The Citizen, 2003-06-25, Page 29PAGE 4. BLYTH FESTIVAL SALUTE, WEDNESDAY, JUNE 25, 2003.
Pirate tale inspired Archibald to write rollicking musical
Setting a tale to music
While researching an album of songs about the Great Lakes,
David Archibald discovered the story of Pirate Bill Johnston
and his remarkable daughter.
By Bonnie Gropp
Citizen staff
The lives of some people just beg
to be told.
About six years ago, Kingston
musician and composer David
Archibald was researching material
to create music for a CD when he
came across the name of Bill
Johnston. “What a fabulous
character he was,” he says referring
to the inspiration for The Perilous
Pirate's Daughter, this Blyth
Festival season opener.
According to Archibald, during
the War of 1812 Johnston enlisted on
the British side because he was
living near Kingston. Soon after,
however, he was thrown in jail under
suspicion of sympathizing with the
Americans. “He claimed it was
because he married an American.”
While incarcerated the British
confiscated £1,500 of his property.
“This was a substantial amount.
Understandably he was miffed and
vowed to do this scourge on British
shipping in the Thousand Islands
and Great Lakes Region.”
During his “heyday” as a pirate
between 1813 and 1838, Johnston,
says Archibald, “kept pretty active.”
The spree culminated with the
1838 capture of the British mail
ship, the Sir Robert Peel.
Inspired by this colourful legend,
Archibald eventually wrote a whole
CD’s worth of songs about the Great
Lakes heritage called The Spirit of
the Inland Sea. (Singing back-up on
four of the offerings, was then
unknown Avril Lavigne. “I was
actually producer on her first record
session ever.”)
But how his work came to Blyth
was through a contact made many,
many years earlier. A native of
Guelph, Archibald, back in the
1970s composed a score for a local
production which starred a 13-year-
old Guelph resident, Eric Coates.
Fast forward to Blyth Festival in
2000. According to Archibald,
Coates, now the theatre’s associate
artistic director, who had had
professional contact with the
composer through the years “had a
vision that somehow all those songs
could be woven together.”
While things didn’t quite work out
that way, artistic director Anne
Chislett did attend Archibald’s
concert in the Festival’s Garage
Theatre. “I guess she saw the
potential in the character of Bill.
That got us going.”
For Archibald the next step was
more research. “I found out more
about his family and learned that he
was often assisted by his handsome
daughter Kate.”
“There she is The Perilous Pirate’s
Daughter’’
Archibald wrote a few songs, then
a version of a script. “Actually is was
more of an outline.”
This was given to Coates (“the
driving force and inspiration behind
it”) and Chislett, who “jumped on
board and thank goodness she did.”
The noted playwright fleshed out
Archibald’s work and the script then
came to Blyth to be workshopped.
“It was a good exercise in
mechanics. Usually in the songs I
write it’s my voice. But in this
instance they have to be the integral
part of the plot. They have to
advance it and be the dialogue.”
“It’s a challenge but so exciting
(during the first rehearsal) when we
got everyone up, singing, moving
and learning the tunes.”
The musicians double as actors in
the production, which is being
directed by Coates, and boasts a cast
of about a dozen. The energetic
performance also promises
choreography “aplenty”.
'There are quite a few bodies so
when we all get up and moving it
will be quite exciting.”
Congratulations Blqtk F estival
on a success ful 29"' season
ftlijlli Station J louse
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While you 're in Blyth stay at our historic Grand Trunk railway
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Enjoy a home-cooked brunch served in our exquisitely restored
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We 're located on Dinsley St. just minutes
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Welcome
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29th Season!
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