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PAGE 14. BLYTH FESTIVAL SALUTE, WEDNESDAY, JUNE 13, 2001.
Perchaluk racks up flyer miles
By Mark Nonkes
Citizen staff
Travelling is one of the job perks
for designer Brian Perchaluk.
Based out of Winnipeg. Perchaluk
designs the sets and costumes for
plays all over Canada.
His last three shows played in
Edmonton, Winnipeg, and Ottawa.
He is currently working on one for
Blyth and another for the Shaw
Festival at Niagara-on-the-Lake.
"It varies year to year." Perchaluk
said in a phone interview.
By the time the actors begin
rehearsals, a designer has most of
his work completed. With many
long distance phone calls and
conversations with the director the
set starts to come together weeks
before the show goes into rehearsal.
In mid-May construction for the set
of The Passion of Narcisse
Although stage manager Andrew
Dollar grew up in London, Ontario
he has never been to Blyth.
"I've only driven through it,"
Dollar said in a phone interview
from his Toronto home.
This summer he will stop in Blyth
for the first time, to stage manage
The Passion of Narcisse Mondoux
and McGillicuddy.
Both shows have , small casts.
which are usually easier to stage
manage than shows with large
casts.
But if the show is technically
demanding with a lot of props,
sounds, costume changes and
different lighting the show will be
as difficult, or even more so, than
any show with a large cast.
London was a great city to grow
up in. and every time Dollar visits
he is impressed at how much the
north end has grown.
Dollar started his theatre career as
an actor and graduated with a
degree in performance arts from
Ryerson.
In his early 30s he started
Designer Charlotte Dean put her
abstract art skills to work when she
created the set and costumes for
Coiner Green.
'l,rner Green is a memory play,-a
play about the inner pyschological
landscape, Dean said.
To portray that on stage Dean has
created a space that can be
interpreted in many different ways.
The set has a touch of the city and a
touch of the shoreline, Dean said.
It's a set where actors can change
time and places.
It's a set that uses textile
Materials and is heavily painted
with pastel colours.
One costume Dean will have fun
Charlotte Dean: pouring the
paint onto Corner Green
Brian Perchaluk: most of his
work done before rehearsals
Mondoux was taking place.
Costumes will be made in June.
working backstage and stage
managing. It was a move in the
right direction, Dollar said. He now
spends all of his time working
behind the stage's spotlight with
stage managing.
Switching to stage management
has allowed Dollar to be involved
in different areas of theatre, like the
production side. What Dollar loves
about theatre is that things are
project oriented and there is only a
limited amount of time to get all the
work done.
"Just when you start to get bored
it's over," Dollar said.
Dollar was the production
manager in Meaford at the
Georgian Summer Theatre last
summer. He's also worked in
Toronto at Theatre Passe Muraille,
Second City and Buddies ands
Bad Times.
While stage management
suits him fine right now, in
the future Dollar could see
himself going further into the
production side of things.
Dollar would also like to
designing will be the
costume of the Hagge,
creature that has beer
compared to a vampire or
bloodsucker. Dean is not
giving away any secrets as to
what the Hagge will look
like.
• "It's a big suprise," Dean
said in a phone interview.
Dean is designing the set
for Tempest- Tbst by
Robertson Davies this
summer at the Stratford
Festival. Dean has designed
several shows at Stratford,
the Shaw Festival and
theatres throughout Canada.
Most recently Dean
designed the set for
Goodnight Desdeinono
(Good Morning Juliet) at
Canadian Stage in Toronto.
When Dean• is usually
finishing up one project she
is starting on another. Being
busy keeps her out of trouble.
she said.
Dean designed a string of
shows in the late '80s and
early '90s for the Festival.
She was the deSigner for
Blyth hits like Mad Onler
Bride and The Dreamland.
"I'm quite thrilled to he
back," she said.
Perchuluk will be in Blyth to
supervise the construction of props
and costignes.
The set and design for The •
Passion of Narcisse Mondoux is
pretty straight forward. Perchaluk
said. In the design aspect it is a
simple play because there are few ,
set changes and only two actors who
need props and costumes. _
In the play there are two -settings;
at a funeral home and a den. The
den, is an inviting room where most
of the play takes place.
Perchuluk was the designer for
Stolen Lives: The Albert Walker
Story, last season in Blyth.
Perchaluk became interested in set
design when in university. After
graduating he attended the National
Theatre School in Montreal. He
enjoys his work because of the
opportunity to meet so many new
branch out into film. But working
in the arts is something he will
always do.
"I don't think I could ever get
something like that out of my
blood," he said.
The Passion
of Narcisse Mondoux
Designer Dean explores
psychological landscape
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when rehearsal begins. At that time people.
Dollar calls shots beyond spotlight
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