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PAGE 18. SETTING THE STAGE, WEDNESDAY, JUNE 24, 1998.
Paul Lampert has directed at top theatres
Paul Lampert: Not just
teaching, but "doing".
By Allison Lawlor
W hen Paul Lampert is
directing he makes sure
he steps out of his
teaching shoes.
Paul is the artistic director of
George Brown Theatre School in
Toronto and this season he will be
directing Yesteryear by Joanna
Victoria Wallace
juggles hectic
spring
design schedule
V ictoria Wallace was busy
this spring juggling the
design work _ fortwo
productions, Needfire at the
Princess of Wales Theatre in
Toronto and Jobs! Jobs! Jobs! at
Blyth.
Her costumes can currently be
seen on stage now at the Princess
of Wales Theatre in the new
Mirvish production Needfire
featuring celtic music and dance.
This summer she will create the
set and costume design for Keith
Roulston's new play, Jobs! Jobs!
Jobs!
Victoria is not new to the Blyth
Festival. She designed two
previous shows for the festival,
Fireworks and This Year, Next
Year.
This past winter she will design
the costumes for a new production
of Rodgers and Hammerstein's
Cinderella for Theatre Aquarius in
Toronto.
Although Victoria lives in
Toronto she has designed for
theatre across Canada. She has also
worked for the Vienna State Opera
and the Metropolitan Opera in New
York as a design assistant.
Victoria Wallace: working in big
-and .small theatres.
McClelland Glass at the Blyth
Festival.
As a director Paul prefers
rehearsal time to the actual
performances. He said he doesn't
usually attend performances
because by that time his job as
director is over.
"My job is to guide, shape and
hone the rhythms of the play and
the overall aesthetic of the play,"
he said. "I act as an outside eye.
The actors should be the inside."
In others words, Paul expects
actors to come to rehearsal with
their own ideas about their
characters, he doesn't like to
By Allison Lawlor
Fran Cook can't remember a
time when she wasn't
involved in the Blyth
Festival.
"I think I've been around here
forever," she said with a laugh.
"Officially it's been five years."
Fran's mother, Betty Battye, was
one of the first board of directors
at the festival back in the '70s. A
former teacher at Blyth Public
School, she insisted all seven of her
children get involved in the theatre.
Fran remembers ushering when she
was 10 years old.
In 1993, Fran co-ordinated a
community play called Many
Hands with general manager Karen
Stewart. The play was a huge
production that involved the whole
town. It was performed at
Hubbard's rutabaga plant and told
the history of Blyth.
Following that, Fran started
working part time as a clerk in the
box office. "Back then there used to
be six of us in the box office.
We're a lot more efficient now."
She was soon promoted to
manager in '97. Fran works in the
box office full time all year 'round.
"The real work starts," Fran said,
"after the summer season is over."
In the winter Fran starts working
simply impose his ideas on actors.
Paul likes variety in his work. He
enjoys directing all types of
theatre, whether it be new or old,
comedy or tragedy. Above all he
doesn't want to be pigeon-holed as
a director.
Paul has worked at most of the
large theatres across the country.
He spent three years at Persephone
Theatre in Saskatoon, six seasons.
at the Shaw Festival, four of those'
years he spent as assistant to the
artistic director.
Aside from directing Paul has
taught acting at several schools
including the National Theatre
on winter events being held in the
hall and preparing for ,the next
season.
While the box office sales
represent under 50 per cent of the
theatre's revenue, the sales are
essential to the festival's survival. —
Before working in the box office,
Fran was manager of the Mini-Mart
in Blyth.
Fran enjoys her work at the
festival.
"Working with the festival is like
working with a family. If
something goes well than everyone
gets credit," she said. "That's what
I really like about it."
For the past three years Fran has
worked with Susan Hubbard, the
box office assistant. They are also
hiring a student for the summer.
Fran explained that while the box
office isn't computerized and this
slows things down, customers say
they appreciate talking to a person
rather than a computer when they
call. The theatre is looking into
buying a computer system but cost
is the biggest thing preventing
them.
Born in Alberta, Fran has lived
in Blyth since she was 10. She and
her husband, Dave, who manages
the Blyth arena, are the proud
parents of two boys.
School, University of Windsor and .
University of Alberta.
He recently finished his masters
in fine arts at York University. His
thesis production will be
performed this summer in Berlin as
part of an international festival of
student theatre.
Paul started out as an actor. He
graduated from the National
Theatre School with a degree in
acting. While his acting days are
over, he said he rarely misses
them.
Born in Poland, Paul moved to
Canada with his family when he
was 10. He was last in Poland in
1995 when he directed Oleanna for
the national theatre of Poland. The
play was performed in Polish so
Paul sat in his director's chair
during rehearsals with a
Polish/English dictionary by his
side.
Paul now lives in Niagara-on-
the-Lake with his wife and two
children. •
Festival- Fact:
Your ticket cost pays 411 • only half the cost of
running the theatre.