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HOWSON & HOWSON LTD. 110 w ii ii %HI IS PAGE 20. BLYTH FESTIVAL SALUTE, WEDNESDAY, JUNE 28/29, 2006. Taking up the challenge Portraying an entire community with just 9 actors requires creativity — but's that's exactly what Schoolhouse director Leah Cherniak loves to do Leah Cherniak: award-winning director returns to Blyth. By Keith Roulston Citizen staff Leah Cherniak, recently nominated for a Dora Mayor Moore Award, the Toronto theatre world's top prize, loves a challenge, and for her, Schoolhouse fit the bill. Using imagination will be necessary to bring to life playwright Leanna Brodie's tale of an 18-year- old school teacher's first job in a rural Ontario schoolhouse in 1937. She has nine actors to play a much larger number of roles. In some cases actors will be playing students as well as the parent of the same student. "The difficulties attract me," Chemiak says. "I start thinking `how are we going to do this'." "The key is a real, authentic feel," she says of the task of bringing a whole community to stage with a AZ‘bY `P /991 -- .APOTBEEARY Your Village Pharmacy SERVICES WE PROVIDE • Full prescription services • Assistance in selecting non- prescription over-the-counter medications • Verbal or written information regarding your medications, herbal products and/or specific diseases • A private consulting room • 10% Senior's Discount every Tuesday on non-prescription items • FREE blood pressure testing during regular business hours Free local delivery Dan Taylor BSc. Pharm. 523-4210 For emergencies only call 482-9475 limited number of actors. "Hopefully what will be more important (than the style of the play) is the relationship between the different characters — how the teacher gains their trust." When Festival artistic director Eric Coates called to offer her the job of directing the play and she read the script, she was attracted by the relationship between the young teacher and an older student from a training school who becomes her student when he's sent to work on a local farm. It makes for a story that, while sweet, is also risky and challenging for the audience, she says. "You have to trust the play — that it should do its job for the audience," she says. "My job is to make it come alive off the page." Cherniak is familiar with the Blyth audience from her work here over the years. She ran the Festival's Young Company program for three years and directed Safe HaVen for the main stage in 1993. Cherniak leads a hectic life with many varied roles in theatre. She is co-director, with Martha Ross, of Theatre Columbus, where she has created 25 new Canadian plays over the years, many of them involving the use of clown work. Her production of The Anger in Ernest and Ernestine, which follows a pair of newlyweds as they discover the consequences of saying "I do", won her an "outstanding direction" Dora nomination. The awards were to be handed out June 26. She also taught for 14 years at the National Theatre School of Canada in Montreal and teaches at Ryerson University's theatre program and George Brown College, specializing in clown work. On top of all this, she has been building a growing reputation as a director of mainstream theatre productions, recently having directed Michel Tremblay's Past Perfect at Toronto's Tarragon Theatre. Later this year she is directing John Mighton's The Little Years for Neptune Theatre in Halifax and The National Arts Centre in Ottawa. Asked about her busy schedule she admits sometimes she just feels like screaming "I just want one job!" but on the other hand, "it's what I've been doing for 20 years." None of her jobs would provide a living on their own and added up they don't make for a really good living. Still — "I love teaching and I do love directing. What do you do when you love what you're doing but it's wrecking your life?" she laughs. She loves the rehearsal process of working with the actors. "It's incredible how committed everyone .is for four weeks," she says. "Everyone wants to create something beautiful for the audience." In Schoolhouse, she feels there's a beautiful story for the actors to tell. Brodie busy acting on opening night of her play Continued from page 17 produced her play Seeds of Our Destruction, about genetic engineering gone wrong. But she is also still an actress and in fact will miss act one of her play on opening night because she'll be onstage at Toronto's Summerworks Theatre Festival. By the final curtain, however, she expects to have made a flying trip to Blyth to become a playwright again at the end of her opening night. Playwright with the most world premieres at the Blyth Festival: Ted Johns — 10 plus numerous remounts