Ontario Early Years Program at Duff's
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Submitted photo
legend Stompin' Tom
the company that reissued a com-
plete catalogue of Connors' entire
library of songs in the late 1980s.
Dave talked to Ron Scott (son of
Vern Scott) and asked for some
advice about how to approach
Stompin' Zbm.
Given the advice that Stompin'
Tom "doesn't suffer fools gladly,"
Scott wrote Connors "an honest,
straight -forward letter," sharing his
desire to write a play along with
some evidence of his credentials.
"I never heard back. And, I
thought, 'Of course he's not respond-
ing - I'm a stranger he's never heard
of before.'" says Scott.
A few months later, he decided to
take 'a gamble and write half a play
and send it to Connors.
"And, if he didn't like it, I
wouldn't have wasted huge amounts
of time," says Scott.
After another few months, he sent
away Act 1 and waited another
month before receiving a typewrit
ten letter from Connors, telling
Scott he'd liked what he saw but
was currently negotiating film
rights for his life story and didn't
know how it would impact a play.
He left Scott with the encourage-
ment to keep writing.
The biggest thrill came after
Connors had received the whole
script. Scott arrived home one day
and his son infd'rmed him he'd
received a prank call from his broth-
er Bruce, pretending to be Stompin'
•
Tom.
But, when Scott played back the
message, a "big, deep voice" said,
"This is Stompin' Tom," and Scott
knew he hadn't received a joke call
at all.
"I called him back and we went
over the script, which only needed a
few minor changes. And, I :consid
ered that an honour," says Scott.
It took Scott four years and three:
different versions to arrive at the
play that will be performed this
summer.
"They've put me through the
ringer to get the best script possible.
It's been a lot of work but the third
works well and I'm hoping people
will like it," says Scott.
Act 1 takes the theatre audience
through Stompin' Tom's childhood
from the time he was taken away
from his mother in the early 1940s
at age 5, to his terrible years with a
foster family in Skinner's Pond,
PEI, where he was treated as a
hired hand to his eighth and finally
successful attempt to run away to
New Brunswick at age 15.
"He was on the road with a guitar
at age 15 and never stopped. He's
criss-crossed Canada many times
and played in bars and speakeasies
where he earned a name and a liv-
ing," says Scott.
Act 2 is about Stompin' Tom's
careor as it takes off and becomes a
success.
The play is filled with Stompin'
Tom's songs including favourites
like lb It and At It, Bud the Spud
and Sudbury Saturday Night.
"He's written so many fun songs it
was hard to choose," says Scott.
And, while Stompin' 'Ibm's written
about many small towns, such as
Tillsonburg, Scott says he''s never
featured Seaforth in a song.
"But, we can't give up hope - he's
turning 70 this month but he's still
writing songs."
Scott says he's excited a play
about a great Canadian will be pre-
miering at the Blyth Festival.
And, while Stompin' Tom will not
be attending the play during open-
ing night, Scott says he may show
up during a rehearsal or be in the
audience unannounced during the
run of the play.
"He's a private guy and he said he
might sneak into one of the shows.
But, I can't imagine no one recog-
nizing him with that big cowboy
hat," says Scott.