Loading...
The Citizen, 2004-06-16, Page 7Congratulations Blyth Festival on the opening of your 30th Season! Howson & Howson Ltd. • Feeds • Seeds • Fertilizers • Chemicals • Elevators • Roasting Available • Custom Application & Impregnation Crop Inputs Elevator & Feed 523-9624 1-800-663-3653 Flour Mill 523-4241 Blyth eafr,f4a./..4.4 abla gale." art .61.a4..9& geadon We have everything you'll need for your home "Your building and hardware store" Blyth Building Supplies PRO 208 Hamilton St., Blyth c!stIe Hardware 523-9305 building centres • n ..w.-*, Scrimgeour's Food Market Wishes to congratulate the Blyth Festival on 30 Seasons of Fine Entertainment Storemade Country Sausage Storemade Beef Patties Soup and Sandwich Counter sommiairao Carry Out Service In-town Deliveries Cold Beer, Wine, Spirits Store Hours: Mon.-Wed. 8 am - 6 pm Thurs. - Fri. 8 am - 9 pm Sat. 8 am - 6 pm; Sun. 12 pm- 5 pm Blyth 523-4551 I. AO AGENCY BLYTH FESTIVAL SALUTE, WEDNESDAY, JUNE 16, 2004. PAGE 7 Board president directs 'Donnelly' vignette By Sarah Mann Citizen stall As president of the Board of Directors Carol Oriold is no stranger to the Blyth Festival but this season she gets the chance to work on one of the productions. Oriold is directing about 20 community members in the Love and Larceny vignette for The Outdoor Donnellys. "This is the third performance of the Donnellys and Eric was really great saying, 'just come in and block the way you want to.' The people there are very open to changes and I think having me come in to direct a vignette has freshened it up." Oriold not only taught drama at Listowel District Secondary School for 25 years, she brought the program to the school. Hired to teach French. Oriold told the principal during the interview, "if you hire me to teach French you know I'll start a drama program here. 1 taught French for two years and then the drama program began. It grew and eventually I became a full- time drama teacher. There were 14 drama classes which is great for a rural school." Oriold says even though she spent her career teaching non-professional actors that doesn't mean she has lowered her expectations. The Continued from page 6 research. After that. Garratt says, it's just a question of "going in there and trying to do it and seeing what works." "We spent a lot of time going over- and over it, trying to find the voice of it. 'cause he's an incredibly defiant. angry person and yet he's incredibly charming and has this grace about him too. Garratt tells the story of how Bob. after his family was murdered. rented a house on the main street of Lucan. "These people have just killed your family and you go rent a house on the main street and say, 'here I am'. Everybody had to see this sort of ghost who was still alive and already starting the haunting." Because this is The Outdoor Donnelly's third run at the Festival Garratt thinks people's expectations have escalated. "At the same time I think that process of rehearsing. creating a character, putting the play together and getting it ready for the audience is the same with community members and professionals. "I still have high expectations of the community members to put their all into it. They come with more knowledge than people realize and they really work as a team. They are eager for anything to be passed along to them." Oriold says sheds fascinated by the Donnelly story. "When my husband and I first moved to Wroxeter we heard the stories of the Black Donnellys from Lucan. Then I read the books by Orlo Miller and Tom Kay. It's one of our local stories with a tragic ending. It really makes you wonder what justice is. This family was murdered by their neighbours, is that what justice is?" What excited Oriold the most about her task this season is the creative procesS. .that goes into putting something together. "I always said I was the luckiest teacher in the world because I got to go to school and play all day and it's true. It's creative, alive and energized. The arts allow actors to explore themselves by doing and the audience by seeing. I strongly believe the arts are about trying to understand people better — that it we're really blessed that it's a powerful story and I don't think we even attempt to tell the whole story. Everybody has so many favourite parts so they come and there's a lot of things they expect to see but don't. We really try to offer some surprises too of things they haven't thought about. And although Garratt has his hands full with many projects this summer that doesn't stop him from thinking about the program he hopes to start at the Festival with the high school students. "I really want to make it clear to these kids that there's a cultural institution that is genuinely interested in what they want to do, what they care about and what they they think about," says Garratt. "Someone is willing to actually put in the time and the effort and the money to learn from them as much as to teach them." matters." Because this is the third run for The Outdoor Donnellys Oriold says you will find some changes. -The thing with theatre is that it is never perfected. We always try but it never is. Every time something is remounted you bring something new to it. You already have the basic creation, all that work is done, you just have to expand it. Now is the time to bump up the other stuff you wanted to before but didn't have the time for." Oriold saw the all-day Donnelly show a couple of years ago with her Memories Actor serves lobster Mildred McAdam of Clinton, was board president of the Blyth Festival for the 1981 and 1982 seasons. During her time as president, McAdam said some of her most memorable moments on the board included the first gala auction for the Festival, helping to set up the first bed and breakfast in Blyth. the set up the first Friends of Blyth volunteer group and making cushions for the theatre's seats. She said she also remembers Viola Legere, star of La Sagouine who treated the company to a lobster dinner after a performance. "I've gone to pretty much every production and I've probably missed only one or two in 30 years," said McAdam. Three plays that McAdam remembers most are Quiet in the Land and The Thmorrow Box, both written by Anne Chislett and He Won't Come In From The Barn recreated by Ted Johns. husband and says it was different from anything she had ever seen before. . . and I've been to a lot of theatre. I mean, you got on these wagons and were driven around town to different vignettes while people sat on their porches and waved to you while you went past. It was really something and I really got the sense I was a part of something special." Oriold doesn't believe that the Blyth Festival is unappreciated by people not from the area. "I've talked to many people from Toronto and the States who have been to Blyth and think it's the best things since animal crackers. I don't think it depends on location. I think it depends on what type of theatre people enjoy and if they want to see our stories on stage." • • Oriold admits to being pretty excited that of all the times she was invited back to direct it was during the 30th anniversary season. "That really rocks as they say. . . I love directing and all that stuff so I keep my finger in the pie. I'm glad you don't walk out of the building and be forgotten forever." Oriold says Artistic Director Eric Coates has put together a "super season." "There are great actors and designers. It always amazes me the talent the small town seem5, to get." Oriold says directing the community vignette is rewarding because she sees them make advancements and how happy it makes them. "These people are volunteering a lot of hours and they do it out of the love of participating in theatre." Garratt tries to give voice to 'defiant, angry' character Power Acoustik Mobile „ Entertainment for your vehicle . WLHP-1X ._,... Wireless Infrared Headphones (2 pairs) , . Iiir3r ,, p MO UM • MS NM PT-653CM PADVD-340 6.5" LCD DVD, CD, MP-3, CDR, Ceiling Mount Monitor CDRW player 99 $649 All for only ,,....7,./.....„ ,-- A .0 110 VliDEO CNRE' C i.- ', 1. .414 den Since 1947 34 Shoppers Square, Goderich (519) 524-9432