HomeMy WebLinkAboutGoderich Signal Star, 2017-06-14, Page 2122 Signal Star • Wednesday, June 14. 2017
Local playwright
explores rural
Ontario's history
in Kingsbridge
The Musical
lk On June 15, Kingsbridge The Musical—
an original play that showcases local
talent and tells a story of rural life in
the '50s—premieres at Kingsbridge
Centre as part Ontario 150 celebrations
Sheila Pritchard
Postmedia Network
Kingsbridge The Musical,
an original theatre produc-
tion written and directed by
Goderich playwright Warren
Robinson depicting life in
rural Ontario in the 1950s,
will premiere at the Kings-
bridge Centre on June 15.
The show features local
volunteer musicians, actors,
and technical talent of all
ages from the Kingsbridge
community and will run
Thursday, June 15, Friday,
June 16, and Saturday, June
17 at 8 pm and on Sunday,
June 18 at 2 pm.
(1) Warren Robinson directs a rehearsal for Kingsbridge The Musical at the Kingsbridge Centre. Many local volunteers
talents and time to the production. (2) Kingsbridge The Musical premieres at the Kingsbridge Centre June 15.
Robinson, who has writ-
ten three other musicals that
were set in Goderich at vari-
ous historical times, says this
story looks at Kingsbridge
life in the late 1950s. "So
much was changing in rural
life—electricity and indoor
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plumbing—the move to the
cities by young people, the
selling off of lakefront prop-
erty to support the farm, and
how these changes affected
the dynamic of the
community:'
The idea for the musical
came from St. Joseph's
Kingsbridge Community
(SJKC) and was commis-
sioned by the Kingsbridge
Centre, with support from
the Province, as part of
SJKC's Ontario150 program.
The not-for-profit organiza-
tion wanted to highlight its
community in Canada's
150th year.
Robinson says his time
with the community and his
love of music and local his-
tory made this an ideal pro-
ject for him. He and his wife
owned a cottage in Kings-
bridge and attended St.
Joseph's Church (now Kings-
bridge Centre) for 20 years.
"I knew the community was
extremely musical and that
inspired me to make it a
musical. I also have long
admired the strength and
cohesiveness of the commu-
nity. Adversity only toughens
them."
As for his creative process,
Robinson wrote the script •
and songs together. He says
often a song idea would sug-
gest a scene or vice versa. "I
laid out a plan based around
three sets of relationships
that continue throughout the
play. 1 also tried to ensure
there were scenes covering
essential elements of the
community."
Robinson needed to
research the rich history of
Kingsbridge. For this, SJKC
members spent time with
senior community mem-
bers to learn firsthand what
various aspects of life
looked like in the tight -knit
hamlet in the '50s. "I felt
that the elders would be
more forthcoming with peo-
ple they knew," says Robin-
son. "Fortunately SJKC
members were able to
gather lots of material."
"The play is what I call
'faction," Robinson says.
"The story and characters
are based on reality but I
have fictionalized them." He
says sometimes it worked to
combine several similar sto-
ries into one and sometimes
it was necessary not to reveal
names. "However, anyone
familiar with local characters
will soon know who is being
presented."
The musical score was a
collaborative effort. "I was so
lucky to have Mike Reynolds
and [wife] Eleanor Robinson
as composers. "Ihey are both
creative and flexible," says
Robinson. "Sometimes the
melody would come first
and sometimes the lyric
would." The trio tried to
strike a balance between rol-
licking comic songs and ten-
der ballads, he says. "As this
is a 'folk musical,' the instru-
mentation is fiddle, banjo,
guitar, keyboard, bass, man-
dolin family instruments
and concertina. Coinciden-
tally, the late 1950s was the
beginning of the folk music
boom so having a folk musi-
cal seemed appropriate."
Robinson says working
with the Kingsbridge
Courtesy of SJKC.
have lent their
community has been "a
dream." "I have never had
this many fine singers in a
single cast. There are 37 peo-
ple in the cast and the vast
majority of them sing very
well. [The talent) will blow
you out of the hall." In true
musical fashion, there is also
dancing.
"Along with the acting
and singing talent there is a
great crew of builders and
people with technical
expertise. They are super
talented and committed.
Their enthusiasm, drive and
willingness to trust me has
been great." The best part,
says Robinson, was collabo-
rating with the community.
"I get to work with people I
respect, in an exciting
venue, on a project that we
all love. Life doesn't get
much better than that."
But the project came with
its challenges, says Robin-
son. "Every area has charac-
ters and you want to include
the characters but not in
such a way that you offend
their relatives. We try to cel-
ebrate the characters for
they make life richer."
"This show will appeal to
everyone," assures Robin-
son. "It is very lively, has lots
of humour, and fantastic
singing. Whether or not you
are familiar with the area or
a total stranger you will have
a good time, I promise."
Tickets for Kingsbridge
The Musical are available at
the door and cost $20 for
adults, $10 for students, and
$5 for youth under 12. Doors
will open one hour prior to
the event.