HomeMy WebLinkAboutThe Citizen-Blyth Festival 2000, 2000-06-21, Page 42PAGE 18. BLYTH FESTIVAL SALUTE, WEDNESDAY, JUNE 21, 2000.
As Barbara Walker, Caroline Gillis has difficult challenge
By Mark Nonkes
Freelance Writer
Actress Caroline Gillis, who
plays in Anne and Stolen Lives —
The Albert Walker Story, at the Blyth
Festival, has said good-bye to her
TV for the summer.
“I don’t have a television in Blyth
and that is going to save my life . . .
I was getting a little too addicted to
TV.
Instead Gillis plans to learn to
play the guitar and read a few books
in her spare time.
Audiences may remember Gillis
from two years ago when she played
Sherry in Wilbur County Blues and
Shelley in Jobs, Jobs, Jobs.
“It was a great experience last
time and the company I worked with
last time was amazing and I assume
it will be more of the same this year.”
This year, Gillis takes on the
roles of Rachel Lynn in Anne, the
town gossip, and Barbara in Stolen
Lives — The Albert Walker Story.
Gillis said the challenge of
playing Rachel Lynn is “To try to
bring lots of comedy and sensitivity
to the part”.
Caroline Gillis plays the betrayed Barbara Walker in Stolen Lives.
seconds later.
In Stolen Lives - The Albert
Walker Story Gillis plays Albert
Walker’s ex-wife. Gillis is excited
by being part of a new Canadian
production and describes her
character as a down-to-earth woman
who gets caught in a nightmare.
“This is even more difficult than
taking on a role that has been made
famous like Rachel Lynn because it
is actually a role of a woman who is
still alive.”
. Since Gillis appeared on the
Blyth stage last, she has played a
wide array of characters in Toronto
theatres including a “crazy alcoholic
mother” and a “tortured wife”.
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“I’m a completely different actor
and person ... so I can’t take any
comparison. Seriously, whether it’s
positive or negative,” she said when
suggested she may be compared to
other portrayals of Rachel Lynn.
“Bring it on, bring on the
comparisons,” she jokes a few
Festival audiences see many plays first
Blyth Festival audiences have an
opportunity to savour something no
other summer theatre offers: the
chance to see important new plays
performed for the very first time.
It's a process the Festival has
become known for over its 26
seasons. Eighty plays have been
premiered on the Blyth stage. Forty
eight per cent of those plays have
gone on to be performed in other
theatres across Canada or around the
world.
It makes for magical moments,
particularly when an opening night
audience realizes they’re in on the
beginning of something big.
Take the night back in 1979 when
Peter Colley's I'll Be Back Before
Midnight was premiered. The story
is famous now of how Colley, living
in London, had stayed overnight in
the East Wawanosh farmhouse of
Festival founder James Roy and
been spooked by the isolation and
complete darkness of the country.
Midnight, the play that resulted
from that visit, spooked a lot more
people that opening night and
became the first really big, exported
hit at the Festival. So excited was
London Free Press critic Doug Bale
that he came to the cast party with a
%
copy of the review he had phoned in
to the paper. It predicted the play
would end up on Broadway.
Midnight never did play
Broadway but its box office has
grossed more than $8 million around
the world from Australia to
Romania, it was made into a movie,
and changed the life of Colley
forever.
As if the first opening night wasn’t
exciting enough, the play was
remounted for the 1980 season and
that night the audience was so loud
in its applause (and foot stomping)
at the curtain call that intercom
communications between the stage
management booth and the
backstage crew was impossible.
The opening of Midnight was the
Festival’s second magical moment.
The audience on July 9, 1975, the
very first opening night, realized
they had just witnessed the
beginning of something big. They
were right, of course. A quarter
century later the Festival has placed
an indelible mark on Canadian
theate as a whole, and changed the
face of the Village of Blyth.
That kind of excited buzz that
makes people want to stay and stay
at the post-show opening night
reception, was evident at the
opening of Quiet in the Land, Anne
Chislett’s story of conflict in an
Amish family brought on by the
stresses of World War 1. The
audience was right in '"guessing
they’d seen something very special.
Quiet in the Land went on to win the
Governor General’s Award for
drama and be performed in most
major theatres in Canada as well as
in New York.
Blyth Festival
2000
‘Stolen Lives’
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